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Scott deLahunta. Published 4 articles in journals. Has 14 section(s) of books. Works in the area(s) of Humanities with emphasis on Arts with emphasis on Performing Arts Studies (Musicology, Theater Science, Dramaturgy). In his curriculum Ciência Vitae the most frequent terms in the context of scientific, technological and artistic-cultural output are: choreography, documentation, digitisation, interdisciplinary, dance-science, dance-tech; .
Identificação

Identificação pessoal

Nome completo
Scott deLahunta

Nomes de citação

  • deLahunta, Scott

Identificadores de autor

Ciência ID
D417-CE95-C9B5
ORCID iD
0000-0003-4673-8599

Endereços de correio eletrónico

  • aa9576@coventry.ac.uk (Profissional)

Telefones

Telemóvel
  • (+49) 1741764665 (Pessoal)

Moradas

  • Schererstrasse, 11, 13347, Berlin, -na-, Alemanha (Pessoal)

Websites

Domínios de atuação

  • Humanidades - Artes - Estudo das Artes da Representação (música, teatro e dramaturgia)

Idiomas

Idioma Conversação Leitura Escrita Compreensão Peer-review
Inglês (Idioma materno)
Formação
Grau Classificação
2010
Concluído
 Scott deLahunta (Doktori fokozat (PhD))
University of Plymouth, Reino Unido
Percurso profissional

Cargos e Funções

Categoria Profissional
Instituição de acolhimento 		Empregador
2017/09/01 - Atual Professor of Dance Coventry University, Reino Unido
Centre for Dance Research, FAH, Coventry University, Reino Unido
Produções

Publicações

Artigo em revista
  1. Scott deLahunta; Jordan Beth Vincent. "Through the lens of choreographic process". Arts and the Market 10 1 (2020): 53-64. https://doi.org/10.1108/AAM-07-2019-0024.
    10.1108/AAM-07-2019-0024
  2. Catherine J. Stevens; Kim Vincs; Scott deLahunta; Elizabeth Old. "Long-term memory for contemporary dance is distributed and collaborative". Acta Psychologica 194 (2019): 17-27. https://doi.org/10.1016/j.actpsy.2019.01.002.
    10.1016/j.actpsy.2019.01.002
  3. Philip Barnard; Scott deLahunta. "Mapping the audit traces of interdisciplinary collaboration: bridging and blending between choreography and cognitive science". Interdisciplinary Science Reviews 42 4 (2017): 359-380. https://doi.org/10.1080/03080188.2017.1381226.
    10.1080/03080188.2017.1381226
  4. J. Leach; Scott deLahunta. "Dance ‘Becoming’ Knowledge". Leonardo In press (2015): https://pureportal.coventry.ac.uk/en/publications/dance-becoming-knowledge(252701fc-e178-4349-a8e4-3001f9fa4877).html.
    10.1162/LEON_a_01074
Capítulo de livro
  1. Scott deLahunta; P. Barnard. "Seeing the 'Choreographic Mind': three analytic lenses developed to probe and notate creative processes in dance". editado por Bettina Bl{\, 88-114. Reino Unido: Routledge, 2018.
  2. J. B. Vincent; C. Vincent; K. Vincs; Scott deLahunta; J. McCormick. "Artworks-spawning-artworks: trans-disciplinary approaches to artistic spin-offs and evolution in the dance and digital context". editado por Sarah Whatley; Cisneros, {Rosemary K., 283-299. Reino Unido: Palgrave Macmillan, 2018.
  3. Scott deLahunta. "Dance Becoming Data". In Version Two, editado por Simon Ellis; Hetty Blades; Charlotte Waelde, 333-357. Reino Unido: Coventry: C-DaRE at Coventry University, 2018.
  4. Scott deLahunta; Jordan Beth Vincent; Elizabeth Old; Garry Stewart; James Leach; Catherine Stevens. "Exploring Creative Thought in Choreography Together". In Process Documentation with the Australian Dance Theatre, editado por Hetty Blades; Emma Meehan, 369-414. Reino Unido: Intellect, 2018.
  5. P. Barnard; Scott deLahunta. "Intersecting shapes in music and in dance". editado por D. Leech-Wilkinson; H. Prior, 328-350. Reino Unido: Oxford University Press, 2017.
  6. Scott deLahunta; Florian Jenett; Franz Anton Cramer. "The Digital and back again". In A Conversation on Motion Bank, editado por Barbara B{\, 211-224. Reino Unido: House Georg Olms, 2017.
  7. Scott deLahunta. "Motion Bank: a Broad Context for Choreographic Research". editado por M. Bleeker, 128-137. Reino Unido: Taylor and Francis, 2016.
  8. Scott deLahunta; F. Jenett. "Making digital choreographic objects interrelate: a focus on coding practices". editado por Martina Leeker; Imanuel Schipper; Timon Beyes. Reino Unido: Transcript-Verlag, 2016.
  9. Scott deLahunta. "Motion Bank: un ambiente per la ricerca unico e interdisciplinare". editado por Monda, {Letizia Gioia. Itália: Dino Audino Editore, 2016.
  10. P. Barnard; Scott deLahunta. "Notating Creative Endeavors: a single case study of evolving representations of choreographic thinking". editado por B. Blaesing; M. Puttke; T. Schack. Reino Unido: Taylor and Francis, 2016.
  11. M. Bleeker; Scott deLahunta. "Movements Across Media: Twelve Tools for Transmission". editado por M. Bleeker, 3-15. Reino Unido: Taylor and Francis, 2016.
  12. Scott deLahunta. "The Choreographic Language Agent". editado por M. Bleeker, 108-117. Reino Unido: Taylor and Francis, 2016.
  13. Scott deLahunta. "Annotations: Drawing (out) ideas in movement". editado por J. Badura; S. Dubach; A. Haarmann; D. Mersch; A. Rey; C. Schenker; {Germ{\'a, 110-118. Reino Unido: Diaphanes, 2015.
  14. Scott deLahunta. "The Utility of Words (the poet's Technique)". editado por N. Haffner; H. Quast, 245-254. Reino Unido: Universit{\, 2015.

Outros

Outra produção
  1. Dance Becoming Data Part Two. Conversation Between Anton Koch and Scott DeLahunta. 2017. Scott deLahunta; Anton Koch. https://pureportal.coventry.ac.uk/en/publications/dance-becoming-data-part-two(2e01d123-f231-4586-8a78-01c1d52b5e1a).html.
  2. Dance Becoming Data Part One. Software for Dancers. 2017. Scott deLahunta; Anton Koch. https://pureportal.coventry.ac.uk/en/publications/dance-becoming-data-part-one(f08aa044-ad82-4800-b4d0-8fb890034509).html.