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Catarina Amélia Pereira Miguel de Sousa Cabral (Catarina Miguel) graduated in Chemical Engineering (5 years graduation) from the Universidade de Lisboa- Instituto Superior Técnico (2004) and holds a PhD in Conservation Sciences from the Universidade Nova de Lisboa- Faculdade de Ciências e Tecnologia (2012, Summa cum laude). She is a Contracted Researcher at Laboratório HERCULES-Universidade de Évora, a member of the CityUMacau Chair in Sustainable Heritage-Universidade de Évora, a member of the In2Past Associated Laboratory and an Invited Assistant Professor in the Universidade de Évora. She published 32 papers in journals indexed in Scopus, 19 sections of books, and four co-authored books. Organised one International Conference, Co-organized five international conferences and one exhibition on illuminated manuscripts at the Biblioteca Nacional de Portugal. Supervised 9 MSc dissertations and one PhD dissertation and is currently supervising three PhD dissertations. Catarina Miguel held a post-doctoral Fellowship in a European Research Project at HERCULES Lab, where she was responsible for setting up the Vibrational Spectroscopy Lab of HERCULES Lab. She was a Researcher in 16 projects and a Scientific Initiation Fellow in 3 projects. She works in Heritage Sciences, emphasising Analytical Chemistry - spectroscopic analysis. For the last 18 years, Catarina Miguel has worked on studying the materials used to produce illuminated manuscripts, having integrated as a researcher the first Portuguese research projects devoted to studying Portuguese medieval illuminations (2006-2012). In 2014, Catarina Miguel coordinated the research project SCISTER (SCIentific Study of Cistercian Illuminated Scripts, Techniques, Esthetics and Religion), under which coordinated the first (and so far unique) Portuguese international mission to the Vatican Library to study 11th-13th century illuminated Cistercian manuscripts and to Troyes (France) to coordinate the first (and so far unique) study on the characterisation of the materials used to produce medieval illuminated manuscripts from Clairvaux Abbey-France. In Portugal, she coordinated several interdisciplinary studies on the study of illuminated manuscripts from the medieval to the Renaissance period. Currently, she is the PI of the ROADMAP project (PTDC/ART-HIS/0985/2021), which will study the artworks by António de Holanda or be attributed to him in a chronological perspective produced between 1515 and 1554. This will be the first systematic chronological characterisation of the artwork of an illuminator from the Renaissance period, both from an art history perspective and from his material and painting technique(s) characterisation, unbreaking borders of countries and institutions. In her curriculum, Ciência Vitae, the most frequent terms in the context of scientific, technological and artistic-cultural output are analytical techniques, chemometric analysis, Comparative history, Abbey of Alcobaça, Liturgical Manuscripts, Illumination, and Bookbinding.
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Identification

Personal identification

Full name
Catarina Amélia Pereira Miguel de Sousa Cabral
Date of birth
1977/04/04
Gender
Female

Citation names

  • Miguel, Catarina
  • Miguel, C.
  • Cabral, Catarina

Author identifiers

Ciência ID
0613-67FF-B407
ORCID iD
0000-0002-4722-8067

Websites

Knowledge fields

  • Exact Sciences - Chemical Sciences - Analytical Chemistry

Languages

Language Speaking Reading Writing Listening Peer-review
French Intermediate (B1) Intermediate (B1) Intermediate (B1) Intermediate (B1)
Spanish; Castilian Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
English Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
German Beginner (A1) Beginner (A1) Beginner (A1) Beginner (A1)
Italian Intermediate (B1) Intermediate (B1) Beginner (A1) Intermediate (B1)
Projects

Grant

Designation Funders
2014/12/01 - 2019/02/28 AND THERE WILL BE LIGHT: Alcobaça scriptorium within the context of the European Cistercian manuscripts held by the Vatican Library - an enrichment of Portuguese Cultural Heritage
SFRH/BPD/92865/2013
 Fundação para a Ciência e a Tecnologia
Concluded

Contract

Designation Funders
2021/01/01 - 2025/12/31 Laboratório Associado para a Investigação e Inovação em Património, Artes, Sustentabilidade e Território
10.54499/LA/P/0132/2020
LA/P/0132/2020
Researcher
Universidade do Minho, Portugal

Universidade Nova de Lisboa Instituto de Historia da Arte, Portugal

Centro em Rede de Investigação em Antropologia, Portugal

Universidade do Minho Laboratório de Paisagens Património e Território, Portugal

ISCTE-Instituto Universitário de Lisboa, Portugal

Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal

Universidade de Évora, Portugal

Universidade de Coimbra, Portugal

Universidade NOVA de Lisboa, Portugal

Instituto de História Contemporânea, Portugal

Universidade de Évora, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2021/01/01 - 2025/12/31 Associate Laboratory for Research and Innovation in Heritage, Arts, Sustainability and Territory
LA/P/0132/2020
Universidade do Minho, Portugal

Universidade Nova de Lisboa, Portugal

Universidade Nova de Lisboa Instituto de Historia da Arte, Portugal

Centro em Rede de Investigação em Antropologia, Portugal

Universidade do Minho Laboratório de Paisagens Património e Território, Portugal

ISCTE-Instituto Universitário de Lisboa, Portugal

Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal

Universidade de Évora, Portugal

Universidade de Coimbra, Portugal

Instituto de História Contemporânea, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2021/03/15 - 2025/03/14 Books, rituals and space in a Cistercian nunnery. Living, praying and reading in Lorvão, 13th ¿ 16th centuries.
10.54499/PTDC/ART-HIS/0739/2020
PTDC/ART-HIS/0739/2020
Researcher
Associação para a Inovação e Desenvolvimento da FCT, Portugal

Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Universidade de Évora, Portugal

Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal

Universidade Nova de Lisboa Instituto de Estudos Medievais, Portugal

Universidade NOVA de Lisboa, Portugal

Universidade de Évora, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2021/12/03 - 2024/12/02 ROADMAP: Research On Antonio De Holanda Miniatures Artistic Production
PTDC/ART-HIS/0985/2021
Principal investigator
Universidade de Évora, Portugal
Ongoing
2020/10/01 - 2023/09/30 Predictive models for strategic metal rich, granite-related ore systems based on mineral and geochemical fingerprints and footprints
ERA-MIN/0004/2019
Universidade de Évora, Portugal

Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2020/04/01 - 2023/03/31 Post-fire erosion risk assessment using molecular markers (EROFIRE)
PCIF/RPG/0079/2018
Universidade do Minho, Portugal

Universidade de Évora, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2018/10/01 - 2021/09/30 Carbonatação in-situ para redução de emissões de CO2 de fontes energéticas e industriais no Alentejo. IN-SITU CARBONATION FOR REDUCTION OF CO2 EMISSIONS FROM ENERGY AND INDUSTRIAL SOURCES IN ALENTEJO
PTDC/CTA-GEO/31853/2017
Universidade de Évora, Portugal

Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2018/09 - 2021/09 Bolsa da Reitoria
BD-2017
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
 Universidade de Lisboa
2019/01/01 - 2019/12/31 Laboratório HERCULES - Herança Cultural Estudos e Salvaguarda
UID/Multi/04449/2019
Universidade de Évora, Portugal

Universidade Nova de Lisboa Instituto Português de Relações Internacionais, Portugal
Fundação para a Ciência e a Tecnologia
Concluded
2016/05/01 - 2019/10/31 Mobility and interaction in South Portugal Recent Prehistory: the role of aggregation centers.
PTDC/EPH-ARQ/0798/2014
Universidade do Algarve, Portugal

Universidade do Algarve Centro Interdisciplinar de Arqueologia e Evolução do Comportamento Humano, Portugal

ERA Arqueologia SA, Portugal

Universidade de Coimbra Centro de Investigação em Antropologia e Saúde, Portugal

Universidade do Algarve, Portugal

Universidade de Évora, Portugal

Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal
Fundação para a Ciência e a Tecnologia
Concluded
2011/01/01 - 2012/12/31 Strategic Project - LA 6 - 2011-2012
PEst-C/EQB/LA0006/2011
Universidade NOVA de Lisboa Faculdade de Ciências e Tecnologia, Portugal

Universidade do Porto Instituto de Ciências Tecnologias e Agroambiente, Portugal

Rede de Química e Tecnologia Laboratório Associado para a Química Verde, Portugal
Fundação para a Ciência e a Tecnologia
Concluded
Outputs

Publications

Book
  1. Carmo, Ana Mesquita e; Casanova, Amélia; Escobar, Nazaré; Esteves, Lília; Garcia, Miguel; Henriques, Frederico; Klein, Peter; et al. Pintura da charola de Tomar. Lisboa, Portugal: Instituto Português de Conservação e Restauro. 2004.
    Published
Book chapter
  1. Miguel, Catarina; FITRI, Shatila; BOTTURA-SCARDINA, Silvia; Casanova, Mª da Conceição; Barreira, Catarina Fernandes. "On the Life of a Scriptorium: Unveiling the Interdisciplinary Study of the MS Alc. 433 Manuscript and its Unique Chronological Record of the Work at the Portuguese Scriptorium of Alcobaça". In Drugs & Colors in History. Revisiting historical traditions, pharmacies & workshops, edited by VA´ZQUEZ DE A´GREDOS PASCUAL, Maria Luisa; Miguel, Catarina; Pelosi, Claudia. Valencia, Spain: Tirant lo Blanc, 2024.
    In press
  2. Barreira, Catarina Fernandes; Casanova, Conceição; Miguel, Catarina; Ana Tourais. "Crossing Disciplinary Boarders: challenges in the study of Cistercian Medieval books in Portugal". In Book Written Heritage: new challenged and perspectives. 2024.
    Submitted
  3. Catarina, Miguel; Maria Luísa, Carvalho; Cristina, Barrocas-Dias. "Haja Luz: singularidades materiais das hagiografias românicas alcobacenses num contexto europeu". Direcção Geral do Património Cultural, 2023.
  4. Valadas, Sara; Miguel, Catarina; Miriam Pressato; Bottura Scardina, Silvia; Candeias, António; Ana Margarida Cardoso. "Estudo Analítico do Retrato de D. João IV". In Pinto para os Tempos a imagen de hum Rey - Contributos para o estudo da pintura de José Avelar Rebelo, edited by Susana Varela Flor; Sara Valadas. Portugal: Fundação da Casa de Bragança, 2023.
    In press
  5. Miguel, Catarina; Candeias, António. "Raman Spectroscopy as a Cultural Heritage Forensic Tool". Royal Society of Chemistry, 2019.
    https://doi.org/10.1039/9781788013475-00184
  6. Miguel, C.; Barrocas Dias, Cristina; Ferreira, Teresa; Claro, A.; Candeias, A.. "Estudo Material de manuscritos Iluminados. O Caso de Estudo do Códice CXXV/2-4 da BPE". In Lux anima - Iluminuras na Biblioteca de Évora, edited by Conde, A.F.; Miguel, C.; Barrocas Dias, Cristina; Cid, I.; Ferreira, Teresa. Portugal: Althum.com, 2016.
  7. Gil, M.; Dias, L.; Cardoso, A.; Miguel, C.; Manhita, A.; Martins, S.; Barrocas Dias, Cristina; Mirão, J.; Candeias, A.. "Charola do Convento de Cristo em Tomar: matéria e técnica das pinturas murais do octógono central (novas perspetivas)". In A Charola de Tomar. Novos dados, novas interpretações, edited by Frazão, I.; Afonso, L.U., 84-108. Direcção do Património Cultural, 2016.
  8. Miguel, Catarina; Dias, Cristina; Dias, Luis; Beltrame, Massimo; Candeias, António. "Relatório técnico da caracterização dos materiais e técnicas de produção do Foral de Alcochete e Aldeia Galega". Câmara Municipal de Alcochete, 2015.
  9. Bottaini, Carlo; Manhita, Ana; Barrocas Dias, Cristina; Miguel, Catarina; beltrame, massimo; Mirão, José; Candeias, António; Oliveira, M.J.; Carvalho, G.. "Uma abordagem multidisciplinar na caracterização arqueométrica de uma ponta de seta e de um estilete procedentes do sítio da Bela Vista 5 (Mombeja, Beja)". In ERA Monográfica-2, Bela Vista 5. Um recinto do Final do 3º Milénio a.n.e.. Portugal: Era- Arqueologia S.A., 2014.
    Published
Conference abstract
  1. Penetra, Maria João; Miguel, Catarina; Caldeira, A Teresa. Corresponding author: Caldeira, A Teresa. "To be or not to be - On the use of biosignatures approaches for the analysis of parchment origin". Paper presented in Technart -International conference on analytical techniques in art and cultural heritage, Lisboa, 2023.
  2. Penetra, Maria João; Candeias, António; Miguel, Catarina; Caldeira, A Teresa. Corresponding author: Caldeira, A Teresa. "The connection between animal origin of historical parchment and microbiome". Paper presented in MicroBiotec 2023 - Congress of Microbiology and Biotechnology 2023, 2023.
    Submitted
  3. Bottura Scardina, Silvia; Nogueira-Alves, Alice; Miguel, Catarina; Themudo-Barata, Filipe. "The Extended Atelier of the Late Middle Ages: The Artisanal Reorganisation in Incunable Workshops of the Late-15th-Century Paris". Paper presented in II International Congress for Young Researchers of the Middle Ages, Évora, 2019.
    Accepted
  4. Bottura Scardina, Silvia; Miguel, Catarina; Nogueira-Alves, Alice; Themudo-Barata, Filipe. ""Retouching" IR Images: An Innovative method for improving IR images with MATLAB for underprintings recovery". Paper presented in RECH5 ¿ REtouching Cultural Heritage, Urbino, 2019.
    Accepted
  5. Miguel, Catarina; Barrocas-Dias, Cristina; Manhita, Ana; Ferreira, Teresa; Conde, Antónia; Candeias, António. "Behind the Light: Pink-Lake Paints¿ Characterization on a 16th Century Illuminated Antiphonary Held by the Biblioteca Pública de Évora - a Spectroscopic Approach (oral presentation)". Paper presented in ESRARC2019 - 11Ith European Symposium on Religious Art, Restoration & Conservation, Valência, 2019.
    Published
Conference paper
  1. Miguel, Catarina; Claro, Ana; Melo, Maria João; Claro, Ana. "Copper pigments in medieval times: Green, blue, greenish blue or bluish green?". Paper presented in Art Technological Source Research 3rd International Symposium, Glasgow, 2008.
    Published
Conference poster
  1. Cruz, João; Victoria Corregidor; Valadas, Sara; Ana Cardoso; José de Mello; Miguel, Catarina. Corresponding author: Cruz, João. "In-situ non-invasive characterization of Sephardic Torahs from Ponta Delgada, Azores". Paper presented in TECHNART 2023 - International conference on analytical techniques in art and cultural heritage, 2023.
  2. Valadas, Sara; Antonio Candeias; Ana Cardoso; Manhita, Ana; Miguel, Catarina; Michael Gironda; Caetano, Joaquim Oliveira; et al. Corresponding author: Valadas, Sara. "Integrated study and conservation of 15th century masterpiece St. Vincent Panels: the contributions of nowadays technology". Paper presented in INART 2022 - 5th International Conference on Innovation in Art Research and Technology, 2022.
  3. Miriam Pressato; T. L. Ruivo; Miguel, Catarina; António Estevão Grande Candeias; Valadas, Sara. Corresponding author: Miriam Pressato. "The use of in-situ non-invasive techniques as powerful tools in the investigation of 18th century Chinese wallpapers from the National Museum of Ancient art – Lisbon". Paper presented in INART 2022 - 5th International Conference on Innovation in Art Research and Technology, 2022.
  4. Ana Cardoso; Irina Sandu; Erika Sandbakken; Miguel, Catarina; Manhita, Ana; Valadas, Sara; Barrocas Dias, Cristina; António Estevão Grande Candeias. Corresponding author: Ana Cardoso. "Multitechnique study of drawing materials by Edvard Munch". Paper presented in INART 2022 - 5th International Conference on Innovation in Art Research and Technology, 2022.
  5. Valadas, Sara; Ana Cardoso; Irina Sandu; Erika Sandbakken; Manhita, Ana; Miguel, Catarina; José Mirão; Ana Teresa Fialho Caeiro Caldeira; António Estevão Grande Candeias. Corresponding author: Valadas, Sara. "Creating a database on Munch crayons´ collection". Paper presented in MUNCH 2022 -Understanding Munch and the art at the turno f the centuries between the museum and the laboratory, 2022.
  6. Milene Gil; Bottura Scardina, Silvia; Ana Cardoso; Manhita, Ana; Costa, Mafalda; Miguel, Catarina; Valadas, Sara. Corresponding author: Milene Gil. "Building up a reference collection of mural paint layers with different pictorial techniques and colorants for material and diagnostic studies". Paper presented in MUNCH 2022 -Understanding Munch and the art at the turno f the centuries between the museum and the laboratory, 2022.
  7. Bottura Scardina, Silvia; Nogueira-Alves, Alice; Themudo-Barata, Filipe; Miguel, Catarina. "The Technique of Illumination in the 16th-century Book of Hours: A Multidisciplinary Study of the Materials, Technique and Artistic Influences in Hardouyns¿ Incunabula". Paper presented in Ciência 2019 ¿ Encontro com a Ciência e a Tecnologia em Portugal, 2019.
  8. Moita, Patrícia; Berrezueta, Edgar; Costa, Jorge Manuel Pedro da; Miguel, C.; Cristina Galacho; Beltrame Massimo; Barrulas, Pedro; Mirao, Jose; Carneiro, Júlio. "Ensaios de carbonatação mineral de CO2 no gabro do maciço de Sines - dados preliminares do projeto InCarbon.". Paper presented in XII Congresso Ibérico de Geoquímica, Évora, 2019, 2019.
  9. Nunes, Margarida; Costa, Sónia; Miguel, Catarina; Caldeira, Ana Teresa; Ferreira, Teresa. "A Multi-analytical Study on 19th Century Ambrotype". Paper presented in TechnoHeritage2017 - 3rd International Congress on Science and Technology for the Conservation of Cultural Heritage, 2017.
  10. Bottura, Silvia; Miguel, Catarina; Barrocas Dias, Cristina; Jacobs, Whitney; Ferreira, Teresa; Conde, Antónia; Cid, Isabel; Costa, Sónia; Candeias, António. "The Technique of Illumination in the Transition from Manuscript to Incunabula in Paris: a Case Stud". Paper presented in YOCOCU 2016 ¿ 5th International Conference Youth in Conservation of Cultural Heritage, 2016.
  11. Miguel, Catarina; Barrocas Dias, Cristina; Ferreira, Teresa; Dias, Luís; Candeias, António. "Microscopic Analysis: a New Perspective on the Production of the Portuguese 16th Century Illuminated Manueline Charters". Paper presented in 50th Meeting of SPMicros - Microscopy and Microanalysis in Materials and Life Sciences, 2016.
  12. Salvador, C.; Miguel, C.; Branco, A.; Pereira, António; Candeias, A.; Caldeira, A.T.. "Proteic and molecular markers of parchments". Paper presented in Microbiotec15. Évora, Portugal, 2015.
Journal article
  1. Penetra, Maria João; Candeias, António; Miguel, Catarina; Caldeira, A Teresa. Corresponding author: Caldeira, A Teresa. ""Deciphering parchment origin and microbiome through biocodicology" CULHER-D-23-00894 (Under publication)". Journal of Cultural Heritage (2024):
    Submitted
  2. Carlo Bottaini; Armando Redentor; Bernardes, Paulo; Alves, Mafalda Sofia Duarte; Miguel, Catarina; César João Santos Oliveira. Corresponding author: Carlo Bottaini. "Vestígios de Pintura em Miliário Romano da Via Nova (Milha XXXI a Bracara Augusta), Norte de Portugal. Uma abordagem multidisciplinar". SAGVNTVM Papeles del Laboratorio de Arqueología de Valencia 55 (2023): 255-264.
    Published
  3. Carlo Bottaini; Armando Redendor; Paulo Bernardes; Mafalda Alves; Catarina Miguel; César Oliveira. "Vestígios de pintura em miliário romano da via nova (milha XXXI a Bracara Augusta), Norte de Portugal. Uma abordagem multidisciplinar". SAGVNTVM. Papeles del Laboratorio de Arqueología de Valencia (2023): https://doi.org/10.7203/SAGVNTVM.55.26746.
    10.7203/SAGVNTVM.55.26746
  4. Miriam Pressato; Teresa Lança; Catarina Miguel; António Candeias; Sara Valadas. "The use of in situ non-invasive techniques as powerful tools in the investigation of eighteenth century Chinese wallpapers from the National Museum of Ancient Art—Lisbon". The European Physical Journal Plus (2023): https://doi.org/10.1140/epjp/s13360-023-03862-0.
    10.1140/epjp/s13360-023-03862-0
  5. Silvia Bottura-Scardina; Peter Vandenabeele; Catarina Miguel; António Candeias. "Comparative assessment of two portable Raman spectrometers for the characterisation of historical natural dye lakes". Journal of Raman Spectroscopy (2023): https://doi.org/10.1002/jrs.6501.
    10.1002/jrs.6501
  6. Melo, Helena P.; Valadas, Sara; Cruz, António João; Cardoso, Ana Margarida; Miguel, Catarina; Manhita, Ana; Helvaci, Yigit Zafer; Barrocas Dias, Cristina; Candeias, António. Corresponding author: Melo, Helena P.. "Italian Influence in a Portuguese Mannerist Painting (Part I): A New Palette with Original Orange and Green Pigments". Studies in Conservation (2022): 1-16. http://dx.doi.org/10.1080/00393630.2022.2133917.
    In press • 10.1080/00393630.2022.2133917
  7. António João Cruz; Helena P. Melo; Sara Valadas; Catarina Miguel; António Candeias. "The Matter from Which an Orange Colour Is Made: On the Arsenic Pigment Used in a Portuguese Mannerist Painting". Heritage 5 3 (2022): 2646-2660. https://doi.org/10.3390/heritage5030138.
    10.3390/heritage5030138
  8. Casanova, Conceição; Rodrigues, Samuel Arrojado; Barreira, Catarina Fernandes; Miguel, Catarina; Quilhó, Teresa; Tourais, Ana Sofia. "Narrating codex history: the case study of a psalter-hymnal from Alcobaça Monastery, Portugal". Journal of Medieval Iberian Studies (2022): 1-15. http://dx.doi.org/10.1080/17546559.2021.2021590.
    Published • 10.1080/17546559.2021.2021590
  9. Miguel, C.; Bottura-Scardina, S.; Bottaini, C.; Valadas, S.; Candeias, A.; Bilou, F.. "The Power of Combining MA-XRF, Infrared Reflectography and Digital Microscopy to Unveil the Production of the 16th Century Illuminated Charter of Évora: What May Be Hidden under a Painted Surface?". Heritage 5 1 (2022): 286-296. http://www.scopus.com/inward/record.url?eid=2-s2.0-85123800925&partnerID=MN8TOARS.
    10.3390/heritage5010015
  10. Parungao, D.; Vandenabeele, P.; Edwards, H.G.M.; Candeias, A.; Miguel, C.. "Mobile Raman spectroscopy analysis of elephant ivory objects". Journal of Raman Spectroscopy (2022): http://www.scopus.com/inward/record.url?eid=2-s2.0-85145335569&partnerID=MN8TOARS.
    10.1002/jrs.6487
  11. Figueiredo, Elin; Bottaini, Carlo; Miguel, Catarina; Lackinger, Aaron; Mirão, José; Comendador Rey, Beatriz. "Study of a Late Bronze Age Casting Mould and Its Black Residue by 3D Imaging, pXRF, SEM-EDS, Micro-FTIR and Micro-Raman". Heritage 4 4 (2021): 2960-2972. http://dx.doi.org/10.3390/heritage4040165.
    Published • 10.3390/heritage4040165
  12. Silvia Bottura-Scardina; Antonio Brunetti; Carlo Bottaini; Catarina Miguel. "On the use of hand-held X-ray fluorescence spectroscopy coupled to Monte Carlo simulations for the depth assessment of painted objects: The case study of a sixteenth-century illuminated printed book". The European Physical Journal Plus (2021): https://doi.org/10.1140/epjp/s13360-021-01326-x.
    10.1140/epjp/s13360-021-01326-x
  13. Barreira, Catarina Fernandes; Casanova, Mª da Conceição; Miguel, Catarina. "Cistercian Horizons or how Liturgical books can be sources to understand a monastic context from the 12th to the 16th centuries". Cîteaux ¿ Commentarii cistercienses Tomo 72 Fasc. 1-4 (2021): 315-321.
    Published • 10.2143/CIT.72.0.0000000
  14. Miranda, Maria; Lemos, Ana; Claro, Ana; Maria João Melo; Miguel, Catarina; Castro, Rita; Solange V Muralha; João A. Lopes; António Pereira Gonçalves. "The colour of medieval Portuguese illumination: an interdisciplinary approach". r e v i s ta d e h i s t ó r i a d a a r t e n.º e s p e c i a l - 2 0 1 1 Serie W nº 1 (2011): 228-245. https://revistadehistoriadaarte.wordpress.com/.
    Published
  15. Miranda, Adelaide; Lemos, Ana; Claro, Ana; Miguel, Catarina; Melo, Maria João. "A Iluminura Portuguesa, uma abordagem interdisciplinar". Revista de História de Arte - FCSH 5 (2008): 221-238. https://run.unl.pt/handle/10362/13240.
    Published
Newsletter article
  1. Miranda, Adelaide; Claro, Ana; Lemos, Ana; Miguel, Catarina; Melo, Maria João. "Apocalipse do Lorvão, um tesouro para descobrir ou Apocalipse do Lorvão, a cor da Luz", Boletim DGARQ, 2007

Other

Other output
  1. A Cor na Iluminura Portuguesa uma abordagem interdisciplinar. A cor na iluminura medieval portuguesa: uma abordagem interdisciplinar, foi o nome dado ao projecto que começou pelo estudo de dois manuscritos datados, do fundo do Mosteiro de São Mamede do Lorvão, os designados, Livro das Aves e o Apocalipse do Lorvão: apesar da diversidade do fundo a identificação destes dois manuscritos com cólofons, em que surge referência à datação e ao local de produção, to. 2008. Miranda, Adelaide; Lemos, Ana; Claro, Ana; Miguel, Catarina; Melo, Maria João. http://hdl.handle.net/10362/13240.
Activities

Event organisation

Event name
Type of event (Role) 		Institution / Organization
2023/09/21 - 2023/09/22 DRUGS&COLORS 2023 is an International Conference dedicated to studying ancient medicines, pigments, and dyes – as, in ancient times, their preparation and commercialisation were found together in the apothecaries, pharmacies, and spezierias. DRUGS&COLORS 2023 focuses on historically accurate reproductions of old recipes to produce ancient medicines, pigments and dyes, on the material characterisation of these materials and their applications over time. (2023/09/21 - 2023/09/22)
Conference (President of the Organising Committee)
 Universidade de Évora, Portugal

Jury of academic degree

Topic
Role 		Candidate name (Type of degree)
Institution / Organization
2024/04/15 “(Re)Descobrir Francisco de Campos”
(Thesis) Main arguer
 Maria Rita Espada de Torres Vaz Freire (PhD)
Universidade de Évora, Portugal
2023/06/26 "Between Tradition and Innovation: an Interdisciplinary approach in the study of seventeenth-century Armenian Manuscripts"
(Thesis) Main arguer
 Hermine Grigoryan (PhD)
Universidade NOVA de Lisboa Faculdade de Ciências e Tecnologia, Portugal
2023/02/09 “A Galeria de retratos dos Vice-Reis e Governadores do Estado da Índia. Percurso para a sua re-interpretação e salvaguarda”
(Thesis) Arguer
 Ana Teresa Teves Reis (PhD)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2022/12/19 “Manuscritos iluminados na Corte Portuguesa do século XV: temas e problemas da História da Arte e da Cultura”
(Thesis) Arguer
 Catarina Tiburcio (PhD)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal

Conference scientific committee

Conference name Conference host
2023/10/18 - 2023/10/20 V CONGRESSO DE HISTÓRIA DA ARTE, ASSOCIAÇÃO PORTUGUESA DE HISTORIADORES DA ARTE (APHA) FCSH-NOVA
Distinctions

Award

2021 Prémios APOM - Categoria Instituição
Associação Portuguesa de Museologia, Portugal
2017 Prémio SANTANDER TOTTA para a Internacionalização da produção Científica (Ref. 15BI/CIHERCULES/2016)