Mafalda Sofia Amorim da Silva Ferreira Nejmeddine (121B-D7BB-6F9F)

Curriculum Vitae

Mafalda Sofia Amorim da Silva Ferreira Nejmeddine

Mafalda Nejmeddine is a harpsichordist with a doctorate in Music and Musicology, specialising in performance, from the University of Évora, and is a specialist in Portuguese keyboard music of the 18th and 19th centuries. She obtained a Diploma in the Complementary Piano Course (Academy of Music S. Pio X, Vila do Conde), a Degree in Music - Harpsichord (Lisbon School of Music), the 1st Prize for Harpsichord (Conservatory of Paris-CNR) and a Master's degree in Child Studies - Music Education (University of Minho). Integrated researcher at the Centre for the Study of the Sociology and Aesthetics of Music (CESEM/IN2PAST) at the University of Évora. She developed a series of projects which involved the investigation, performance and dissemination of the 18th and 19th centuries Portuguese music. She published articles and performed several recitals and lecture-concerts with unpublished works from the Portuguese keyboard repertoire of this period. She edited the score of "Miserere de Villa de Conde" by António da Silva Leite, presented the modern premiere of this work and published about the organs of the Monastery of Santa Clara de Vila do Conde. She recorded two CDs on historical keyboard instruments, the world premiere recording of the collection "Sei sonate per cembalo" by Alberto José Gomes da Silva (José Calisto harpsichord from 1780, National Music Museum, Vermillion, USA, 2018) and "Portuguese Sonatas from the 18th and 19th centuries" (Muzio Clementi & Co. fortepiano from around 1810, Queluz National Palace, 2023), whose score she had edited. She was a scientific consultant and participated in the documentaries "Reencontro" and "Portuguese Sounds from the Past" by Fouad Nejmeddine made based on his two CDs. Currently, she is preparing the critical edition of Pedro António Avondano's keyboard sonatas and the production of the documentary series "Mestres e Sons Lusitanos" about six Portuguese composers from the 18th and 19th centuries.

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Identification

Personal identification

Full name: Mafalda Sofia Amorim da Silva Ferreira Nejmeddine

Citation names

Nejmeddine, Mafalda
Nejmeddine, Mafalda S.

Author identifiers

Ciência ID: 121B-D7BB-6F9F
ORCID iD: 0000-0002-4992-6643

Email addresses

msasfn@uevora.pt (Professional)

Websites

https://www.mafalda-nejmeddine.pt (Professional)

Knowledge fields

Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)

Languages

Language	Speaking	Reading	Writing	Listening
Portuguese (Mother tongue)
French	Advanced (C1)	Advanced (C1)	Advanced (C1)	Advanced (C1)
English	Upper intermediate (B2)	Advanced (C1)	Advanced (C1)	Advanced (C1)
Spanish; Castilian	Elementary (A2)	Advanced (C1)	Beginner (A1)	Advanced (C1)

Education

	Degree	Classification
2018/03/26 - 2018/03/26 Concluded	Title of Accredited Trainer (Outros) Conselho Científico-Pedagógico da Formação Contínua, Portugal
2010/11 - 2016/09/23 Concluded	Doctor's Degree in Music and Musicology - specialization in Performance (Doutoramento) Universidade de Évora, Portugal "O Género Sonata em Portugal: Subsídios para o Estudo do Repertório Português para Tecla de 1750 a 1807 [The Sonata Genre in Portugal: Contributions for the Study of the Portuguese Keyboard Repertory from 1750 to 1807]" (THESIS/DISSERTATION)	Approved with High Distinction
2004/10/01 - 2006/01/20 Concluded	Master in Child Studies - Specialization in Music Education (Mestrado) Universidade do Minho - Instituto de Estudos da Criança, Portugal "Manual para o Curso Básico de Cravo com Repertório Português do Século XVIII [Manual for the Basic Harpsichord Course with Portuguese Repertoire of the Eighteenth Century]" (THESIS/DISSERTATION)	Very good
2003/01/20 - 2003/01/25 Concluded	"Dancing at school - Didactic Project between History and Tradition" (workshop) (Outros) Universidade do Minho - Instituto de Estudos da Criança, Portugal
2001 Concluded	Bachelor in Music - Instrument variant: Harpsichord (Licenciatura) Instituto Politécnico de Lisboa Escola Superior de Música de Lisboa, Portugal "Sei Sonate per Cembalo de Alberto José Gomes da Silva [Sei Sonate per Cembalo by Alberto José Gomes da Silva]" (THESIS/DISSERTATION)	19 (nineteen) values
2000/11/18 - 2000/11/19 Concluded	Harpsichord, Spinet, Virginal: Maintenance and basic care (workshop) (Outros) Instituto Politécnico de Lisboa Escola Superior de Música de Lisboa, Portugal Universidade Nova de Lisboa, Portugal
2000/06/16 Concluded	Associate in Music - Instrument variant: Harpsichord (Bacharelato) Instituto Politécnico de Lisboa Escola Superior de Música de Lisboa, Portugal "n/a" (THESIS/DISSERTATION)	n/a (assigned equivalence)
1999 Concluded	Musical Studies - Harpsichord (Diplôme d´études supérieures) Conservatoire Supérieur de Paris - CNR, France "n/a" (THESIS/DISSERTATION)	1st Prize of Harpsichord by unanimity of the jury
1999 Concluded	Music - Harpsichord (Bachelor (1st cycle)) Conservatoire Municipal de la Ville de Paris - Concours Centralisés (Conservatoire du XVIIème arrondissement), France "n/a" (THESIS/DISSERTATION)	1st Prize of Baroque Chamber Music
1998/09 - 1998/09/11 Concluded	Bach - Festwochen Region Thun / Amsoldingen: International master classes 1998 (harpsichord masterclass) (Outros) Bach - Festwochen Region Thun , Switzerland
1998/04/13 - 1998/04/19 Concluded	Early Music Course (chamber music masterclass) (Outros) Academia de Música Antiga de Lisboa, Portugal
1998 Concluded	Music - Harpsichord (Bachelor (1st cycle)) Conservatoire Municipal du XVIIème arrondissement (Concours Centralisés des Conservatoires de la Ville de Paris), France "n/a" (THESIS/DISSERTATION)	1st Prize of Harpsichord with congratulations of t
1997/07/22 - 1997/07/27 Concluded	Meetings with the Baroque (harpsichord masterclass) (Outros) Centro de Estudos de Música Barroca, Portugal
1997/04/09 - 1997/04/19 Concluded	"Theory and Practice of Tuning Systems from the Renaissance to the Present" (workshop) (Outros) Académie Musicale de Villecroze, France
1997/04/09 - 1997/04/19 Concluded	Stage de clavecin et clavicorde (harpsichord and clavichord masterclass) (Outros) Académie Musicale de Villecroze, France
1996/07/23 - 1996/07/27 Concluded	Meetings with the Baroque (harpsichord masterclass) (Outros) Centro de Estudos de Música Barroca, Portugal
1995/07/23 - 1995/07/31 Concluded	Meetings with the Baroque / VI International harpsichord course (harpsichord masterclass) (Outros) Centro de Estudos de Música Barroca, Portugal
1995/04/10 - 1995/04/22 Concluded	Stage de clavecin et clavicorde (musique baroque) (harpsichord and clavichord masterclass) (Outros) Académie Musicale de Villecroze, France
1995 Concluded	Complementary Piano Course (Curso de Especialização Tecnológica) Academia de Música S. Pio X, Portugal "n/a" (THESIS/DISSERTATION)	17 (seventeen) values
1994/07/25 - 1994/07/31 Concluded	Meetings with the Baroque / V International harpsichord course (harpsichord masterclass) (Outros) Centro de Estudos de Música Barroca, Portugal
1994 - 1994/04/09 Concluded	7th Musical Improvement Courses (piano masterclass) (Outros) Academia de Música S. Pio X, Portugal
1993/07/26 - 1993/08/01 Concluded	Meetings with the Baroque / International harpsichord courses (hapsichord masterclass) (Outros) Centro de Estudos de Música Barroca, Portugal
1993 - 1993/04/10 Concluded	6th Musical Improvement Courses (piano masterclass) (Outros) Academia de Música S. Pio X, Portugal
1992 - 1992/07/26 Concluded	3rd International Harpsichord Course (harpsichord masterclass) (Outros) Centro de Estudos de Música Barroca, Portugal
1992/05/29 - 1992/06/06 Concluded	Meisterkurs fur cembalo (harpsichord masterclass) (Outros) Forum Artium , Germany
1992 - 1992/04/25 Concluded	5th Musical Improvement Courses (piano masterclass) (Outros) Academia de Música S. Pio X, Portugal
1991 - 1991/07/28 Concluded	2nd International Harpsichord Course (harpsichord masterclass) (Outros) Ruvina, Portugal
1991 - 1991/04/06 Concluded	4th Musical Improvement Courses (piano masterclass) (Outros) Academia de Música S. Pio X, Portugal
1990 - 1990/07/22 Concluded	1st International Harpsichord Course (harpsichord masterclass) (Outros) Ruvina, Portugal
1990 - 1990/04/21 Concluded	3rd Musical Improvement Courses (piano masterclass) (Outros) Academia de Música S. Pio X, Portugal

Affiliation

Teaching in Higher Education

	Category Host institution	Employer
2007/10/01 - 2012/10/16	Invited Assistant (University Teacher)	Universidade do Minho, Portugal
	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal

Other Careers

	Category Host institution	Employer
2001/10/01 - 2011/09/30	Professor do ensino básico e secundário (Professor do ensino básico e secundário)	Escola Profissional Artística do Vale do Ave (ARTAVE), Portugal
	Escola Profissional Artística do Vale do Ave (ARTAVE), Portugal
2003/11/01 - 2007/08/31	Professor do ensino básico e secundário (Professor do ensino básico e secundário)	Conservatório Bomfim, Portugal
	Conservatório Bomfim, Portugal
2001/10/01 - 2005/08/31	Professor do ensino básico e secundário (Professor do ensino básico e secundário)	Centro de Cultura Musical de Caldas da Saúde, Portugal
	Centro de Cultura Musical de Caldas da Saúde, Portugal
2000/11/02 - 2001/08/31	Professor do ensino básico e secundário (Professor do ensino básico e secundário)	Escola de Música do Conservatório Nacional, Portugal
	Escola de Música do Conservatório Nacional, Portugal

Others

	Category Host institution	Employer
2018/01/01 - Current	Researcher	Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical, Portugal
	Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical, Portugal
2017/10/01 - 2017/12/31	Post-doc Fellow	Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical, Portugal
	Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical, Portugal

Projects

Grant

	Designation	Funders
2017/10/01 - 2017/12/31	Estudo Analítico das Composições de Frei Vicente de Santa Bárbara [Analytical Study of the Compositions of Frei Vicente de Santa Bárbara] UID/EAT/00693/2013 Post-doc Fellow Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical, Portugal	Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical Concluded
2012/01/01 - 2015/12/31	O Género Sonata em Portugal: Subsídios para o Estudo do Repertório Português para Tecla de 1750 a 1807 [The Sonata Genre in Portugal: Contributions for the Study of the Portuguese Keyboard Repertory from 1750 to 1807] SFRH/BD/79591/2011 PhD Student Fellow Universidade de Évora Instituto de Investigação e Formação Avançada, Portugal	Fundação para a Ciência e a Tecnologia Concluded

Contract

	Designation	Funders
2024/09/02 - 2030/08/30	Portuguese Music Identity: Patterns of the Keyboard Repertoire (1750-1834) 2023.06709.CEECIND Principal investigator Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical, Portugal	Fundação para a Ciência e a Tecnologia Ongoing
2024/09/02 - 2025/05/09	Avondano XXI 2023.23416.PAPMO Researcher and Harpsichordist	Republica Portuguesa Direção-Geral das Artes Ongoing
2023/11/10 - 2024/11/30	Mestres e Sons Lusitanos / Lusitanian masters and sounds 2022.18641.PAPC Principal investigator Republica Portuguesa Direção-Geral das Artes, Portugal	Republica Portuguesa Direção-Geral das Artes Ongoing
2018/12 - 2019/10	Sei sonate per cembalo 2042_CE_2F_2018 Harpsichordist and Principal investigator	Fundação GDA Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical Concluded
2016/12/23 - 2018/06/23	Sonatas para cravo de Alberto José Gomes da Silva [Keyboard sonatas by Alberto José Gomes da Silva] UID/EAT/00693/2013 MN/FGDA/SFEI2016 Harpsichordist and Principal investigator Fundação GDA, Portugal Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical, Portugal	Fundação GDA Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical Concluded

Other

	Designation	Funders
2022/06/01 - Current	Sonatas portuguesas dos séculos XVIII-XIX / Portuguese Sonatas of the 18th and 19th Centuries MN/CESEM-IN2PAST/CD2022 Fortepianist and Principal investigator Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical, Portugal	Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical Ongoing
2022/06/01 - Current	Edição de partituras: Sonatas para tecla de Pedro António Avondano / Score edition: Keyboard Sonatas by Pedro António Avondano MN/CESEM-IN2PAST/SPAA2022 Principal investigator Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical, Portugal	Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical Associate Laboratory for Research and Innovation in Heritage, Arts, Sustainability and Territory (IN2PAST) Ongoing
2023/09/01 - 2024/08/31	Monument@Risk - A igreja de Santa Clara de Vila do Conde: estudo pluridisciplinar para a valorização e salvaguarda de um património em risco not assigned yet Researcher Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal	Associate Laboratory for Research and Innovation in Heritage, Arts, Sustainability and Territory (IN2PAST) Ongoing
2022/06/01 - 2023/08/31	Portuguese Sonatas of the 18th and 19th centuries (discographic edition) UIDB/00693/2020 LA/P/0132/2020 Principal investigator Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical, Portugal	Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical Associate Laboratory for Research and Innovation in Heritage, Arts, Sustainability and Territory (IN2PAST) Concluded
2022/10/01 - 2023/07/31	Edição de partituras: Sonatas portuguesas dos séculos XVIII-XIX / Score edition: Portuguese Sonatas of the 18th and 19th centuries MN/CESEM-IN2PAST/SPT2022 Principal investigator Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical, Portugal	Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical Associate Laboratory for Research and Innovation in Heritage, Arts, Sustainability and Territory (IN2PAST) Ongoing
2018/10/01 - 2020/09/30	Miserere de Vila do Conde [Miserere of Vila do Conde] UID/EAT/00693/2019 MN/CMVC/ASL2018 Principal investigator Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical, Portugal	Câmara Municipal de Vila do Conde Universidade de Évora - Centro de Estudos de Sociologia e Estética Musical Concluded
2004/10/01 - 2006/01/20	Manual para o Curso Básico de Cravo com Repertório Português do Século XVIII [Manual for the Basic Harpsichord Course with Portuguese Repertoire of the Eighteenth Century] MSN/UM/2004 Researcher Universidade do Minho - Instituto de Estudos da Criança, Portugal	Concluded

Outputs

Publications

Book	Nejmeddine, Mafalda. Keyboard sonatas by Pedro António Avondano (volume I). Vila do Conde, Portugal: Mafalda Nejmeddine. 2024. Published Nejmeddine, Mafalda. Portuguese Keyboard Sonatas (18th and 19th centuries). Vila do Conde, Portugal: Mafalda Nejmeddine. 2023. Published
Book chapter	Nejmeddine, Mafalda. "Caractérisation formelle et stylistique des sonates portugaises pour clavier publiées au XVIIIème siècle". In Actes du IXe congrès européen d'Analyse musicale - Proceedings of the 9th European Music Analysis Conference - Atti del IX Congresso Europeo di Analisi Musicale - Akten des IX. Europäischen Kongresses musikalischer Analyse, edited by Couprie, Pierre; Freund-Lehmann, Alexandre; Hascher, Xavier; Hérold, Nathalie. Strasbourg, France: GREAM - Université de Strasbourg, 2023. Published Nejmeddine, Mafalda. "The Sonata in Portuguese Keyboard Repertory of the Period circa 1750 to 1807". In Nuevas Perspectivas sobre la Música para Tecla de Antonio Soler / New Perspectives on the Keyboard Works of Antonio Soler, 247-259. Almería, Spain: FIMTE Festival Internacional de Música de Tecla Española, 2016. Published
Conference abstract	Nejmeddine, Mafalda S.; Albuquerque, Maria João. "Alberto José Gomes da Silva revisitado: vida e obra de um compositor português vanguardista". Paper presented in XII Meeting on Music Research, Mafra, 2023. Published Nejmeddine, Mafalda S.; Carter-Ényì, Aaron. "Computer-Assisted Analysis and Visualization of 18th-Century Portuguese Keyboard Music". Paper presented in 25th International Conference on Human-Computer Interaction (HCI International 2023), Copenhagen, 2023. Published Nejmeddine, Mafalda. "Música no Mosteiro de Santa Clara de Vila do Conde: Dados inéditos em torno de um Miserere de António da Silva Leite". Paper presented in 10th Meeting on research in music, Coimbra, 2021. Published Nejmeddine, Mafalda. "Aspectos didáticos na obra para tecla de João José Baldi [Didactic aspects in the keyboard work of João José Baldi]". Paper presented in VI Symposium on the Paradigms of Teaching Musical Instruments in the 21st Century, Évora, 2019. Published Nejmeddine, Mafalda. "Which Analysis Theory for the Eighteenth-Century Portuguese Sonata? Comparative Study between the Theory of Formal Functions and the Sonata Theory Applied to Gomes da Silva's Keyboard Works". Paper presented in VIII Encontro de Investigação em Música, Porto, 2018. Published Nejmeddine, Mafalda. "Analysing Francisco Xavier Baptista's Works: Attribution of His Last Keyboard Sonatas". Paper presented in 3rd International Conference on Historical Keyboard Music: Authorship in Historical Keyboard Music, Lisbon, 2018. Published Nejmeddine, Mafalda. "Formas de sonata no repertório português para tecla da segunda metade do século XVIII [Sonata Forms in the Portuguese Keyboard Repertoire of the Second Half of the 18th Century]". Paper presented in Conferências em Música e Musicologia – CESEM/UÉVora, Évora, 2017. Published Nejmeddine, Mafalda. "Evolução da sonata portuguesa para tecla no século XVIII: Estudo comparativo do estilo e da forma das obras de Frei Jacinto do Sacramento e de Frei Manuel de Santo Elias [Evolution of the Portuguese Keyboard Sonata in the Eighteenth Century: Comparative Study of the Style and the Form of the Works of Frei Jacinto do Sacramento and Frei Manuel de Santo Elias]". Paper presented in VII Encontro de Investigação em Música, Braga, 2017. Published Nejmeddine, Mafalda. "Caracterização da sonata de Frei Vicente de Santa Bárbara: Comparação com as características formais e estilísticas das sonatas portuguesas para órgão escritas entre 1750 e 1807 [Characterisation of Frei Vicente de Santa Bárbara's Sonata: Comparison with Formal and Stylistic Characteristics of the Portuguese Sonatas for Organ Written between 1750 and 1807]". Paper presented in Paisagem Sonora Histórica Évora 2017: Paisagem Sonora e Património Musical das Cidades, Évora, 2017. Published Nejmeddine, Mafalda. "Caractérisation formelle et stylistique des sonates portugaises pour clavier publiées au XVIIIème siècle (extended abstract)". Paper presented in 9th European Music Analysis Conference, Strasbourg, 2017. Published Nejmeddine, Mafalda. "Caractérisation formelle et stylistique des sonates portugaises pour clavier publiées au XVIIIème siècle". Paper presented in 9th European Music Analysis Conference, Strasbourg, 2017. Published Nejmeddine, Mafalda. "Sonatas Portuguesas para Tecla da Segunda Metade do Século XVIII: Análise Formal das Obras de Pedro António Avondano". Paper presented in VI Encontro Nacional de Investigação em Música, Aveiro, 2016. Published Nejmeddine, Mafalda. "Francisco Xavier Baptista: Novos Dados Biográficos sobre a Identidade do Compositor Português". Paper presented in V Encontro Nacional de Investigação em Música, Évora, 2015. Published
Edited book	Silva Leite, António da. Miserere de Villa de Conde. Vila do Conde, Portugal: Câmara Municipal de Vila do Conde. 2020. Published • Editor Silva, Alberto José Gomes da. Alberto José Gomes da Silva (1795): Sei Sonate per Cembalo, Lisboa, ca. 1770. Mollerussa, Spain: Scala Aretina. 2003. Published • Editor
Journal article	Nejmeddine, Mafalda S.. "De Baptista a Baxixa: percurso dos músicos Francisco Xavier e Joaquim Félix Xavier". Video Journal of Social and Human Research 2 1 (2023): 1-12. https://vjshr.uabpt.uema.br/index.php/ojs/article/view/21. Open access • Published • https://doi.org/10.18817/vjshr.v2i1.21 Nejmeddine, Mafalda S.. "Francisco Xavier Baptista's keyboard works: Analysis and attribution of his last sonatas". Música Hodie 23 (2023): https://revistas.ufg.br/musica/article/view/75308. Open access • Published • 10.5216/mh.v23.75308 Nejmeddine, Mafalda S.. "Os órgãos do Mosteiro de Santa Clara de Vila do Conde: construção, manutenção e repertório". Opus 28 (2022): 1-20. http://dx.doi.org/10.20504/opus2022.28.24. Open access • Published • 10.20504/opus2022.28.24 Nejmeddine, Mafalda. "Obras para tecla de João José Baldi: estudo analítico sobre os elementos didáticos". Música Hodie 20 (2021): https://revistas.ufg.br/musica/article/view/63782. Open access • Published • 10.5216/mh.v20.63782 Nejmeddine, Mafalda S.. "Obras para tecla de Pedro António Avondano: características formais e estilísticas, particularidades da escrita". Revista Portuguesa de Musicologia / Portuguese Journal of Musicology 8 1 (2021): 119-142. http://rpm-ns.pt/index.php/rpm/article/view/423. Open access • Published Nejmeddine, Mafalda. "Accompanied Keyboard Music in Portugal: The case of Francisco Xavier Baptista's Sonata Prima". Early Music Performer 47 (2020): 3-13. http://hdl.handle.net/10174/32247. Published Nejmeddine, Mafalda. "Os Compositores Portugueses na Carreira de Luísa Todi [Portuguese Composers in Luísa Todi's Career]". Educação Musical 113/114 (2002): 11-13. Published Nejmeddine, Mafalda. "Regras de Acompanhar para Cravo ou Orgão de Alberto José Gomes da Silva: Análise Preliminar". Educação Musical 106 (2000): 14-18. Published
Magazine article	Nejmeddine, Mafalda. "Portuguese keyboard music from the second half of the 18th century", Harpsichord & Fortepiano, 2021
Newspaper article	Nejmeddine, Mafalda. "Crítica de música: Variações Goldberg por Burmester em Santa Clara de Vila do Conde", Nascer do Sol, 2024, Opinião, https://sol.sapo.pt/2024/08/09/critica-de-musica-variacoes-goldberg-por-burmester-em-santa-clara-de-vila-do-conde. Nejmeddine, Mafalda. "O Cravo na Festa do Avante!", Avante!, 2022, Argumentos - Música, https://www.avante.pt/pt/2549/.
Online resource	Nejmeddine, Mafalda S.. Formal and Stylistic Characterization of Portuguese Keyboard Sonatas Published in the 18th Century (Paper presentation). 9th European Music Analysis Conference (EuroMAC 9). 2020. https://www.academy-on.com/videos/nejmeddine-ms-euromac-h-2-2020. Nejmeddine, Mafalda S.. Portuguese Keyboard Sonatas of the Second Half of the 18th Century: Formal Analysis of Pedro António Avondano Works (Paper presentation). 6th National Conference on Musical Research. 2019. https://www.academy-on.com/videos/nejmeddine-ms-enim16-1-2019.
Thesis / Dissertation	Nejmeddine, Mafalda Sofia Amorim da Silva Ferreira. "O género sonata em Portugal: subsídios para o estudo do repertório português para tecla de 1750 a 1807 [The Sonata Genre in Portugal: Contributions for the Study of the Portuguese Keyboard Repertory from 1750 to 1807]". PhD, Universidade de Évora, 2016. http://hdl.handle.net/10174/19170. Nejmeddine, Mafalda Sofia Amorim da Silva Ferreira. "Manual para o Curso Básico de Cravo com Repertório Português do Século XVIII [Manual for the Basic Harpsichord Course with Portuguese Repertoire of the Eighteenth Century]". Master, Universidade do Minho - Instituto de Estudos da Criança, 2006. http://hdl.handle.net/1822/6985.

Artistic / Performance

Artistic performance	Nejmeddine, Mafalda; Oliveira, Daniel; Martins, Marta; Barriga, Luísa; Sá Machado, Paulina; Morais, Rita; Lencastre, Henrique; Mendes, Nuno; Ruiz, Janete. 2024. Music in the Monastery. Santa Clara Church, "Spatia Resonantia", Vila do Conde, Portugal. Azevedo, Vasco Pearce de; Bernardo, Alexandra; Nejmeddine, Mafalda; Orquestra Sinfonietta de Lisboa; Pereira, Marco; Possante, Armando. 2022. Música na palavra de Saramago. Festa do Avante 2022 - Amora-Seixal, Portugal. Nejmeddine, Mafalda. 2021. Music for the Monastery of Santa Clara of Vila do Conde. Municipal Theater of Vila do Conde. Nejmeddine, Mafalda. 2019. Tour "Sei Sonate per Cembalo" (Documentary film and Harpsichord recital). Municipal Theater of Vila do Conde, Portugal. Nejmeddine, Mafalda. 2019. Tour "Sei Sonate per Cembalo" (Documentary film and Harpsichord recital). Ajuda National Palace, Lisbon, Portugal. Nejmeddine, Mafalda. 2019. Tour "Sei Sonate per Cembalo" (Documentary film and Harpsichord recital). Mateus d'Aranda College, University of Évora, Portugal. Nejmeddine, Mafalda. 2019. Tour "Sei Sonate per Cembalo" (Documentary film and Harpsichord recital). Nogueira da Silva Museum, Braga, Portugal. Nejmeddine, Mafalda; Stepanska, Nataliya. 2018. Journey Through the Music of the Past (Singing and Harpsichord concert). Municipal Theater of Vila do Conde, Portugal. Nejmeddine, Mafalda. 2018. Keyboard sonatas by Francisco Xavier Baptista (1741-1797) (Harpsichord recital). Oeiras Festival 1700, Marquês de Pombal Palace, Oeiras, Portugal. Nejmeddine, Mafalda; Stepanska, Nataliya. 2018. The Fable in Music (Didactic concert). Municipal Theater of Vila do Conde, Portugal. Nejmeddine, Mafalda. 2017. Keyboard Music in Portugal in the 18th Century (Lecture-recital). Vila do Conde Conservatory of Music, Portugal. Nejmeddine, Mafalda. 2017. Música Portuguesa do Século XVIII [Portuguese Music from 18th century] (Harpsichord recital). XIX Early Music Meeting of Loule´ - Francisco Rosado, Church of Our Lady of the Assumption, Portugal. Nejmeddine, Mafalda. 2017. Música para tecla em Portugal no século XVIII [Keyboard Music in Portugal in the 18th Century] (Lecture-recital). Conservatory of Music Calouste Gulbenkian of Braga, Portugal. Nejmeddine, Mafalda. 2016. Sonatas portuguesas do século XVIII [Portuguese Sonatas from the 18th Century] (Harpsichord recital). Auditorium of the Colégio Mateus d'Aranda - Escola de Artes, University of Évora, Portugal. Nejmeddine, Mafalda. 2016. Sonatas portuguesas do século XVIII [Portuguese Sonatas from the 18th Century] (Commented Harpsichord recital). Municipal Theater of Vila do Conde, Portugal. Nejmeddine, Mafalda. 2015. Sonatas portuguesas do século XVIII [Portuguese Sonatas from the 18th Century] (Commented harpsichord recital). Casa da Cultura – Centro de Estudos Luso-Árabes de Silves, Portugal. Nejmeddine, Mafalda. 2015. Sonatas portuguesas do século XVIII [Portuguese Sonatas from the 18th Century] (Lecture and Harpsichord recital). Municipal Library of Santo Tirso, Portugal. Nejmeddine, Mafalda. 2014. Sonatas portuguesas do século XVIII [Portuguese Sonatas from the 18th Century] (Harpsichord recital). National Library of Portugal, Lisbon, Portugal. Dias, Júlio Galvão; Janeiro, João Paulo; Magalhães, Marcos; Nejmeddine, Mafalda; Orquestra Flores de Música. 2011. Johann Sebastian Bach's harpsichord, flute and orchestra concerts. IV Temporada de Música Antiga Conde de Oeiras, Forte de São Julião da Barra, Oeiras, Portugal. Carrilho, António; Nejmeddine, Mafalda. 2011. Recorder and Harpsichord recital. University of Salamanca, Spain. Carrilho, António; Nejmeddine, Mafalda. 2011. Recorder and Harpsichord recital. Vilarinha Theater,Porto, Portugal. Nejmeddine, Mafalda. 2011. Alberto José Gomes da Silva (Commented harpsichord recital). Discovering works and composers / Recitals 35 minutes in Auditorium of ARTAVE, Santo Tirso, Portugal. Nejmeddine, Mafalda. 2011. Alberto José Gomes da Silva (Harpsichord recital). University of Minho, Braga, Portugal. Academic Choir and Orchestra of the University of Minho; Machado, Luís; Nejmeddine, Mafalda; Neto, Angélica. 2010. Magnificat em Talha Dourada by Eurico Carrapatoso (Orchestra concert). Colloquium “Do Sagrado na Arte” in Monastery of S. Martinho de Tibães, Braga, Portugal. Nejmeddine, Mafalda. 2009. The Evolution of the Harpsichord Suite (Harpsichord recital). 35-minute recitals with… in Auditorium of the ARTAVE, Santo Tirso, Portugal. Vítor Lima; Academic Choir and Orchestra of the University of Minho; Lawson, Valerie Vervoot; Lima, Vitor; Matos, Vitor; Nejmeddine, Mafalda. 2009. Baroque Music Concert. Cinema Theater, Fafe, Portugal. Academic Choir and Orchestra of the University of Minho; Lawson, Valerie Vervoot; Lima, Vitor; Matos, Vitor; Nejmeddine, Mafalda. 2009. Baroque Music Concert. Medieval Hall of the Rectory of the University of Minho, Braga, Portugal. Nejmeddine, Mafalda; Bobro, Cameron. 2008. Musical Interpretation of the voyage, homesickness, loneliness and friendship (Chamber Music Recital). Medieval Hall of the Rectory of the University of Minho, Braga, Portugal. Aguirre, Javier; Carrilho, António; Nejmeddine, Mafalda. 2008. Chamber Music Recital. Music Days in Belém 08, Belém Cultural Center, Lisbon, Portugal.
Audio recording	Nejmeddine, Mafalda; Fouad Nejmeddine (Producer). 2023. "Portuguese Sonatas of the 18th and 19th Centuries (Fortepiano Muzio Clementi & Co., c. 1810)". In Portuguese Sonatas of the 18th and 19th Centuries (Fortepiano Muzio Clementi & Co., c. 1810). Nejmeddine, Mafalda; Fouad Nejmeddine (Producer). 2018. "Sei Sonate per Cembalo - Alberto José Gomes da Silva (harpsichord by José Calisto, 1780, Portugal)". In Sei Sonate per Cembalo - Alberto José Gomes da Silva (harpsichord by José Calisto, 1780, Portugal).
Musical performance	Domenico Scarlatti: Sonatas. 2022. Instrumentalist

Other

Other output

A música para tecla de Pedro António Avondano (1714?-1782) (The keyboard music by Pedro António Avondano (1714?-1782)). Conference about the keyboard music by the Portuguese composer Pedro António Avondano.The lecture took place at the Olisiponenses Studies Office, in Lisbon, at the invitation of researcher Nunziatella Alessandrini (CHAM/NOVA FCSH). 2024. Nejmeddine, Mafalda. https://www.facebook.com/gabinetedeestudosolisiponenses.
Portuguese Sounds from the Past. This documentary film addresses keyboard music and cultural practices in the late 18th and early 19th centuries, as well as the instrument, space and recording of the album Portuguese Sonatas from the 18th and 19th centuries. Includes interviews with experts in the areas of heritage, research, organology, acoustic engineering and performance.. 2023. Nejmeddine, Mafalda; Nejmeddine, Fouad.
Reencounter. Research and commentaries in the documentary film "Reencounter" by Fouad Nejmeddine (2019). The film relates the research of the collection "Sei sonate per cembalo" and the Portuguese composer A.J. Gomes da Silva, in libraries and archives, as well as the recording of these works in a Portuguese historical harpsichord at the National Music Museum (Vermillion, USA).. 2019. Nejmeddine, Mafalda; Nejmeddine, Fouad. https://youtu.be/Uqh6mRnYtv8.
Formas de sonata no repertório português para tecla da segunda metade do século XVIII [Sonata Forms in the Portuguese Keyboard Repertoire of the Second Half of the 18th Century]. Conference about sonata forms in Portuguese keyboard music from the second half of the 18th century. The lecture was held at the University of Évora, by invitation, and its combined the theoretical explanation with musical performance.. 2017. Nejmeddine, Mafalda. http://dx.doi.org/10.17613/M6V97ZR5H.
O Cravo [The Harpsichord] (Conference) at XIX Early Music Meeting of Loule´ - Francisco Rosado. Conference on the harpsichord and its development until the 21st century. Repertoire approach, composers and performers with musical examples. Lecture held at the Municipal Museum of Loulé, Portugal. It was part of the XIX Early Music Meeting of Loulé - Francisco Rosado.. 2017. Nejmeddine, Mafalda.

Activities

Oral presentation

	Presentation title	Event name Host (Event location)
2023/09/30	Roles of Themes and Schemata in Generating Musical Form: Examples from 18th-Century Portuguese Keyboard Music	Galant Schema Studies Conference - Defining the Galant: Music, Style, Terminology J. Salamon & A. Nicholls (Yale University) (online)
2023/09/28	Alberto José Gomes da Silva revisitado: vida e obra de um compositor português vanguardista / Alberto José Gomes da Silva revisited: life and work of an avant-garde Portuguese composer	XII Meeting on Music Research Portuguese Society for Research in Music and National Music Museum (Mafra, Portugal)
2023/07/23	Computer-Assisted Analysis and Visualization of 18th-Century Portuguese Keyboard Music	25th International Conference on Human-Computer Interaction (HCI International 2023) Human-Computer Interaction International Conference (Copenhagen, Denmark)
2021/11/20	Interpretação da Sonata em Dó maior (1 and.) para tecla de Pedro António Avondano à luz das novas teorias de análise [Interpretation of the Sonata in C major (1 mov.) for keyboard by Pedro António Avondano in the light of new theories of analysis]	Conferences of the CESEM Research Group Music in the Modern Period - Aspects related to musical interpretation CESEM - Centre for the Study of the Sociology and Aesthetics of Music (FCSH/NOVA) (online, Portugal)
2021/11/11	Música no Mosteiro de Santa Clara de Vila do Conde: Dados inéditos em torno de um Miserere de António da Silva Leite [Music at the Monastery of Santa Clara of Vila do Conde: Unpublished data around a Miserere by António da Silva Leite]	10th Meeting on research in music Portuguese Society for Music Research (Coimbra, Portugal)
2021/06/24	Música portuguesa para instrumento de tecla acompanhado: Datação e análise da Sonata Prima de Francisco Xavier Baptista [Portuguese music for accompanied keyboard instrument: Dating and analysis of Sonata Prima by Francisco Xavier Baptista]	Simpósio Permanente de Investigação do CESEM #4 Centro de Estudos de Sociologia e Estética Musical - FCSH/NOVA (YouTube, Portugal)
2019/05/16	Aspetos didáticos na obra para tecla de João José Baldi [Didactic aspects in the keyboard work of João José Baldi]	VI Symposium on the Paradigms of Teaching Musical Instruments in the 21st Century University of Évora (Évora, Portugal)
2018/11/09	Which Analysis Theory for the Eighteenth-Century Portuguese Sonata? Comparative Study between the Theory of Formal Functions and the Sonata Theory Applied to Gomes da Silva’s Keyboard Works	8th Conference on Musical research Portuguese Society for Music Research and Polytechnic Institute of Porto (Porto, Portugal)
2018/06/07	Analysing Francisco Xavier Baptista's works: Attribution of his Last Keyboard Sonatas	3rd International Conference on Historical Keyboard Music - Authorship in Historical Keyboard Music Centre for the Study of Sociology and Aesthetics of Music - University NOVA of Lisboa (Lisbon, Portugal)
2017/11/09	Evolução da sonata portuguesa para tecla no século XVIII: Estudo comparativo do estilo e da forma das obras de Frei Jacinto do Sacramento e de Frei Manuel de Santo Elias [Evolution of the Portuguese Keyboard Sonata in the Eighteenth Century: Comparative Study of the Style and the Form of the Works of Frei Jacinto do Sacramento and Frei Manuel de Santo Elias]	7th Conference on Musical Research Portuguese Society for Music Research and University of Minho (Braga, Portugal)
2017/10/27	Caracterização da sonata de Frei Vicente de Santa Bárbara: Comparação com as características formais e estilísticas das sonatas portuguesas para órgão escritas entre 1750 e 1807 [Characterisation of Frei Vicente de Santa Bárbara's Sonata: Comparison with Formal and Stylistic Characteristics of the Portuguese Sonatas for Organ Written between 1750 and 1807]	Historical Soundscape Meeting - Évora 2017: City soundscapes and Musical Patrimony University of Évora and Centre for the Study of Sociology and Aesthetics of Music - University of Évora Branch (Évora, Portugal)
2017/06/28	Caractérisation formelle et stylistique des sonates portugaises pour clavier publiées au XVIIIème siècle [Formal and Stylistic Characterization of Portuguese Keyboard Sonatas Published in the 18th Century]	9th European Music Analysis Conference (EuroMAC9) University of Strasbourg's Experimental Research Group into Music in Act (GRÉAM), Société française d'analyse musicale (SFAM) and European music analysis societies (Strasbourg, France)
2016/11/05	Sonatas Portuguesas para Tecla da Segunda Metade do Século XVIII: Análise Formal das Obras de Pedro António Avondano [Portuguese Keyboard Sonatas of the Second Half of the 18th Century: Formal Analysis of Pedro António Avondano's Works]	6th Conference on Musical Research Portuguese Society for Music Research and University of Aveiro (Aveiro, Portugal)
2015/11/13	Francisco Xavier Baptista: Novos Dados Biográficos sobre a Identidade do Compositor Português [Francisco Xavier Baptista: New Biographical Data on the Identity of the Portuguese Composer]	5th National Conference on Musical Research Portuguese Society for Music Research and University of Évora (Évora, Portugal)
2015/11/01	Analysis of Sonatas for Keyboard Instruments of the Second Half of the Eighteenth Century: Formal and Stylistic Characterization of Francisco Xavier Baptista's Sonatas	XXII Annual Conference of the Italian Society of Musicology Society Italian of Musicology and Perugia Music Conservatory "“Francesco Morlacchi” (Perugia, Italy)
2014/10/10	Principais Formas de Sonata no Repertório Português para Instrumentos de Tecla da Segunda Metade do Século XVIII [Main Sonata Forms in the Portuguese Repertoire for Keyboard Instruments of the Second Half of the 18th Century]	Congresso Internacional de Musicologia Histórica - Música de Corte no Espaço Ibero Americano 1750–1800 Academia Portuguesa de Artes Musicais (APARM) (Almada, Portugal)
2012/10/11	The Sonata in Portuguese Works for Keyboard Instruments in the Second Half of the Eighteenth Century: Preliminary Investigations	XI International Symposium on Spanish Keyboard Music “Diego Fernández”: New Perspectives on the Keyboard Works of Antonio Soler FIMTE Festival Internacional de Música de Tecla Española (Almería, Spain)
2012/05/04	Aspetos da Sonata Portuguesa para Tecla na Segunda Metade do Século XVIII [Aspects of the Portuguese Keyboard Sonata in the Second Half of the Eighteenth Century]	II Colóquio em Estudos de Interpretação Musical - A Performance em Contexto University of Minho (Braga, Portugal)
2011/10/01	Tipologia da Sonata Portuguesa para Tecla na Segunda Metade do Século XVIII: O Manuscrito Vm7 4874 da Biblioteca Nacional de França e as Edições Setecentistas [Typology of the Portuguese Keyboard Sonata in the Second Half of the Eighteenth Century: The Manuscript Vm7 4874 of the National Library of France and the Eighteenth-Century Editions]	II Simpósio Internacional de Musicologia Histórica - D. Maria Bárbara de Bragança (1711-1758) – Infanta de Portugal / Rainha de Espanha Academia Portuguesa de Artes Musicais (APARM) (Almada, Portugal)
2010/06/18	Manual para o Curso Básico de Cravo com Repertório Português do Século XVIII [Manual for the Basic Harpsichord Course with Portuguese Repertoire of the Eighteenth Century]	Colóquio em Estudos de Interpretação Musical - A Performance em Contexto University of Minho (Braga, Portugal)
2007/10/13	Las Sonatas de Alberto José Gomes da Silva [The Sonatas of Alberto José Gomes da Silva]	VIII Symposium Internacional de Música de Tecla Española “Diego Fernández” - Domenico Scarlatti en España (II): La Conexión Portuguesa FIMTE Festival Internacional de Música de Tecla Española (Almería, Spain)

Event participation

	Activity description Type of event	Event name Institution / Organization
2024/05/10 - 2024/05/10	Lecture about the television series "Mestres e Sons Lusitanos" and about the 1st episode dedicated to Pedro António Avondano. Projection of the documentary about Pedro Antonio Avondano. Exhibition	Mestres e Sons Lusitanos - Ep. 1 Biblioteca Nacional de Portugal, Portugal
2024/05/08 - 2024/05/08	Lecture about the television series "Mestres e Sons Lusitanos" and about the 1st episode dedicated to Pedro António Avondano. Projection of the documentary about Pedro Antonio Avondano. Exhibition	Mestres e Sons Lusitanos - Ep. 1 Escola Artística de Música do Conservatório Nacional, Portugal
2024/05/07 - 2024/05/07	Lecture about the television series "Mestres e Sons Lusitanos" and about the 1st episode dedicated to Pedro António Avondano. Projection of the documentary about Pedro Antonio Avondano. Exhibition	Mestres e Sons Lusitanos - Ep. 1 Conservatório de Música de Sintra, Portugal
2024/05/06 - 2024/05/06	Lecture about the television series "Mestres e Sons Lusitanos" and the 1st episode dedicated to Pedro António Avondano. Projection of the documentary about Pedro Antonio Avondano. Exhibition	Mestres e Sons Lusitanos - Ep. 1 Conservatório de Música de Mafra, Portugal
2023/10/07 - 2023/10/07	Release of the CD "Portuguese Sonatas of the 18th and 19th Centuries" Other	Palácio Nacional de Queluz, Portugal
2022/12/06 - 2022/12/06	"Sonatas para cravo: uma imagem sonora da obra Memorial do Convento" - Theme of an oral presentation with musical performance of Scarlatti's harpsichord sonatas. The presentation was based on Scarlatti's stay in Portugal in the 18th century and Saramago's vision of music in the novel "Memorial do Convento". Meeting	José Saramago: o seu penetrante olhar sensível e arguto e profundamente humano na Ciência, na Música e na Literatura Meeting - Cycle of Meetings Cruzando saberes com a Escola de Ciências e Tecnologia Universidade de Évora Escola de Ciências e Tecnologia, Portugal
2021/07/10 - 2021/07/10	Presentation of the book 'Miserere de Villa de Conde' by Pedro Junqueira Maia and Mafalda Nejmeddine. A critical edition prepared by Mafalda Nejmeddine who dedicated herself to the study of the musical manuscript and carried out research in the historical documentation of the Monastery of Santa Clara of Vila do Conde, now revealing unknown information about the musical activity of this monastery. Other	Music for the Monastery of Santa Clara of Vila do Conde Câmara Municipal de Vila do Conde, Portugal
2018/07/26 - 2018/07/26	The release of the CD "Sei sonata per cembalo" was complemented by the screening of the preliminary version of the documentary film "Reencounter" by Fouad Nejmeddine and the presentation of the CD "Sei sonate per cembalo - Alberto José Gomes da Silva" by Gerhard Doderer and Mafalda Nejmeddine. Other	Release of the CD "Sei sonate per cembalo - Alberto José Gomes da Silva" Biblioteca Nacional de Portugal, Portugal
2017/11/25 - 2017/11/25	Harpsichord workshop for the students in the harpsichord class of the Conservatory of Music of Vila do Conde. Workshop	Harpsichord workshop Conservatório de Música de Vila do Conde, Portugal

Ad Hoc journal article review

	Journal title (ISSN)	Publisher
2020/12/11 - 2020/12/22	Música Hodie (2317-6776)	Escola de Música e Artes Cénicas - Universidade Federal de Goiás

Association member

	Society Organization name	Role
2022/08 - Current	National Association for Research and Graduate Studies in Music (Brazil)	Associate
2015/01 - Current	Portuguese Society for Research in Music (SPIM)	Associate

Conference scientific committee

	Conference name	Conference host
2022/11/10 - 2022/11/12	11th Meeting of Research in Music	University of Aveiro

Course / Discipline taught

	Academic session	Degree Subject (Type)	Institution / Organization
2009/02/01 - Current	Basso continuo and accompaniment	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2012/09/15 - 2012/10/16	Instrument (harpsichord)	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2012/09/15 - 2012/10/15	Instrument III (harpsichord)	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2012/02/01 - 2012/06/30	Basso continuo and accompaniment	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2011/10/01 - 2012/06/30	Instrument (harpsichord)	(Licenciatura)
2011/10/01 - 2012/06/30	Chamber music	(Licenciatura)
2011/09/15 - 2012/06/30	Instrument II (harpsichord)	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2011/09/15 - 2012/06/30	Chamber music II, III	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2010/10/01 - 2011/11/15	Organology	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2010/09/15 - 2011/11/08	Organology	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2001/10/01 - 2011/10/14	Keyboard Instrument, Chamber music, Monograph advisor	(Ensino secundário)	Escola Profissional Artística do Vale do Ave (ARTAVE), Portugal
2001/10/01 - 2011/09/30	Keyboard instrument, Chamber music, Monograph advisor	(Ensino secundário)	Escola Profissional Artística do Vale do Ave (ARTAVE), Portugal
2011/02/01 - 2011/06/30	Basso continuo and accompaniment	(Licenciatura)
2010/10/01 - 2011/06/30	Instrument (harpsichord)	(Licenciatura)
2010/09/15 - 2011/06/30	Instrument (harpsichord)	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2010/09/15 - 2011/06/30	Instrument I (harpsichord)	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2010/10/01 - 2011/01/31	Performance techniques	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2010/09/15 - 2011/01/31	Performance techniques	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2010/02/01 - 2010/06/30	Basso continuo and accompaniment	(Licenciatura)
2009/02/01 - 2010/06/30	Basso continuo and accompaniment	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2009/10/01 - 2010/01/31	Organology	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2009/09/15 - 2010/01/31	Organology	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2008/02/01 - 2008/06/30	Basso continuo and accompaniment	(Licenciatura)	Instituto de Letras e Ciências Humanas - Departamento de Música, Portugal
2003/11/01 - 2007/08/31	Instrument (harpsichord)	(Ensino básico 1º ciclo)	Conservatório Bomfim, Portugal
2003/10/01 - 2007/08/31	Instrument (Harpsichord)	Initiation and elementary	Conservatório Bomfim, Portugal
2001/10/01 - 2005/08/31	Musical training and Instrument (harpsichord)	(Ensino básico 2º ciclo)	Centro de Cultura Musical de Caldas da Saúde, Portugal
2000/11/02 - 2001/08/31	Musical training	(Ensino básico 2º ciclo)	Escola de Música do Conservatório Nacional, Portugal

Mentoring / Tutoring

	Topic	Student name
2011/02/01 - 2011/06/30	"A Sonata para violino e Baixo Contínuo em Itália: Il Trillo del Diavolo de Giuseppe Tartini" (vocational education)	Ana Beatriz Veloso Cardona
2011/02/01 - 2011/06/30	"A Representação das Estações do Ano nas Artes: As Quatro Estações de António Vivaldi" (vocational education)	Luís Miguel Carneiro Leão
2011/02/01 - 2011/06/30	"Johann Sebastian Bach: Suite nº 1 para violoncelo solo BWV 1007" (vocational education)	Ana Rita Nunes Florêncio
2010/02/01 - 2010/06/30	"Mazeppa: a concepção Liszteniana" (vocational education)	Angela Maria Miranda Lobo Alves
2010/02/01 - 2010/06/30	"Sinfonia nº 3: A obra heróica de Ludwig van Beethoven" (vocational education)	Joana Catarina Sampaio Machado
2010/02/01 - 2010/06/30	"A Viola d'Arco ao longo dos tempos" (vocational education)	Rafael Campos Andrade
2009/02/01 - 2009/06/30	"Te Deum de Marc-Antoine Charpentier" (vocational education)	Vânia Sofia Paiva Fortes
2009/02/01 - 2009/06/30	"O Carnaval dos Animais de Camile Saint-Säens: A Música Humorística como expressão crítica" (vocational education)	Alexandre Barbosa Ferreira
2009/02/01 - 2009/06/30	"Uma Metamorfose do Belo: Gesamtkunstwerk de Richard Wagner" (vocational education)	Joana Marques Bandeiras de Sousa Correia
2009/02/01 - 2009/06/30	"A evolução da orquestra clássica na segunda metade do século XVIII" (vocational education)	João Paulo Soares Seara
2008/02/01 - 2008/06/30	"A influência da literatura na Abertura-Fantasia Romeu e Julieta de P. I. Tchaikovsky" (vocational education)	Eliana Teresa Azevedo Magalhães
2008/02/01 - 2008/06/30	"Sinfonia nº 1 de Sergei Prokofiev: exemplo de um retorno ao Classicismo" (vocational education)	Nelson Moreira dos Santos Gomes
2008/02/01 - 2008/06/30	"Suite de Bailado 'La Strada' de Nino Rota: Análise da relação existente entre a música e o filme 'La Strada' de Federico Fellini" (vocational education)	Ricardo Manuel Rodrigues Ferreira
2006/02/01 - 2006/06/30	"Concerto para violino e orquestra opus 46 de Aram khachaturian: Tradições musicais arménias e russas". (vocational education)	Natalya Stepanska
2006/02/01 - 2006/06/30	"Ópera de Pequim" (vocational education)	Vera Lúcia Carvalho Lima Ferreira
2006/02/01 - 2006/06/30	"As suites 'L'Arlésienne' para orquestra de Georges Bizet" (vocational education)	Pedro Celestino Fernandes Faria
2005/02/01 - 2005/06/30	"A Arquitectura e o Baixo Contínuo no Barroco" (vocational education)	Cláudia Filipa Pereira Torres
2004/02/01 - 2004/06/30	"O Cravo na Era Contemporânea" (vocational education)	Luciana Bárbara Araújo de Sousa Cruz
2004/02/01 - 2004/06/30	"A ornamentação barroca italiana de 1650 a 1750" (vocational education)	Vera Patrícia Silva Dias
2003/02/01 - 2003/06/30	"O Órgão em Portugal: o seu apogeu" (vocational education)	Ana Isabel Ferreira Pinheiro

Other jury / evaluation

	Activity description	Institution / Organization
2021/11/27 - 2021/11/27	I Iberian Harpsichord Competition. Iberian competition for young harpsichordist students.	Conservatório de Música Calouste Gulbenkian de Braga, Portugal
2017/09/23 - 2017/09/23	III National Harpsichord Competition. National competition for young harpsichordist students.	Conservatório de Música Calouste Gulbenkian de Braga, Portugal
2014/05/03 - 2014/05/03	II National Harpsichord Competition. National competition for young harpsichordist students.	Conservatório de Música Calouste Gulbenkian de Braga, Portugal
2012/04/28 - 2012/04/28	I National Harpsichord Competition. National competition for young harpsichordist students.	Conservatório de Música Calouste Gulbenkian de Braga, Portugal
2008/03/15 - 2008/03/15	Harpsichord Competition.	Instituto Gregoriano de Lisboa, Portugal

Distinctions

Other distinction

2018	Support for Shows Circulation Fundação GDA, Portugal
2016	Support to the Phonographic Edition of Performer Fundação GDA, Portugal