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Kristin Hoefener is a researcher at CESEM (University Nova) in Lisbon and associated with IReMus (Sorbonne University) in Paris. She holds a doctorate in musicology from the University of Würzburg (Germany) and a double master's degree in musicology (University of Amsterdam) and medieval history (EPHE, Paris). She has been a Marie Sklodowska-Curie Postdoctoral Fellow at University Nova (2021-23). Her research focuses on medieval sacred chant and its firm anchoring in historical, hagiographic, and liturgical contexts, as well as on gender and innovation processes (liturgical reforms, innovation in musical notation, composition of new chants, compilation of cycles with new and old elements). Recent publications include a monograph on liturgical offices and the cult of Saint Ursula (Schöningh, 2022) and articles in Textus&Musica (2021, 2022), Kurtrierisches Jahrbuch (2021), Kirchenhistorisches Jahrbuch (2020). She is the founder and artistic director of the ensemble Kantika, which specializes in medieval music.
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Identification

Personal identification

Full name
Hoefener Kristin

Citation names

  • Kristin Hoefener

Author identifiers

Ciência ID
2A18-FE34-4933
ORCID iD
0000-0002-0889-4710

Email addresses

  • khoefener@fcsh.unl.pt (Professional)

Telephones

Mobile phone
  • (+33) 662299792 (Personal)

Websites

Knowledge fields

  • Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)

Languages

Language Speaking Reading Writing Listening Peer-review
German (Mother tongue)
French Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2)
English Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2)
Dutch Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2)
Italian Elementary (A2) Intermediate (B1) Elementary (A2) Intermediate (B1)
Romanian Intermediate (B1) Intermediate (B1) Intermediate (B1) Intermediate (B1)
Russian Elementary (A2) Intermediate (B1) Elementary (A2) Elementary (A2)
Latin Upper intermediate (B2)
Occitano (after 1500); Provencal Intermediate (B1)
Portuguese Beginner (A1) Beginner (A1) Beginner (A1) Beginner (A1) Beginner (A1)
Education
Degree Classification
2014/10/01 - 2019/07/23
Concluded
 Musicology (Doktor (PhD))
Julius-Maximilians-Universität Würzburg, Germany
"Untersuchungen zu Ursprung, Entwicklung und Verbreitung von Offizienzyklen zu Ehren der heiligen Kölner Jungfrauen, Kultgeschichte als Musikgeschichte " (THESIS/DISSERTATION)
1997/10/01 - 1998/09/30
Concluded
 Methods of History, Archeology and Art History (Master)
École Pratique des Hautes Études, France
"Hildegarde de Bingen et son environnement liturgique et musical. Ses compositions comme miroir d’une tradition liturgique dans la région du Moyen Rhin au XIIe siècle" (THESIS/DISSERTATION)
1994/10/01 - 1996/09/30
Concluded
 Early Ensemble Music Performance Certificate (Bachelor)
Fontys School of Fine and Performing Arts, Netherlands
1990/10/01 - 1996/09/30
Concluded
 Musicology (Master)
Universiteit van Amsterdam, Netherlands
"Hildegard von Bingen, Laudes zu Ehren der hl. Ursula und der elftausend Jungfrauen" (THESIS/DISSERTATION)
Affiliation

Science

Category
Host institution 		Employer
2023/09/01 - Current Contracted Researcher (Research) Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2021/09/01 - 2023/08/31 Contracted Researcher (Research) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Others

Category
Host institution 		Employer
2023 - Current Associated researcher Institut de Recherche en Musicologie, France
Sorbonne Université, France
2008/09/01 - Current Conductor Coeur d'Auteuil, France
1998/01/01 - Current Artistic Director ensemble KANTIKA, France
2014/10/01 - 2021/08/31 Associated Researcher Julius-Maximilians-Universität Würzburg, Germany
Julius-Maximilians-Universität Würzburg Institut für Musikforschung, Germany
1997/01/01 - 2005/12/31 Radio Producer VPRO, Netherlands
VPRO, Netherlands
Projects

Grant

Designation Funders
2024/08 - 2024/08 From Scribe to Stage
E-COST-GRANT-CA21161-ae05faee
Researcher
European Commission
Ongoing
2021/09/01 - 2023/08/31 The Revival of Salve Regina. Medieval Marian chants from Aveiro: musical sources, gender specific context and performance (RESALVE)
Grant Agreement n° 101038090
Principal investigator
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
 European Commission
Concluded

Contract

Designation Funders
2023/09/01 - 2029/08/31 Chant culture in female Dominican convents with a focus on Portugal: repertoire, sources and practical performance
2022.05825.CEECIND/CP1725/CT0041
10.54499/2022.05825.CEECIND/CP1725/CT0041
Universidade NOVA de Lisboa, Portugal
 Fundação para a Ciência e a Tecnologia
Ongoing
2021/01/01 - 2023/12/31 Text and Voices Lost and Found. Recovering, Reconstituting and Recreating Musical Fragments (c. 1100-c. 1600)
PTDC-ART-PER-0902-2020
PTDC/ART-PER/0902/2020
10.54499/PTDC/ART-PER/0902/2020
Researcher
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Universidade NOVA de Lisboa, Portugal

Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Fundação para a Ciência e a Tecnologia
Concluded
2022/01/01 - 2023/06/30 The Musical Manuscripts from the Monastery of Belém: the Exploration of an Unknown Hieronymite Tradition
PTDC-ART-PER-1031-2021
EXPL/ART-PER/1031/2021
10.54499/EXPL/ART-PER/1031/2021
Researcher
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Universidade NOVA de Lisboa, Portugal

Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
Outputs

Publications

Book
  1. Kristin Hoefener. Kultgeschichte als Musikgeschichte Untersuchungen zu Ursprung, Entwicklung und Verbreitung von Offizienzyklen zu Ehren der heiligen Kölner Jungfrauen. Paderborn, Germany: Ferdinand Schöningh/Brill. 2022.
    Published
Book chapter
  1. Kristin, Hoefener. "Le culte des onze mille vierges de Cologne: Introduction par des reliques et stabilisation par un office liturgique au XIIe siècle à Zwiefalten et Ottobeuren". In An Embodied Religion: Materialities and Devotion in Medieval Europe, edited by Fontes, João Luís; Martins, https://orcid.org/0000-0002-6465-5191; Barreira, Cristina Fernandez; Farelo, Mário, 425-440. Lausanne, Switzerland: Peter Lang, 2024.
    Published
  2. Kristin Hoefener. "Female Chant Repertoire in Aveiro’s Dominican Convent of Jesus during the Observant Reform (15th Century)". In Observant Reforms and Cultural Production in Europe, edited by Bert Roest; Pietro Delcorno. Nijmegen, Netherlands: Radboud University Press, 2023.
    Published • 10.54195/xfrb6134_ch08
  3. Kristin Hoefener. "Women writing for the liturgy: manuscripts from the Jesus Convent in Aveiro (1476-1529)". In Culture and music in the Iberian Peninsula (c. 1100-c.1650)/Cultura y musica en la peninsula iberica (c.1100-c.1650) (Iberian Early Music Studies 6), edited by Eva Esteve; John Griffiths; Francisco Rodilla, 82-96. Kassel, Germany: Reichenberger, 2023.
    Published
  4. Kristin, Hoefener; Kristin Hoefener. "Salve Regina in Late Medieval Dominican Communities". In Marian Devotion in the Late Middle Ages, edited by Andrea-Bianka Znorovszky; Gerhard Jaritz, 106-125. London, United Kingdom: Routledge, 2022.
    Published • 10.4324/9781003179054-7
  5. Kristin, Hoefener. "In choro sanctorum: Reconstitution d'un office de sainte Ursule et ses Compagnes à Essen et Quedlinburg". In Le transept et ses espaces élevés dans l'église du Moyen Âge (XIe –XVIe siècle). Pour une nouvelle approche fonctionnelle (architecture, décor, liturgie et son, edited by Franzé, Barbara; Le Luel, Nathalie, 69-81. Turnhout, Belgium: Brepols, 2018.
    Published
  6. Kristin Hoefener; Kristin, Hoefener. "From St Pinnosa to St Ursula - The Development of the Cult of Cologne's Virgins in Medieval Liturgical Offices". In The Cult of St Ursula, edited by Cartwright, Jane, 61-91. Cardiff, United Kingdom: University of Wales Press, 2016.
    Published
  7. Kristin, Hoefener; Kristin Hoefener. "St. Ursula’s cult and its manifestation in liturgy". In Matter of Faith : An Interdisciplinary Study of Relics and Relic Veneration in the Medieval Period, edited by Robinson, James; de Beer, Lloyd; Harnden, Anna, 40-46. London, United Kingdom: British Museum Research Publication, 2014.
    Published
  8. Kristin, Hoefener; Kristin Hoefener. "Beatissimus Eucharius : Ein Euchariusoffizium des 17. Jahrhunderts aus St. Matthias in Trier". In Digitale Rekonstruktionen mittelalterlicher Bibliotheken, edited by Philippi, Sabine; Vanscheidt, Philipp, 99-117. Wiesbaden, Germany: Reichert Verlag, 2014.
    Published
  9. Kristin, Hoefener; Kristin Hoefener. "Un Office médiéval au XVIIe siècle – Saint Eucher : Perpétuation du culte de saints locaux dans le répertoire du plain-chant après le Moyen Âge". In Chant - Old and New, edited by Renwick, William, 115-136. Lions Bay, Canada: Institute of Mediaeval Music, 2012.
    Published
  10. Kristin, Hoefener. "Manuscripts' descriptions". In Catalogue des manuscrits médiévaux de la Bibliothèque de France, edited by Long, Sarah Ann; Behrendt, Inga, 76-97. Turnhout, France: Brepols, 2004.
    Published
  11. Kristin, Hoefener. "Liturgische Aspecten van de Symphonia". In Toen verscheen mij een wonderbaarlijke cirkel, edited by Mulder, Etty. Nijmegen, Netherlands: Nijmegen University Press, 1999.
    Published
Book review
  1. Hoefener, Kristin. "Yossi Maurey, Liturgy and Sequences of the Sainte-Chapelle. Music, Relics, and Sacral Kingship in Thirteenth-Century France, Turnhout (Brepols) 2021". http://hdl.handle.net/10362/161106.
    https://doi.org/10.11588/frrec.2022.4.92121
  2. Kristin Hoefener. "Gregorio Bevilacqua, Thomas B. Payne (éd.), Ars Antiqua. Music and culture in Europe c. 1150¿1330, Turnhout (Brepols) 2020". Review of Gregorio Bevilacqua, Thomas B. Payne (éd.), Ars Antiqua. Music and culture in Europe c. 1150¿1330 2022-1 (2022): http://hdl.handle.net/10362/161107.
    Published • 10.11588/frrec.2022.1.87446
  3. Kristin Hoefener. "Luc Rombouts, De oorsprong van de beiaard. Voorlopers, ontstaan en ontwikkeling tot 1530, Gent (Skribis) 2021". Review of Luc Rombouts, De oorsprong van de beiaard. Voorlopers, ontstaan en ontwikkeling tot 1530 2021-1 (2022): https://hal.archives-ouvertes.fr/hal-03873045.
    Published • 10.11588/frrec.2021.1.79683
  4. Kristin Hoefener. "James Grier (ed.), The Office of the Holy Trinity at Saint Martial de Limoges in the Eleventh Century, Turnhout (Brepols) 2020". Review of James Grier (ed.), The Office of the Holy Trinity at Saint Martial de Limoges in the Eleventh Century 2021-3 (2021): https://hal.archives-ouvertes.fr/hal-03873051.
    Published • 10.11588/frrec.2021.3.83610
Conference paper
  1. Kristin Hoefener. "Guiding Hands: Instruction and Performance in Medieval Liturgical Chant". Paper presented in IMC 2024 Leeds: Session Sacred Gestures over Time: Unveiling Latin, Byzantine, Qur'anic, and Jewish Chant Practices from the Middle Ages Onward, 2024.
  2. Kristin Hoefener. "Manuscripts from the founding period of the Convent of Jesus in Aveiro". Lisbon, 2024.
  3. Kristin, Hoefener. "La création d'offices liturgiques de sainte Ursule: un agenda politique ou religieux?". Paper presented in Rencontres de Musicologie Médiévale, PARIS, 2024.
  4. Kristin Hoefener. "Le culte de Catherine de Sienne : La création et la transmission d’un office liturgique entre l’Italie et le Portugal au XVe siècle". Poitiers, 2023.
    Published
  5. Kristin Hoefener. "Navigating Research Challenges in Liturgical Offices: Insights from two new offices in Honor of Catherine of Siena in the 15th century". Prague, 2023.
    Published
  6. Kristin Hoefener. "The role of the hand in the performance of liturgical chant: Navigating between pitch indication, note-grouping and conducting". Paper presented in 51th MedRen Conference, Munich, 2023.
  7. Kristin Hoefener. "Processionaries and processions: cross-practices for Dominicans in the 15th century and today". Paris, 2023.
  8. Kristin Hoefener. "A new religious congregation seeks her liturgical identity: A case study from the convent of Jesus in Aveiro". Barcelona, 2023.
  9. Kristin Hoefener. "The book production in the new female scriptorium of Aveiro’s convent de Jesus". Lisbon, 2023.
  10. Kristin Hoefener. "Female Chant repertoire in Aveiro's Convent of Jesus in the 15th and 16th centuries". Aveiro, 2022.
  11. Kristin Hoefener. "The Feast of the Assumption in Late Medieval Liturgical Manuscripts from the Dominican Convent of Aveiro: a Contextual and Source Study". 2022.
  12. Kristin Hoefener; Océane Boudeau. "Non-Iberian liturgical fragments of Coimbra's libraries and archives". 2022.
  13. Kristin Hoefener. "Marian devotion in Aveiro: words, music and images (15th-16th c.)". 2022.
  14. Kristin Hoefener; Andrea-Bianka Znorovsky. "Chant as Sermon: The office of the Presentation of Mary at the Temple and the Feast’s Promotion (with Andrea-Bianka Znorovsky)". Prague, 2021.
  15. Kristin Hoefener. "The Sonic Performance of Hildegard of Bingen's audiovisions: liturgical or not?". Paper presented in Annual Conference of the Royal Music Society, Newcastle upon Tyne, 2021.
  16. Kristin Hoefener. "Guillaume Adam's Cycle O admiranda novitas (14th c.)". Paper presented in 49e conférence MedRen Lisboa (session "Constructing Musical Authorship between 13th-16th centuries"), Lisbon, 2021.
  17. Kristin Hoefener. "Dies Irae Dies Illa (Day of Wrath): In the Face of the Last Judgment". Paper presented in International Medieval Congress Leeds (session 1016 : Violence and the clergy), Leeds, 2021.
  18. Kristin Hoefener. "Liturgical chants for Mary in late medieval female Dominican communities (14th-15th c.) : Uniformity and local features". Kopenhagen, 2021.
  19. Kristin Hoefener. "Vers, rimes et cadences mélodiques dans le cycle d'offices Letis canamus (XIIe s.)". Paper presented in Internatioal Conference La Formule au Moyen Âge, Paris, 2021.
  20. Kristin Hoefener. "Women writing for the liturgy : manuscripts from the Jesus Convent in Aveiro (1476-1529)". Paper presented in 3e Congreso Internacional MEDyREN 2021 Miradas caleidoscopicas : Reflexiones y novedades en torno a las investigaciones musicológicas en la península ibérica hasta c. 1650, Madrid, 2021.
  21. Kristin, Hoefener. "Chanter et dire le Salve regina chez les soeurs dominicaines". Paris, 2021.
  22. Kristin, Hoefener. "Salve Regina in late medieval Dominican communities". Paper presented in International conference Salve Regina : New Approaches to Marian Devotion in the Middle Ages, Venice, 2020.
    10.4324/9781003179054
  23. Kristin, Hoefener. "In choro sanctorum : Der Kult der Kölner Jungfrauen im 10. Jahrhundert in Essen und die Genese eines spezifischen Offizienzyklus". Paper presented in Düsseldorf University Medieval Seminar, Düsseldorf, 2019.
  24. Kristin, Hoefener. "Das kompilierte Jungfrauenoffizium Angelorum cum regina aus Köln (ca. 1300)". Paper presented in International conference Innovation und mittelalterliche Gemeinschaften in Nordwesteuropa (1200-1500), Munster, 2019.
  25. Kristin, Hoefener. "Le Culte des onze mille vierges de Cologne : Introduction par des reliques et stabilisation par un office liturgique au XIIe siècle". Paper presented in International Conference Materialities and Devotion, La Batalha, 2019.
  26. Kristin, Hoefener. "Der kompilierte Offizienzyklus Simile est regnum celorum aus St. Amand". Paper presented in 47e MedRen Conference, Basel, 2019.
  27. Kristin, Hoefener. "L’office O felix Germania en l’honneur des vierges de Cologne : quel rapport entre texte et musique". Paper presented in International conference Langues et musiques dans les corpus chantés du ˆMoyen Age et de la Renaissance, Morimondo, 2019.
  28. Kristin, Hoefener. "Überlieferung und Rezeption des Ursula-Kultes bei den Dominikanern zwischen dem 13. und 16. Jh.". Paper presented in Workshop Dominikanerstudien, Cologne, 2019.
  29. Kristin, Hoefener. "Comment la main enseigne et dirige la voix chantée au Moyen Âge". Paper presented in Entretiens sur la Musique ancienne en Sorbonne, Paris, 2018.
  30. Kristin, Hoefener. "Philippe Basiron's Mass for King Louis XI". Paper presented in Bibliothèque Nationale de France, International Medieval Society Paris, Paris, 2016.
  31. Kristin, Hoefener. "In choro sanctorum - Reconstitution d’un office de sainte Ursule et des vierges de Cologne dans les couvents impériaux d’Essen et de Quedlinburg". Paper presented in International conference The Transept and its Upper Levels in the High Medieval Church : Towards a New Functional Approach – Architecture, Decor, Liturgy and Sound, Lausanne, 2015.
  32. Kristin, Hoefener. "Musical Notation and liturgical Indications in Medieval Manuscripts". Paper presented in International Medieval Society Paris, Paris, 2014.
  33. Kristin, Hoefener. "From Pinnosa to Saint Ursula, the Cult and its Manifestation in the Liturgy". Paper presented in International conference St Ursula and the 11,000 Virgins, University of Wales Trinity Saint David, Camarthen, 2013.
  34. Kristin, Hoefener. "Ein mittelalterliches Euchariumsoffizium aus dem 17. Jh.". Paper presented in Internationale Digitale Rekonstruktionen mittelalterlicher Bibliotheken, University of Trier, Trier, 2013.
  35. Kristin, Hoefener. "De la canonisation populaire au disque d’or: Hildegarde de Bingen". Paper presented in International conference Reconnaissance et consécration artistique, University of Poitiers/GRESCO, Poitiers, 2012.
  36. Kristin, Hoefener. "An Ursuline Office in a Manuscript from Ottobeuren and Its Modus Signs in the Margin as a Better Orientation for the Medieval Reader". Paper presented in International Medieval Congress of Leeds, Session Outside the Ruling: Signs of Use in Medieval Manuscripts, I: Marginal Interventions and the Functionality of Texts, University of St Andrews, Leeds, 2012.
  37. Kristin, Hoefener. "A Twelfth-Century Ottobeuren Manuscript and its Ursuline Prose Office". Paper presented in 47th International Congress for Medieval Studies, University of Western Michigan, Kalamazoo, 2012.
  38. Kristin, Hoefener. "Saint Ursula’s cult and its manifestation in liturgy". Paper presented in International Conference Matter of Faith, British Museum, London, 2011.
  39. Kristin, Hoefener. "Un Office médiéval au XVIIe siècle". Paper presented in International conference Chant – Old and New, University of Dalhousie, Halifax, 2011.
  40. Kristin, Hoefener. "Liturgie oubliée – ordo reconstitué". Paper presented in 8th Annual Symposium Ordo, International Medieval Society Paris, Paris, 2011.
  41. Kristin, Hoefener. "Embellissement et mise en relief de textes et mélodies formulaires dans les chants liturgiques d’Hildegarde de Bingen (1098-1179)". Paper presented in International Conference La Formule dans la culture Médiévale, University of Nancy, Nancy, 2010.
  42. Kristin, Hoefener. "Überlieferung eines Ursula-Offiziums in einer Handschrift aus der Liebfrauenkirche in Tongeren (ca. 1300)". Paper presented in International Conference Music for the Office and Its Sources in the Low Countries (1050-1550), IMS Study Group ‘Cantus Planus with Laus Polyphoniae, Antwerpen, 2010.
  43. Kristin, Hoefener. "Liturgische Aspecten van de Symphonia". Paper presented in Conference Toen verscheen mij een wonderbaarlijke cirkel, Catholic University of Nijmegen, Nijmegen, 1998.
  44. Kristin, Hoefener. "Wort-Ton-Verhältnis in den Gesängen Hildegards". Paper presented in Conference Theo-Logos im Gregorianischen Choral , University of Bonn, Bonn, 1998.
Journal article
  1. Kristin Hoefener; Claire Taylor Jones. "Performance of Medieval Monophony: Text and Image as Evidence for Musical Practice (Introduction)". Textus & Musica 2023-7 (2024): https://textus-et-musica.edel.univ-poitiers.fr/index.php?id=2865.
    Open access • Published
  2. Kristin Hoefener. "Entretien sur le chant dominicain féminin avec Brigitte Lesne (Ensemble Discantus)". Textus & Musica 6 (2022): online-online. https://novaresearch.unl.pt/en/publications/428539c7-eec6-4411-8af6-508e9c654c8d.
    Published
  3. Kristin, Hoefener; Kristin Hoefener. "O felix Germania : un cycle cistercien en l'honneur des vierges martyres de Cologne. Étude des interrelations entre textes et mélodies". Textus & Musica 2021 1 (2021): https://hal.archives-ouvertes.fr/hal-03455035.
    Open access • Accepted
  4. Kristin Hoefener. "Kultgeschichte als Musikgeschichte: Offizienzyklen zu Ehren der heiligen Ursula und der elftausend Kölner Jungfrauen unter besonderer Berücksichtigung des Laudeszyklus In choro sanctorum". Kirchenmusikalisches Jahrbuch 103-104 (2021): 85-104.
    Published • 10.30965/9783657760633_006
  5. Kristin Hoefener. "Hildegard von Bingens Antiphonenzyklus Studium divinitatis. Welche Anhaltspunkte gibt es für eine liturgische Performanz?". Kurtrierisches Jahrbuch 61 (2021): 89-119. https://hal.archives-ouvertes.fr/hal-03877865.
    Published
  6. Kristin, Hoefener. "La main pour diriger la voix et enseigner la Musique au Moyen Âge". Le Jardin de Musique 9/1 2018 (2019): 97-127.
    Published
  7. Kristin, Hoefener. "Les Manuscrits d'Apt". Archipal Archéologie et Histoire 61 (2007):
    Published
  8. Kristin, Hoefener. "L’Enseignement de la Musique". Histoire et Images Médiévales 2006 (2006): 65-71.
    Published
  9. Kristin, Hoefener. "Interprétation de la Musique médiévale". Canor (2006):
    Published
  10. Kristin, Hoefener. "Hildegard of Bingen". Canor (2002):
    Published
Journal issue
  1. Kristin Hoefener; Claire Taylor Jones. "Performance of Medieval Monophony: Text and Image as Evidence for Musical Practice". Textus & Musica 2023-7 (2024): https://textus-et-musica.edel.univ-poitiers.fr/index.php?id=2864.
    Published • Coeditor
Thesis / Dissertation
  1. Kristin, Hoefener. "Untersuchungen zu Ursprung, Entwicklung und Verbreitung von Offizienzyklen zu Ehren der heiligen Kölner Jungfrauen, Kultgeschichte als Musikgeschichte". PhD, Julius-Maximilians-Universität Würzburg, 2019.
Translation
  1. Kristin, Hoefener. Traditions écrites et orales des chants sacrés de la Corse. Wiesbaden, Germany. 1999.
    Published

Artistic / Performance

Artistic performance
  1. Pedro Sousa e silva; Kristin Hoefener. 2024. Alternatim: Missa Mater Dolorosa. Igreja La Misericordia.
  2. Pedro Sousa e silva; Kristin Hoefener. 2023. Alternatim: Monodia Jeronimita e polifonia Beneditina em dialogo. Igreja se Sao José das Taipas.
  3. Kristin Hoefener. 2022. Canto Dominicano. Monasterio de Batalha.
  4. Kristin Hoefener. 2022. Canto Dominicano. Escola Superior de Musica de Lisboa.
Audio recording
  1. Kristin, Hoefener; Ministery of Culture and Education Navarra (Producer). 2012. "La Música del Reino". In La Música del Reino, Kantika.
  2. Kristin, Hoefener; Christophorus (Producer). 2009. "Estel del Mar". In Estel del Mar, Kantika, Christophorus.
  3. Kristin, Hoefener; Integral Classic (Producer). 2007. "O Maria virgo". In O Maria virgo, Kantika, Integral Classic.
  4. Kristin, Hoefener; Freiburger Musik Forum (Producer). 2006. "Elisabeth - Rose with thorns". In Elisabeth - Rose with thorns, Kantika, Freiburger Musik Forum.
  5. Kristin, Hoefener; Integral Classic (Producer). 2005. "Lux". In Lux, Kantika, Integral Classic.
  6. Kristin, Hoefener; Selena (Producer). 2004. "A summo celo". In A summo celo, Kantika, Selena.
  7. Kristin, Hoefener; Harmonia Mundi (Producer). 1999. "Lauds of St Ursula". In Lauds of St Ursula, Kantika, Harmonia Mundi.
Program / Show
  1. Kristin, Hoefener. 2005. « Urubicha », VPRO Radio /Netherlands.
  2. Kristin, Hoefener. 2004. « Urubicha », VPRO Radio /Netherlands..
  3. Kristin, Hoefener. 2003. « Urubicha », VPRO Radio /Netherlands..
  4. Kristin, Hoefener. 2002. « Urubicha », VPRO Radio /Netherlands..
  5. Kristin, Hoefener. 2001. « Urubicha », VPRO Radio /Netherlands..
  6. Kristin, Hoefener. 2000. « Urubicha », VPRO Radio /Netherlands..
  7. Kristin, Hoefener. 1999. « Urubicha », VPRO Radio /Netherlands..
  8. Kristin, Hoefener. 1998. « Urubicha », VPRO Radio /Netherlands..
  9. Kristin, Hoefener. 1997. « Middagconcert », VPRO Radio /Netherlands.
Activities

Event organisation

Event name
Type of event (Role) 		Institution / Organization
2019/06/18 - 2019/06/18 Nuit des Chorales, Rencontre de chœurs parisiens (2019/06/18 - 2019/06/18)
Festival (President of the Organising Committee)
 Municipality of Paris , France
2018/06/15 - 2018/06/15 Nuit des Chorales, Rencontre de chœurs parisiens (2018/06/15 - 2018/06/15)
Festival (President of the Organising Committee)
 Municipality of Paris , France
2007/07/07 - 2007/08/14 Musique au Cœur (2007/07/07 - 2007/08/14)
Festival (President of the Organising Committee)
 Abbaye Blanche, France

Association member

Society Organization name Role
2013 - Current International Musicological Society
2011 - Current International Medieval Society Paris
2007 - Current FEVIS (Fédération Française des Ensembles vocaux et instrumentaux spécialisés)

Committee member

Activity description
Role 		Institution / Organization
2020/01 - Current Editor/Redacteur Textus & Musica, France
2013 - 2016 Co-Director: International Medieval Society Paris
Director
 International Medieval Society Paris, France

Conference scientific committee

Conference name Conference host
2024/07/01 - 2024/07/04 IMC 2024 Leeds: Session Sacred Gestures over Time: Unveiling Latin, Byzantine, Qur'anic, and Jewish Chant Practices from the Middle Ages Onward International Medieval Congress of Leeds
2023/07/24 - 2023/07/28 MedRen 2023 Munich: Session Gestures of Sacred Chant: Exploring the Performance of Latin and Byzantine Chant, of the Qur’an and Jewish Sacred Texts from the Middle Ages Onwards MedRen Conference Munich
2023/01/26 - 2023/01/27 Performance of Medieval Monophony Nova University Lisbon
2022/01/01 - 2022/07/08 IMC 2022 Leeds: Session "Portuguese Convent Culture in the 15th-16th c." University of Leeds
2022 - 2022 Session: Portuguese Convent Culture in the 15th-16th c.: New Perspectives International Medieval Congress of Leeds
2021/01/01 - 2021/07/09 49th MedRen Conference Lisboa: Session "Constructing Musical Authorship between 13th-16th centuries" University Nova Lisbon
2016/06/30 - 2016/07/03 Les Mots-Words, 13th anual Symposium, Société médiévale de Paris Société médiévale de Paris
2016/05/26 - 2016/05/26 Le chant liturgique - La transition entre la réception passive et active du chant de Rome et le phénomène des tropes pendant le haut Moyen Age American University of Paris (LAMOP, IMS, Campus Condorcet)
2015/06/25 - 2015/06/27 Villes-Cities, 12e Symposium annuel de la Société médiévale de Paris Société médiévale de Paris
2014/06/26 - 2014/06/28 Charlemagne after Charlemagne, 11e Symposium annuel de la Société médiévale de Paris Société médiévale de Paris

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2008 - Current Stage annuel d’Interprétation de la musique du Moyen-Âge central Association Aisling, France
2018/06/11 - 2018/06/11 « Les choristes », stage de musique médiévale pour enfants « Les choristes », stage de musique médiévale pour enfants Festival d’Art sacré d’Evron, France
2018/06/05 - 2018/06/06 « Métamorphoses », stage de chants médiévaux « Métamorphoses », stage de chants médiévaux Festival d’Art sacré d’Evron, France
2016 - 2016 Chansons de trouvères et de troubadours, polyphonies, accompagnement instrumental de monodies, stage de musiques médiévales avec la classe des flûtes à bec Chansons de trouvères et de troubadours, polyphonies, accompagnement instrumental de monodies, stage de musiques médiévales avec la classe des flûtes à bec CRD de Fresnes, France
2009 - 2009 Un projet artistique et son montage Un projet artistique et son montage (Master) CNSM de Paris, France
2008 - 2008 Répertoire médiéval, modalité, théorie musicale médiévale, improvisation, Formation continue pour professeurs de musique Répertoire médiéval, modalité, théorie musicale médiévale, improvisation, Formation continue pour professeurs de musique CRD de Fresnes, France
2008 - 2008 Stage d’Interprétation du Plain-chant: Laudes de sainte Ursule Stage d’Interprétation du Plain-chant: Laudes de sainte Ursule Abbaye Blanche, France
2007 - 2007 Les manuscrits d’Apt Les manuscrits d’Apt (Master)
2007 - 2007 Répertoire du Plain-chant, Modalité, Improvisation, stage d’Interprétation du Plain-chant Répertoire du Plain-chant, Modalité, Improvisation, stage d’Interprétation du Plain-chant Abbaye Blanche, France
2006 - 2006 « Sainte Walburge – Livres de chœurs du XVIIe siècle de l’Abbaye de Walbourg », stage avec des jeunes chanteurs, Séminaire de Walbourg « Sainte Walburge – Livres de chœurs du XVIIe siècle de l’Abbaye de Walbourg », Projet avec des jeunes chanteurs
2006 - 2006 « Llibre Vermell de Montserrat », stage « Llibre Vermell de Montserrat », stage CRD de Fresnes, France
2005 - 2005 Répertoire médiéval, modalité, théorie musicale médiévale, accompagnement instrumental de monodies, Formation continue pour professeurs de musique Répertoire médiéval, modalité, théorie musicale médiévale, accompagnement instrumental de monodies, Formation continue pour professeurs de musique ADIAM , France
2005 - 2005 Voci Unite, Ensemble de jeunes filles, masterclass, Lomza/ Pologne Voci Unite, Ensemble de jeunes filles, masterclass, Lomza/ Pologne
2004 - 2004 Stage de modalité médiévale, Conservatoire municipale de Chevilly-Larue Stage de modalité médiévale, Conservatoire municipale de Chevilly-Larue
2001 - 2001 Master class au Festival de Musique Ancienne de Jaroslaw/ Pologne Master class au Festival de Musique Ancienne de Jaroslaw/ Pologne
1998 - 1998 Master class Hildegarde de Bingen, Fondation Royaumont Master class Hildegarde de Bingen, Fondation Royaumont

Other jury / evaluation

Activity description Institution / Organization
2020/01/01 - 2023/12/31 CPES - Jury member Examination "Cycle préparatoire à l'enseignement supérieur" Conservatoire de Fresnes, France
2014/01/01 - 2021/12/31 DEM (Diplôme d'études musicales) Conservatoire de Fresnes, France
2006/01/01 - 2014/12/31 Jury Member Musical Training (Formation Musicale) Conservatoire de Fresnes, France
Distinctions

Other distinction

2022 Label France - Portugal 2022/Temporada Cruzada Portugal-França 2022
Institut Français, Portugal