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Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University. A leading international figure in sociological studies of popular music and youth culture, he has written and edited numerous books including Popular Music and Youth Culture, Music, Style and Aging and Music Scenes (co-edited with Richard A. Peterson). He is a Faculty Fellow of the Yale Centre for Cultural Sociology, an International Research Fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture and a founding member of the Regional Music Research Group.
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Identification

Personal identification

Full name
Andy Bennett

Citation names

  • Bennett, Andy

Author identifiers

Ciência ID
4A1D-A98A-D3B0

Email addresses

  • a.bennett@griffith.edu.au (Professional)

Knowledge fields

  • Social Sciences - Sociology
  • Social Sciences - Sociology - Sociology
  • Social Sciences - Sociology
  • Social Sciences - Sociology
  • Social Sciences - Sociology
  • Social Sciences - Sociology
  • Social Sciences - Sociology
  • Social Sciences - Sociology

Languages

Language Speaking Reading Writing Listening Peer-review
English (Mother tongue)
German Proficiency (C2) Proficiency (C2) Upper intermediate (B2) Proficiency (C2)
Education
Degree Classification
1998/09 - 1999/12
Concluded
 Higher Education (Postgraduate Certificate)
Major in Higher Education
University of Kent, United Kingdom
1993/10 - 1996/09
Concluded
 Sociology (Doctor)
Major in Sociology
Durham University, United Kingdom
1989/10 - 1991/07
Concluded
 Social Work (Master)
Major in Social Work
University of Hull, United Kingdom
 Distinction
1986/09 - 1989/06
Concluded
 Social Science (Bachelor)
Major in Social Science
University of Lincoln, United Kingdom
Affiliation

Teaching in Higher Education

Category
Host institution 		Employer
2016/01 - Current Associate Professor (University Teacher) Griffith University, Australia
Griffith University, Australia
2017/10 - 2017/10 Visiting Professor (University Teacher) Leuphana Universität Lüneburg, Germany
2017/09 - 2017/09 Visiting Professor (University Teacher) Finnish Youth Research Network, Finland
2015/08 - 2015/08 Visiting Professor (University Teacher) Australian National University, Australia
2011 - 2015 Assistant Professor (University Teacher) Curtin University, Australia
2011/07 - 2011/07 Visiting Professor (University Teacher) Tampereen yliopisto, Finland
2009/03 - 2009/03 Visiting Professor (University Teacher) University of Salford, United Kingdom
2007/05 - 2007/12 Associate Professor (University Teacher) Griffith University, Australia
Griffith University, Australia
2007/06 - 2007/06 Visiting Professor (University Teacher) Université de Lille, France
2005/09 - 2007/05 Associate Professor (University Teacher) Brock University, Canada
Brock University, Canada
2005/04 - 2005/08 Associate Professor (University Teacher) University of Surrey, United Kingdom
University of Surrey, United Kingdom
2004/04 - 2005/05 Assistant Professor (University Teacher) University of Surrey, United Kingdom
University of Surrey, United Kingdom
2005/01 - 2005/04 Visiting Professor (University Teacher) Flinders University, Australia
1999/09 - 2004/03 Lecturer (University Teacher) University of Surrey, United Kingdom
University of Surrey, United Kingdom
1998/09 - 1999/08 Lecturer (University Teacher) University of Kent, United Kingdom
University of Kent, United Kingdom
1997/09 - 1998/08 Lecturer (University Teacher) University of Glasgow, United Kingdom
University of Glasgow, United Kingdom
1996/10 - 1997/06 Trainee Assistant (University Teacher) Durham University, United Kingdom
Durham University, United Kingdom

Positions / Appointments

Category
Host institution 		Employer
2008/01 - 2015/12 Organic Unit Director Griffith University, Australia
Griffith University - Centre for Cultural Research, Australia
2008 - 2010 Faculty Executive Griffith University, Australia
Griffith University - Faculty of Arts, Education and Law, Australia

Others

Category
Host institution 		Employer
2017 - Current Associate Researcher of the Institute of Sociology of University of Porto Universidade do Porto, Portugal
2014 - Current • International Research Fellow, Finnish Youth Research Network Finnish Youth Research Network, Finland
2004 - Current Faculty Associate Yale University Department of Sociology, United States
2005 - 2011 Associate, PopuLUs, the Centre for the Study of the World’s Popular Musics University of Leeds, United Kingdom
Projects

Grant

Designation Funders
2020 - 2020 Youth, Music-Making and Well-Being During a Public Health Crisis
0
Principal investigator
Griffith University, Australia
Concluded
2017 - 2017 Contemporary Music Plan: Audience Research
0
Principal investigator
Griffith University, Australia
Concluded
2016 - 2016 Under Connected. On and offline Luso-Brazilian music scenes’. Transnational cooperation /Contest of Bilateral Agreements (Portugal and Brazil)
0
Researcher
Universidade do Porto, Portugal
Concluded
2015 - 2015 Contemporary Music Plan: Accessing Live Music on the Gold Coast
0
Principal investigator
Griffith University, Australia
Concluded
2015 - 2015 The Place and Space of Youth on the Gold Coast: An Examination of Youth Culture, Subculture and Deviance in a Leisure Economy’
0
Principal investigator
Griffith University, Australia
2013 - 2014 Popular Music Heritage as a Resource in the New Economy
0
Principal investigator
Griffith University, Australia
Concluded
2012 - 2014 Keep it simple, make it fast! Prolegomenons and punk scenes, a road to portuguese contemporaneity (1977-2012)
0
Principal investigator
Universidade do Porto, Portugal
Concluded
2010 - 2012 Popular music and cultural memory: Localised popular music histories and their significance for national music industries
0
Principal investigator
Griffith University, Australia
Concluded
2004 - 2005 Patterns of informal learning among young people in community music-making projects
0
Principal investigator
Griffith University, Australia
Concluded
2003 - 2005 Playing for Life: The Everyday Music Practices of Marginalised Youth as Strategic Pathways to Agency, Employment and Socio-Economic Inclusion
0
Principal investigator
Griffith University, Australia
Concluded
2004 - 2004 Informal learning and creativity in young people’s popular musical cultures: a comparative analysis’
0
Principal investigator
Nuffield Foundation, United Kingdom
Concluded
1999 - 2000 Cultural Diversity in Black and Asian Film
0
Principal investigator
British Film Institute, United Kingdom
Concluded
Outputs

Publications

Book
  1. Bennett, Andy. Popular Music Heritage. United Kingdom: Palgrave-Macmillan. 2021.
    In press
  2. Bennett, Andy. British Progressive Pop 1970-1980. New York: Bloomsbury. 2020.
    Published
  3. Bennett, Andy. Popular Music Scenes and Cultural Memory. Palgrave. 2016.
    Published
  4. Bennett, Andy. Music, Style and Aging: Growing Old Disgracefully?. Temple University Press.. 2013.
    Published
  5. Bennett, Andy. Cultural Sociology: An Introduction. Blackwell. 2012.
    Published
  6. Bennett, Andy. Culture and Everyday Life. Sage. 2005.
    Published
  7. Bennett, Andy. Cultures of Popular Music. Open University Press. 2001.
    Published
  8. Bennett, Andy. Popular Music and Youth Culture: Music, Identity and Place. Palgrave-Macmillan. 2000.
    Published
Book chapter
  1. Bennett, Andy. "You re Not the Boss of Me!The relationship between EDM and DIY in Australia". In Electronic Cities: Music, Policies and Space in the 21st century. Palgrave Macmillan, 2021.
    In press
  2. Bennett, Andy. "Never Mind the...Here's Minutes of Prog: Rethinking Punk¿s Impact on Progressive Rock During the Late 1970s". In Media Narratives and Popular Music. Bloomsbury, 2021.
    Published
  3. Bennett, Andy. "Good Citizenship, Telethon and Benefit Concert: the Politics of the Achievable". In Mixing Pop and Politics. 2021.
    In press
  4. Bennett, Andy. "Framing Hip Hop Dance as an Object of Sociological and Cultural Research". In The Oxford Handbook of Hip Hop Dance Studies. Oxford University Press, 2021.
    In press
  5. Bennett, Andy. "The Political Legacy of Woodstock: Rock Music Festivals and Protest". In The Oxford Handbook of Protest Music. Oxford University Press, 2021.
    In press
  6. Bennett, Andy. "The Canterbury Sound as a Local, Trans-local and Virtual Scene". In The Canterbury Sound in Popular Music: Scene, Identity and Myth. Emerald, 2021.
    Published
  7. Bennett, Andy. "Situating Subculture: On the Origins and Limits of the Term for Understanding Youth Cultures". In Researching Subcultures, Myth and Memory. Routledge, 2020.
    Published
  8. Bennett, Andy. "Hebdige, Punk and the Post-subcultural Meaning of Style’, in Subcultures Network". In Through the Subcultural Lens: Hebdige and Subculture in the 21st Century. Basingstoke, 2020.
    Published
  9. Bennett, Andy. "One Piece Blokes: On Being a Performing Musician in Regional Queensland". In Regional Cultures, Economies and Creativity: Innovating Through Place in Australia and Beyond. Routledge, 2020.
    Published
  10. Bennett, Andy. "Youth Scenes and Aging Punks". In The Oxford Handbook of Punk Rock. Oxford University Press, 2020.
    Published
  11. Bennett, Andy. "Popular Music". In The SAGE Encyclopedia of Research Methods. Sage, 2019.
    Published
  12. Bennett, Andy. "Well-being, Young People and Music Scenes". In The Oxford Handbook of Music, Adolescents and Well-Being. Oxford University Press, 2019.
    Published
  13. Bennett, Andy. "The (Dark)Clown Figure in Popular Music". In The Routledge Companion to Popular Music and Humor. Routledge, 2019.
    Published
  14. Bennett, Andy. "Rethinking DIY Culture in a Post-industrial and Global Context". In DIY Cultures and Underground Music Scenes. Routledge, 2019.
    Published
  15. Bennett, Andy. "DIY Preservationism and Recorded Music - Saving Lost Sounds". In The Routledge Handbook of Popular Music History and Heritage. Routledge, 2018.
    Published
  16. Bennett, Andy. "The Making and Remaking of Brisbane and Hobart: Music Scenes in Australia’s ‘Second-Tier’ Cities". In Made in Australia and New Zealand: Studies in Popular Music. Routledge, 2018.
    Published
  17. Bennett, Andy. "Mix Tapes, Memory, and Nostalgia: An Introduction to Phonographic Anthologies". In The Pop Palimpsest: Intertextuality in Recorded Popular Music. University of Michigan Press, 2018.
    Published
  18. Bennett, Andy. "Young People, Gap Year Travel and the Neo-Tribal Experience". In Neo-Tribes – Consumption, Leisure, Tourism. Palgrave, 2018.
    Published
  19. Bennett, Andy. "Popular music and Materiality: Memorabilia, Archives & Memory Traces". In Popular Music, Cultural Memory and Heritage. Routledge, 2017.
    Published
  20. Bennett, Andy. "Ethnography, Popular Music and Religion". In The Bloomsbury Handbook of Religion and Popular Music. Bloomsbury Academic, 2017.
    Published
  21. Bennett, Andy. "Popular Music and Cultural Sociology". In The Sage Handbook of Cultural Sociology. Sage, 2016.
    Published
  22. Bennett, Andy. "All that Glitters”: Glam, Bricolage and the History of Post-war Youth Culture". In Global Glam and Popular Music: Style and Spectacle from the 1970s to the 2000s. Routledge, 2016.
    Published
  23. Bennett, Andy. "Music and Virtuality: Values, Relationships and Identities". In Music and Virtuality. Oxford University Press, 2016.
    Published
  24. Bennett, Andy. "Music and Place". In Seismographic Sounds. Visions of a New World. Norient Books, 2015.
    Published
  25. Bennett, Andy. "Mediation, generational memory and the dead music icon". In Death and the Rock Star. Ashgate, 2015.
    Published
  26. Bennett, Andy. "Speaking of Youth Culture’: A Critical Analysis of (Post)Youth Culture in the New Century". In Youth Cultures, Transitions and Generations: Bridging the Gap in Youth Research. Palgrave, 2015.
    Published
  27. Bennett, Andy. "Fade to Grey: The Forgotten History of the British New Romantic Movement". In Lost Histories of Youth Culture. Peter Lang, 2015.
    Published
  28. Bennett, Andy. "Youth Culture, Ageing and Identity". In Routledge Handbook of Cultural Gerontology. Routledge, 2015.
    Published
  29. Bennett, Andy. "Youth and Play: Identity, Politics and Lifestyle". In Handbook of Children and Youth Studies. Springer, 2015.
    Published
  30. Bennett, Andy. "Popular Music, Community and Self". In The Routledge Reader on the Sociology of Music. Routledge, 2015.
    Published
  31. Bennett, Andy. "Australian Subcultures: Reality or Myth?". In Youth Cultures and Subcultures: Australian Perspectives. Ashgate, 2015.
    Published
  32. Bennett, Andy. "Popular Music and the ‘Problem’ of Heritage". In Sites of Popular Music Heritage. Routledge, 2015.
    Published
  33. Bennett, Andy. "Penggunaan Pengetahuan “OrangDalam” dalam¿Penelitian Etnografi tentang Pentas Musik Anak Muda Kontemporer". In Buku Panduan Studi Kepemudaan: Teori, Metodologi dan Isu-Isu Kontemporer. Universitas Gadjah Mada, 2014.
    Published
  34. Bennett, Andy. "Festival Spaces, Identity, Experience and Belonging". In The Festivalization of Culture. Ashgate, 2014.
    Published
  35. Bennett, Andy. "Youth Culture and the Internet: A Subcultural or Post-subcultural Phenomenon?". In Subcultures, Popular Music and Social Change. Cambridge Scholars Press, 2014.
    Published
  36. Bennett, Andy. "Popular Music, Cultural Memory and the Peripheral City". In Music City: Musikalische Annäherungen an die kreative Stadt. bielefeld, 2014.
    Published
  37. Bennett, Andy. "In Search of Underground Brisbane: Music, Memory and Cultural Heritage". In Sounds and the City: Popular Music, Place and Globalisation. Palgrave, 2014.
    Published
  38. Bennett, Andy. "Reappraising Counterculture". In Countercultures and Popular Music. Ashgate, 2014.
    Published
  39. Bennett, Andy. "Paganism and the Counter Culture". In Pop Pagans. Equinox, 2013.
    Published
  40. Bennett, Andy. "Youth culture, leisure and lifestyle: From subcultures to neo-tribes". In Handbook of Leisure Studies. Routledge, 2013.
    Published
  41. Bennett, Andy. "Lifestyles in Former Socialist Societies". In Back in the West. Changing Lifestyles in Transforming Societies. Peter Lang Publishers, 2013.
    Published
  42. Bennett, Andy. "Cheesy Listening: Popular Music and Ironic Listening Practices". In Redefining Mainstream Popular Music. Routledge, 2013.
    Published
  43. Bennett, Andy. "The continuing importance of the “cultural” in the study of youth". In Youth subcultures: Theory, history and the Australian experience. Australian Clearinghouse for Youth Studies, 2012.
    Published
  44. Bennett, Andy. "Dance parties, lifestyle and strategies for ageing". In Ageing and Youth Cultures: Music, Style and Identity. Berg, 2012.
    Published
  45. Bennett, Andy. "Living ‘the Strip.negotiating neighbourhood, community and identities on Australia’s Gold Coast". In Habitus of the Hood. Intellect Books, 2012.
    Published
  46. Bennett, Andy. "Let me know you’re out there!” Male rock vocal and audience participation". In International Perspectives on Males and Singing in Music. Education Springer, 2012.
    Published
  47. Bennett, Andy. "From subculture to post subculture: A critical overview of contemporary youth cultural studies". In Being Cultural. Pearson, 2011.
    Published
  48. Bennett, Andy. "Towards a cultural sociology of popular music". In Popular Music. Sage, 2011.
    Published
  49. Bennett, Andy. "Subcultures or Neo-Tribes? Rethinking the relationship between youth, style and musical taste". In Popular Music. Sage, 2011.
    Published
  50. Bennett, Andy. "Festival Spaces, Green Sensibilities and Youth Culture". In Festivals and the Cultural Public Sphere. Routledge, 2011.
    Published
  51. Bennett, Andy. "Nie zu alt? Älterwerden und Popmusik". In They Say I’m Different. Popularmusik, Szenen und ihre Akteur_innen. Vienna, 2011.
    Published
  52. Bennett, Andy. "Classic Albums: The re-presentation of the rock album on British television". In Popular Music on British Television. Ashgate, 2010.
    Published
  53. Bennett, Andy. "Subcultures or Neo-Tribes? Rethinking the relationship between youth, style and musical taste". In Popular Culture. Brill, 2010.
    Published
  54. Bennett, Andy. "Popular music, cultural memory and everyday". In Philosophical and Cultural Theories of Music. Brill, 2010.
    Published
  55. Bennett, Andy. "Missing Links: Britpop traces, 1970-1980". In Britpop and the English Music Tradition. Ashgate, 2010.
    Published
  56. Bennett, Andy. "Spectacular soundtracks: Youth and music". In Handbook of Youth and Young Adulthood. New Perspectives and Agendas. Routledge, 2009.
    Published
  57. Bennett, Andy. "Still Talking About My Generation. The Representation of Youth in Popular Music". In The Changing Portrayal of Adolescents in the Media and Why it Matters. Oxford University Press, 2008.
    Published
  58. Bennett, Andy. "Popular Music, Media and the Narrativisation of Place". In Sonic Synergies: Music, Identity. Ashgate, 2008.
    Published
  59. Bennett, Andy. "As Young As You Feel”: Youth as Cultural Discourse". In Youth Culture: Scenes, Subcultures and Tribes. Routledge, 2007.
    Published
  60. Bennett, Andy. "Sound.Music and the Spoken Word". In The Companion Encyclopedia of Geography. Routledge, 2007.
    Published
  61. Bennett, Andy. "Even Better than the Real Thing.Understanding the Tribute Band Phenomenon". In Access All Eras: Tribute Bands and Global Pop Culture. Open University Press, 2006.
    Published
  62. Bennett, Andy. "Subcultures or Neo-Tribes.Rethinking the relationship between youth, style and musical taste". In The Popular Music Studies. Routledge, 2006.
    Published
  63. Bennett, Andy. "Subcultures or Neo-Tribes. Rethinking the relationship between youth, style and musical taste’". In Consumer Behaviour. Sage, 2005.
    Published
  64. Bennett, Andy. "Hip Hop am Main, Rappin’ on the Tyne. Hip Hop Culture as a Local Construct in Two European Cities". In That’s the Joint. The Hip-Hop Studies Reader. Routledge, 2004.
    Published
  65. Bennett, Andy. "Chilled Ibiza. Dance Tourism and the Neo-Tribal Island Community". In Island Musics. Berg, 2004.
    Published
  66. Bennett, Andy. "New Tales from Canterbury. The Making of a Virtual Music Scene". In Music Scenes. Local, Trans-Local and Virtual. Vanderbilt University Press, 2004.
    Published
  67. Bennett, Andy. "Virtual Subculture. Youth, Identity and the Internet". In After Subculture: Critical Studies in Contemporary Youth Culture. Palgrave, 2004.
    Published
  68. Bennett, Andy. "Everybody’s happy, everybody’s free. Representation and Nostalgia in the Woodstock Film". In Remembering Woodstock. Ashgate, 2004.
    Published
  69. Bennett, Andy. "The Frankfurt “Rockmobil. A new insight into the significance of music-making for young people". In 20 Years of Youth and Policy. The National Youth Agency, 2003.
    Published
  70. Bennett, Andy. "The Use of ‘Insider’ Knowledge in Ethnographic Research on Contemporary Youth Music Scenes". In Researching Youth. Palgrave, 2003.
    Published
  71. Bennett, Andy. "Hip Hop am Main. Die Lokalisierung von Rap-Musik und HipHop-Kultur". In Hip Hop: globale Kultur - lokale Praktiken. Transcript Verlag, 2003.
    Published
  72. Bennett, Andy. "Plug in and Play. UK Indie Guitar Culture". In Guitar Cultures. Berg, 2001.
    Published
  73. Bennett, Andy. "Contemporary Youth Music and “Risk” Lifestyles". In How Claims Spread. Cross-National Diffusion of Social Problems. Hawthorne, 2001.
    Published
  74. Bennett, Andy. "Local Interpretations of Global Music". In The Contemporary British Society Reader. Polity, 2000.
    Published
  75. Bennett, Andy. "Sitting in an English Garden. Comparing representations of Britishness in the songs of the Beatles and 90s Britpop groups’". In The Beatles Popular Music and Society. A Thousand Voices. Macmillan, 2000.
    Published
  76. Bennett, Andy. "Going Down the Pub. The pub rock scene as a resource for the consumption of popular music". In Music On Show. Issues of Performance. Tampere University, 1998.
    Published
  77. Bennett, Andy. "Something old, something new. Expatriate musicians and musical authenticity". In Popular Music Intercultural Interpretations. Kanazawa University, 1998.
    Published
Edited book
  1. Bennett, Andy. Popular Music Scenes. A Regional and Rural Perspective. Palgrave. 2021.
    In press
  2. Bennett, Andy. The Bloomsbury Handbook of Popular Music and Youth Culture. Bloomsbury. 2021.
    In press
  3. Bennett, Andy. The Canterbury Sound in Popular Music: Scene, Identity and Myth. Emerald. 2021.
    Published
  4. Bennett, Andy. DIY Cultures and Underground Music Scenes. Routledge. 2019.
    Published
  5. Bennett, Andy. Neo-Tribes, Consumption, Leisure, Tourism. Routledge. 2019.
    Published
  6. Bennett, Andy. Popular Music, Cultural Memory and Heritage. Routledge. 2017.
    Published
  7. Bennett, Andy. Youth Culture. Sage. 2016.
    Published
  8. Bennett, Andy. Youth Cultures, Transitions and Generations: Bridging the Gap in Youth Research. Palgrave. 2015.
    Published
  9. Bennett, Andy. The Festivalization of Culture. Ashgate. 2014.
    Published
  10. Bennett, Andy. Mediated Youth Cultures. The Internet, Belonging and New Cultural Configurations. Palgrave. 2014.
    Published
  11. Bennett, Andy. Pop Pagans. Equinox. 2013.
    Published
  12. Bennett, Andy. Redefining Mainstream Popular Music.. Routledge. 2013.
    Published
  13. Bennett, Andy. Ageing and Youth Cultures: Music, Style and Identity. Berg. 2012.
    Published
  14. Bennett, Andy. Britpop and the English Music Tradition. Ashgate. 2010.
    Published
  15. Bennett, Andy. Popular Music Reader. Routledge. 2006.
    Published
  16. Bennett, Andy. Music Scenes: Local, Trans-Local and Virtual. Vanderbilt University Press. 2004.
    Published
  17. Bennett, Andy. After Subculture: Critical Studies in Contemporary Youth Culture. Palgrave. 2004.
    Published
  18. Bennett, Andy. Remembering Woodstock. Ashgate. 2004.
    Published • Editor
  19. Bennett, Andy. Music, Space and Place. Ashgate. 2004.
    Published
  20. Bennett, Andy. Researching Youth: Issues, Controversies and Dilemmas. Palgrave. 2003.
    Published
  21. Bennett, Andy. Guitar Cultures. Berg. 2001.
    Published
Journal article
  1. Bennett, Andy. "Punk Portugal, 1977-2012: A Preliminary Genealogy". , Popular Music History 1 3 (2021):
    In press
  2. Bennett, Andy. "It¿s turned me from a professional to a bedroom DJ once again: COVID-19 and new forms of inequality for young music-makers". YOUNG (2021):
    Published
  3. Bennett, Andy. "A New Paradigm of Engagement for the Socially Distanced Artist". Rock Music Studies 8 1 (2021):
    Published
  4. Bennett, Andy. "Regional and Rural Popular Music Scenes". Popular Music & Society (2021):
    In press
  5. Bennett, Andy. "The Felt Value of Reading Zines". American Journal of Cultural Sociology. (2020):
    Published
  6. Bennett, Andy. "Urban Vibes in a Rural Setting: A Study of the Bush Doof Scene in Byron Shire". Journal of Youth Studies (2020):
    Published
  7. Bennett, Andy. "Researching Regional and Rural Music Scenes: Towards a Critical Understanding of an Under-theorized Topic". Popular Music & Society 44 4 (2020): 367-377.
    Published
  8. Bennett, Andy. "Music Consumption and Technological Eclecticism: Investigating Generation Y's Adoption and Uses of Music Technologies¿". Young: Nordic Journal of Youth Research (2020):
    Published
  9. Bennett, Andy. "Woodstock 2019: The Spirit of Woodstock in the Post-risk Era". Popular Music & Society 43 2 (2019): 216-227.
    Published
  10. Bennett, Andy. "On the programme tonight: The Old Grey Whistle Test as Tastemaker for British AOR Audiences in the Early 1970s". Popular Music History 12 3 (2019): 316-332.
    Published
  11. Bennett, Andy. "Twice the size of Texas": Assessing the importance of regional popular music scenes - a case study of regional Queensland". Popular Music & Society 42 5 (2019): 561-575.
    Published
  12. Bennett, Andy. "Young People and Alcohol Abstention: Youth Cultural Practices and being a Non-drinker in Finland and Australia’". Journal of Youth Studies 22 8 (2019): 1100-1116.
    Published
  13. Bennett, Andy. "Tired Generation: Ageing in Youth Cultures and Lifestyle Sports". Sociology 53 3 (2019): 503-518.
    Published
  14. Bennett, Andy. "Gateways and Corridors: Spatial Challenges and Opportunities for Live Music on the Gold Coast". City, Culture and Society (2018):
    Published
  15. Bennett, Andy. "Making Modern Music: Rush, Signals and the Limits of Creative Transgression". Popular Music History 11 3 (2018): 191-210.
    Published
  16. Bennett, Andy. "Popular Music Heritage, Grass-Roots Activism and web 2.0: The Case of the ‘Save The Palace’ Campaign’". Cultural Sociology 12 3 (2018): 368-383.
    Published
  17. Bennett, Andy. "Conceptualising the relationship between youth, music and DIY careers: A critical overview". Cultural Sociology 12 2 (2018): 140-155.
    Published
  18. Bennett, Andy. "Music Scenes and Ageing Bodies". Journal of Aging Studies 45 (2018): 49-53.
    Published
  19. Bennett, Andy. "Wrapped in Stardust: Glam-rock and the Rise of David Bowie as Pop Entrepreneur". Continuum: Journal of Media & Cultural Studies 31 4 (2017): 574-582.
    Published
  20. Bennett, Andy. "In the Scattered Fields of Memory: Unofficial Live Music Venues, Intangible Heritage and the Recreation of the Musical Past’". Space & Culture 19 4 (2016): 490-501.
    Published
  21. Bennett, Andy. "Popular music and Materiality: Memorabilia, Archives & Memory Traces". Popular Music & Society 39 1 (2016): 28-42.
    Published
  22. Bennett, Andy. "Never Mind the Pistols? The Legacy and Authenticity of the Sex Pistols in Portugal". Popular Music & Society 38 4 (2015): 500-521.
    Published
  23. Bennett, Andy. "Music scenes, space and the body". Cultural Sociology 9 1 (2015): 99-115.
    Published
  24. Bennett, Andy. "Analyzing everyday sound environments: The space, time and corporality of musical listening". Cultural Sociology 8 4 (2014): 426-442.
    Published
  25. Bennett, Andy. "Street music, technology and the urban soundscape". Continuum: Journal of Media & Cultural Studies 28 4 (2014): 454-464.
    Published
  26. Bennett, Andy. "Pour une ‘réévaluation du concept de contre-culture". Volume! La review des musiques populaires 9 1 (2012): 19-31.
    Published
  27. Bennett, Andy. "Popular music and the aesthetics of ageing". Popular Music 31 2 (2012): 231-243.
    Published
  28. Bennett, Andy. "The continuing importance of the “cultural” in the study of youth". Youth Studies Australia 30 3 (2011): 27-33.
    Published
  29. Bennett, Andy. "The post-subcultural turn: Some reflections ten years on". Journal of Youth Studies 14 5 (2011): 493-506.
    Published
  30. Bennett, Andy. "My Tribe: Postsubcultural manifestations of belonging on social network sites". Sociology 45 2 (2011): 303-317.
    Published
  31. Bennett, Andy. "Heritage rock”: Rock music, re-presentation and heritage discourse". Poetics: Journal of Empirical Research on Culture, the Media and the Arts 37 5 (2009): 474-489.
    Published
  32. Bennett, Andy. "Cultural Precincts, Creative Spaces: Giving the Local a Musical Spin". Space & Culture 12 2 (2009): 148-165.
    Published
  33. Bennett, Andy. "Towards a cultural sociology of popular music". Journal of Sociology 4 4 (2008): 419-432.
    Published
  34. Bennett, Andy. "Things They Do Look Awful Cool”: Ageing Rock Icons and Contemporary Youth Audiences". Leisure/Loisir 32 1 (2008): 259-278.
    Published
  35. Bennett, Andy. "The scenes perspective and the Australian context". Continuum: Journal of Media & Cultural Studies 22 5 (2008): 593-599.
    Published
  36. Bennett, Andy. "The Forgotten Decade: Rethinking the Popular Music of the 1970s". Popular Music History 2 1 (2007): 5-24.
    Published
  37. Bennett, Andy. "Punks Not Dead: The Significance of Punk Rock for an Older Generation of Fans". Sociology 40 1 (2006): 219-235.
    Published
  38. Bennett, Andy. "Szubkultúrák vagy neo-törzsek? A fiatalok, a stílus és a zenei ízlés közötti kapcsolat újragondolása". Replika 53 (2005): 127-143.
    Published
  39. Bennett, Andy. "In Defence of Neo-Tribes: A Response to Blackman and Hesmondhalgh". Journal of Youth Studies 8 2 (2005): 255-259.
    Published
  40. Bennett, Andy. "Consolidating the Music Scenes Perspective". Poetics: Journal of Empirical Research on Culture, the Media and the Arts 32 (2004): 223-234.
    Published
  41. Bennett, Andy. "Estilos globais, interpretações locais: reconstruindo o “local” na sociologia da cultura juvenil". Forum Sociológico 7 2 (2002): 49-67.
    Published
  42. Bennett, Andy. "Researching Youth Culture and Popular Music: A Methodological Critique". British Journal of Sociology 53 3 (2002): 451-466.
    Published
  43. Bennett, Andy. "Music, Media and Urban Mythscapes: A Study of the Canterbury Sound". Media, Culture and Society 24 1 (2002): 107-120.
    Published
  44. Bennett, Andy. "Subcultures or Neo-Tribes? Rethinking the relationship between youth, style and musical taste". Sociology 33 3 (1999): 599-617.
    Published
  45. Bennett, Andy. "Rappin’ on the Tyne: White hip hop culture in Northeast England - an ethnographic study". The Sociological Review 47 1 (1999): 1-24.
    Published
  46. Bennett, Andy. "Hip hop am Main: The localisation of rap music and hip hop culture". Media, Culture and Society 21 1 (1999): 77-91.
    Published
  47. Bennett, Andy. "The Frankfurt “Rockmobil”: A new insight into the significance of music-making for young people". Youth and Policy 60 (1998): 16-29.
    Published
  48. Bennett, Andy. "Village greens and terraced streets”: Representations of “Britishness". Young: Nordic Journal of Youth Research 5 4 (1997): 20-33.
    Published
  49. Bennett, Andy. "Bhangra in Newcastle: Music, ethnic identity and the role of local knowledge". Innovation: The European Journal of the Social Sciences 10 1 (1997): 107-116.
    Published
  50. Bennett, Andy. "Going down the pub: The pub rock scene as a resource for the consumption of popular music". Popular Music 16 1 (1997): 97-108.
    Published
Journal issue
  1. Bennett, Andy. "Youth, music and DIY careers". Cultural Sociology 12 2 (2018):
    Published • Invited editor
  2. Bennett, Andy. "Popular Music, Heritage and Memory". Popular Music & Society 39 1 (2016):
    Published • Coeditor
  3. Bennett, Andy. "Mediated Youth Cultures". Continuum: Journal of Media and Cultural Studies 26 2 (2012):
    Published • Coeditor
  4. Bennett, Andy. "Australian Music Scenes". Continuum: Journal of Media and Cultural Studies 22 5 (2008):
    Published • Coeditor
  5. Bennett, Andy. "Popular Music and Leisure". Leisure Studies 24 4 (2005):
    Published • Invited editor
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2019 Whose Heritage is it Anyway. From Youth Culture to Cultural Heritage Popular Music in Museums and Archives
Rockheim: The National Museum of Popular Music in Norway
2018 Youth Cultures and Well-Being Annual Conference of the Finnish Youth Research Network
University of Finland
2017 Urban Variations and Music Scenes
Leuphana University (Germany)
2017 Woodstock 2019? Reflections on a fifty-year legacy … and predictions for the music festival of a lifetime CHIME Conference – Music, Festivals, Heritage, Sienna Jazz Archive
2017 The Canterbury Sound as Local, Trans-local and Virtual Scene Canterbury Sound: Place, Music and Myth
Canterbury Christ Church University
2017 The Canterbury Sound as Local, Trans-local and Virtual Scene
Canterbury Christ Church University
2016 Music (post)subcultures and scenes in the Asia Pacific: Towards a rethinking of concepts and theories 5th Inter-Asia Popular Music Studies Conference
2016 DIY Music Scenes: Space, Place and Memory . Keep it Simple, Make it Fast: DIY Cultures, Spaces and Places
University of Porto
2016 Youth Culture and the Internet: A Subcultural or Post-Subcultural Phenomenon?’. Researching Social Media Use: Identity. Community and Political Dissent Annual Conference of the Media Discourse Group
2016 Music scenes and ageing bodies British Sociological Association Ageing Body and Society Study Group
2015 Popular music, ageing and identity Milestone in Music – Public Lecture Series
Australian National University (Australia)
2015 Mediated Youth Culture: A subcultural or post-subcultural phenomenon
University of Tampere (Finland)
2015 Working at perfect: Sociology and the ever-changing landscape of DIY cultural practice Keep it Simple, Make it Fast: Crossing Borders of Underground Music Scenes.
2015 From subculture to post-subculture … where to next? PhD Summer School
2015 The Other Legacy of Woodstock: Popular Music, Protest and the Rock Festival’, Rethinking Protest Music: The Sounds of Dissent
Princeton University
2015 Speaking of Youth Culture. A Critical Analysis of (Post)Youth Culture in the New Century Sociology Days: Finnish Sociological Association Annual Conference
2015 Subcultural Debates, Ageing and Adulthood. Theories and Concepts in Youth Studies
School of Humanities and Social Sciences
2015 From Subculture to Post-subculture. A Critical Overview of Contemporary Youth Cultural Studies
Australian National University
2014 Punk in Portugal, 1977 – 2012: A Sociocultural History Keep It Simple Make it Fast: Underground Music Scenes and DIY Cultures
University of Porto
2014 Stefano Barone, Andy Bennett and Elham Golpooshnezhad, ‘Popular Music Scenes, Youth and Everyday Life in the Global South – A case study of Iran and Tunisia
University of Newcastle
2013 Youth culture and the internet 14th Nordic Youth Research Symposium
2013 Andy Bennett and Chris Driver, ‘Music Scenes, Space and the Body’, The Social Spaces of Music Conference organised by the Centre for Research on Economic and Social Change
2013 Andy Bennett and Ian Rogers, ‘In Search of Subcultural Brisbane: Music, Memory and Cultural Heritage This is My City. Popular Music and the Urban Experience
2013 Popular Music and Cultural Heritage
Chung Cheng University
2013 Growing Old Disgracefully. Ageing Popular Music Audiences
Cheng University
2013 Popular Music and Youth Culture
Cheng University
2013 Territories, Identities and Musical Scenes
University of Porto
2013 Urban Musical Cultures
University of Coimbra
2013 Youth Cultures and Music: A Research Pathway
University of Porto
2013 Music, Style, and Aging: Growing Old Disgracefully
University of Helsinki
2013 Music, Style, and Aging: Growing Old Disgracefully
University of Tampere
2012 Andy Bennett and Ian Rogers, ‘In the Scattered Fields of Memory: Unofficial Live Music Venues, Collective Memory and Local Live Music Scenes in three Australian Cities Inter-Asia Popular Music Society
2012 Popular Music and the Problem of Heritage
University of Melbourne
2012 From subculture to post subculture: A critical overview of contemporary youth cultural studies
2011 Popular music and the ‘problem’ of heritage Sites of Popular Music Heritage Symposium
2011 Youth culture and ageing. Youth (Sub)cultures in Changing Societies
Tallinn University
2011 Popular Music, Ageing and Lifestyle
Curtin University
2011 Growing Old Disgracefully. Popular Music and Ageing
Edith Cowan University
2010 Subculture to post-subculture: Some reflections ten years on Youth 2010: Identities, Transitions and Cultures conference
2010 Between the Old Grey Whistle Test and Top of the Pops: British Pop-rock in the Early 1970s Crossroads: Association of Cultural Studies Annual Conference
2009 Never Too Old: Ageing and Popular Music. They Say I’m Different’: Popular Music Scenes and their Communities
University of Creative and Performing Arts
2008 Die-hard rockers and ageing punks. When youth culture meets middle age German Society of Music Research conference 'Musik und Stadt
2008 Heritage rock. Music, culture and DIY preservationism Classification in the Arts and Media: The Impact of Globalization and Commercialization.
2007 Growing old disgracefully. Popular music and the ageing fan The Australian Sociological Association Public Lecture
Griffith University (Australia)
2007 Cultural Castaways. Thinking critically about ageing popular music audiences Islands Conference of the Australian and New Zealand Musicological Societies
2007 Heritage rock. Music, Culture and DIY Preservationism New Frontiers in Arts Sociology Creativity, Support and Sustainability’ interim conference of the European Sociological Association (ESA) Network for the Sociology of the Arts
2006 Popular music and the ageing fan Biannual conference of the UK and Ireland Branch of the International Association for the Study of Popular Music
2006 Popular music, fandom and ageing
Belmont University
2005 Missing links: Seventies Rock and Pop and Popular Music Studies Annual conference of the Australia / New Zealand branch of the International Association for the Study of Popular Music
2005 Punks Not Dead. The Continuing Significance of Punk Rock for an Older Generation of Fans Culture in the World – Inaugural Conference of the Center for Cultural Sociology
2005 Popular Music, Fandom and Ageing. A Case Study of Punk Rock
University of Newcastle
2005 Punks Not Dead. The Continuing Significance of Punk Rock for an Older Generation of Fans
University of Technology Sydney
2005 Punks Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans Department of Sociology seminar series
Flinders University
2005 Punks Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans
Centre for Public Culture and Ideas
2005 Virtual Music Scenes
Centre for Critical and Cultural Studies
2005 Popular Music, Fandom and Ageing. A Case Study of Punk Rock
University of South Australia
2005 Music Scenes
Skidmore College
2005 Qualitative Methods and Sociological Research
Flinders University
2005 Ethnography in Social Science Research
University of South Australia
2004 Guitar Cultures: Research at the Global Crossroads The Sounds of the Guitar
2004 Popular Music, Fandom and Aging. A Case Study of Punk Rock
Roehamptom University
2004 Popular Music, Fandom and Ageing. A case study of punk rock
Institute for Scientific Analysis
2004 Punks Not Dead.The Continuing Significance of Punk Rock for an Older Generation of Fans . Society for the Study of Symbolic Interactionism Annual Conference
2004 Hip Hop am Main, Rappin’ on the Tyne: Local Hip Hop Cultures in two European Cities
Zentrum für Kunst und Media
2004 Popular Music, Fandom and Ageing: A Case Study of Punk Rock
Sociology and Social Research
2003 As Old as You Feel: Youth as Cultural Narrative Third BSA Youth Study Group Annual Conference, Scenes, Subcultures and Tribes: Youth Culture in the 21 Century
2003 Consolidating the Music Scenes Perspective American Sociological Association Annual Conference
2003 From Subculture to Virtual Subculture. Youth, Creativity and the Internet Live video link-up from UK with Sonic Synergies, Creative Cultures conference
2003 Too Old to Rock and Roll. Popular Music Fandom, Ageing and Biography
University of Brighton
2003 Growing Old Disgracefully. Popular Music and Older Generations of Fans
University of Liverpool
2003 Trans-Atlantic Pop Culture Connections in 1950s and 1960s
Cooperative Center for Study Abroad
2002 Virtual Music Scenes Digital World Research Centre Seminar Series
2002 Youth, music and creativity. Music as a creative resource in the lives of young people
Medical Research Centre - Social and Public Health Sciences Unit
2001 The significance of locality in post-subcultural studies of youth, style and popular music Post-Subcultural Formations Workshop
2001 Hip hop culture and local identity in Frankfurt am Main, Germany
Goethe Institut
2001 Rethinking Subcultural Theory. A critical examination of youth, style and identity
. Federal University of Bahia
2000 Local hip hop cultures in Germany and the UK
State Universities of Kazan and Ul’ianovsk
2000 The cultural reterritorialisation of hip hop in Frankfurt, Germany
University of Birmingham
2000 Local hip hop cultures in Germany and the UK
Memorial University of New Foundland
2000 Youth, Music and Gender/Rap Music and Hip Hop Culture
State Universities of Kazan and Ul’ianovsk
2000 The Development of the Modern Youth Market
State Universities of Kazan and Ul’ianovsk
1999 Music, Popular Culture and Identity
University of Brighton
1999 Researching Youth Culture, Popular Music and Local Identity
Wentworth Institute of Technology
1999 The Canterbury Sound: Music, media and urban mythscapes
Skidmore College
1998 Rethinking Patterns of Urban Resistance: Dance music, collective identity and the appropriation of urban space in Newcastle upon Tyne
Wissentschaftszentrum Berlin für Sozialforschung
1998 Popular styles, local interpretations: Hip hop, youth and identity in two European cities Twentieth Century Narratives - Sixth Conference of the International Society for the Study of European Ideas
1998 Culture and Counter Culture. Music of the 60s
University of Glasgow
1997 Hip hop am Main, rappin’ on the Tyne. Hip hop culture as a local construct
University of Glasgow
1997 Popular music and national identity
Vestfold College
1997 Britpop and British Cultural Identity
The Open University
1996 The localisation of rap music and hip hop culture in Frankfurt am Main, Germany
European Leisure Studies Group 7th Winter University
1995 Going down the pub: The pub rock scene as a resource for the consumption of popular music
Institute for the Study of Popular Music

Supervision

Thesis Title
Role 		Degree Subject (Type)
Institution / Organization
2021 - Current Negotiating Identity, Musicality, and Translocality of Filipino Musicians in Australia and New Zealand
Supervisor
Griffith University, Australia
2021 - Current Songs of Migration: What is Music’s Role in Realising the Benefits and Reducing the Barriers of Migration
Supervisor
Griffith University, Australia
2021 - Current Exploring the Indian Electronic Dance Music Culture (EDMC) Through Liminality and the Carnivalesque
Supervisor
Griffith University, Australia
2021 - Current Cassettes. Encountering an Analog Format in the Digital Presence’
Supervisor
Griffith University - Centre for Cultural Research, Australia
2021 - Current Networked Digital Culture: Co-Creation and its Effects on the Creator and Creative Process within the Music Industry
Supervisor
Griffith University, Australia
2021 - Current Emotional-Geo-Politics of Tourism in the South China Sea’
Supervisor
2021 - Current Pop Culture Shock: An Ethnographic Study of Eastern Screen Narratives
Supervisor
2021 - Current Inviting Stories from Young People About Popular Music, Subculturalism and Identity from a Place on the Margin
Supervisor
2021 - Current Reconsidering Punk Potential: Comparing Gendered and Punk Identity in Three Post-Colonial Southeast Contexts
Supervisor
2021 - Current New Europe and Youth Cultures in Serbia’s Period of Transition
Supervisor
2021 - Current The Opus of Machines: Redefining Music through Artificial Intelligence
Supervisor
2021 - Current Cultural Protests in Russia and Serbia in the 21st Century: A Study of the Potential of Independent Culture as a Voice for Socio-political Change
Supervisor
2020 - Current Anchors Away: The Gold Coast Cruise Ship Terminal as a Catalyst for the Gold Coast Identity Crisis
Supervisor
2020 - Current Rock Vanguards: Exploring Artistic Progressiveness in Popular Music and Progressive Rock
Supervisor
2019 - Current Hold Fast: A Sensory Ethnography of Hardcore and Everyday Life on Australia’s Gold Coast
Supervisor
2018 - Current 'Essays in Humanities: Exploring Critical Theory Through Creative Public Writing
Supervisor
2018 - Current How Spanish Language Newspapers Supports the Maintenance of the Spanish Language and Cultural Identity among Hispanic Diasporas in Australia
Supervisor
2017 - Current Peak music experiences: A new perspective on popular music, identity and scenes
Supervisor
2017 - Current Staging Risk Society: A Cultural Sociological Reading of In-Yer-Face Thearre
Supervisor
2017 - Current Capoeira and Transnational Culture: Investigating the Social Role of a Globally Mobile Traditional Cultural Practice
Supervisor
2017 - Current Rapping Islam - An ethnographic Study of Rap Culture in Morocco, Tunisia and the United States
Supervisor
2016 - Current Three Youth Cultures in Post-revolutionary Tunisia: Metal, Hip Hop and Electro
Supervisor
2015 - Current Making Things Musical: Material Culture and the Making of Musical Objects
Supervisor
2014 - Current Musically Motivated Autobiographical Memories and the Lifetime Soundtrack
Supervisor
2014 - Current It’s My Mobile. Adoption, Consumption and Meanings of the Mobile Phone Among Urban Youth in Botswana - An Ethnographic Study’
Supervisor
2014 - Current Law Up Load: Jurisprudence and Rock Music
Supervisor
2012 - Current The Digital Age of the Sound Environment: An Investigation of Everyday Interactions Between Listeners and Music
Supervisor
2012 - Current Systems of Belonging: Identity, Integrity, and Affinity on Social Network Sites for Young People in Australia
Supervisor
2012 - Current Independent to What. An Analyis of the Live Music Scene in Milan
Supervisor
2003 - Current Stepping Out: Dancing, Identity and Symbolic Conflict in London’s Salsa Scene
Supervisor
2002 - Current Negotiating the Music Industry in Bristol
Supervisor

Jury of academic degree

Topic
Role 		Candidate name (Type of degree)
Institution / Organization
2020 Like a Sustainable Version: Practising Independence in the Central Sydney Independent Music Scene
(Thesis) Arguer
 Shams Bin Lader (PhD)
2020 Moral Panics and Intergenerational Conflict: The Past is a Foreign Country, They Do Things Differently There
(Thesis) Arguer
 Peter Langford (PhD)
Newcastle University, United Kingdom
2020 Festival Worlds: A Sociology of Culture, Collective Experience and Temporary Tribes
(Thesis) Arguer
 Gemma Mackman (PhD)
University of Essex, United Kingdom
2019 Come Together Right Now Over Me: The Bush Doof – An Aesthetic Experiment in Human Being and Being Together
(Thesis) Arguer
 Matthew Phillips (PhD)
2018 The Brisbane Sound
(Thesis) Arguer
 Scott Regan (PhD)
2018 The F… is Goth Anyway. Classification, Dynamic Practice and Goth in Adelaide
(Thesis) Arguer
 Briony Morrison (PhD)
2018 Indie-Folk TM. Vintage Sensibilities in the 21st Century
(Thesis) Arguer
 Matthew Hsu (PhD)
2017 Urbane Musikräume im Wandel. DIY geprägte Musikclubs auf St. Pauli zwischen Szene, Stadt und Music Industries
(Thesis) Arguer
 Robin Kuchar (PhD)
2017 The Musical Subfield in Paris and Berlin: Orchestrating Musical, Urban and Professional Territories
(Thesis) Arguer
 Myrtelle Picaud (PhD)
2017 The Political Limits of the Conscious MC Brand. Ladi6
(Thesis) Arguer
 Annalise Friend (PhD)
2016 Ways of Feeling: The Transformation of Emotional Experience in Music Listening in the Context of Digitisation
(Thesis) Arguer
 Laura Glitsos (PhD)
2016 What's Be Happen? A Bakhtinian Analysis of Aotearoa New Zealand's first Pacific Reggae Album
(Thesis) Arguer
 Elizabeth Turner (PhD)
2016 It's Not The Heat, It's The Humidity: A Contextual Historical Analysis of the Lives of Brisbane Musicians
(Thesis) Arguer
 John Willsteed (PhD)
2016 Young Indonesian Musicians: Making the Transition to Adulthood through Entrepreneurial Activities and Mobility
(Thesis) Arguer
 Oki Rahadianto Sutopo (PhD)
2016 From Independent Record Shops to the Internet: Recorded Music Communities in the Digital Age
(Thesis) Arguer
 Lewis Tennant (PhD)
2015 Feels Like We Only Go Backwards": Nostalgia and Contemporary Retro Rock Music
(Thesis) Arguer
 Nicholas Russo (PhD)
2014 Popular Music Memories: Places and Practices of Popular Music Heritage, Memory and Cultural Identity
(Thesis) Arguer
 Arno van der Hoeven (PhD)
2014 Melbourne’s Wildscapes. A Critical Ethnography
(Thesis) Arguer
 Susan Bird (PhD)
2013 Bury Me Deep In Isolation. A Cultural Examination of Peripheral Music Industry and Scene
(Thesis) Arguer
 Christina Ballico (PhD)
2012 A Sociology of Christian Punk
(Thesis) Arguer
 Ibrahim Bahige Abraham (PhD)
2012 Popular Music, Reality Television and the Cultural Identity of the Urban Poor in Dhaka
(Thesis) Arguer
 Din Mohammad (PhD)
2011 Living Hip Hop: An Ethnographic Study of Hip Hop Culture in Adelaide and Melbourne
(Thesis) Arguer
 Dianne Rodger (PhD)
2011 Turkish Rap in the Netherlands: Globalization, Diasporic Identity and Cultural Conservatism
(Thesis) Arguer
 Tunca Arican (PhD)
2008 A Nihilistic Dreamboat to Negation. The Cultural Study of Death Metal and the Limits of Political Criticism’
(Thesis) Arguer
 Michelle Philipov (PhD)
2008 Contemporary Music and Its Audiences
(Thesis) Arguer
 Dean Biron (PhD)
2007 Sold Out! An Ethnographic Study of Australian Indie Music Festivals
(Thesis) Arguer
 Joanne Cummings (PhD)
2005 Enabling Agency and Cultural Production: The Dependent Agency of the Independent Music Community
(Thesis) Arguer
 Joseph Borlagdan (PhD)
2004 Stalking the Fan: Locating Fandom in Modern Life
(Thesis) Arguer
 Roy Mitchell Gill (PhD)
2004 Musicians, Music Industry and Music Policy in Northern Ireland
(Thesis) Arguer
 Miriam Crozier (PhD)
2004 The Underground Music Scene in Belgrade, Serbia. A Multidisciplinary Study
(Thesis) Arguer
 Milan Todorovik (PhD)
2003 Neo-Tribe: Multiplicity, Fluidity and Flexibility in the Electronica Scene
(Thesis) Arguer
 Barbara Louise Hunter (PhD)
2003 Black Music in Manchester. Diversity and Exclusion in a City’s Club Culture Industry
(Thesis) Arguer
 Martina Böse (PhD)
2003 Private Space and Teenage Culture: Age, ‘Zones’ and Identity
(Thesis) Arguer
 Sian Lincoln (PhD)

Association member

Society Organization name Role
2008 - Current The Australian Sociological Association
1995 - Current International Association for the Study of Popular Music
1995 - 2006 British Sociological Association

Committee member

Activity description
Role 		Institution / Organization
2010 - Current AEL ERA Advisor for 1608 (Sociology)
Member
 Griffith University, Australia
2018 - 2018 BA Review Committee (2018)
Member
 Griffith University, Australia
2018 - 2018 AEL ERA Advisor for 1608 (Sociology)
Member
 Griffith University, Australia
2015 - 2015 AEL ERA Advisor for 1608 (Sociology)
Member
 Griffith University, Australia
2011 - 2015 Griffith Social and Behavioural Research College Advisory Committee
Member
 Griffith University, Australia
2008 - 2015 Arts Education and Law Group Research Committee
Member
 Griffith University, Australia
2012 - 2012 AEL ERA Advisor for 1608 (Sociology)
Member
 Griffith University, Australia
2009 - 2012 University Research Committee
Member
 Griffith University, Australia

Evaluation committee

Activity description
Role 		Institution / Organization Funding entity
2018 - Current Reviewer for granting bodies Netherlands Institute for Advanced Study in the Humanities and Social Sciences
2017 - Current Reviewer for granting bodies
2016 - Current Reviewer for granting bodies Grantová agentura Ceské republiky
2015 - Current Reviewer for granting bodies for the Austrian Academy of Sciences
2015 - 2021 Reviewer from granting bodies for the Australian Research Council
Specialist
 Australian Research Council
2018 - 2018 Reviewer from granting bodie for the Independent Research Fund Denmark
Specialist
2012 - 2012 ERA Peer Reviewer
Evaluator
2010 - 2010 Review Panel, Youth Research Centre, University of Melbourne
Other
 The University of Melbourne, Australia

Journal scientific committee

Journal title (ISSN) Publisher
2019 - Current Popular Music & Society
2018 - 2018 Cultural Sociology
2018 - 2018 ERA Peer Reviewer

Other jury / evaluation

Activity description Institution / Organization
2020 - Current Board Member of the Cultural Sociology journal
2020 - Current Board member of the Journal of Youth Studies
2020 - Current Board member of the Continuum Journal
2020 - Current Board Member of the Canadian Journal of Popular Culture
2020 - Current Board member of the Popular Music and Society Journal
2020 - Current Board member of the Rock Music Studies Journal
2020 - Current International Advisory Board of the Sociology Journal
2020 - Current International Advisory Board of the Pop-Kultur und Kritik journal
2020 - Current International Advisory Board of the Volume journal
2015 - 2018 Advisory Board Member for the Institute for the Study of Social Change, University of Tasmania University of Tasmania, Australia
2013 - 2016 Editor in Chief of the Journal of Sociology
2012 - 2016 Editor in chief of the Dancecult journal
2012 - 2015 Advisory Board of the European Research Network for Emerging Technologies
2005 - 2015 Editor in Chief of the Perfect Beat journal
2009 - 2013 International Advisory Board of the Youth Studies Australia
2009 - 2012 Editor in Chief: Journal of Sociology (journal of The Australian Sociological Association)
2010 - 2011 Advisory Board Member, Social Aesthetics Research Unit, Monash University Monash University, Australia
2007 - 2011 Adjunct Member, Queensland Conservatorium Research Centre, Griffith University Griffith University, Australia
2007 - 2011 Editor in Chief of the Music and Arts in Action Journal
2002 - 2010 Editor in Chief of the Leisure Studies journal
2006 - 2007 International Advisory Board of theJournal of Sociology
2005 - 2007 Board of the European Sociological Association Research Network for the Sociology of the Arts
2002 - 2005 Editor in Chief: of the Sociology journal (UK)
2001 - 2005 External Examiner, Ruskin College, Oxford, UK
2004 - 2004 External Validation Panel for proposed BA Sonic Media and BA Games Cultures degree pathways, London South Bank University
2000 - 2004 Chair of the UK and Ireland branch of the International Association for the Study of Popular Music
2002 - 2002 External Validation Panel for proposed Combined Studies Degree in Cultural Studies, St. Mary’s University College