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A. Benetti is Assistant Researcher at the University of Aveiro/INET-md and has developed an extensive work on expressivity and piano performance, autoethnography, artistic research, music and technology, and experimentation in music. He is PI of a funded project at the competitive CEEC 2020 - Individual Call to Scientific Employment Stimulus/FCT, focused on the history of the piano and related practices in Portugal. Benetti is also PI of the funded project TransVariations – Music Beyond the Limits of Time and Technology (EEA Grants – 2023/24 - partnership with Norges Teknisk-Naturvitenskapelige/Trondheim, and Porto Polytechnic Institute) – addressing the use of innovative technological approaches to problematize the relationship between artistic creation and interpretation in the context of Western-art Music. He was also one of the authors/coordinators (co-PI) of the Xperimus Project - Experimentation in music in Portuguese culture: History, contexts and practices in the 20th and 21st centuries (2018-22); funded by FCT in the 2017 Call for SR&TD Project Grants. He is creator/coordinator of the artistic research group Xperimus Ensemble, funded by dgARTES (National Directorate of Arts) in 2018/2019 on 2 projects: Capdeville XXI (2018 - he was also artistic director) and Double (2019). Benetti has published articles in several international scientific journals (e.g. Acervo; Studies in Musical Theatre, Opus, Contemporary Music Review, Orfeu), participated in conferences; coordinated and participated in artistic residencies, performances, workshops and lectures. Since 2017 he is member of the founding committee of the IMPAR platform - Initiatives, Meetings and Publications on Artistic Research; associate editor and founder of the ÍMPAR-Online Journal for Artistic Research; and coordinator of Research Hands-On Piano International Conference (pioneering Artistic Research activities in Portugal). In this context, he participated in the edition of 6 volumes of ÍMPAR Journal (2017-2023); he is one of the idealizers/authors of the Cahiers of Artistic Research; is author of several publications related to scientific events; and has participated in round tables/plenary sessions on artistic research with renowned researchers (e.g. Darla Crispin, Lina Martinelli, Rúben Cano). Since 2015 he has been supervisor of master's (6), PhD (6) and post-doctoral (2) works in Portugal and abroad; participated in teaching activities at the Polytechnic Institute of Viseu, is Associated Invited Teacher at the Superior School of Applied Arts - IPCB/Castelo Branco in partnership with University of Aveiro (2021-2024); taught Curricular Units at the University of Aveiro between 2023-24 (Masters in Music and PhD in Music); and is often invited to undergraduate, master’s and doctorate teaching activities at UA - where he also participates regularly in evaluation panels. He actively takes part in artistic and scientific commissions of international conferences; evaluation panels of scientific journals (i.e. Opus Journal, Vortex Journal); in research groups (i.e. SPIM and GRUME) and jury of academic degrees (Master/PhD) in Portugal and abroad. He is deeply involved in dissemination of science: published 7 books related to scientific events; organized more than 10 international conferences; participated in more than 30 conferences as speaker; was invited speaker in Belgium, Brazil and Portugal; participated in several editorial commissions and in 3 research societies. In collaboration with 2 FCT funded projects, he published 4 books (2017 to 2020) on musical works by Frederico de Freitas and Elvira de Freitas; and is coordinator of the Euterpe publishing editions. As a pianist, his recent artistic production involves absolute premieres of works by important contemporary composers (e.g. Steve Reich) in Portugal and the dissemination of works by Portuguese woman composers. Finally, he is coeditor and author of the book Fashion, Music and Feeling (2016).
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Identification

Personal identification

Full name
Alfonso Benetti

Citation names

  • Benetti, Alfonso
  • Benetti Junior, Alfonso
  • Benetti Jr., Alfonso

Author identifiers

Ciência ID
641F-68D1-B920

Email addresses

  • alfonsobenetti@ua.pt (Professional)

Telephones

Telephone
  • 234370389 Ext.: 23700 (Professional)

Addresses

  • University of Aveiro, Departamento de Comunicação e Arte, Campus Universitário de Santiago, 3810-193, Aveiro, Aveiro, Portugal (Professional)

Websites

Knowledge fields

  • Humanities - Arts
  • Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)

Languages

Language Speaking Reading Writing Listening Peer-review
Portuguese (Mother tongue)
English Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2)
Italian Proficiency (C2) Proficiency (C2) Advanced (C1) Proficiency (C2) Advanced (C1)
Spanish; Castilian Proficiency (C2) Proficiency (C2) Advanced (C1) Proficiency (C2) Advanced (C1)
Education
Degree Classification
2015 - 2021/03
Concluded
 Performance Studies / Artistic Research (Pós-doutoramento)
Universidade de Aveiro, Portugal
 Approved
2008/06 - 2013/12/04
Concluded
 PhD in Music (Doutoramento)
Major in Especialidade: Performance
Universidade de Aveiro, Portugal
"Expressivity and Piano Performance" (THESIS/DISSERTATION)
 Approved
2011/10 - 2011/11
Concluded
 Post-graduation in music (Pós-Graduação)
Akademia Muzyczna w Krakowie, Poland
 Approved
2006 - 2008
Concluded
 Master in music (Master)
Universidade Federal do Rio Grande do Sul, Brazil
"Estrutural Communication and Emocional Communication in the "Variações sobre um tema nordestino" by Almeida Prado." (THESIS/DISSERTATION)
 Approved
1997 - 2001
Concluded
 Bachelor in Music (Bachelor)
Universidade Federal de Santa Maria, Brazil
 Approved
Affiliation

Science

Category
Host institution 		Employer
2015 - Current Researcher (Research) Universidade de Aveiro, Portugal
Universidade de Aveiro, Portugal
2015 - Current Researcher (Research) Universidade Nova de Lisboa Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal
Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal

Teaching in Higher Education

Category
Host institution 		Employer
2021 - 2024 Invited Associate Professor (University Teacher) Instituto Politécnico de Castelo Branco Escola Superior de Artes Aplicadas, Portugal
Projects

Grant

Designation Funders
2023/01/01 - 2024/12/31 TransVariations - Music beyond the limits of time and technology
FBR_OC2_20
Principal investigator
Universidade de Aveiro, Portugal

Norges teknisk-naturvitenskapelige universitet, Norway

Instituto Politécnico do Porto, Portugal
EEA Grants
Ongoing
2018 - 2022/11 Experimentation in music in Portuguese Culture: History, context and practices in the 20th and 21st centuries
POCI-01-0145-FEDER-031380
Principal investigator
Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal

Universidade de Aveiro, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2019 - 2020/11 Fostering innovation in musical performance research through the study and development of technologic interfaces
FBR_OC1_O1 - University of Aveiro
Researcher
Universidade de Aveiro, Portugal

Instituto Politécnico do Porto, Portugal

Norges Teknisk Naturvitenskapeligt Universitet Humanistiske Fakultet, Norway
EEA Grants
Ongoing
2016 - 2020 Euterpe Unveiled: Women in Portuguese musical creation and interpretation during the 20th and 21st centuries
PTDC/CPC-MMU/3559/2014
Researcher
Universidade de Aveiro, Portugal
 Fundação para a Ciência e a Tecnologia
Concluded
2019 - 2019/12 Double
DGArtes 8971
Researcher
Universidade de Aveiro, Portugal

Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal
Direção-Geral das Artes
Concluded
2018 - 2018/12 Capdeville XXI
DGArtes 00008031
Researcher
Universidade de Aveiro Departamento de Comunicação e Arte, Portugal
 Direção-Geral das Artes
Concluded
2012 - 2015/05 Images from Earth and Sea: Frederico de Freitas and the music in Portuguese Culture in the 20th Century
PTDC/EAT-MMU/118753/2010
Researcher
Universidade de Aveiro, Portugal
 Fundação para a Ciência e a Tecnologia
Concluded

Contract

Designation Funders
2021/06/01 - 2027/05/31 Ebony and ivory: History of piano in Portugal from the second half of 18th century to the 21st century
2020.04287.CEECIND/CP1589/CT0003
10.54499/2020.04287.CEECIND/CP1589/CT0003
Principal investigator
Universidade de Aveiro, Portugal

Instituto de Etnomusicologia Centro de Estudos em Musica e Danca - polo Universidade de Aveiro DeCA, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2015 - 2018 IMPER Project
BPD/UI72/4152/2015
Post-doc Fellow
Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal
 Instituto de Etnomusicologia Centro de Estudos em Música e Dança
Concluded
2010 - 2013 Expressivity and Piano Performance II
SFRH/BD/61725/2009
PhD Student Fellow
Universidade de Aveiro Departamento de Comunicação e Arte, Portugal

Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal
Fundação para a Ciência e a Tecnologia
2008 - 2010 Expressivity and Piano Performance I
UA 123-II/08
PhD Student Fellow
Universidade de Aveiro, Portugal
 Universidade de Aveiro
Concluded
2006 - 2008 Latin American Sonatas and Sonatinas for piano
Capes/Cnpq 2006
Master Student Fellow
Universidade Federal do Rio Grande do Sul, Brazil
 Conselho Nacional de Desenvolvimento Científico e Tecnológico
Concluded
Outputs

Publications

Book
  1. Benetti, Alfonso. Francine Benoit: Cantares de cá - Três peças para piano: a critical edition.. Lisbon, Portugal: AVA Editions. 2021.
    Accepted
  2. Benetti, Alfonso. Elvira de Freitas' Onze poemas de Garcia Lorca for piano and voice: a critical edition. Lisboa, Portugal: Ava Musical Editions. 2020.
    Published
  3. Correia, Jorge Salgado; Benetti, Alfonso; Hiney, Aoife; Rodrigues, Pedro; Dalagna, Gilvano; Marques, Belquior. Hands-On Research Symposium: from artistic practice to artistic research: book of abstracts. UA Editora. 2019.
  4. Benetti, Alfonso; Monteiro, Francisco; Correia, Jorge Salgado. Proceedings of research hands on piano: International Conference on Music Performance. UA Editora. 2019.
  5. Correia, Jorge Salgado; Hiney, Aoife; Foletto, Clarissa; Benetti, Alfonso; Dalagna, Gilvano. PERFORMA’17: Livro de Atas da Conferência Internacional de Performance Musical. UA Editora. 2019.
  6. Benetti, Alfonso. Proceedings of Research Hands on Piano. Aveiro, Portugal: UA Editora. 2019.
    Published • Editor
  7. Benetti, Alfonso. Hands-On Research Symposium: from artistic practice to artistic research. Book of abstracts. Aveiro, Portugal: UA Editora. 2019.
    Published • Editor
  8. Correia, Jorge Salgado; Foletto, Clarissa; Hiney, Aoife; Dalagna, Gilvano; Benetti, Alfonso. FLUTE: hands on research 2017: book of conference proceedings. UA Editora. 2018.
  9. Benetti, Alfonso; Monteiro, Francisco; Correia, Jorge Salgado. Abstracts of the Research Hands on PIANO: International Conference on Music Performance. UA Editora. 2018.
  10. Correia, Jorge Salgado; Dalagna, Gilvano; Benetti, Alfonso; Monteiro, Francisco. When is research Artistic Research?. Aveiro, Portugal: UA Editora. 2018.
    Published
  11. Correia, Jorge Salgado; Foletto, Clarissa; Benetti, Alfonso; Dalagna, Gilvano; Hiney, Aoife. FLUTE: hands on research 2018: book of abstracts. UA Editora. 2018.
  12. Benetti, Alfonso. Elvira de Freitas – Quadras para piano e voz: a critical edition. Lisboa, Portugal: Ava Musical Editions. 2018.
    Published
  13. Benetti, Alfonso. Elvira de Freitas – Quatro canções para ela para piano e voz: a critical edition. Lisboa, Portugal: Ava Musical Editions. 2018.
    Published
  14. Benetti, Alfonso. Abstracts of the Research Hands on Piano - International Conference on Music Performance. Aveiro, Portugal: UA Editora. 2018.
    Published • Editor
  15. Benetti, Alfonso; Correia, Jorge Salgado; Pestana, Maria do Rosário; Carvalho, Sara. PERFORMA’15: Proceedings of the International Conference on Music Performance. UA Editora. 2017.
  16. Benetti, Alfonso. Frederico de Freitas - Bagatelas para piano: a critical edition. Lisboa, Portugal: Ava Musical Editions. 2017.
    Published
  17. Benetti, Alfonso. Proceedings of the International Conference on Music Performance. Aveiro, Portugal: UA Editora. 2017.
    Published • Editor
  18. Benetti, Alfonso. PERFORMA'17: International Conference on Performance Studies. Book of Abstracts. Belo Horizonte, Brazil: Formato Artes Gráficas. 2017.
    Published
  19. Benetti, Alfonso; Norogrando, Rafaela. Fashion, Music and Feelings. São Paulo, Brazil: Estação das Letras e Cores. 2016.
    Published
Book chapter
  1. Benetti, Alfonso; Marinho, Helena; Chambel, Mónica; Bittencourt, Luís; Branco, Joaquim. "From magnetic tape to digital media: Developing performative approaches for recreating recorded contents of twentieth-century experimental musical works". In Recorded Music in Creative Practices: Mediation, Performance, Pedagogy, edited by Georgia Volioti; Daniel Barolsky. London, United Kingdom: Routledge, 2022.
    Accepted
  2. Benetti, Alfonso; Marinho, Helena; Chambel, Mónica; Bittencourt, Luís. "Gendering the [piano] performing body". In Contemporary Piano Music: Performance and Criativity, edited by Madalena Soveral. Cambridge, United Kingdom: Cambridge Scholars, 2021.
    Published
  3. Benetti, Alfonso; Borges, Nery; André Vaz Pereira. "From archives to performance: Works for voice and piano/guitar by Elvira de Freitas". In Hidden Archives, Hidden Practives, edited by Marinho, Helena; Pestana, Maria do Rosário; Pereira, Rui Lopes Penha; Maria Artiaga, 244-253. Aveiro, Portugal: University of Aveiro Press, 2020.
    Published
  4. Benetti, Alfonso. "Expressivity in Western-Art and Jazz piano performance: an exploratory study". In Sound Art and Music: Philosophy, Composition, Performance, edited by Dack, John; Tansy Spinks; Adam Stanovic, 106-121. Cambridge, United Kingdom: Cambridge Scholars Publishing, 2020.
    Published
  5. Benetti, Alfonso; Norogrando, Rafaela. "Languages, emotions and memoires: relations between music and fashion". In Fashion, Music and Feelings, edited by Benetti, Alfonso; Norogrando, Rafaela. São Paulo, Brazil: Estação das Letras e Cores, 2016.
    Published
Conference paper
  1. Benetti, Alfonso; Marinho, Helena; Bittencourt, Luís; Chambel, Mónica. "Gendering the [piano] performing body". Paper presented in AEC European Platform for Artistic Research in Music (EPARM) Conference 2020 (postponed to 2021), London, 2021.
    Accepted
  2. Benetti, Alfonso; Marinho, Helena; Bittencourt, Luís; Chambel, Mónica. "Revisiting 20th century-experimental practices: the recreation of Don't Juan, Double and Avec Picasso, ce matin by Constança Capdeville". Paper presented in Performance Studies Network International Conference 2020 (postponed to 2021), Huddersfield, 2021.
    Accepted
  3. Benetti, Alfonso. "La autoetnografia como herramienta de investigación en la performance musical". Paper presented in III EIJM - Encuentro Internacional de Jovens Musicólogos, Sevilla, 2016.
    Published
  4. Benetti, Alfonso. "Expressivity and musical performance: practice strategies for pianists". Paper presented in Performance Studies Network, Cambridge, 2013.
    Published
  5. Benetti, Alfonso. "Expressivity and musical performance: conceptual tendencies according to excellence pianists". Paper presented in PERFORMA'13: International Conference on Performance Studies, Porto Alegre, 2013.
    Published
  6. Benetti, Alfonso. "Expressivity and piano performance: study strategies". Paper presented in Performa'11 - International Conference on Performance Studies, Aveiro, 2011.
    Published
  7. Benetti, Alfonso. "Comunicação Estrutural e Comunicação Emocional nas Variações Sobre um Tema Nordestino de Almeida Prado". Paper presented in Performa'9 - International Conference on Performance Studies, Aveiro, 2009.
    Published
Conference poster
  1. Benetti, Alfonso. "Autoethnography as a research tool for expressivity in piano performance". Paper presented in Research Day - Poster Section. Universidade de Aveiro, 2015.
  2. Benetti, Alfonso. "Expressivity and piano performance". Paper presented in Poster Section. University of Aveiro, 2011.
Edited book
  1. Benetti, Alfonso; Bittencourt, Luís. Experimentation and beyond in music ¿ Abstracts. Aveiro, Portugal: UA Editora - Universidade de Aveiro Serviços de Biblioteca, Informação Documental e Museologia 1a Edição / 1st Edition - Abril / April 2022. 2022.
    Published
Journal article
  1. Benetti, Alfonso; Danilo Ramos; Vinícius Bastos Gomes. "Expertise e autoavaliação na elaboração de arranjos para piano solo: um estudo exploratório". OPUS - Revista Eletrônica da ANPPOM 29 (2023): 1-19. https://www.anppom.com.br/revista/index.php/opus/article/view/opus2023.29.15.
    Open access • Published
  2. Bittencourt, Luís; Marinho, Helena; Benetti, Alfonso. "Vivências de pandemia: desafios e estratégias de programação e disseminação no contexto da música experimental em Portugal (2020-2021)". Orfeu 8 2 (2023): e0201. http://dx.doi.org/10.5965/2525530408022023e0201.
    10.5965/2525530408022023e0201
  3. Benetti, Alfonso; Monteiro, Francisco. "The Piano in the Portuguese Experimental Music Scene: Approaches, Contexts, and Practices". Contemporary Music Review 42 2 (2023): 153-172. http://dx.doi.org/10.1080/07494467.2023.2243101.
    Published • 10.1080/07494467.2023.2243101
  4. Benetti, Alfonso; Marinho, Helena; Chambel, Mónica; Bittencourt, Luís. "Experimental recreation practices: Restaging Constança Capdeville's musical theatre work Don't, Juan". Studies in Musical Theatre 14 1 (2020): 77-94. https://doi.org/10.1386/smt_00020_1.
    Published
  5. Benetti, Alfonso; Chambel, Mónica; Marinho, Helena. "Experimenting with archives: the recreation of Double and Don’t, Juan by Constança Capdeville". Acervo - Revista do Arquivo Nacional 32 3 (2019): 90-107. http://revista.arquivonacional.gov.br/index.php/revistaacervo/issue/view/79/30.
    Published
  6. Benetti, Alfonso. "Autoethnography as a method for artistic research on expressivity in piano performance". Opus 23 1 (2017): 147-165. http://dx.doi.org/10.20504/opus2017a2306.
    10.20504/opus2017a2306
  7. Benetti, Alfonso. "Expressivity and performance: practice strategies applied by professional pianists in the repertoire preparation". Opus 19 2 (2013): 149-172.
    Published
  8. Benetti, Alfonso. "Sound design and expressivity in performance: a practical approach.". Advanced Studies in Systems Research and Cybernetics 1 1 (2011): 6-10.
    Published
Journal issue
  1. Benetti, Alfonso; Alexander Jorge Duarte; Jorge Salgado Correia; Dalagna, Gilvano; Foletto, Clarissa. "IMPAR: Online Journal for Artistic Research Vol. 4 no. 1". IMPAR: Online Journal for Artistic Research 4 1 (2020): https://proa.ua.pt/index.php/impar/issue/view/763?fbclid=IwAR1rsKbp3uagRyAgNhPlwrPIklU7NJwy5800GqdUDxXq9b_e-1g5LliWvk4.
    Published • Associated editor
  2. Benetti, Alfonso; Correia, Jorge Salgado; Alexander Duarte; Dalagna, Gilvano; Foletto, Clarissa. "Impar: Online Journal for Artistic Research Vol. 3 no.2". Impar: Online Journal for Artistic Research 3 2 (2019): https://proa.ua.pt/index.php/impar/issue/view/586.
    Published • Associated editor
  3. Benetti, Alfonso; Correia, Jorge; Foletto, Clarissa; Hiney, Aoife; Duarte, Alexsander; Dalagna, Gilvano. "IMPAR: Online Journal for Artistic Research Vol. 3 no. 1". IMPAR: Online Journal for Artistic Research 3 1 (2019): https://proa.ua.pt/index.php/impar/issue/view/350.
    Published • Associated editor
  4. Correia, Jorge Salgado; Benetti, Alfonso; Hiney, Aoife; Foletto, Clarissa; Dalagna, Gilvano. "ÍMPAR Online Journal for Artistic Research Vol. 2 no. 2". ÍMPAR Online Journal for Artistic Research in Music 2 2 (2018): https://proa.ua.pt/index.php/impar/article/view/904.
    Published • Associated editor
  5. Benetti, Alfonso; Correia, Jorge Salgado; Foletto, Clarissa; Hiney, Aoife. "IMPAR: Online Journal for Artistic Research Vol. 2 no. 1". IMPAR: Online Journal for Artistic Research 2 1 (2018): https://proa.ua.pt/index.php/impar/issue/view/128.
    Published • Associated editor
  6. Manuel Salgado de Castro Correia, Jorge; Benetti, Alfonso; Hiney, Aoife; Foletto, Clarissa; Dalagna, Gilvano. "Full text". International Journal for Artistic Research 2 2 (2018): https://proa.ua.pt/index.php/impar/article/view/904.
    Published
  7. Benetti, Alfonso; Correia, Jorge Manuel de Jesus; Dalagna, Gilvano; Hiney, Aoife; Foletto, Clarissa. "IMPAR: Online Journal for Artistic Research Vol. 1 no. 1". IMPAR: Online Journal for Artistic Research 1 1 (2017): https://proa.ua.pt/index.php/impar/issue/view/122.
    Published • Associated editor
  8. Benetti, Alfonso; Correia, Jorge; Dalagna, Gilvano; Foletto, Clarissa; Hiney, Aoife. "IMPAR: Online Journal for Artistic Research Vol. 1 no. 2". IMPAR: Online Journal for Artistic Research 1 2 (2017): https://proa.ua.pt/index.php/impar/issue/view/125.
    Published • Associated editor
Online resource
  1. Fernandes, Luís; Bittencourt, Luís; Marinho, Helena; Benetti, Alfonso. Na Corda Bamba - Dialogues on sonic experimentalism in Portugal. 2022. https://sonicaekrano.com/na-corda-bamba/.
Thesis / Dissertation
  1. Benetti Junior, Alfonso. "Expressivity and Piano Performance (PhD Thesis)". PhD, Universidade de Aveiro, 2013. http://hdl.handle.net/10773/12360.
  2. Benetti, Alfonso. "Estructural Communication and Emotional Communication in the "Variações sobre um Tema Nordestino" by Almeida Prado (Master Dissertation)". Master, Universidade Federal do Rio Grande do Sul, 2008. http://hdl.handle.net/10183/13089.

Artistic / Performance

Artistic performance
  1. Benetti, Alfonso; Marinho, Helena; Dias, João; Bittencourt, Luís. 2019. Double (DG Artes funded project). Viana do Castelo Academy of Music, Viana do Castelo, Portugal.
  2. Benetti, Alfonso; Marinho, Helena; Dias, João; Bittencourt, Luís. 2019. Double (DG Artes funded project). DeCA Auditorium, Aveiro, Portugal.
  3. Benetti, Alfonso; Marinho, Helena; Dias, João; Bittencourt, Luís. 2019. Double (DGArtes funded project). Coimbra Academy of Music Auditorium, Coimbra, Portugal.
  4. Benetti, Alfonso; Marinho, Helena; Penha, Rui; Carvalhais, Miguel; Bittencourt, Luís; Marques, Belquior; Ponte, Ângela; Rodrigues, Paulo Maria; Lopes, Felipe. 2019. eXplorações sonoras: Artistic residence, colloquium and performance. Casa de Mateus, Vila Real, Portugal.
  5. Benetti, Alfonso; Marinho, Helena; Gomes, José Alberto; Bittencourt, Luís. 2019. Picasso do 5º Esquerdo. Concert and premiere of José Alberto Gomes' work.. DeCA Auditorium.
  6. Benetti, Alfonso; Marinho, Helena; Bittencourt, Luís; Duarte, Alexsander. 2019. Sombugueiro. Artistic residence and performances in Sabugueiro. Sabugueiro, Portugal.
  7. Benetti, Alfonso; Bittencourt, Luís; Manzolli, Jonatas; Guerrero, Belquior. 2019. Transmigrações - Xperimus Ensemble & Jonatas Manzolli. DeCA Auditorium, Aveiro, Portugal..
  8. Benetti, Alfonso; Marinho, Helena; Chambel, Mónica. 2018. Capdeville XXI. Casa das Artes, Famalicão, Portugal and DeCA Auditorium, Aveiro (5/12)..
  9. Benetti, Alfonso; Marinho, Helena. 2018. Vamos Xperimentar?. DeCA Auditorium, Aveiro, Portugal.
Audio recording
  1. Benetti, Alfonso; Simões, Sara Braga; UA (Producer). 2020. "Quatro Canções Para Ela for voice and piano". In Elvira de Freitas (in progress).
  2. Benetti, Alfonso; Simões, Sara Braga; UA/Euterpe (Producer). 2020. "Quadras for voice and piano". In Elvira de Freitas (in progress).
  3. Benetti, Alfonso; Bittencourt, Luís; Correia, Jorge Salgado; Marques, Belquior; UA/Euterpe (Producer). 2020. "Divertimento for piano, flute, guitar and percussion". In Maria de Lurdes Martins (in progress).
Musical composition
  1. Benetti, Alfonso. Ceramic Metamorphosis - Performed at the Ceramic Biennial of Aveiro (2/11). 2019.
Musical performance
  1. Mikus, Jaroslav. Benetti & Mikus Duo. 2019.
    Instrumentalist
  2. Andrade, Carolina; Benetti, Alfonso. Quadras and Quatro Canções para Ela by Elvira de Freitas. 2019.
    Instrumentalist
  3. Walker, Claudia; Lima, Raquel. Chamber Music Recital (Piano and Flute). 2018.
    Instrumentalist
  4. Barbosa, Francisco; Ferraz, Ana. Chamber Music Recital (Piano and Flute). 2018.
    Instrumentalist
  5. Andrade, Carolina. Recital - Donation of the State of Elvira de Freitas to University of Aveiro. 2018.
    Instrumentalist
  6. Mikus, Jaroslav. Benetti & Mikus Duo. 2018.
    Instrumentalist
  7. Mikus, Jaroslav. Benetti & Mikus Duo. 2018.
    Instrumentalist
  8. Mikus, Jaroslav. Benetti & Mikus Duo. 2017.
    Instrumentalist
  9. Benetti & Mikus Duo. 2017.
    Instrumentalist
  10. Performances at the Castelo de Paiva Music Academy. 2015.
    Instrumentalist
  11. Soloist (piano) - Orchestra of AMCP (Castelo de Paiva Academy of Music). 2015.
    Instrumentalist
  12. Performances at AMCP (Castelo de Paiva Academy of Music). 2014.
    Instrumentalist
  13. Performances at Regional Conservatory of Vila Real (CRMVR). 2014.
    Instrumentalist
  14. Performances at University of Aveiro (DeCA). 2014.
    Instrumentalist
  15. Burmester, Pedro. Mozart & Brahms - Concertos for Piano and Orchestra. 2012.
    Instrumentalist
  16. Bittencourt, Luís; Chaib, Fernando; Fortunato, Catarina. Kanakaly quartel - Bartok Sonata for 2 Pianos and Percussion. 2010.
    Instrumentalist
  17. Soloist (piano) - Porto Alegre Symphony Orchestra (Prokofieff, piano concerto n.1). 2004.
    Instrumentalist
  18. Soloist (piano) - Santa Maria Symphony Orchestra (Beethoven, piano concerto n.3). 2003.
    Instrumentalist
  19. Soloist (piano) - Santa Maria Symphony Orchestra (Mozart, piano concerto n.23). 1997.
    Instrumentalist
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2023/11/09 TransVariations: Music beyond the limits of time and technology Autumn School Conference
CIPEM/INET-md, Escola Superior de Educação do Politécnico do Porto (Porto)
2023/10/25 Artistic research and activitism: beyond music, multimedia and visual art Performers(‘) Present 2023: International Artistic Research Symposium
YST Conservatory National University of Singapore (Singapore, Singapore)
2023/06/23 Un_conventional: experimental as the new normal Music Diaries - Artistic Forum Platform
Conservatory of Pylaia-Chortiatis (Thessaloniki, Greece)
2023/04 The piano in the Portuguese experimental scope: approaches, contexts and practices VII Encontro Internacional Piano Contemporâneo 2023
Universidade Federal do Estado do Rio de Janeiro - Programa de Pós Graduação em Música (Rio de Janeiro, Brazil)
2021/05/06 NOVA Contemporary Music Meeting. Presentation: Unveiling the piano as a gender-related symbol: Avec Picasso ce matin... and Valse, Valsa, Vals; Keuschheits Waltz by Constança Capdeville Nova Contemporary Music Meeting
University Nova of Lisbon (Lisbon, Portugal)
2021 Gendering the [piano] performing body AEC European Platform for Artistic Research in Music (EPARM) Conference 2020
Royal College of Music (London, United Kingdom)
2021 Revisiting 20th century-experimental practices: the recreation of Don't, Juan, Double and Avec Picasso, ce matin by Constança Capdeville Performance Studies Network International Conference
University of Huddersfield (Huddersfield, United Kingdom)
2021 Unveiling the piano as a gender-related symbol: Avec Picasso ce matin... and Valse, Valsa, Vals; Keuschheits Waltz by Constança Capdeville Nova Contemporary Music Meeting
NOVA University of Lisbon (Lisbon, Portugal)
2020/10/13 Costumes in Constança Capdeville's theatre-music works: an experimental recreation approach Fashion Matters
University of Beira Interior
2020 Gendering the [piano] performing body AEC European Platform for Artistic Research in Music (EPARM) Conference 2020
Royal College of Music (London, United Kingdom)
2020 Revisiting 20th century-experimental practices: the recreation of Don't Juan, Double and Avec Picasso, ce matin by Constança Capdeville Performance Studies Network International Conference 2020
University of Huddersfield (Huddersfield, United Kingdom)
2019/12 The piano in the work of Constança Capdeville: from early compositions to experimental performative practices. IV Encontro Internacional de Piano Contemporâneo
Instituto Politécnico do Porto (Porto, Portugal)
2019/09 From magnetic tape to digital media: Recreating electroacoustic works of Constança Capdeville New Takes on Recorded Music: Performance, Creativity, Technology
Surrey University (Guildford, United Kingdom)
2019/06/01 Creative collaboration and experimental remix practice: the recreation of Don’t Juan and Double by Constança Capdeville MuSA 2019- 10th Conference on Music and Sonic Art: Practices and Theories - Collaborative Creativity/Creative Collaboration
Karsruhe University of Music (Karsruhe, Germany)
2019/06 From archives to performance: works for voice and piano/guitar by Elvira de Freitas Hidden Practices, Hidden Archives International Conference
University of Aveiro (Aveiro, Portugal)
2018/12/07 Experimental remix practices: the recreation of Dont Juan by Constança Capdeville 1st International Scientific Symposium of Early Career Researchers in Music (iSTeM_2018)
(iSTeM_2018) Split (Split, Croatia)
2018/10/28 Constança Capdeville 'musicked' theatre works Participação e Performatividade na Música. MPART International Conference
University of Aveiro (Aveiro, Portugal)
2018/10/09 Experimental performative practices: the recreation of Don’t, Juan by Constança Capdeville ENIM 2018 – VIII National Conference on Music Research
Instituto Politécnico do Porto, Portugal (Porto, Portugal)
2018/07/29 The interpreter without quality. Artistic research as a new paradigm for music performance 1st International Conference on Artistic Research in Performance
Royal Northern College of Music, Manchester (Manchester, United Kingdom)
2018/07/28 IMPAR: a new initiative for developing Artistic Research Flute: Hands on Research International Conference
University of Aveiro (Aveiro, Portugal)
2018/05/23 Fashion, Music and Feeling 4º CIMODE - International Conference on Fashion and Design
Centro Superior de Diseño de Moda de Madrid (CSDMM) da Universidad Politécnica de Madrid (Madrid, Spain)
2018/04/16 Autoethnography as a method for artistic research in music performance: dissolving the process/product dichotomy Beyond 'mesearch': autoethnography, self-reflexivity, and personal experience as academic research in music studies'
Institute of Musical Research (IMR) two-day conference in association with the School of Advanced Study, University of London, Senate House (London, United Kingdom)
2018/04/12 An Explanatory Model for Artistic Research 9th SAR - International Conference on Artistic Research
University of Plymouth (Plymouth, United Kingdom)
2018/03/22 When is research artistic research? European Platform for Artistic Research in Music (EPARM) International Conference
ESMAE, Porto (Portugal) (Porto, Portugal)
2018 Experimental Remix Practices: The Recreation of Don’t Juan by Constança Capdeville. 1st International Scientific Symposium of Early Career Researchers in Music
University of Split (Split, Croatia)
2018 Práticas performativas experimentais: a recriação de Don’t, Juan de Constança Capdeville. Encontro Nacional de Investigação em Música 2018.
Instituto Politécnico do Porto (Porto, Portugal)
2017/06/05 Expressivity in Western-art and Jazz piano performance: Practice contemporary tendencies Performa 17 – International Conference on Performance Studies
Universidade Federal de São João Del Rei (São João Del Rei, Brazil)
2016/12 Fashion, Music and Feeling Fashion, Music and Feeling
Museu do Fado, Lisbon (Lisbon, Portugal)
2016/11 Fashion, Music and Feeling DESIGNA 2016 – International Conference on Design Research
Universidade da Beira Interior (Covilhã, Portugal)
2016/10/04 Expressivity in Jazz and Western-Art performance: concepts and study strategies ENIM 2016 – VI National Conference in Music Research
University of Aveiro (Aveiro, Portugal)
2016/09 Expressivity in Jazz and Western-Art piano performance: an exploratory study Seminar on music studies
Universidade Federal do Paraná (Curitiba, Brazil)
2016/09 Fashion, Music and Feeling Fashion, Music and Feeling
Universidade de Caxias do Sul (Caxias do Sul, Brazil)
2016/09 Fashion, Music and Feeling Fashion, Music and Feeling
UniRitter (Porto Alegre, Brazil)
2016/09 Fashion, Music and Feeling 12o Colóquio de Moda, João Pessoa (Fashion Colloquium)
University of Paraíba (João Pessoa, Brazil)
2016/09 Fashion, Music and Feeling Fashion, Music and Feeling
Universidade Federal do Rio Grande do Norte (Natal, Brazil)
2016/09 Fashion, Music and Feeling International Conference on Fashion Business
(Porto, Portugal)
2016/06/30 Expressivity in Western-art and Jazz piano performance: an exploratory study MUSA 2016 – Music and Sonic Arts International Conference
Hochschule für Musik – Institut für Musikwissenschaft und Musikinformatik (IMWI), Karlsruhe (Karlsruhe, Germany)
2016/03/10 Autoethnography as a research tool for music performance III EIJM – International Young Musicologists Meeting
University of Seville (Seville, Spain)
2016 Fashion, Music and Feeling Fashion, Music and Feeling
University of Aveiro (Aveiro, Portugal)
2015/12/11 Expressivity and Music Performance Post-IP’15 – 3o International Postgraduate Forum in Music and Dance Studies
University of Aveiro
2015/11/14 Autoethnography as a research tool on expressivity in piano performance ENIM 2015 – V National Conference on Music Research
University of Évora (Évora, Portugal)
2015/11 Expressivity and piano performance Expressivity and piano performance
IPEM - University of Gent (Gent)
2013/04/06 Expressivity and musical performance: Practice strategies for pianists Performance Studies Network – International Conference on Music Performance
University of Cambridge (Cambridge, United Kingdom)
2013 Expressivity and musical performance: conceptual tendencies according to the approach of excellence pianists Performa 13 - International Conference on Performance Studies
Universidade Federal do Rio Grande do Sul (Porto Alegre, Brazil)
2012/11/15 Expressivity and piano performance: practice strategies Specialized Artistic Seminar
Porto Music Conservatory (Porto, Portugal)
2011/11/20 Expressivity and piano performance: study strategies Performa 11 - International Conference on Performance Studies
University of Aveiro (Aveiro, Portugal)
2011/08/03 Sound design and expressivity in performance: A practical Approach MUSA 2011 – Music and Sonic Arts International Conference
(Baden-Baden, Germany)
2009/12/05 Strategies of study and piano expressivity: 3 case Studies Post-IP’09 – 1o International Postgraduate Forum on Music and Dance Studies
University of Aveiro (Aveiro, Portugal)
2009/05/15 Estrutural and Emotional Communication in Music Performance Performa 09 - International Conference on Performance Studies
University of Aveiro (Aveiro, Portugal)

Supervision

Thesis Title
Role 		Degree Subject (Type)
Institution / Organization
2020 - Current Canções de Claudio Santoro e Vinicius de Moraes para canto e violão: transcrição, análise texto-música e interpretação
Supervisor
 Post-Doc (Other)
Universidade de Aveiro, Portugal
2020 - Current Técnicas estendidas no contexto de música de câmara: Colaboração, experimentação e performance
Co-supervisor
 Técnicas estendidas no contexto de música de câmara: Colaboração, experimentação e performance (PhD)
Universidade de Aveiro, Portugal
2019 - Current A improvisação e composição instantânea na prática performativa do pianista
Supervisor
 Programa Doutoral em Música (PhD)
Universidade de Aveiro, Portugal
2017 - Current Técnicas estendidas no contexto de música de câmara: Colaboração, experimentação e performance
Co-supervisor
 Programa Doutoral em Música (PhD)
Universidade de Aveiro, Portugal
2015 - Current Tornar-se brasileiro - Walter Schultz Portoalegre: investigação e interpretação da sua obra sinfônica
Co-supervisor
 Programa Doutoral em Música (PhD)
Universidade de Aveiro, Portugal
2023 - 2026 DELVING INTO THE BETWEEN O Silêncio enquanto Presença, no Tempo e no Espaço
Supervisor
 DELVING INTO THE BETWEEN O Silêncio enquanto Presença, no Tempo e no Espaço (PhD)
Universidade de Aveiro, Portugal
2021 - 2025 Improvisación como re-creación: un modelo estructural-formal para la improvisación en la música erudita
Supervisor
 Improvisación como re-creación: un modelo estructural-formal para la improvisación en la música erudita (PhD)
2023/12/01 - 2024/06/01 O Ensino de Piano: Interfaces entre os sistemas brasileiro e português
Supervisor
 Post-Doctoral Research - piano teaching in Portugal and Brazil (Other)
Universidade de Aveiro, Portugal
2022/10 - 2024/06 Virtuosismo versus Musicalidade: o papel dos exercícios técnicos na formação do oboísta
Supervisor
 Virtuosismo versus Musicalidade: o papel dos exercícios técnicos na formação do oboísta (Master)
Universidade de Aveiro, Portugal
2023 - 2024 O ethos da flauta de bisel nos séculos XX e XXI
Supervisor
 O ethos da flauta de bisel nos séculos XX e XXI (Master)
Instituto Politécnico de Castelo Branco Escola Superior de Artes Aplicadas, Portugal
2021 - 2024 Estudo dos Efeitos da Música através das Emoções e na Criatividade de Design de Superfície: um contributo para uma Moda mais sustentável
Co-supervisor
 Estudo dos Efeitos da Música através das Emoções e na Criatividade de Design de Superfície: um contributo para uma Moda mais sustentável (PhD)
Universidade do Minho, Portugal
2021 - 2023 O acordeão na música de concerto no Brasil: criação de repertório a partir de práticas colaborativas entre intérprete-compositor
Supervisor
 O acordeão na música de concerto no Brasil: criação de repertório a partir de práticas colaborativas entre intérprete-compositor (Master)
Instituto Politécnico de Castelo Branco Escola Superior de Artes Aplicadas, Portugal
2018 - 2020 Da arqueologia à performance: a recriação de Double e Don´t, Juan de Constança Capdeville
Co-supervisor
 Master in Music (Master)
Universidade de Aveiro, Portugal
2017 - 2019 O desenvolvimento de expertise do pianista intérprete-arranjador-improvisador
Co-supervisor
 PhD in Music (PhD)
Universidade Federal do Paraná, Brazil

Event organisation

Event name
Type of event (Role) 		Institution / Organization
2023/11/18 - 2023/11/18 Forum Inet-MD: Challenges and Perspectives. November 18th, 2023. Departamento de Comunicação e Arte - University of Aveiro. (2023/11/18 - 2023/11/18)
Meeting (Co-organisor)
 Instituto de Etnomusicologia Centro de Estudos em Musica e Danca - polo Universidade de Aveiro DeCA, Portugal

Universidade de Aveiro, Portugal
2023/11/14 - 2023/11/17 TransVariations: Music beyond the limits of time and technology - Joint work meeting, Seminar and Artech residency at IPP and UA (14-17 November 2023). Porto/Aveiro - Portugal. Funded by EEA Grants Portugal. (2023/11/14 - 2023/11/17)
Seminar (President of the Organising Committee)
 Universidade de Aveiro, Portugal

Instituto Politécnico do Porto, Portugal
2023/10/28 - 2023/10/29 Music and Sonic Art 2023 - Twelfth International conference on Music and Sonic Art: Seeing Sound, Hearing Sight (MuSA 2023), an interdisciplinary event supported by the Royal Musical Association and to be held at the University of Manchester in association with the annual MANTIS (Manchester Theatre in Sound) Festival. 28-29 October 2023. (2023/10/28 - 2023/10/29)
Conference (Co-organisor)
 The University of Manchester, United Kingdom

Royal Musical Association, United Kingdom
2023/04/12 - 2023/04/14 TransVariations: Music beyond the limits of time and technology - Joint work meeting, Seminar and Artech residency at Norges Teknisk-Naturvitenskapelige Universitet - NTNU (12-14 April 2023). Trondheim - Norway. Funded by EEA Grants Portugal. (2023/04/12 - 2023/04/14)
Seminar (President of the Organising Committee)
 Norges teknisk-naturvitenskapelige universitet, Norway
2020/01/15 - 2020/01/18 Fostering innovation in music performance - EEA Grants Artistic/academic event involving experimentation and/with artificial intelligence in music performance. Place: Trondheim, Norway - Norwegian University of Science and Technology. (2020/01/15 - 2020/01/18)
Seminar
 Norges teknisk-naturvitenskapelige universitet, Norway
2019 - 2019/12/05 Double Experimentation Project / Works for 2 pianos and percussion Xperimus Ensemble (2019 - 2019/12/05)
Concert (Co-organisor)
 Universidade de Aveiro, Portugal
2019/11/28 - 2019/11/28 Não se improvisa um improvisador - Eduardo Sérgio (2019/11/28 - 2019/11/28)
Workshop (Co-organisor)
 Universidade de Aveiro, Portugal
2019/10/31 - 2019/11/03 Hands-On Research Symposium 2019 The Hands-On Research 2019 Conference aims to stimulate the discussion of ideas, practices, insights, outputs and developments in the field of artistic research. Originally conceptualised as a series of meetings focused on specific instrumental areas bridging the gap between artistic production and academic research, thus creating opportunities to combine artists’ and researchers’ knowledge, Hands-On Research has now expanded to encompass all artistic areas. (2019/10/31 - 2019/11/03)
Symposium (Co-organisor)
 Universidade de Aveiro, Portugal

Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal
2019/10/31 - 2019/11/03 Research Hands-On Piano 2019 Hands-On Piano aims to explore the intersection between artistic practice/production and academic research in this specific instrumental area, with a special focus on the relation between reflexive aspects, remix practices and aesthetic appreciation in relation to piano performance. (2019/10/31 - 2019/11/03)
Conference (President of the Organising Committee)
 Universidade de Aveiro, Portugal

Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal
2019/09/30 - 2019/10/04 eXplorações sonoras: Artistic residence, colloquium and performance. Artistic residence involving Xperimus Ensemble at Casa de Mateus, Vila Real. (2019/09/30 - 2019/10/04)
Meeting (Co-organisor)
 Universidade de Aveiro, Portugal
2019/09/26 - 2019/09/26 Picasso do 5º Esquerdo Concert and premiere of José Alberto Gomes' work. Performance involving Xperimus Ensemble. (2019/09/26 - 2019/09/26)
Concert (Co-organisor)
 Universidade de Aveiro, Portugal
2019/05/27 - 2019/05/29 Sombugueiro Artistic residence and performances at Sabugueiro Participation of Xperimus Ensemble and Students from University of Aveiro (2019/05/27 - 2019/05/29)
Meeting (Co-organisor)
 Universidade de Aveiro, Portugal
2018 - 2018/12/05 Capdeville XXI Recreation of the works by Constança Capdeville Featuring: Xperimus Ensemble, Performa Ensemble (2018 - 2018/12/05)
Concert (Co-organisor)
 Universidade de Aveiro, Portugal
2018/10/17 - 2018/10/17 Vamos Xperimentar? Jam Session Xperimus Ensemble (2018/10/17 - 2018/10/17)
Concert (Co-organisor)
 Universidade de Aveiro, Portugal
2018/07/28 - 2018/07/31 FLUTE: Hands on Research (2018/07/28 - 2018/07/31)
Conference (Co-organisor)
 Universidade de Aveiro, Portugal

Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal
2018/01/24 - 2018/01/27 Hands On Piano International Conference Hands-On Piano aims to explore the intersection between artistic practice/production and academic research in this specific instrumental area, with a special focus on the relation between reflexive aspects, remix practices and aesthetic appreciation in relation to piano performance. (2018/01/24 - 2018/01/27)
Congress (President of the Organising Committee)
 Universidade de Aveiro, Portugal
2017/04/10 - 2017/04/13 Hands On Flute International Conference on Artistic Research (2017/04/10 - 2017/04/13)
Conference (Co-organisor)
 Universidade de Aveiro, Portugal
2016/12/09 - 2016/12/10 IV Inet-MD Forum (Instituto de Etnomusicologia – Centro de Estudos em Música e Dança) (2016/12/09 - 2016/12/10)
Meeting (Member of the Organising Committee)
 Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal

Universidade de Aveiro, Portugal
2016/03/16 - 2016/03/16 Musical Gestures as the interface of cultural identity in music performance: Western embodiment of Karnatic Music (2016/03/16 - 2016/03/16)
Meeting
 Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal

Universidade de Aveiro, Portugal
2015/12/04 - 2015/12/04 I Colloquium: Expressivity in music (2015/12/04 - 2015/12/04)
Seminar (President of the Organising Committee)
 Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal

Universidade de Aveiro, Portugal
2015/06/11 - 2015/06/15 Performa’15 – International Conference on Music Performance (2015/06/11 - 2015/06/15)
Conference (Member of the Organising Committee)
 Universidade de Aveiro, Portugal

Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal
2013/05/31 - 2013/06/02 Performa’13 – International Conference on Performance Studies (2013/05/31 - 2013/06/02)
Conference (Member of the Organising Committee)
 Universidade de Aveiro, Portugal

Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal
2011/05/19 - 2011/05/21 Performa’11 – Conference on Performance Studies (2011/05/19 - 2011/05/21)
Conference (Member of the Organising Committee)
 Universidade de Aveiro, Portugal

Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal
2009/12/04 - 2009/12/05 Post-IP – 1o International Postgraduate Forum in Music and Dance Studies (2009/12/04 - 2009/12/05)
Conference (Member of the Organising Committee)
 Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal

Universidade de Aveiro, Portugal
2009/05/14 - 2009/05/16 Performa’09 – Conference on Performance Studies (2009/05/14 - 2009/05/16)
Congress (Member of the Organising Committee)
 Universidade de Aveiro, Portugal

Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal

Event participation

Activity description
Type of event 		Event name
Institution / Organization
2023/11/18 - 2023/11/18 Forum Inet-MD: Challenges and Perspectives. November 18th, 2023. Departamento de Comunicação e Arte - University of Aveiro.
Meeting
 Forum Inet-MD: Challenges and Perspectives
Instituto de Etnomusicologia Centro de Estudos em Musica e Danca - polo Universidade de Aveiro DeCA, Portugal
2023/11/14 - 2023/11/17 TransVariations - Music beyond the limits of time and technology - Joint work meeting, Seminar and Artech residency at IPP and UA (14-17 November 2023). Porto/Aveiro - Portugal. Funded by EEA Grants Portugal.
Seminar
 TransVariations – Music beyond the limits of time and technology - Joint work meeting, Seminar and Artech residency
Universidade de Aveiro, Portugal

Instituto Politécnico do Porto, Portugal
2023/09 - 2023/09 Beyond Urtext? A edição de Don´t, Juan (1985), de Constança Capdeville ENIM 2023 National Conference on Music Research
Sociedade Portuguesa de Investigação em Música, Portugal
2023/04/12 - 2023/04/14 TransVariations: Music beyond the limits of time and technology - Joint work meeting, Seminar and Artech residency at Norges Teknisk-Naturvitenskapelige Universitet - NTNU (12-14 April 2023). Trondheim - Norway. Funded by EEA Grants Portugal.
Seminar
 TransVariations: Music beyond the limits of time and technology - Joint work meeting, Seminar and Artech residency
Norges teknisk-naturvitenskapelige universitet, Norway
2021/05/05 - 2021/05/07 NOVA Contemporary Music Meeting. Presentation: Unveiling the piano as a gender-related symbol: Avec Picasso ce matin... and Valse, Valsa, Vals; Keuschheits Waltz by Constança Capdeville
Conference
 Nova Contemporary Music Meeting
Universidade Nova de Lisboa, Portugal
2020/01/15 - 2020/01/15 Fostering innovation in music performance (EEA Grants) Artistic experimentation
Seminar
 Fostering innovation in music performance (EEA Grants)
Norges teknisk-naturvitenskapelige universitet, Norway
2019/11/28 - 2019/11/28 Não se improvisa um improvisador - Eduardo Sérgio Workshop on musical improvisation
Workshop
 Não se improvisa um improvisador
Universidade de Aveiro, Portugal

Jury of academic degree

Topic
Role 		Candidate name (Type of degree)
Institution / Organization
2023/11/28 O Ensino da Expressividade na Performance Pianística
(Thesis) Main arguer
 Marta Sofia Marques Ribeiro da Silva (Master)
Instituto Politécnico do Porto Escola Superior de Música e Artes do Espetáculo, Portugal
2023/10/31 Guitarra com gente dentro: Para uma reflexão crítica sobre as práticas colaborativas de Carlos Paredes - o caso de Invenções Livres
(Thesis) Main arguer
 Simão Ribeiro de Sá Mota (Master)
Universidade de Coimbra, Portugal
2023/10/09 Expressividade e diálogo intercultural na obra para piano de Oscar Lorenzo Fernândez: uma proposta interpretativa
(Thesis) Main arguer
 Ricardo Castelo Branco Ramos (PhD)
Universidade de Évora, Portugal
2018/12/13 O fado popular e erudito: influência do fado na obra de Alexandre Rey Colaço e seus discípulos
(Thesis) Main arguer
 Sara Inês Silva Vaz (Master)
Universidade de Aveiro, Portugal
2018/07/17 Definição, caracterização e exploração da articulação Legato na realização do fraseado musical: Proposta de caderno de exercícios
(Thesis) Main arguer
 Teresa Judite Meireles Fão (Master)
Universidade de Aveiro, Portugal
2016/12/16 Construção e aplicação de ferramenta de exploração harmónica para o desenvolvimento cognitivo e performativo nos alunos de piano
(Thesis) Main arguer
 José Miguel Oliveira Costa (Master)
Universidade de Aveiro, Portugal
2015/12/14 A implementação e evolução do regime articulado no meio sócio-educativo da cidade de Vila Real: a perspectiva de pais e professores
(Thesis) Main arguer
 Bruno Miguel Rua e Silva (Master)
Universidade de Aveiro, Portugal
2015/12/11 Dalcroze: a aplicação do método à iniciação do violino em conjunto
(Thesis) Main arguer
 Ana Sofia Saraiva Grilo (Master)
Universidade de Aveiro, Portugal
2015/07/14 Arthur Napoleão: o homem e a sua época em Portugal e no Brasil
(Thesis) Main arguer
 Fernando Manuel de Menezes Falcão Martinho (Master)
Universidade de Aveiro, Portugal

Ad Hoc journal article review

Journal title (ISSN) Publisher
2023 - 2023 Proceedings Book – Post-ip’22 conference. University of Aveiro

Association member

Society Organization name Role
2021 - Current Coordinator of EUTERPE Editions (Euterpe unveiled: Women in Portuguese musical creation and interpretation during the 20th and 21st centuries) PTDC/CPC-MMU/3559/2014 Coordinator
2015 - Current GRUME - Research Group Music and Emotion (UFPR/Brazil) Associate Researcher
2008 - Current Inet-MD Institute for Ethnomusicology - Center of Music and Dance Studies Associate Research Member
2015 - 2017 SPIM - Portuguese Society of Music Research Associate Researcher

Conference scientific committee

Conference name Conference host
2023/12/01 - 2023/12/03 Post-IP 2023 - 7º International Post-Graduate Forum on Music and Dance Studies Universidade Nova de Lisboa (Colégio Almada Negreiros)
2023/10/28 - 2023/10/29 Music and Sonic Art 2023 - Twelfth International conference on Music and Sonic Art: Seeing Sound, Hearing Sight (MuSA 2023). University of Manchester and Royal Musical Association (UK)
2019 - 2019 Post-IP - International Postgraduate Forum in Music and Dance University of Aveiro
2019 - 2019 Hidden practices, Hidden archives International Conference University of Aveiro
2019 - 2019 Hands-On Piano International Conference Univerity of Aveiro
2019 - 2019 Hands-On Research Symposium University of Aveiro
2018 - 2018 Flute: Hands on Research - International conference on Artistic Research University of Aveiro
2018 - 2018 Piano: Hands on Research - International Conference on Artistic Research University of Aveiro
2017 - 2017 Flute: Hands on Research - international Conference on Artistic Research University of Aveiro
2017 - 2017 Performa'17 International Conference on Performance Studies University of São João Del Rei / University of Aveiro
2017 - 2017 Post IP - International Postgraduate Forum on Music and Dance University of Aveiro
2015 - 2015 Post IP - International Postgraduate Forum on Music and Dance University of Aveiro

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2017/12/05 - 2017/12/07 Piano Masterclass Post-IP’17 – 4o Fórum Internacional de Pós-Graduação em Estudos em Música e Dança Universidade de Aveiro, 5-7 de Dezembro de 2017. (Outros) Universidade de Aveiro, Portugal

Journal scientific committee

Journal title (ISSN) Publisher
2020/03 - Current Revista Vortex Estate University of Paraná
2018/01/01 - Current Opus (1517-7017) OPUS
2017/01/01 - Current IMPAR: Online Journal for Artistic Research (2184-1993) UA Editora
2021 - 2024 IMPAR - Online Journal for Artistic Research. (2184-1993) UA Editora
Distinctions

Other distinction

2021 CEEC 2020 - Individual Call to Scientific Employment Stimulus/Associate Researcher - 3rd Edition/FCT
Fundação para a Ciência e a Tecnologia, Portugal