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Identification

Personal identification

Full name
Gabriela Cruz

Citation names

  • Cruz, Gabriela

Author identifiers

Ciência ID
7210-1807-DB29
ORCID iD
0000-0002-4880-9162

Knowledge fields

  • Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)

Languages

Language Speaking Reading Writing Listening Peer-review
Portuguese (Mother tongue)
English (Mother tongue)
French Proficiency (C2) Proficiency (C2) Intermediate (B1) Proficiency (C2) Proficiency (C2)
German Elementary (A2) Upper intermediate (B2) Elementary (A2) Upper intermediate (B2) Upper intermediate (B2)
Education
Degree Classification
2000 - 2002
Concluded
Master of Music (Master)
Major in Musicology
The University of Texas at Austin, United States
GPA 4.0
1992 - 1999
Concluded
Doctor of Philosophy (Doctor of Philosophy)
Major in Musicology
Princeton University, United States
1985 - 1989
Concluded
Ciências Musicais (Licenciatura)
Universidade Nova de Lisboa, Portugal
17
Affiliation

Science

Category
Host institution
Employer
2007 - 2012 Auxiliary Researcher (Research) Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2004 - 2007 Postdoc (Research) Fundação para a Ciência e a Tecnologia, Portugal

Teaching in Higher Education

Category
Host institution
Employer
2018 - Current Associate Professor (University Teacher) University of Michigan, United States
2012 - 2018 Assistant Professor (University Teacher) University of Michigan, United States
1999 - 2004 Assistant Professor (University Teacher) Tufts University, United States
Outputs

Publications

Book
  1. Cruz, Gabriela. Grand Illusion: Phantasmagoria in Nineteenth-Century Opera. New York, United States: Oxford University Press. 2020.
    Published
Book chapter
  1. Cruz, Gabriela. "Introduction". In Grand Illusion: Phantasmagoria in Nineteenth-Century Opera, 1-13. Oxford University Press, 2020.
    10.1093/oso/9780190915056.003.0001
  2. Cruz, Gabriela. "Aida, Egyptomania, and the After-life of Grand Opera". In Grand Illusion, 172-204. Oxford University Press, 2020.
    10.1093/oso/9780190915056.003.0007
  3. Cruz, Gabriela. "The Poetics of Sensation in L’Africaine and Tristan und Isolde". In Grand Illusion, 142-171. Oxford University Press, 2020.
    10.1093/oso/9780190915056.003.0006
  4. Cruz, Gabriela. "Gaslight and Phantasmagoria at the Opéra". In Grand Illusion, 43-64. Oxford University Press, 2020.
    10.1093/oso/9780190915056.003.0003
  5. Cruz, Gabriela. "The Phantom Ship in Der fliegende Holländer and L’Africaine". In Grand Illusion, 101-141. Oxford University Press, 2020.
    10.1093/oso/9780190915056.003.0005
  6. Cruz, Gabriela. "Opera and Beauty". In Grand Illusion, 14-42. Oxford University Press, 2020.
    10.1093/oso/9780190915056.003.0002
  7. Cruz, Gabriela. "Théophile Gautier’s Spectacular Song". In Bild und Bewegung im Musiktheater – Interdisziplinäre Studien im Umfeld der Grand Opéra / Image and Movement in Music Theatre – Interdisciplinary Studies around Grand Opéra, 111-118. Bern, Switzerland: Argus, 2018.
    Published
  8. Cruz, Gabriela. "The Suspended Voice of Amália Rodrigues". In Music in Print and Beyond: Hildegard von Bingen to The Beatles, 180-199. Rochester, NY: Rochester University Press, 2013.
    Published
  9. Cruz, Gabriela. "The Fairy Tale of Bel Canto: Walt Disney, Theodor Adorno, Kurt Weill Play the Gramophone". In Opera and Video: Spectatorship and Technology, 13-44. Bern, Switzerland, 2012.
    Published
Journal article
  1. Cruz, Gabriela. "Review of Laurence Senelick: Jacques Offenbach and the Making of Modern Culture". Opera Quarterly 35 4 (2019): 223-234.
    Published
  2. Cruz, Gabriela. "Flying Dutchman, English Spectacle, and the Remediation of Grand Opera". Cambridge Opera Journal 29 (2017): 5-32.
    Published
  3. Cruz, Gabriela. "Sr. José, the Worker mélomane, or Opera and Democracy in Lisbon ca. 1850". 19th-Century Music 40 2 (2016): 81-105. http://dx.doi.org/10.1525/ncm.2016.40.2.81.
    10.1525/ncm.2016.40.2.81
  4. Cruz, G.. "Sarah Hibberd: French Grand Opera and the Historical Imagination". The Opera Quarterly 28 3-4 (2012): 259-267. http://dx.doi.org/10.1093/oq/kbs049.
    10.1093/oq/kbs049
  5. Cruz, G.. "Meyerbeer's Music of the Future". The Opera Quarterly 25 3-4 (2009): 169-202. http://dx.doi.org/10.1093/oq/kbp047.
    10.1093/oq/kbp047
  6. CRUZ, GABRIELA. "Aida's flutes". Cambridge Opera Journal 14 1-2 (2002): 177-200. http://dx.doi.org/10.1017/s0954586702000125.
    10.1017/s0954586702000125
  7. Cruz, Gabriela. "Laughing at History: the third act of Meyerbeer' L'Africaine". Cambridge Opera Journal 11 1 (1999): 31-76. http://dx.doi.org/10.1017/s0954586700005516.
    10.1017/s0954586700005516