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Telma João da Fonseca Santos. Concluiu o Doutoramento em Matemática pela Universidade de Évora em 2011, com co-orientação de Arrigo Cellina (Università di Milano Bicocca) e Vladimir V. Goncharov (Universidade de Évora). Concluiu o Doutoramento em Artes pela Universidade de Lisboa em 2016, com co-orientação de Jean-Paul Bucchieri (ESTC), David Antunes (ESTC) e Jorge Ramos do Ó (Instituto de Educação - UL). Foi docente na Universidade de Évora de 1999 a 2019 nos departamentos de Matemática e de Artes Cénicas. É artista e investigadora independente.
Identification

Personal identification

Full name
Telma João Santos

Citation names

  • Santos, Telma João
  • Santos, Telma J.

Author identifiers

Ciência ID
731F-B1C8-2D3F
ORCID iD
0000-0002-9035-9580

Email addresses

  • telmajoaosantos.work@gmail.com (Professional)

Websites

Knowledge fields

  • Humanities - Arts
  • Exact Sciences - Mathematics - Applied Mathematics

Languages

Language Speaking Reading Writing Listening Peer-review
Portuguese Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
French Intermediate (B1) Intermediate (B1) Intermediate (B1) Intermediate (B1)
English Intermediate (B1) Advanced (C1) Intermediate (B1) Advanced (C1)
Education
Degree Classification
2016/09/29
Concluded
 Artes (Doutoramento)
Major in Especialidade: Artes
Universidade de Lisboa Faculdade de Letras, Portugal
"Entre o pensamento matemático e a arte da performance: questões, analogias e paradigmas" (THESIS/DISSERTATION)
 Aprovado com distinção
2011 - 2012/06
Attended
 Culturas Visuais Digitais (Pós-Graduação)
ISCTE-Instituto Universitário de Lisboa, Portugal
2011/12/12
Concluded
 Matemática (Doutoramento)
Major in Especialidade: Matemática e Aplicações
Universidade de Évora Instituto de Investigação e Formação Avançada, Portugal
"Some Versions of the Maximum Principle for elliptic integral functionals" (THESIS/DISSERTATION)
2004 - 2005
Attended
 Dança (Licenciatura)
Instituto Politécnico de Lisboa Escola Superior de Dança, Portugal
2004
Concluded
 Matemática Aplicada (Mestrado)
Major in Cálculo das Variações
Universidade de Évora, Portugal
"Generalizações da equação de Euler-Lagrange e aplicações para obter propriedades qualitativas dos minimizantes de integrais dependentes do gradiente" (THESIS/DISSERTATION)
 Muito Bom
1999
Concluded
 Matemática Aplicada (Licenciatura)
Major in Cálculo das Variações
Universidade de Évora, Portugal
 15/20
Affiliation

Teaching in Higher Education

Category
Host institution 		Employer
2011/12/12 - 2019/04/30 Assistant Professor (University Teacher) Universidade de Évora, Portugal
2004/01 - 2011/12 Assistant (University Teacher) Universidade de Évora, Portugal
2000/01 - 2004/01 Trainee Assistant (University Teacher) Universidade de Évora, Portugal

Others

Category
Host institution 		Employer
2019 - Current Artista e Investigadora Freelance Universidade de Évora Centro de História de Arte e Investigação Artística, Portugal
Projects

Contract

Designation Funders
2019/01/01 - 2019/12/31 Centro de História da Arte e Investigação Artística
UID/EAT/00112/2019
Universidade de Évora Centro de História de Arte e Investigação Artística, Portugal
 Fundação para a Ciência e a Tecnologia
Concluded
2015/01/01 - 2018/12/31 CHAIA: Centro de História da Arte e Investigação Artística
UID/EAT/00112/2013
Researcher
Universidade de Évora Centro de História de Arte e Investigação Artística, Portugal
 Fundação para a Ciência e a Tecnologia
Concluded
Outputs

Publications

Book chapter
  1. Santos, Telma João. "Local Estimates for Minimizers, Embodied Techniques and (Self) Re-presentations Within Performance Art". In Imagine Math 7, edited by Emmer, M.; Abate, M., 411-422. Switzerland: Springer International Publishing, 2020.
    Published • 10.1007/978-3-030-42653-8_24
  2. Santos, Telma João; Santos, Telma. "Performance as Remediation, where the concepts of Immediacy and Hypermediacy converge". In Art & Remediation, 20-30. Lisboa, Portugal: CIEBA-FBAUL, 2013.
    Published
Conference paper
  1. Santos, Telma João. "Entre a investigação matemática e a criação artística: um caminho por percorrer". Paper presented in Workshop Matemática e Arte, Évora, 2017.
    Published
  2. Santos, Telma João. "Matemática e Improvisação de Movimento em Arte da Performance. Estudo de Caso.". Paper presented in Conceitos e Dispositivos de Criação em Artes Performativas, Coimbra, 2015.
    Published
  3. Goncharov, Vladimir V.; Santos, Telma João. "An extremal property of the inf- and sup- convolutions regarding the Strong Maximum Principle". Paper presented in 8th Congress of the International Society for Analysis, its Applications, and Computation, Moscow, 2011.
    Published
Journal article
  1. Santos, Telma João. "Confinamento". Performatus 8 21 (2020): 2-5. https://performatus.com.br/dos-cadernos/corpos-em-confinamento/.
  2. Santos, Telma João. "Building Strength: A methodological approach in performance art context". Diacrítica 33 1 (2019): 143-157. http://dx.doi.org/10.21814/diacritica.280.
    10.21814/diacritica.280
  3. Telma João Santos; Santos, Telma João; Malina, Roger. "Mathematics and Performance Art: first steps on an open road". Leonardo 1 (2017): 1-10. https://doi.org/10.1162%2Fleon_a_01546.
    Published • 10.1162/leon_a_01546
  4. Cardoso, Jorge; Sá, Cristina; Santos, Telma João. "On Self Codes: a Case Study within Mathematics and Performance Art". Journal of Science and Technology of the Arts 9 1 (2017): 29-29. http://artes.ucp.pt/citarj/article/view/257.
    Published • https://dx.doi.org/10.7559/citarj.v9i1.257
  5. Santos, Telma João. "Local estimates for functionals depending on the gradient with a perturbation". Journal of Mathematical Analysis and Applications 434 1 (2016): 858-871. http://www.sciencedirect.com/science/article/pii/S0022247X15008756.
    Published • 10.1016/j.jmaa.2015.09.046
  6. Santos, Telma João; Carter, Paul. "On Turbulence: In between mathematics and performance". Performance Research 19 5 (2014): 7-12. http://www.tandfonline.com/doi/abs/10.1080/13528165.2014.958347.
    Published • 10.1080/13528165.2014.958347
  7. LeVan, Michael; Santos, Telma João da Fonseca. "On a Multiplicity: Deconstructing Cartesian Dualism Using Mathematical Tools in Performance". Liminalities: A Journal of Performance Studies 10 3 (2014): 1-28. http://liminalities.net/10-3/multiplicity.pdf.
    Published
  8. Goncharov, V.V.; Santos, T.J.. "Local estimates for minimizers of some convex integral functional of the gradient and the strong maximum principle". Set-Valued and Variational Analysis 19 2 (2011): 179-202. http://link.springer.com/article/10.1007/s11228-011-0176-x.
    Published • 10.1007/s11228-011-0176-x
Thesis / Dissertation
  1. Santos, Telma João; Santos, Telma João da Fonseca. "Entre o pensamento matemático e a arte da performance: : questões, analogias e paradigmas". PhD, 2016. https://repositorio.ul.pt/handle/10451/26410.
  2. Santos, Telma João da Fonseca. "Some versions of the maximum principle for elliptic integral functionals". PhD, 2011. http://hdl.handle.net/10174/17940.

Artistic / Performance

Choreography
  1. 2021. Between Fear and Desire/It Could Be a Brand.
  2. Santos, Telma João ; Helena Baronet; Pedro Barreiro; Silvana Ivaldi. 2020. Between Fear and Desire.
  3. Santos, Telma João. 2020. #oneonetwo / #onemoretwo.
  4. Santos, Telma João. 2020. Cooking Landscapes.
  5. Santos, Telma João ; Bárbara Fonte; João Pedro Azul. 2019. CORPO.
  6. Mestre André; Santos, Telma João ; Sérgio Diogo Matias. 2019. {$}HIT{$}.
  7. Santos, Telma João. 2019. Perfect Landscape [to let your {s}hit flows].
  8. Telma João Santos; Helena Baronet; Hâmbar de Sousa; Sérgio Diogo Matias. 2018. Parada da Paz/Peace Parade.
  9. Santos, Telma João. 2017. Building Strength.
  10. Dinis, Frederico; Santos, Telma João. 2016. [re]edify.
  11. Santos, Telma João. 2016. On Self Codes.
  12. Santos, Telma João ; João Pedro Azul. 2016. 4 Europe.
  13. Santos, Telma João. 2016. Unnamed Scroll.
  14. Santos, Telma João. 2016. Between Spaces.
  15. Santos, Telma João. 2016. We Are Us.
  16. Santos, Telma João ; João Pedro Azul. 2015. MedoMuro.
  17. Santos, Telma João ; Bruno Cadinha. 2015. Two Oids in Motion.
  18. Santos, Telma João. 2014. In Between Selves.
  19. Santos, Telma João. 2012. On a Multiplicity.
  20. Santos, Telma João. 2010. I and I.
  21. Santos, Telma João ; Bárbara Fonseca. 2010. Introduction.
  22. Santos, Telma João. 2010. Matriz D'Eus.
  23. Santos, Telma João ; Paulino, Ana Carina; Márcio Pereira. 2008. Lost Languages/Linguagens Perdidas.
  24. Santos, Telma João ; Márcio Pereira; Janine Martins. 2008. Projecto Mãe.
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2019/06/04 Performance "Perfect Landscape [to let your {s}hit flows] VII Conference of the Portuguese Anthropological Association
Associação Portuguesa de Antropologia (Lisboa, Portugal)
2019/05/31 Women, Performance and Urban Spaces Dissent Bodies
CRIA-ISCTE (Lisboa, Portugal)
2019/03/29 Local Estimates for Minimizers, embodied techniques and self-representations within Performance Art Imagine Maths 7 - Mathematics and Culture
Istituto Veneto di Scienze, Lettere ed Arti (Veneza, Italy)
2019/02/18 Ropework: performing fragility What Love has Got to do with It
IHA (Lisboa, Portugal)
2018/10/04 Performance "Building Strength" International Colloquium Performance and Intimacy
CEHUM (Guimarães, Portugal)
2017/11/24 In between mathematics research and artistic creation: an undone path Paisagens Neurológicas - Ciência e Arte
(Coimbra, Portugal)
2017/07/17 In between mathematical research and artistic creation: a path to be walked Mathematics and Art
Sociedade Portuguesa de Matemática (Évora, Portugal)
2017/01/30 Local Estimates for Functionals Depending on the Gradient with a Perturbation II Joint Meeting Évora – Extremadura on Mathematics
CIMA Universidade de Évora (Évora, Portugal)
2016/12/14 Performance Art: a rhizomatic almost continuously tending to liquid approach Third Lisbon International Conference on Philosophy of Science
Centro de Filosofia das Ciências da Universidade de Lisboa (Lisboa, Portugal)
2016/10/14 In between Partial Differential Equations, Calculus of Variations and Performance Art Paisagens Neurológicas 3
(Coimbra, Portugal)
2015/11/28 Mathematics and Movement Improvisation in Performance Art through Multimedia: a case study Conceitos e Dispositivos de criação em Artes Performativas
Universidade de Coimbra (Coimbra, Portugal)
2014/12/14 Dance, Geometry and Mathematics
Centro de Ciência Viva do Alviela (Alviela, Portugal)
2014/12/12 Mathematics and Body Movement in Performance: a case study. 1st Conference of Interdisciplinarity and Transdisciplinarity in Performative and Visual Arts
Faculdade de Letras da Universidade de Lisboa (Lisboa, Portugal)
2013/07/27 Some Versions of a Strong Maximum Principle for an elliptic functional with the generalized symmetry assumption. ICCOPT 2013 - The Fourth International Conference on Continuous Optimization
(Costa da Caparica, Portugal)
2013/04/19 On a Multiplicity (Performance-Conference) CORD 2013 -Congress on Research in Dance- Tactical Bodies: The choreography of non-dancing Subjects
University of California (Los Angeles, United States)
2013 On a Multiplicity Perspectivas da Investigação e(m) Artes: Articulações
Escola de Artes - Universidade de Évora (Évora, Portugal)
2012/09/23 Local Estimates for Minimizers of an integral functional: the case of lagrangean convex wrt the gradient and linear wrt u III International conference Optimization and Applications
(Costa da Caparica, Portugal)
2011/10/28 Some Versions of The Strong Maximum Principle Workshop on Variational Analysis and Applications
Universidade de Évora - Centro de Investigação em Matemática e Aplicações (Évora, Portugal)
2009/10/13 Local Estimates for minimizers of some convex integral functional of the grandient and the Strong Maximum Principle
Università di Milano Bicocca (Milão, Italy)
2009/05/15 Comunicação intitulada: "Uma Versão do Princípio do Máximo Forte sem Simetria Rotacional". Mini-Simpósio de Optimização Funcional
Universidade de Évora (Évora, Portugal)
2009/05/13 One Version of The Strong Maximum Principle 51st Workshop da International School of Mathematics “Guido Stampacchia”- Variational Analysis and Applications
(Erice, Italy)
2008/12/07 Uma versão do Princípio do Máximo Forte sem simetria rotacional. Optimização e Controlo Óptimo
CIMA / CEOC (Aveiro)

Event participation

Activity description
Type of event 		Event name
Institution / Organization
2007/09/17 - 2007/09/21 Functional Analysis and Optimization
Conference
 Functional Analysis and Optimization
Polish Academy of Sciences, Poland
2006/09/18 - 2006/09/20 Variational and Differential Problems with Constraints
Conference
 Variational and Differential Problems with Constraints
CIME - Centro Internazionale Matematico Estivo, Italy
2002/11/11 - 2002/11/18 Quasiconvexity and its Applications
Conference
 Quasiconvexity and its Applications
Princeton University, United States
2002/04 - 2002/04 14º encontro do Seminário Nacional de História da Matemática
Meeting
 14º encontro do Seminário Nacional de História da Matemática
Universidade de Évora, Portugal
2001/09/02 - 2001/09/09 Optimal Transportation and Applications
Congress
 Optimal Transportation and Applications
CIME - Centro Internazionale Matematico Estivo, Italy
1999/10/06 - 1999/10/09 New trends in the Calculus of Variations
Conference
 New trends in the Calculus of Variations
Universidade de Lisboa Centro de Matemática Aplicações Fundamentais e Investigação Operacional, Portugal
1999/06/21 - 1999/06/26 Computational Mathematics driven by Industrial Applications
Congress
 Computational Mathematics driven by Industrial Applications
CIME - Centro Internazionale Matematico Estivo, Italy

Association member

Society Organization name Role
2016 - Current CFCUL
2015 - Current CHAIA
2013/01 - Current CIEBA-FBAUL
Current CIMA-UE

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2020/08/24 - 2020/08/30 Feminism, Food and Labor (Outros)
2017/07/17 - 2017/07/17 Mathematics and Movement (Outros) Sociedade Portuguesa de Matemática, Portugal

Legal proceeding

Activity description Case
1998/07/13 - 1998/07/17 LOGICA98