Curriculum Vitae
Isabel Maria Campêlo Fernandes
Identification
Personal identification
- Full name
- Isabel Maria Campêlo Fernandes
Citation names
- Campelo, Isabel
Author identifiers
- Ciência ID
- 7C1E-E9C0-5AD9
- ORCID iD
- 0000-0002-0325-9136
Telephones
- Mobile phone
-
- 964031415 (Personal)
Addresses
- Rua General Norton de Matos, 2 - 8A, 2830-345, Barreiro, Setúbal, Portugal (Personal)
Websites
- http://718111674792921220.weebly.com/ (Professional)
Knowledge fields
- Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)
- Humanities - Languages and Literatures - Specific Languages
Languages
| Language | Speaking | Reading | Writing | Listening | Peer-review |
|---|---|---|---|---|---|
| Portuguese (Mother tongue) | |||||
| English | Advanced (C1) | Proficiency (C2) | Advanced (C1) | Advanced (C1) | Advanced (C1) |
| French | Intermediate (B1) | Upper intermediate (B2) | Intermediate (B1) | Intermediate (B1) | Intermediate (B1) |
| Italian | Elementary (A2) | Intermediate (B1) | Elementary (A2) | Elementary (A2) | Intermediate (B1) |
| Spanish; Castilian | Upper intermediate (B2) | Advanced (C1) | Upper intermediate (B2) | Upper intermediate (B2) | Upper intermediate (B2) |
Education
| Degree | Classification | |
|---|---|---|
|
2012/12 - 2019/12/18
Concluded
|
Ciências Musicais (Doutoramento)
Major in Etnomusicologia
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
"Back to the “black-box”: experiencing music in a Lisbon recording studio"
" (THESIS/DISSERTATION)
|
Very Good |
|
2018/09 - 2019/06
Concluded
|
Acústica e Estudos de Sons (Especialização pós-licenciatura)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
|
|
|
2018/06/11 - 2018/09/11
Concluded
|
Erasmus + (Outros)
Universidad de Salamanca, Spain
|
Very Good |
|
2004 - 2010/12/10
Concluded
|
Ciências Musicais (Mestrado)
Major in Etnomusicologia
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
""Na Estrada com Rui Veloso: a Construção da Performance"" (THESIS/DISSERTATION)
|
|
|
2007 - 2007
Concluded
|
CAP (Outros)
Instituto do Emprego e Formação Profissional, Portugal
|
|
|
1977/09 - 1981/07/14
Concluded
|
Línguas e Literaturas Modernas, variante de Estudos Portugueses e Ingleses (Licenciatura)
Major in Português/Inglês
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
|
16 |
Affiliation
Science
| Category Host institution |
Employer | |
|---|---|---|
| 2003 - Current | Researcher (Research) | Universidade Nova de Lisboa Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal |
| Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
Projects
Other
| Designation | Funders | |
|---|---|---|
| 2012 - 2012 | Fragmentos de um adeus: fado, tango e música popular brasileira em cena
Other
Instituto Politécnico de Lisboa Escola Superior de Teatro e Cinema, Portugal
|
Concluded
|
Outputs
Publications
| Book chapter |
|
| Conference paper |
|
| Encyclopedia entry |
|
Activities
Oral presentation
| Presentation title | Event name Host (Event location) |
|
|---|---|---|
| 2022/07/26 | "Are you unwrapping that CD ? Music and communities of meaning making in the Eurovision Song Contest | 46th ICTM World Conference
INET MD - Universidade Nova de Lisboa (Lisbon, Portugal)
|
| 2022/05/03 | "Northerns and Southerners”: politics and music within the European space | Song Contest / Song Context - Transmedia perspectives on Eurovision
Università di Torino (Turin, Italy)
|
| 2021/07/10 | "Are you Taking the Plastic from the CD?" - music, audiences and behaviors in the Eurovision Song Contest | KISMIF Conference 2021
Faculty of Arts of the University of Porto (FLUP) (Porto, Portugal)
|
| 2019/06/24 | "Refections upon the genderdization of popular music professions - the Portuguese case" | 20th Biennial IASPM Conference - "Turns and Revolutions in Popular Music Studies"
School of Music, The Australian National University Canberra, Australia, (Canberra, Australia)
|
| 2018/07/11 | "Between “Beauty and the Beast”: the unique case of Cantigas do Maio in the sphere of Portuguese recording industry in the 1970s" | 3rd ICTM Forum
Central Conservatory of Music - Beijing (Pequim, China)
|
| 2018/07/07 | "Refections upon the “genderdization” of popular music professions - the Portuguese case" | KISMIF Conference 2018
Universidade do Porto (Porto, Portugal)
|
| 2016/12/02 | "Between “Beauty and the Beast”: the unique case of Cantigas do Maio in the sphere of Portuguese recording industry in the 1970s." | 11th Art of Record Production Conference
University of Allborg (Allborg)
|
| 2016/07/20 | "“Tanto mar”: The role of Portuguese translations in the shaping of Brazilian and Portuguese popular music in the last five decades" | EUPOP 2016
Université Paris Ouest (Paris, France)
|
| 2015/06/29 | "The role of Portuguese translations in the shaping of Brazilian and Portuguese popular music (1960-2013)" | IASPM 18th Biennial Conference - "Back to the Future: Popular Music in Time"
Universidade de Campinas (Campinas, Brazil)
|
| 2014/12/04 | "From Schizophrenia to Creativity-how to survive in the music business in a peripheral country and still be creative" | 2014 IASPM Norden Conference - "Making Music – Producing Sound: The Nordic Angle"
Oslo University (Oslo, Norway)
|
| 2014/12 | “That extra thing”- the role of session musicians in the recording industry¿" | 9th Art of Record Production Conference
Oslo University (Oslo, Norway)
|
| 2013/11/03 | Da “maçã” ao “morango”: os processos de produção musical em estúdio e a negociação pelo “som” final do fonograma" | ENIM
ENIM (Cascais, Portugal)
|
| 2013/07/12 | "The “virtual” producer in the recording studio: media networks in long distance peripheral performances" | 8th Art of Record Production Conference
Université Laval (Quebec City, Canada)
|
| 2013/06/24 | "Displacing identity through language: time, space and place in Portuguese pop-rock" | 17th IASPM Biannual Conference - Bridge Over Troubled Waters: Challenging Orthodoxies
IASPM/Universidade de Guijon (Guijon, Spain)
|
| 2013/04/04 | "Re-gaining the pleasure of listening to music" | BFE Annual Conference
BFE (Belfast, Ireland)
|
| 2012/11/18 | "Tecnologia de gravação audio: um regresso ao passado? " | ENIM
ENIM (Castelo Branco, Portugal)
|
| 2012/11/08 | "Recording in High-end Studios: an Expendable Audio Recording Practice?" | Sonidos del presente, propuestas de futuro
SIBE (Caceres, Spain)
|
| 2012/09/13 | "New sounds after the revolution: Rui Veloso and the Portuguese rock" | From Adele to Zeca Afonso: The Singer-Songwriter in Europe
University of Leeds (Leeds, United Kingdom)
|
| 2012/04 | "Central and peripheral performances in a pop-rock live performance" | Performance Intercaction
BFE (Durham, United Kingdom)
|
| 2011/12/02 | "From LA to Lisbon: the “LA Sound” as a referential production sound in Rui Veloso`s recording career" | 7th Art of Record Production Conference
San Francisco State University (San Francisco, United States)
|
| 2011/09/08 | "A Sense of Otherness: The Use of the English Language in the Construction of Portuguese Pop-Rock" | Xenographies II: T. Representation of Foreigners in Literature, Travel Writing Other Discourses
SELGYC, BCLA (Barcelona, Spain)
|
| 2011/04/20 | "Sound and Language: anglophone references in the construction of pop-rock music in Portugal, 1980-2010" | 2nd International Conference on Anglo-Portuguese Studies
CETAPS (Lisbon, Portugal)
|
Event organisation
| Event name Type of event (Role) |
Institution / Organization | |
|---|---|---|
| 2022/05/30 - 2022/05/30 | The EUROVISIONS Series - Back from Eurovision, in its first edition, curated by the EUROVISIONS Research Group together with
NOVA FCSH, is an academic meeting that aims to continue, at school, the discussion about the ESC in its various perspectives,
bringing together different enthusiasts - broadcasters, fans, academics or others - that help to keep this mega event alive
throughout the last seven decades. (2022/05/30 - 2022/05/30)
Meeting
|
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
Jury of academic degree
| Topic Role |
Candidate name (Type of degree) Institution / Organization |
|
|---|---|---|
| 2022/05/31 | A Masterização Como Processo Artístico-Musical
(Thesis) Main arguer
|
João Renato Martins Alves (Master)
Universidade Lusófona de Humanidades e Tecnologias, Portugal
|
Committee member
| Activity description Role |
Institution / Organization | |
|---|---|---|
| 2020/05/26 - 2020/05/28 | "The power of change: Challenges and opportunities for Eurovision" (third edition of the EUROVISIONS conference). This was
an online conference (due to the pandemics) broadcast to youtube with invited speakers associated to the Eurovision Song Contest
in different roles. The purpose of the EUROVISIONS research group is to bring perspectives from the social sciences and the
humanities to the debate around the multidisciplinary event which the Eurovision Song Contest increasingly is.
Coordinator
|
Universidade Nova de Lisboa Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal |
Conference scientific committee
| Conference name | Conference host | |
|---|---|---|
| 2023/05/09 - 2023/05/10 | "Representing oneself and the Other" | Liverpool Hope University |
| 2022/05/10 - 2022/05/11 | Adding value: Music & Public Television | Sala Lauree, Centro Aldo Moro (Università di Torino) |
| 2021/06/17 - 2021/10/18 | "It Was Fifty Years Ago Today": An Academic Tribute to The Beatles International Conference" | CETAPS & NOVA University of Lisbon |
| 2021/05/29 - 2021/05/30 | "The Power of Change II A History and Histories of Transformation" | EUROVISIONS |
Interview (tv / radio show)
| Program | Topic | |
|---|---|---|
| 2023/04/09 - Current | "Trás pra Frente", RTP Memória | Television history, music, theater |
| 2023/02/14 - Current | Sociedade Civil | A Importância da Música |
| 2022/09/30 - Current | Maus Exemplos | |
| 2023/02/02 - 2023/02/02 | A Nossa Tarde | |
| 2022/05/09 - 2022/05/13 | Notas de Autor |
Mentoring / Tutoring
| Topic | Student name | |
|---|---|---|
| 2012 - 2012 | Theater and Music | Fernanda Paulo |