PhD student in Art History at Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa where she develops, at the Institute of Art History (IHA-NOVA FCSH/IN2PAST) and with an FCT fellowship (SFRH/BD/138886/2018), the thesis Synthesis of the Arts ¿ Thought and Practice in Portugal (1944-1979) supervised by Professor Lúcia Almeida Matos (FBAUP) and Raquel Henriques da Silva (FCSH/NOVA). The thesis explores the synthesis of the arts program based on the collaboration between architects, sculptors and painters fostered in the context of modern architecture in the aftermath of Second World War, analyzing the three ways she identified as responsible for its reception, implementation and dissemination: criticism, teaching and the works themselves. On this topic she has published book chapters such as "Integrated arts at Cinema Batalha - Artists and works: contexts and singularities of a plastic synthesis program" which deals with the synthesis of the Arts program at Cinema Batalha (Porto, 1945-1947) in Batalha - Retrospetiva do Futuro (2023) and "Artists and the city - circuits of humanism, art and culture from ESBAP to Campo do Luso" (2023), part of the publication Parque - Conjunto habitacional do Luso-Lima (1958-2023) where she observes the manifestations of Humanism, in the aforementioned residential project and its impact on the artistic circuits led by the teachers and artists of the Fine Arts School of Porto in the 1960s. The collaborative aspect that underlies this program was the subject of the oral presentation "Synthesis of the Arts - a model of collaboration" at the International Conference Fields of Colaboration held at Culturgest in Lisbon (2019) organized by the Institute of Art History, NOVA Communication Institute, Nova Institute of Philosophy and Culturgest, with the support of FCT. With a degree in Architecture from Universidade Lusíada do Porto (2001) and a Master's degree in Artistic Studies-Museological and Curatorial Studies from the Faculty of Fine Arts of the University of Porto (2013), she combines her multidisciplinary training with the doctoral studies. In this sense, she has been involved in exhibition projects both as an independent curator and as part of exhibition research teams in "Mar Novo - no centenário de Júlio Resende" (2017) and "Walking Art Maps" (2022), both held at the Exhibition Pavilion of the Faculty of Fine Arts of the University of Porto and curated by Lúcia Almeida Matos.