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PhD candidate in Art History at Nova University in Lisbon with FCT scholarship. She completed the Bachelor degree in Drama, Art and Music Studies at the University of Bologna in July 2016. She obtained the Master degree in 2019 with a dissertation entitled “Girolamo Curti called Dentone and its Bolognese production (1575-1632)”. Her research interests are related to the circulation of artists in the French Jesuit mission in China during the 17th and 18th centuries. She is also interested in architectural illusionistic painting (quadratura) during the Baroque Period and on its global circulation and on the circulation of perspective treatises in both Europe and China.
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Identification

Personal identification

Full name
Francesca Iorio
Date of birth
1994/01/31
Gender
Female

Author identifiers

Ciência ID
941A-BC43-0734

Email addresses

  • francescaiorio@fcsh.unl.pt (Professional)

Knowledge fields

  • Humanities - Arts - Art history

Languages

Language Speaking Reading Writing Listening Peer-review
Italian (Mother tongue)
Spanish; Castilian (Mother tongue)
English Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
Portuguese Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
French Intermediate (B1) Intermediate (B1) Intermediate (B1) Intermediate (B1)
Latin Intermediate (B1) Intermediate (B1)
Catalan Elementary (A2) Intermediate (B1) Elementary (A2) Intermediate (B1)
Education
Degree Classification
2020/11 - 2024/11
Ongoing
 História da Arte (Doutoramento)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2019/03
Concluded
 Visual Arts (Laurea Magistrale)
Università di Bologna, Italy
"Girolamo Curti detto il Dentone e la sua produzione bolognese (1575–1632)" (THESIS/DISSERTATION)
 20 (110/110 cum laude)
2016
Concluded
 Drama, Art and Music Studies (Laurea)
Università di Bologna, Italy
""Il nudo e il pudore nei secoli XV e XVI, tra arte e letteratura"" (THESIS/DISSERTATION)
Outputs

Publications

Journal article
  1. Iorio, Francesca. "Travel correspondence on the first voyage of the ship Amphitrite to China in 1698". The Journal of Epistolary Studies 4 (2024):
    Open access • Submitted
  2. Iorio, Francesca. "De l'onda il ciel, del ciel l'onda è confine. Le voyage du peintre Giovanni Gherardini en Chine en 1698, entre circulation artistique et échange culturel". Revue Artitalies 29 (2024):
    Accepted
  3. Francesca Iorio. "Global turn in art history and methodological constellations on artistic circulation. Perspectives, ideas, and operational concepts". Eikon Imago 13 (2024): 1-10. https://revistas.ucm.es/index.php/EIKO/article/view/90184/4564456568881.
    Open access • Published • https://dx.doi.org/10.5209/eiko.90184
  4. Iorio, Francesca. "Girolamo Curti detto il Dentone (1575-1632). Nuovi contributi". Strenna Storica Bolognese LXIX (2019):
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2023/10/06 The missionary correspondence in the temporality of the travel. The Epistolary Research Network Symposium
(Elmhurst University USA/online, United States)
2023/05/04 Mission as a journey. The French Jesuits' 1698 trip to China between travel literature and cultural exchange. 12TH SPRING HISTORY SYMPOSIUM - Department of History at the University of Hong Kong
(Hong Kong online)
2023/04/07 Histoire de l'art globale et circulation artistique. Le voyage du peintre Giovanni Gherardini en Chine. Journée d’étude de l’AHAI - Institut Culturel Italien (Paris)
2022/06/03 The Global Space of Quadratura Painting. A Transnational Art between Theatrical Dynamics and Cultural Migration. RIE - Rencontres Internationales d’Étudiants du Festival de l’Histoire de l’Art (Lisbon- Fontainebleau).
2022/05/30 Le voyage du peintre Giovanni Gherardini en Chine sur le vaisseau l'Amphitrite. Sources imprimées et manuscrits. Séminaire 'Sciences et savoirs de l'Asie orientale dans la mondialisation'
EHESS: École des hautes études en sciences sociales
2021/07/28 Andrea Pozzo's Perspectiva pictorum et architectorum. Between practice and Jesuit propaganda. Summer School Cultures of Science and Art in Rome. Royal Netherlands Institute in Rome (KNIR) and Bibliotheca Hertziana – Max Planck Institute for Art History (BHMPI)