Curriculum Vitae
Ana Filipa Gonçalves de Magalhães
Identification
Personal identification
- Full name
- Ana Filipa Gonçalves de Magalhães
Citation names
- Magalhães, Filipa
Author identifiers
- Ciência ID
- AE10-9B13-5284
- ORCID iD
- 0000-0003-4230-825X
Email addresses
- anamagalhaes@fcsh.unl.pt (Professional)
Websites
Knowledge fields
- Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)
Languages
| Language | Speaking | Reading | Writing | Listening | Peer-review |
|---|---|---|---|---|---|
| Spanish; Castilian | Beginner (A1) | Intermediate (B1) | Beginner (A1) | Intermediate (B1) | |
| English | Advanced (C1) | Advanced (C1) | Advanced (C1) | Advanced (C1) | |
| Italian | Intermediate (B1) | Intermediate (B1) | Beginner (A1) | Intermediate (B1) | |
| French | Beginner (A1) | Intermediate (B1) | Beginner (A1) | Elementary (A2) | |
| Portuguese (Mother tongue) |
Education
| Degree | Classification | |
|---|---|---|
|
2023/09/26 - 2024
Ongoing
|
Master Course on Digital Curation and Digital Humanities (Mestrado)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
Universidade NOVA de Lisboa Faculdade de Ciências e Tecnologia, Portugal |
|
|
2021/09/20 - 2022/06/30
Concluded
|
Postgraduate Course in Historical Archivistics (Pós-Graduação)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
|
17/20 |
|
2016/03/01 - 2020/02/19
Concluded
|
Doctoral Degree Ph.D. in Musicology (Doutoramento)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
""A música já não pode viver sozinha": da interação rumo à identidade" (THESIS/DISSERTATION)
|
Muito Bom, por maioria / Very Good, by majority |
|
2010/10/10 - 2013/01/25
Concluded
|
MA degree in Musical Arts: Music and Technology (Mestrado)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
"Levantamento de espólios fonográficos em fita magnética: Avaliação do Estado de Conservação das Fitas" (THESIS/DISSERTATION)
|
16/20 |
|
2007/10/10 - 2008/05/06
Concluded
|
Post-graduation course in Musicology: professional qualification for teaching (Especialização pós-licenciatura)
Major in Educational Sciences
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
|
14/20 |
|
2001/10/10 - 2006/06/20
Concluded
|
Bachelor in Musicology (Licenciatura)
Major in Musicology
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
"Tese Final da Licenciatura não exigida" (THESIS/DISSERTATION)
|
14/20 |
Affiliation
Others
| Category Host institution |
Employer | |
|---|---|---|
| 2019/06/05 - Current | Researcher | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
| Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal | ||
| 2016/03/01 - 2019/02/28 | PhD Candidate / FCT Fellow | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
| Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal | ||
| 2017/02/22 - 2017/03/17 | Trainee | Universidade de Pádua - CSC - Sound and Music Computing Group, Italy |
| Universidade de Pádua - CSC - Sound and Music Computing Group, Italy | ||
| 2008/10/01 - 2015/12/31 | Administrative Assistant | Intermúsica, Lda., Portugal |
| 2014/09/01 - 2014/09/19 | Trainee | Institut National de l'Audiovisuel (INA), France |
| Archive vidéo et radio Ina, France | ||
| 2011/08/25 - 2011/09/02 | Trainee | Phonogrammarchiv, Austria |
| Phonogrammarchiv, Austria |
Projects
Grant
| Designation | Funders | |
|---|---|---|
| 2016/03/01 - 2019/02/28 | "'A música já não pode viver sozinha': Da interação rumo à identidade"
PD/BD/114395/2016
PhD Student Fellow
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
|
Fundação para a Ciência e a Tecnologia
Concluded
|
Contract
| Designation | Funders | |
|---|---|---|
| 2023/04/01 - Current | Music theatre preservation: a bridge between musicology and archival science
Researcher
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
|
Fundação para a Ciência e a Tecnologia |
Other
| Designation | Funders | |
|---|---|---|
| 2019/06/07 - Current | Portuguese contemporary music composers and ensembles: collective heritage preservation
Researcher
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
|
Fundação para a Ciência e a Tecnologia
Not funded
|
| 2021/01/01 - 2025/12/31 | Laboratório Associado para a Investigação e Inovação em Património, Artes, Sustentabilidade e Território
LA/P/0132/2020
Researcher
Universidade de Évora, Portugal
|
Fundação para a Ciência e a Tecnologia
Ongoing
|
| 2022/07/07 - 2022/08/15 | The birth centenaries of Iannis Xenakis and Madalena de Azeredo Perdigão
FCG/CESEM
Magnetic tape (audio) digitization
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Fundação Calouste Gulbenkian, Portugal |
Fundação Calouste Gulbenkian
Concluded
|
| 2019/01/01 - 2019/12/31 | CESEM - Strategic project - UID/EAT/00693/2019
UID/EAT/00693/2019
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
|
Fundação para a Ciência e a Tecnologia
Concluded
|
Outputs
Publications
| Book chapter |
|
| Conference paper |
|
| Conference poster |
|
| Journal article |
|
| Journal issue |
|
| Magazine article |
|
| Thesis / Dissertation |
|
Artistic / Performance
| Musical performance |
|
Activities
Oral presentation
| Presentation title | Event name Host (Event location) |
|
|---|---|---|
| 2024/10/09 | Music theatre as an ephemeral artistic creation: how to preserve and recreate it creatively? |
Polytechnic University of Tomar, Portugal (Tomar, Portugal)
|
| 2024/09/26 | Contemporary music in motion: an integrated methodology to preserve works including heterogeneous sources. |
University of Valencia (Valencia, Spain)
|
| 2024/09/20 | An integrated methodology for contemporary music heritage. A focus on Mediterranean arts assets. | 5th international scientific multidisciplinary conference "Mediterranean Islands Conference (MIC-Vis 2024)"
VERN University and Institute of Social Sciences Ivo Pilar (Island of Vis , Croatia)
|
| 2024/07/06 | Music Theatre and Digital Archives | Sound and Music Computing (SMC 2024)
School of Music and Performing Arts (ESMAE) (Porto, Portugal)
|
| 2024/06/20 | Digital technologies as musical sources: documenting live electronics | II Simposio Internacional de la Comisión de Análisis Musical de la Sociedad Española de Musicología SICAM 2024 "Perspectivas
analíticas sobre música de Iberoamérica"
Universidad de Valladolid (Valladolid, Spain)
|
| 2024/06/19 | Unveiling the Veil: reflecting on the omission of workflows in Digital Humanities research projects and their implications for reproducibility. | DARIAH Annual Event 2024 "Workflows: Digital Methods for Reproducible Research Practices in the Arts and Humanities"
Faculdade de Ciências Sociais e Humanas - NOVA FCSH (Lisbon, Portugal)
|
| 2024/02/01 | A Ideia de um Arquivo Digital: "Linked Music Theatre" | 4.º Encontro Nacional de Investigadores do IN2PAST
Universidade NOVA de Lisboa – Faculty of Social Sciences and Humanities (NOVA FCSH) (Lisbon, Portugal)
|
| 2023/12/12 | Arquivar e reativar o teatro música português |
Centro de Estudos de Teatro, Faculdade de Letras da Universidade de Lisboa and TNSJ - Teatro Nacional São João (Porto, Portugal)
|
| 2023/12/08 | Gulbenkian Contemporary Music Meetings (1977-2002): reflections on archival practices and the benefits of interdisciplinarity for the treatment of the documentation | Grainger Symposium
University of Melbourne (Melbourne, Australia)
|
| 2023/12/04 | O ColecViva e a ideia de um projeto educativo | III Seminário de Didática Específica para o Ensino Vocacional de Música
Universidade de Évora (Évora, Portugal)
|
| 2023/07/06 | The re-performance of music theatre works: challenges in the digital transition from the archive to the stage. |
CCB/ICNova, FCSH, Universidade Nova de Lisboa (Lisbon, Portugal)
|
| 2023/06/06 | The artistic career of composer Constança Capdeville and the reception of her works in the media of the time | Parcours de compositrices aux XXe et XXIe siècles
Université Jean Monnet Saint- Étienne, ECLLA (Saint-Etiènne, France)
|
| 2022/09/23 | Musicologia arqueológica e Constança Capdeville | 4.º Simpósio do NEGEM - Intersecções
CESEM - Colégio Almada Negreiros - NOVA FCSH (Lisbon, Portugal)
|
| 2022/06/09 | Music theatre preservation: Intersections between musicology and archival science |
University of Edinburgh (Edinburgh , United Kingdom)
|
| 2022/05/09 | Idiosyncratic ways of preserving performing arts creation in an (digital) archive | TENOR 2022
PRISM (CNRS), the InCIAM Institut, Aix-Marseille University (AMU), Université Côte d’Azur (UCA) (Marseille, France)
|
| 2022/05/04 | A documentação de teatro-música: intersecções entre a musicologia e a arquivística histórica | Seminários Interartes e Intermedia (organizados pelo grupo THELEME do Centro de Estudos Comparatistas)
Faculdade de Letras (Lisbon, Portugal)
|
| 2021/07/28 | An analysis of music-theatre works understanding the interaction between the musicologist, the musician and the available documentation | BrumMAC 2021 - The Birmingham Music Analysis Conference 2021
University of Birmingham (Birmingham, United Kingdom)
|
| 2021/07/28 | Digital humanities research applied to avant-garde music theatre works: the case of Constança Capdeville collection. | 2021 IAML Congress (in association with DLfM)
International Association of Music Libraries, Archives and Documentation Centres (London, United Kingdom)
|
| 2021/05/07 | Music, performance and preservation: current perspectives for the documentation of works involving performance | NOVA Contemporary Music Meeting (NCMM21) — “Musical performance as creation“
NOVA University of Lisbon (Lisbon, Portugal)
|
| 2021/04/16 | A obra de Constança Capdeville: itinerários artísticos, sociais e afetivos (book launch) | WEBINAR GEOGRAFIAS CULTURAIS DA MÚSICA DO SOM E DO SILÊNCIO
LAB2.PT - UNIVERSIDADE DO MINHO - MUSEU NOGUEIRA DA SILVA (Braga, Portugal)
|
| 2021/01/28 | Documenting production processes for the recovery of Constança Capdeville's music theatre works. The creation of a proper environment for their preservation. | BARN VIRTUAL COLLOQUIA - SERIES ONE 2021
University of Leeds (Leeds, United Kingdom)
|
| 2020/11/18 | A comunicação entre a musicologia e as bibliotecas digitais em particular para a música contemporânea | 2.º Encontro Memória para Todos: Comunidades e Sustentabilidade
Fundação Mário Soares e Maria Barroso (Lisbon, Portugal)
|
| 2019/12/14 | Understanding the role of the piano thoughout Constança Capdeville’s works | IV International Contemporary Piano Meeting, 2019
ESMAE/CESEM (Porto, Portugal)
|
| 2019/10/09 | "Rewriting" Constança Capdeville s works through documentation production | Tracking the creative process in music - TCPM 2019
FCSH, NOVA University of Lisbon (Lisboa, Portugal)
|
| 2019/06/29 | Philology as a systematic method of documentation and its application to the study of Constança Capdeville's musical works | Hidden archives, hidden practices: debates about music-making June 28 - 30, 2019
Departamento de Comunicação e Arte da Universidade de Aveiro (Aveiro, Portugal)
|
| 2019/06/25 | Music-Theatre in Gulbenkian's Contemporary Music Meetings: On Two Works by Constança Capdeville | Opera and the City: Technologies of Displacement and Dissemination
CESEM NOVA-FCSH (Lisboa , Portugal)
|
| 2019/03/22 | The complexity of analysing musical works comprising various means: a perspective on Constança Capdeville's works. | Música Analítica 2019
CITAR - Universidade Católica Portuguesa (Porto, Portugal)
|
| 2018/11/23 | What place does Constança Capdeville hold in contemporary Portuguese music history? | NOVA Contemporary Music Meeting (NCMM18) — International Conference
NOVA University of Lisbon (Lisboa, Portugal)
|
| 2018/11/16 | The Communication Between Musicology and Digital Libraries in Particular for Contemporary Music | BISA 2018 annual conference
National Library of Wales and the British Library (Aberysthwyth, United Kingdom)
|
| 2018/06/20 | A proposal of analysis for music-theatre works with electroacoustic. The case of Double by Constança Capdeville. | Electroacoustic Music Studies Network Conference - EMS18
Institute for Research in Musicology - IREMUS, Sorbonne University (Villa Finaly, Florence, Italy)
|
| 2017/11/11 | Processos criativos na música de Constança Capdeville: a importância da parte eletrónica | VII Encontro Nacional de Investigação em Música - ENIM 2017
Universidade do Minho (Braga) (Braga, Portugal)
|
| 2017/09/28 | A música já não pode viver mais sozinha". Diálogos entre música e cinema na obra de Constança Capdeville. | Encontro internacional O Cinema e as outras Artes
Faculdade de Artes e Letras Departamento de Comunicação e Artes - Universidade da Beira Interior (Covilhã, Portugal)
|
| 2017/09/15 | The Importance of the electronic part on seeking creative processes in music. | Tracking Creative Processes in Music - TCPM2017
Huddersfield University (Huddersfield, United Kingdom)
|
| 2017/06/08 | Recuperação do espólio de Constança Capdeville | Projeto Constança, Jornada de homenagem a Constança Capdeville (1937-1992), por ocasião do seu 80º aniversário
CESEM FCSH NOVA (Lisboa, Portugal)
|
| 2017/05/10 | Aesthetic issues on the analysis of Capdeville's music works and their relationship with technology. | International Conference Musiques électriques, électricité et musique
Université Paris 8 – Vincennes à St-Denis (Paris, France)
|
| 2016/11/24 | The presence of the past on the music of Constança Capdeville: an analysis of the work Mise-en-Requiem. | OLD IS NEW - The Presence of the Past in the Music of the Present
Escola Superior de Música de Lisboa e CESEM FCSH NOVA (Lisboa, Portugal)
|
| 2016/10/06 | How to reproduce electroacoustic music works of Constança Capdeville? Implications of the lack of recordings in the performance. | Bilateral International Conference Portugal/Italy Performance analysis: a bridge between theory and interpretation
Fundação Engenheiro António de Almeida e Casa da Música (Porto, Portugal)
|
| 2016/03/19 | The Gesture on the Musical Theatre Compositions of Constança Capdeville. | Porto International Conference on Musical Gesture as Creative Interface.
CITAR - Center of Academic Research of School of the Arts, Universidade Católica Portuguesa (Porto, Portugal)
|
| 2014/11/21 | O espólio em fitas magnéticas da compositora Clotilde Rosa. Ponto de partida para a preservação das suas obras mistas. | Encontro Nacional de Investigação em Música - IV ENIM 2014
Biblioteca Nacional de Portugal (Lisboa, Portugal)
|
Event organisation
| Event name Type of event (Role) |
Institution / Organization | |
|---|---|---|
| 2024/05/01 - 2025/05/09 | Co-Chair of the 4th international conference Nova Contemporary Music Meeting, on the subject “Today’s music memory“. (2024/05/01 - 2025/05/09)
Conference (Co-organisor)
|
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal |
| 2022/06/22 - 2022/06/22 | Member of the scientific organization and participation in the event: 1.º Ciclo de SMART TALKS entitled "Práticas de preservação
aplicadas à arte contemporânea nos domínios das artes plásticas, da música e da dança", in collaboration with researcher Andreia
Nogueira (integrated in the research center Techn & Art do Instituto Politécnico de Tomar). (2022/04/30 - 2022/06/22)
Meeting (Member of the Scientific Committee)
|
Instituto Politécnico de Tomar, Portugal |
| 2020/09/01 - 2021/07/31 | Nova Contemporary Music Meeting (NCMM21) Music Performance as Creation (2021/05/05 - 2021/05/07)
Conference (Member of the Organising Committee)
|
Universidade Nova de Lisboa, Portugal |
| 2019/10/31 - 2019/10/31 | Screening of the film "Cerromaior" by Luís Filipe Rocha, with original music by Constança Capdeville - A talk with the director (2019/10/31 - 2019/10/31)
Meeting (Other)
|
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal |
| 2019/10/09 - 2019/10/11 | Tracking the creative process in music - TCPM 2019:
Membro da organização do evento, funções de secretariado e moderação de comunicações. (2019/10/09 - 2019/10/11)
Conference (Member of the Organising Committee)
|
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal |
| 2018/01/01 - 2018/11/23 | Nova Contemporary Music Meeting (NCMM18) International Conference (2018/11/21 - 2018/11/23)
Conference (Member of the Organising Committee)
|
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal |
| 2016/09/01 - 2016/11/24 | OLD IS NEW - The Presence of the Past in the Music of the Present (2016/11/24 - 2016/11/26)
Conference
|
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal |
| 2013/01/01 - 2013/06/21 | EMS 2013: Electroacoustic Music in the context of Interactive Approaches and Networks (2013/06/17 - 2013/06/21)
Conference (Member of the Organising Committee)
|
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal |
Event participation
| Activity description Type of event |
Event name Institution / Organization |
|
|---|---|---|
| 2022/10/20 - Current | Participation by invitation in a Round Table about the composer Constança Capdeville, in the context of the presentation of
the 4th edition of Festival Criasons, produced by Musicamera Produções, on 20 October 2022, in the foyer of Teatro Aberto,
Lisbon, Portugal.
Round table
|
Musicamera Produções, Portugal
|
| 2023/07/08 - 2023/07/12 | Participation in the Summer School "Timbre and Orchestration" held in conjunction with TIMBRE 2023: the third International
Conference on Timbre (hosted by the School of Music Studies and the Sound and Music Technology Lab at the Aristotle University
of Thessaloniki), organised by the ACTOR Project team.
Conference
|
ACTOR Timbre and Orchestration Summer School + Timbre 2023 Conference
Aristotle University of Thessaloniki, Fcaulty of Fine Arts, School of Music Studies, Greece
|
| 2022/06/27 - 2022/07/04 | Participation in the Summer Course entitled "Music and Intangible Heritage: Leadership in Contemporary Creative and Curatorial
Practice", provided by the CEU Central European University at Budapest (by invitation)
Other
|
Central European University - Budapest Campus, Hungary
|
Ad Hoc journal article review
| Journal title (ISSN) | Publisher | |
|---|---|---|
| 2017/10/02 - 2018/01/31 | Journal of New Music Research (1744-5027) | Informa UK (Taylor & Francis) |
Conference scientific committee
| Conference name | Conference host | |
|---|---|---|
| 2024/09/01 - 2025/05/09 | Nova Contemporary Music Meeting (NCMM2025) - “Today’s music memory" | CESEM NOVA FCSH |
| 2024/06/18 - 2024/10/10 | HeriCC 1st International Conference on HERITAGE, CONSERVATION and CREATIVITY | TECHN&ART – the center for Technology, Restoration and Arts Enhancement, Polytechnic University of Tomar |
| 2023/02/01 - 2023/02/28 | NOVA Contemporary Music Meeting International Conference (2023) Listening to todays music. | Colégio Almada Negreiros: FCSH Research Centers Building at NOVA University Campolide campus |
| 2020/11/01 - 2021/05/30 | Nova Contemporary Music Meeting (NCMM21) Music Performance as Creation | NOVA University of Lisbon |
Consulting
| Activity description | Institution / Organization | |
|---|---|---|
| 2023/12/16 - 2023/12/17 | Reconstruction of the sound recorded sequence, originally created by Constança Capdeville based on her sketches, to be used in the choreography by Ana Rita Palmeirim integrated in the performance Zoo&Lógica (1984) by Paula Massano, with interventions by Nuno Carinhas (scenic), Carlos Zíngaro (composition) and Paulo Graça (light). The revisit to this work is part of the Dança Não Dança cycle, promoted by the Calouste Gulbenkian Foundation. | Fundação Calouste Gulbenkian, Portugal |
| 2022/01/01 - 2023/03/10 | Academic Consultancy for the Fourth Edition of FESTIVAL CRIASONS, entitled Teatro Música | Constança Capdeville e a memória do futuro, 2022 | 23. | Musicamera Produções, Portugal |
Course / Discipline taught
| Academic session | Degree Subject (Type) | Institution / Organization | |
|---|---|---|---|
| 2024/09/17 - 2024/12/31 | Curricular unit "Documentation and Preservation in Musical Arts" integrated into the Master's degree in Musical Arts, taught at the School of Social Sciences and Humanities, NOVA University of Lisbon. | Documentação e Preservação em Artes Musicais, Mestrado em Artes Musicais (Mestrado) | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
| 2023/11/29 - 2023/11/29 | Contemporary Music and Archives: understanding documentation practices in music theatre works | Methodologies in Musical Arts (Mestrado) | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
| 2022/11/14 - 2022/11/14 | Music theatre documentation: intersections between musicology and archival science | Methodologies in Musical Arts (Mestrado) | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
| 2022/11/10 - 2022/11/10 | Music from the second half of the twentieth century: Brief contextualization; Music involving tecnological resources (e.g., magnetic tape); Preserving contemporary music involving tecnological resources; The music theatre works by the composer Constança Capdeville (case study). | Contemporary Music History (Licenciatura) | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
| 2021/07/08 - 2021/07/08 | Global concerns in the context of archives, digital platforms and preservation of contemporary music | IMCC - Lisbon Masterclass (Erasmus +) (Licenciatura) | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
| 2020/11/26 - 2020/11/26 | Archives, digital platforms and contemporary music preservation | (Mestrado) | Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal |
| 2019/12/03 - 2019/12/03 | The analysis of Contemporary Music: Capdeville's music-theatre works | Ciências Musicais /Musicology (Licenciatura) | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
| 2019/11/28 - 2019/11/28 | Methodological and academic grounding in the area of Musicology: The documentation of musical works featuring different means including technological. | Curso de Mestrado em Artes Musicais / Masters in Musical Arts (Mestrado) | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
| 2018/11/19 - 2018/11/19 | Methodological and academic grounding in the area of Musicology: the documentation of contemporary musical works including technological components (e.g. magnetic tape); main difficulties regarding the preservation of these works: preserving the means (magnetic tape and equiment); practices and methodologies used within archives. | Curso de Mestrado em Artes Musicais / Masters in Musical Arts (Mestrado integrado) | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
Interview (tv / radio show)
| Program | Topic | |
|---|---|---|
| 2024/09/01 - 2024/09/30 | Conversation with Helena Romão for the podcast "Obras em Casa" promoted by the Museu Nacional da Música. | 93 / 5 000 Resultados da tradução Resultado de tradução The interpretation of composer Constança Capdeville’s notation, based on her scores. |
| 2022/11/02 - 2022/11/02 | TSF Radio - Fila J | 'FE...DE...RI...CO...' performance in Teatro Aberto |
| 2022/01/08 - 2022/01/08 | 'Conversas à Beira Minho' broadcast by Rádio Cultural de Cerveira | My research work regarding Constança Capdeville's music theatre |
Other jury / evaluation
| Activity description | Institution / Organization | |
|---|---|---|
| 2023/01/29 - Current | Member of the Jury for the Fourth Edition of FESTIVAL CRIASONS, entitled Teatro Música | Constança Capdeville e a memória do futuro, 2022 | 23. | Musicamera Produções, Portugal |
| 2024/04/10 - 2024/04/30 | President of the Competition Committee for the award of one (1) Research Grant for a Master's student within the scope of Strategic Financing (UIDB/00693/2020) of the Centre for the Study of the Sociology and Aesthetics of Music (CESEM) of the School of Social Sciences and Humanities – NOVA University of Lisbon, financed by national funds through FCT/MCTES (PIDDAC). | Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal |
Scientific expedition
| Activity description | Institution / Organization | |
|---|---|---|
| 2023/09/11 - 2023/09/20 | Research visit to carry out fieldwork, namely: attending the concerts as part of the event "DEDANS - DEHORS. Suoni e musica di ricerca", which included the presentation of the scenic cantata "Lo stridere luttuoso degli acciai" by Adriano Guarnieri, aiming to document his work for archival purposes; also an interview with the composer Adriano Guarnieri took place. Event organised by Tempo Reale, a research center founded by composer Luciano Berio. | Centro di Ricerca Produzione e Didattica Musicale Tempo Reale, Italy |
Distinctions
Award
| 2023 | Prémio Go Green Go Social - Melhor Ideia de Negócio 2023 (ReSTAGE)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
Santander Universidades, Portugal |