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Susana Piteira. PhD in La realidad asediada: posicionamientos creativos (HD203): 100882 Art, natura i entorn em 2018/12/14 by Facultat de Belles Arts da Universitat de Barcelona; DEA in Espacio Público Y Regeneración Urbana: Arte y Sociedad in 2000/11 by Universitat de Barcelona; Bachelor in Fine Arts and Sculpture in 1990 by Escola Superior de Belas Artes do Porto. Lecturer in Landscape Architecture at Universidade de Évora between 1992 and 1996. Guest Assistant in Sculpture at Faculdade de Belas Artes da Universidade de Lisboa between 1995 and 2002. Guest Lecturer in Visual Arts Education Master at Universidade de Évora in 2010/2011. Guest Assistant in Fine Arts Bachelor at Faculdade de Belas Artes da Universidade do Porto from 2010 until 2018. Currently Guest Professor at Faculdade de Belas Artes da Universidade do Porto. Collaborator at the Investigation and Study Center of Fine Arts of Universidade de Lisboa, at the Investigation Institute for Design Art and Society of Faculdade de Belas Artes da Universidade do Porto, as well as Researcher at the Transdisciplinary Research Center Culture, Space and Memory - at Faculdade de Letras da Universidade do Porto. Publisher of several articles in diferente field (magazines., Book artist, book chapter, catalogue and so). Winner of two awards/tributes. Fine Arts and Humanities as main subject matter, with special focus on the material properties and creation process as essential aspects of the work of art; the poetics of sculpture; as well as the aesthetic globalization in rural and urban territory, and the necessary processes, means and actors for artistic intervention in those places. Most frequent ocurrences in curriculum Cinência Vitae in what scientific, technological and cultural-artistic production is concerned: Sculpture; Painture; Landscape; Artistic practices; Criticism and interpretation; Portugal; Essays; Urban/Rural regeneration; Collaborative practices; Ceramics; Matter; Territory; Nature; Artistic and operational processes. Held numerous individual and group exhibitions. she has public works and in architecture. Has carried out artistic curatorships since 1992.
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Identification

Personal identification

Full name
Susana Maria Clemente dos Santos Piteira

Citation names

  • Piteira, Susana
  • Susana Piteira

Author identifiers

Ciência ID
CE17-9666-6BB6
ORCID iD
0000-0003-1870-2580
Google Scholar ID
https://scholar.google.com/citations?user=GoogleScholarID=en&authuser=1&user=qZ_p9pwAAAAJ

Addresses

  • Universidade do Porto, Faculdade de Belas Artes, Subunidade orgânica de Artes Plásticas. R. Dr. Francisco Maria de Almeida Grandella, nº218, 2050-117, Aveiras de Cima, Alenquer, Portugal (Professional)

Websites

Knowledge fields

  • Humanities - Arts - Arts
  • Humanities - Arts - Arts
  • Humanities - Arts - Arts
  • Humanities - Arts

Languages

Language Speaking Reading Writing Listening Peer-review
Spanish; Castilian Intermediate (B1) Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
English Intermediate (B1) Intermediate (B1) Intermediate (B1) Intermediate (B1) Intermediate (B1)
French Beginner (A1) Intermediate (B1) Beginner (A1) Intermediate (B1) Elementary (A2)
Education
Degree Classification
2015/10/01 - 2018/12/14
Concluded
 Curso de Doutoramento La realidad asediada: posicionamientos creativos (HD203): 100882 Art, natura i entorn (Doctor)
Major in Escultura
Facultat de Belles Arts da Universitat de Barcelona , Spain
"Escultura e Território. Contradições, dialécticas, cumplicidades e interacções. Alguns apontamentos em Portugal." (THESIS/DISSERTATION)
 Excel·lent "Cum Laude"
1998/10/01 - 2000/11
Concluded
 Espacio Público Y Regeneración Urbana: Arte y Sociedad (DEA)
Major in Escultura
Facultat de Belles Arts da Universitat de Barcelona , Spain
 Suficiencia Investigadora
1985 - 1990
Concluded
 Artes Plásticas - Escultura (Licenciatura)
Universidade do Porto, Portugal
 14 valores
1983/10/01 - 1986/05
Concluded
 Curso de Arquitectura de Interiores e Design de Móveis (Bacharelato)
Major in Arquitectura e Design
Escola - Museu da Fundação Ricardo do Espírito Santo Silva, Portugal
 14 Valores
1979/10/01 - 1983/07
Concluded
 Curso - Técnico de Equipamento e Interiores (Curso de Especialização Tecnológica)
Major in Arquitectura de Interiores e Design de Móveis
Escola - Secundária António Arroio. Lisboa., Portugal
 14 valores
Affiliation

Teaching in Higher Education

Category
Host institution 		Employer
2019/09/01 - Current Invited Assistant Professor (University Teacher) Universidade do Porto Faculdade de Belas Artes, Portugal
Universidade do Porto Faculdade de Belas Artes, Portugal
2020/02/01 - 2020/06/15 Invited Adjunct Teacher (Polytechnic Teacher) Instituto Politécnico de Lisboa, Portugal
Instituto Politécnico de Lisboa Escola Superior de Educação, Portugal
2010/10 - 2018/08/31 Invited Assistant (University Teacher) Universidade do Porto, Portugal
Universidade do Porto Faculdade de Belas Artes, Portugal
2010/09 - 2011/09 Invited Assistant (University Teacher) Universidade de Évora, Portugal
Universidade de Évora Departamento de Planeamento Biofísico e Paisagista, Portugal
1995/11/02 - 2002/09/30 Invited Assistant (University Teacher) Universidade de Lisboa, Portugal
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
1992/05 - 1995/10 Trainee Assistant (University Teacher) Universidade de Évora, Portugal

Others

Category
Host institution 		Employer
2023/07/25 - Current Integrate Universidade de Lisboa Centro de Investigação e de Estudos em Belas-Artes, Portugal
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2011/07/20 - Current Collaborator Universidade do Porto Instituto de Investigação em Arte Design e Sociedade, Portugal
Universidade do Porto Instituto de Investigação em Arte Design e Sociedade, Portugal
2019/09/03 - 2019/10/03 scholarship Fundação Oriente, Portugal
Jingdezhen Duimianshan Artist Residency program in China. Jingdezhen, Jiangxi Province: Culture Communication CO., LTD.; Sambao: Opposite Studio. Popular Republic ofChina., China
2003/03/01 - 2006/10/31 Colaborator ACTAE – Centro Interdisciplinar de Ciências Políticas da Universidade de Évora, Portugal
2002/10/01 - 2006/09/30 Research scholarship for PhD Fundação para a Ciência e a Tecnologia, Portugal
Facultat de Belles Arts da Universitat de Barcelona , Spain
1994/05/31 - 1994/06/30 Scholarship to support the sculpture exhibition / Installation Fundação Calouste Gulbenkian, Portugal
EPAL / Empresa Publica de Águas de Lisboa, Portugal
1991/10/01 - 1993/09/30 Scholarship from the Calouste Gulbenkian Foundation to develop an improvement project in the field of stone sculpture technology. Fundação Calouste Gulbenkian, Portugal
Mármores de Portugal, Portugal
Projects

Contract

Designation Funders
2021/09/21 - 2024/09/20 Arts and Crafts Aujourd'hui
0 2021-1-FR01-KA220-HED-000032240
 Erasmus Plus
Ongoing

Other

Designation Funders
2021 - 2025 Ground LAB
000 000 000
Universidade do Porto Instituto de Investigação em Arte Design e Sociedade, Portugal
Ongoing
2021/05/30 - 2024/05/29 Ground LAB Arqueologia e Recondução Tecnológica
i2ADS-2021-Ground-LAB
Integration into Research Grant Fellow
Universidade do Porto Instituto de Investigação em Arte Design e Sociedade, Portugal
Ongoing
2021/11/02 - 2021/11/02 The Project Arts and Crafts Today
ID KA220-HED-BE52B997
Invited Scientist Fellow
Biblioteca da Faculdade de Belas Artes da Universidade do Porto, Portugal
 Erasmus+
Ongoing
Outputs

Publications

Book
  1. Piteira, Susana. 2017 – Author of artist book “Graça”, Design by Karen Lacroix, numbered and signed ( 50 copies edition).. Guarda / Porto, Portugal: Câmara Municipal / Museu da Guarda. 2017.
    Published
Book chapter
  1. Piteira, Susana. "Da pedreira à agulha ou vice-versa". In Musas em Ação. porto: Politécnico do Porto/ com a Casa Comum/Reitoria da Universidade do Porto/ ILCML da FLUP, 2023.
  2. Piteira, Susana. "Dialógicas Cerâmicas com a Paisagem e com Pintura". In ICCEP 3rd Edition. Porto, Portugal: I2ADS/Universidade do Porto / Faculdade de Belas Artes, 2023.
    In press
  3. Piteira, Susana. "Do Território à Arte.". Porto, Portugal: Porto: Árvore Cooperativa Artística / ESE-INED, 2022.
    In press
  4. Piteira, Susana. "Quing youg shanwei mei". In Bright as Silver, White as Snow. Lisboa, Portugal: LisboaFundação Oriente, 2021.
    Published
  5. Piteira, Susana. "Autobiografia". edited by Silva, Isabel Barroso. Porto, Portugal: Porto: FBAUP, 2020. ISBN 978-989-98284-4-5 (e-book), 2020.
    Published
  6. Piteira, Susana. "Texto - A autoria enquanto resistência". -----. Barcelona, Spain: FBAUB / Ayuntamiento de Barcelona, 2019.
    Submitted
  7. Piteira, Susana. "Para uma ética das politicas de inclusão: dimensão biográfica, criatividade e educação". 234-237. Santiago de Compostela, Spain: Asociacio´n Espan~ola de Psicologi´a Conductual (AEPC), 2019.
    Published
  8. Piteira, Susana. "Ondas de Paixão". In WAH! We Are Here. Évora, Portugal: Centro de Arte e Cultura do Fórum Eugénio de Almeida, 2018.
    Published
  9. Piteira, Susana. "Texto - Para uma ética das politicas de inclusão: dimensão biográfica, criatividade e educação". In Tempos Cruzados. Guimarães 2012/Capital Europeia da Cultura., -----. Guimarães, Portugal: Capital Europeia da Cultura 2012, 2014.
    Published
  10. Piteira, Susana. "No Fio da Navalha". In 20 Anos 20 Esculturas. Estremoz, Portugal: Galeria Municipal D. Dinis / Museu Municipal Joaquim Vermelho., 2010.
    Published
Conference abstract
  1. Piteira, Susana. "Dialógicas Cerâmicas com a Paisagem e com Pintura". Paper presented in International Congress on Contemporary European Paiting 3rd Edition, Porto, 2022.
    Published
  2. Piteira, Susana. "Resumo - Genius Loci e ekphrasis na escultura, na pintura e nos jardins". Paper presented in ICOCEP 2019, Porto, 2020.
    In press
  3. Piteira, Susana. "Resumo - Para uma ética das políticas de inclusão: dimensão biográfica, criatividade e educação". Paper presented in XVI Foro Internacional sobre Evaluación de la Calidad de la Educación Superior y de la Investigación (Fecies), Santiago de Compostela, 2019.
    Published
Conference paper
  1. Maia Rocha, Mariana; Loureiro, Domingos; Piteira, Susana ; Machado, Paula. "Observar e atravessar o território". Paper presented in Cruzar o território a partir (da) ardósia., Valongo, 2023.
  2. Piteira, Susana. "Diálogos Contemporâneos com o Mármore: Do território à arte". Paper presented in Conferência Internacional “Os mármores do Alentejo. 2 000 anos de memória e património”, Vila Viçosa, 2019.
    In press
  3. Piteira, Susana. "Una possibilidade de pedagogía a través de la escultura pública contemporánea". Paper presented in III Jornadas de Educación Artística., Madrid, 2007.
    Published
  4. Piteira, Susana. "Linhas Paralelas o el sentido del art por la ciudadanía". Paper presented in II Congrés d’Educació de les Arts Visuals Creativitat en temps de canvis, Barcelona, 2007.
    Published
  5. Piteira, Susana. "Comunicação - Intervenções de Escultura na transformação dos espaços públicos em Portugal. O caminho da fonte, em Belver". Paper presented in III Congresso Internacional de História da Arte – Portugal: Encruzilhada de culturas, artes e sensibilidades, Porto, 2003.
    Published
Conference poster
  1. Piteira, Susana ; Bacelar, Mariana. "A EDUCAÇÃO COMO RECONSTRUÇÃO DA EXPERIÊNCIA: LINHAS PARALELAS, UM ENSAIO". Paper presented in Conferência Nacional de Educação Artística, 2007.
Exhibition catalog
  1. Piteira, Susana. Cerâmica a Norte. Espaço Atmosfera M / Associação Montepio, 2023.
  2. AA.VV. Corresponding author: AA.VV. Exposição Colectiva de Escultura. Da Matéria à Escultura. Amadora: Galeria Municipl Artur Bual/ Casa Aprígio Gomes/ Câmara Municpal da Amadora, 2022.
  3. AA.VV. 15+5 de casa para um mundo. 15 escritores; 15 qrtístas plásticos; 15 compositores; 5 designers. Casa da Cultura Mestre José Rodrigues / Câmara Municipal de Alfândega da Fé, 2022.
  4. AA.V. Os Sítios da Água. Câmara Municipal de Tomar / Grupo de Artístas Convergências, 2022.
  5. Piteira, Susana. Bright as Silver, White as Snow. Fundação Oriente, 2021.
  6. Piteira, Susana. Convergências V. Cerâmica de autor. Arte Graça Galerie, 2021.
  7. Piteira, Susana. A tribute to women. Artists in the São Roque collection. São Roque Galery, 2021.
  8. Piteira, Susana. Escultura, objectos, e cerâmica. Women Artists. São Roque Gallery, 2021.
  9. AA.V. De casa para um mundo. Câmara Municipal de Matosinhos, 2021.
  10. piteira,. Anatomias. Os anos de formação: Anatomias artísticas e outros traçados. (Exhibition presentation text). Politécnico de Lisboa, 2021.
  11. Piteira, Susana. Ondas de Paixão. FERREIRA, J. & FERREIRA, E. WAH! We Are Here .Évora: Centro de Arte e Cultura do Fórum Eugénio de Almeida., 2018.
  12. Piteira, Susana. Em Terra. Elements.camp. Porto: FBAUP., 2014.
  13. Piteira, Susana. Fragmentos II. Centro Cultural de Macedo de Cavaleiros / CMMC, 2008.
  14. Piteira, Susana. Forças de resistência e Halteres. (Exhibition presentation text). Centro Cultural de Macedo de Cavaleiros, 2008.
  15. Piteira, Susana ; Raay, Rietske Van. Prazeres Públicos, Sofrimentos Privados. Casa da Cerca Centro de Arte Contemporânea, Almada., 2003.
Journal article
  1. Piteira, Susana ; Charréu, L.. "Clara Menéres (1943-2018): Do território à arte, um percurso singular na escultura contemporânea portuguesa/ Clara Menéres (1943-2018): From territory to art, a singular path in contemporary Portuguese sculpture.". Porto Arte 26 46 (2021): 1-28. http://hdl.handle.net/10400.21/14334.
    Published
  2. Susana Piteira. "Entre a floresta e o jardim". Revista Visuais 6 1 (2020): 75-99. https://doi.org/10.20396/visuais.v6i1.13709.
    10.20396/visuais.v6i1.13709
  3. Susana Piteira. "VOID. Talhando a paisagem". Revista Visuais 2 3 (2016): 93-125. https://doi.org/10.20396/visuais.v2i3.12074.
    10.20396/visuais.v2i3.12074
Magazine article
  1. Piteira, Susana. "Entre o Monumento e o Museu: O Espaço Público", Sensos-e, 2022
  2. Piteira, Susana. "Do território à arte, um percurso singular na escultura contemporânea portuguesa", Revista Porto Arte (DOSSIÊ ESPAÇOS MALEÁVEIS), 2021, https://seer.ufrgs.br/PortoArte/issue/view/3838/showToc.
  3. Piteira, Susana. "Da natureza à arte: uma poética da criação.", Revista Visuais, 2020, https://doi.org/10.20396/visuais.v6i2.14765.
  4. Piteira, Susana. "Entre a floresta e o jardim: Alberto Carneiro e o amanho da terra", Revista Visuais , 2020, https://doi.org/10.20396/visuais.v6i1.13709.
  5. Piteira, Susana. "Da paisagem, do tempo e do logro na pintura de Domingos Loureiro", Revista Gama, Estudos Artísticos, 2017, https://gama.belasartes.ulisboa.pt/G_v5_iss9.pdf.
  6. Piteira, Susana. "VOID. Talhando a paisagem", Revista Visuais, 2016, https://econtents.bc.unicamp.br/inpec/index.php/visuais/article/view/12074.
  7. Piteira, Susana. "Campos expandidos da escultura na recuperação paisagística e urbana: um exemplo de arte pública e práticas colaborativas", ARS, Revista do Departamento de Artes ECA_USP, 2015, http://www2.eca.usp.br/cap/ars26.html.
  8. Piteira, Susana. "Do objecto do corpo ao corpo do objecto: a pedra como meio artístico", Revista Alentejo, 2008, http://www.susanapiteira.com/autora/bibl_activa/RA21.pdf.
  9. Piteira, Susana. "O mundo em que vivemos . Regeneração urbana e (in)sucesso da arte (pública) II", Revista Alentejo, 2007, http://www.susanapiteira.com/autora/bibl_activa/RA15.pdf.
  10. Piteira, Susana. "Artigo- Regeneração urbana e (in)sucesso da Arte (Pública) I", Revista Alentejo, 2006, http://www.susanapiteira.com/autora/bibl_activa/RA14.pdf.
  11. Piteira, Susana. "Reinata Sadimba", Latitudes. Cahiers Lusophones, 2005, http://www.susanapiteira.com/autora/bibl_activa/Reinata.pdf.
  12. Piteira, Susana. "Da Natureza à natureza dos lugres", Latitudes. Cahiers Lusophones, 2005, http://www.susanapiteira.com/autora/bibl_activa/Latitudes.pdf.
  13. Piteira, Susana. "A escultura de âmbito público: diálogos e controvérsia", Margens e Confluências, 2004
  14. Piteira, Susana. "Monumento e Anti-Monumento: A simbologia da escultura publica", APHA, 2003, http://www.susanapiteira.com/autora/bibl_activa/SimbologiaEsculturaPublica.pdf.
Newspaper article
  1. Piteira, Susana. "LINHAS PARALELAS OU O SENTIDO DA ARTE PELA CIDADANIA", "O Primeiro de Janeiro”, Jornal Diário, 30 de Março de 2006. Porto., 2006
Preface / Postscript
  1. Piteira, Susana. "Anatomias...................................". Preface to Anatomias Artísticas e Outros Traçados. Leonardo Charréu. Lisboa, Portugal: Politécnico de Lisboa /Espaço Artes. 2021.
    Published
  2. Piteira, Susana. "Aproximações Criativas ao Sal: aventuras, experiências e aprendizagens. (Exhibition presentation text)". Porto, Portugal: Universidade do Porto / Faculdade de Belas Artes. 2017.
    Published
  3. Piteira, Susana. "A Natureza e o Artifício". Vila Nova de Gaia, Portugal: Casa Barbot/ Casa da Cultura. 2013.
    Published
  4. Piteira, Susana. "O Corpo (Im)Pertinente". Porto, Portugal: Universidade do Porto / Faculdade de Belas Artes. 2012.
    Published
  5. Piteira, Susana ; Mira, Feliciano. "LUSOGRAFIAS". Preface to Lusografias. Évora, Portugal: Universidade de Évora - Congresso Lusografias/ Câmara Municipal. 2000.
    Published
  6. Piteira, Susana. "worCHOP SUEY. Parte 2". Amadora: Amadora: Câmara Municipal. 1999.
    Published
  7. Piteira, Susana. "WORKCHOP SUEY". Amadora: Câmara Municipal. 1997.
    Published
Thesis / Dissertation
  1. "Escultura y Territorio: Contradicciones, dialécticas, complicidades e interacciones. Algunos apuntes en Portugal.". PhD, Facultat de Belles Arts da Universitat de Barcelona, 2018. https://www.tdx.cat/handle/10803/664807.

Artistic / Performance

Artistic exhibition
  1. cores vistas de dentro para fora. 2024.
  2. Bright As Silver Whit as Snow II- Os Sítios do Barro III. 2023.
  3. Piteira, Susana. Objectos poéticos na Ciência e na Arte. 2023.
  4. MARMOR. 2023.
  5. Cerâmica de Autor. 2023.
  6. Exposição Artes Plásticas Bienal de Gaia / Pólo Gondomar. 2023.
  7. Exposição Artes Plásticas Bienal de Gaia / Pólo Mirandela “quando os pássaros caem - o futuro é hoje. 2023.
  8. Bienal de Gaia / SNBA - Artistas em Diálogo. 2023.
  9. 1ª. BIALE ESTREMOZ. 2023.
  10. Lux. 2023.
  11. Silêncio e Clamor. 2023.
  12. e vento s de Dezembro”/ Exposição de Artes Plásticas. 2022.
  13. Os Sítios da Água. 2022.
  14. feminino, uma História FICCIONADA____. 2022.
  15. Da casa para um mundo. 2022.
  16. Exposição Colectiva Escultura Contemporânea. Da Matéria à Forma.. 2022.
  17. Convergências V - Exposição de Cerâmica de autor na Arte Graça. 2021.
  18. Da casa para um mundo. 2021.
  19. Arte de Bolso 2021- 10ª Edição. 2021.
  20. Da bi à tridimensionalidade. 2021.
  21. Women. Artists in the São Roque collection. 2021.
  22. Bright as Silver, White as Snow. 2021.
  23. ¿ Da casa para um mundo group exhibition. 2020.
  24. Mulheres Artistas Docentes. 2019.
  25. PROCESSOS EM TRÂNSITO ¿ Livros de artista. 2019.
  26. Noli me tangere,. 2019.
  27. O impulso utópico (Solo exhibition). 2019.
  28. Ornamento e Crime Instalation group exhibition. 2019.
  29. Studiolo XXI – desenho e afinidades,. 2019.
  30. PROCESSOS EM TRÂNSITO ¿ Livros de artista group exhibition. 2018.
  31. O Dia Mundial do Livro, catálogos e livros de artistas. 2018.
  32. WAH (We Are Here). 2018.
  33. ARTE URBANA em MUPIS. 2017.
  34. LUXURIAE. 2017.
  35. INSERT MOBILITY. 2016.
  36. FORTUNA E MAGNETISMO - OS LOCATÁRIOS ESTÉTICOS DESCANSAM NAS SALAS In Memoriam Paulo Cunha e Silva. 2015.
  37. APEDAÇAR, SARGOIR, TRAVAR,. 2015.
  38. Maria de Fatima Lambert. Exposição Prometheus fecit: Terra, água, mão e fogo. 2015.
  39. Maria de Fatima Lambert; Marques, Margarida Correia. Exposição Prometheus fecit: Terra, água, mão e fogo. 2014.
  40. Arte Hoje. 2014.
  41. 6.ª Edição da Arte Urbana nos Mupis. 2014.
  42. ESTÓRIAS DE PEDRA. 2013.
  43. RESERVAS E SEDIMENTOS: TENSÕES, REPRESENTAÇÕES, HERANÇAS OU NOMEAÇÕES on solo show. 2013.
  44. Maria de Fátima Lambert. TROMPE L¿OEIL, LE COEUR ET LA RAISON on solo show. 2013.
  45. Maria de Fatima Lambert. COLECTIVA DE DESENHO (chamo silencio à linguagem-que-já-não-é-orgão de nada). 2012.
  46. CINCO SÉCULOS DE DESENHO NA COLECÇÃO DA FACULDADE DE BELAS ARTES DO PORTO. 2012.
  47. O TAPETE VOADOR. 2010.
  48. MEMBRANAS, exposição antológica solo exhibition. 2010.
  49. 20 ANOS, 20 ESCULTURAS: 1990 - 2010 Solo exhibition. 2010.
  50. ARTISTAS PLÁSTICOS DE LA RAYA III. 2009.
  51. JUST SCULPTURE. 2009.
  52. 6º PRÉMIO AMADEO DE SOUZA CARDOSO group exhibition. 2007.
  53. NATURA NATURATA/ NATURA NATURANS (FRAGMENTOS) solo exhibition. 2007.
  54. EXTRAMUROS. 2006.
  55. “EXTRAMUROS”, exposição de escultores portugueses, organizada pela ADERES e ADICAP. 2006.
  56. 5º PRÉMIO AMADEO DE SOUZA CARDOSO group exhibition. 2005.
  57. Salão Europeu de Jovens Criadores / 49ª Salon de Montrouge group exhibition. 2004.
  58. Rietske Van Raay. PRAZERES PÚBLICOS SOFRIMENTOS PRIVADOS solo exhibition. 2004.
  59. ESCULTURA NA CIDADE - ÉVORA 2003 group exhibition. 2003.
  60. BELEZA OU NATUREZA E ARTE OU, AINDA, VÉNUS LANDSCAP E OU,..., solo exhibition. 2003.
  61. 4º PRÉMIO AMADEO DE SOUZA CARDOSO group exhibition. 2000.
  62. VII BIENAL/1ª INTERNACIONAL DE GRAVURA DA AMADORA group exhibition. 2000.
  63. O SÉCULO PRIMEIRO DEPOIS DE BEATRIZ solo exhibition. 1996.
  64. VÉNUS LANDSCAPE solo exhibition. 1996.
  65. ARQUITECTOS, UM DESIGNER E ESCULTURA DE SUSANA PITEIRA. 1995.
  66. AS LÁGRIMAS DE EROS (Solo Exhibition). 1994.
  67. A BELEZA solo exhibition. 1992.
Visual artwork
  1. Piteira, Susana. Edition of three drawings of Series Blom III, 2012, in magazine "Praça Nova. Revista Literária da Guarda". Nº 1, pp. 34, 40, 89, 2019..
  2. Piteira, Susana. Edition of dawing from series Bloom, 2007 in loose-leafe "In Memorium Clara Menéres (1943-2018)" in FERREIRA, J. & FERREIRA, E. (2018). - WAH! We Are Here .Évora: Centro de Arte e Cultura do Fórum Eugénio de Almeida..
  3. Piteira, Susana. Sculpture S/ TÍTULO (Series Just Sculpture) (wall piece) de 2009, marble stone, as cover of magazime“O Tripeiro”, Nr 11, November 2018, 7ª Series, Year XXXVII. Sculpture S/ TÍTULO (Series Just Sculpture) (wall piece) de 2009, marble stone, faz a capa da Revista. A imagem da escultura é de Sara Constança, 2010..
  4. Piteira, Susana. 2020 ¿ Edition of engraving titled "Ondas de Paixão", dry tip, de 2019, in magazine Praça Nova. Revista literária da Guarda. Nº 2.

Intellectual property

Copyright registration
  1. 2007. "Museu Internacional de Escultura Contemporânea: Um projecto de Autor?".
    Registered

Other

Other output
  1. O impulso utópico. Exhibition text in Lisbon: SNBA / Galeria Fernando de Azevedo.. 2019. Piteira, Susana.
  2. Desenho de Lenço de Enamorados. Desenha um lenço de Enamorados com poema de Ana Paula Tavares (Bordado de Guimarães certificado, 5 múltiplos), a convite do Museu de Alberto Sampaio e da Oficina, em Guimarães que o editaram.. 2010. Piteira, Susana.
  3. Art, Nature and City in Portugal: Attempted Public Art Program. Forty-two interviews conducted between September 2003 and April 2006, within the scope of data collection for the doctoral thesis Art, Nature and City in Portugal: Attempted Public Art Program. The group of interviewees includes visual artists, architects, landscape architects, politicians, commissioners and others who have been in some way related to art in the public space betwin 1974 and 2004.. 2002. Piteira, Susana.
  4. Vénus Landscape; Bronze múltiple edition. Edita um múltiplo de escultura em bronze (Vénus Landscape) a convite da Arte do Bronze , Fundição Artística , Lda., Montemor-o-Novo.. 2000. Piteira, Susana.
  5. S/ Título; Invited to publish an Engraiving Edition. Cooperativa dos Gravadores Portugueses , Gravura , Lisboa. Edita gravura [S/ Título], a convite da Cooperativa dos Gravadores Portugueses , Gravura , Lisboa. 1994. Piteira, Susana.
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2022/06/22 Dialógicas Cerâmicas com a paisagem e com a Pintura. ICCOCEP 3erd Edition
FBAUP / i2ADS (Porto)
2021/09/12 Arte ao virar da esquina
Stolen Books.
2021/07/01 Entre o Monumento e o Museu: O Espaço Público
: Centro de Investigação e Inovação em Educação – InED (rec. FCT) da Escola Superior de Educação do Politécnico do Porto
2021/06/18 invited speaker in the Da casa para um mundo - Online Conversations Da casa para um mundo - Online Conversations
Câmara Municipal de Matosinhos / Divisão de Cultura e Museus - Casa do Design.
2021/05/21 Da pedreira à agulha ou vice-versa 2ª edição do Seminário Musas em Ação – Espessuras da [In]Visibilidade
O InED - Centro de Investigação e Inovação em Educação da ESE – Politécnico do Porto/ com a Casa Comum/Reitoria da Universidade do Porto/ ILCML da FLUP
2020/04/04 Tectónica e poética. Formulações escultóricas a partir da obra de Carlos Nogueira XI Congresso Internacional Criadores Sobre outras Obras Sociedade Nacional de Belas-Artes do CSO’2020
Faculdade de Belas Artes da Universidade de Lisboa /Socieadade Nacional de Belas Artes (Lisboa, Portugal)
2019/07/18 Pode a arte sobreviver enquanto ferramenta para o desenvolvimento local e a descentralização cultural? International Conference on Research in Education
Escola Superior de Educação do Porto /ISEP (Porto , Portugal)
2019/06/12 O Impulso Utópico II Congresso Internacional de Investigação e Criação na Arte Contemporânea
Museu Municipal da Guarda (Guarda, Portugal)
2019/05/31 Diálogos Contemporâneos com o Mármore: Do território à arte Os mármores do Alentejo. 2 000 anos de memória e património
CECHAP (Vila Viçosa, Portugal)
2019/05/31 El papel de las artes en el siglo XXI. Estratégias pedagógicas com a comunicação “Para uma ética das politicas de inclusão: dimensão biográfica, criatividade e educação XVI FORO INTERNACIONAL sobre EVALUACIÓN de la CALIDAD de la EDUCACIÓN SUPERIOR y de la INVESTIGACIÓN (FECIES).
Universidade de Santiago de Compostela (Santiago de Compostela, Spain)
2019/04/09 Genius Loci e ekphrasis na escultura, na pintura e nos jardins 2nd International Congresso on Contemporary European Paiting
Faculdade de Belas Artes da Universidade do Porto (Porto, Portugal)
2019/03/26 26th March 2019 - Invitation to present PhD Thesis in the context of the program "Terças-feiras com arte - O lado oculto da investigação" commissioned by Maria de Fátima Lambert. Porto: Cooperativa Árvore. Terças-feiras com arte - O lado oculto da investigação
Cooperativa Árvore (Porto, Portugal)
2019/02/13 The Oblique Think Tank #1 The Oblique Think Tank #1
. Organização Inês Moreira. Porto Ateneu Comercial. (Porto, Portugal)
2019/01/15 Literacia, redes e parceiros – Com o compromisso de todos Reunião de grupo de Desenvolvimento nº GD6R3 do Plano Nacional de Literacia de Adultos
Plano Nacional de Literacia de Adultos (Porto, Portugal)
2018/06/27 Meeting with Artists for the exhibition WAH WAH/ We Are Here
Centro de Arte Contemporânea da Fundação Eugénio de Almeida (Évora, Portugal)
2018/06/08 Invitation to take part in round-table discussion for the Bienal da Ardósia de Valongo, with the theme "Globalização e Identidade Regional – Valongo e o Artesanato em ardósia” and “A educação pela pedra”. Ermesinde: Fórum Cultural de Ermesinde. Bienal da Ardósia de Valongo
Câmara Municipal de Ermesinde/ Fórum Cultural de Ermesinde (Ermesinde, Portugal)
2017/11/04 Natureza, território e paisagem: algumas expressões tridimensionais #2 JORNADAS DE INVESTIGAÇÃO DO NAD
i2ADS/FBAUP (Porto, Portugal)
2017/09/22 Void: talhando a paisagem Jornadas Europeias do Património 2017
(Évora Monte)
2017/07/20 Território, acontecimentos, corpos em acção nternational Conference on Research in Education
Escola Superior de Educação do Porto /ISEP (Porto, Portugal)
2017/06/04 O belo é o que vincula 2º Simposio Internacional de Arte Contemporânea
Museu Municipal da Guarda (Guarda, Portugal)
2017/05/28 Corpo, arte e personae. O Desterrado de António Soares dos Reis, no Painel O papel da Cultura e a Identidade das Cidades IDENTICIDADES, VII CONGRESSO DA REDE TERRITORIAL PORTUGUESA DAS CIDADES EDUCADORAS
Teatro Municipal da Guarda (Guarda, Portugal)
2017/04/27 Aproximações Criativas ao Sal: Aventuras, Experiências e Aprendizagens Colóquio Arte Pública na Era da Criatividade Digital
(Porto, Portugal)
2017/04/10 Da paisagem, do tempo e do logro, na pintura de Domingos Loureiro Congresso Internacional Criadores Sobre outras Obras
Faculdade de Belas Artes da Universidade de Lisboa (Lisboa, Portugal)
2017/04/04 Práticas contemporâneas nos significados da escultura, da paisagem e da natureza: A subliminar imanência da pintura International Congress on Contemporary European Paiting
Faculdade de Belas Artes da Universidade do Porto (Porto)
2016/06/04 Wind Scaps Participation as iquirer in "Conversa com Artista" moderated by Fátima Lambert, with Pedro Cappeletti about his exhibition "Windscapes
Quase Galeria / Espaço T (Porto, Portugal)
2016/05/25 Arte Y aportaciones sociales Jornadas Internacionales Arte+Social+ Textil
Facultad de Bellas Artes de la Universidad de Barcelona (Barcelona, Spain)
2016/01/16 Fortuna e Magnetismo: os locatários estéticos repousam nas salas Fortuna e Magnetismo: os locatários estéticos repousam nas salas exibhition
Casa Museu Marta Ortigão Costa/Câmara Municipal do Porto (Porto, Portugal)
2014/12/14 Pure Print. Elements: elements camp Talk in brasilian-portuguese Seminar "Pure Print. Elements: elements camp
Faculdade de Belas Artes da Universidade do Porto (Porto, Portugal)
2014/11/27 Prometheus Fecit: Terra, água, mão e fogo Round-table discussion in Auditório do Museu Nacional Soares dos Reis with release of catalog Prometheus Fecit: Terra, água, mão e fogo
Museu Nacional Soares dos Reis (Porto, Portugal)
2013 TROMPE L’OEIL, LE COEUR ET LA RAISON artist in "Talk with the Artist", in the context of her own exhibition TROMPE L’OEIL, LE COEUR ET LA RAISON, inquired by Laura Castro and moderated by curator Fátima Lambert
Quase Galeria / Espaço T. (Porto, Portugal)
2012/02/23 Arte no Espaço Público e a construção de Évora como cidade Educadora Invitation for speaker and Curator in public debate "Arte no Espaço Público e a construção de Évora como cidade Educadora¿, organized by CIDEHUS/UÉ and Departamento de Filosofia da Universidade de Évora. Évora
CIDEHUS/Universidade de Évora (Évora, Portugal)
2002/09/05 Monumento e Anti-Monumento – A Simbologia da Escultura Pública VII Congresso Luso-Afro-Brasileiro de Ciências Sociais
Universidade Cândido Mendes (Rio de Janeiro)

Event participation

Activity description
Type of event 		Event name
Institution / Organization
2024/01/13 - 2034/01/13 Conversa de Artista com Graça Pereira Coutinho e Beatriz Horta Correia, António Diogo Rosa, no âmbito da exposição Bright as Silver Whit as Snow II. Tomar: Centro Cultural da Levada.
Exhibition
 Sitios do Barro III / Exposição Bright as Silver Whit as Snow II.
Grupo Convergências / Câmara Municipal de Tomar, Portugal
2023/10/27 - 2023/10/27 Conversa de Artista com António Coelho e José Francisco Dias, no contexto da exposição “quando os pássaros caem - o futuro é hoje”. Mirandela: Ecoteca.
Exhibition
 quando os pássaros caem - o futuro é hoje
Câmara Municipal de Mirandela, Portugal

Jury of academic degree

Topic
Role 		Candidate name (Type of degree)
Institution / Organization
2019 Arte, política e migração: algumas manifestações artísticas do século XXI. Tese de Mestrado no domínio da Escultura desenvolvido em torno do conceito de muro.
(Thesis) Arguer
 David Miguel Cavaco Dançante (Master)
Universidade de Évora / Escola das Artes, Portugal
2014/12/05 Arguente como especialista da Tese de Mestrado em Desenho e Técnicas de Impressão, intitulada Intersecções entre desenho, têxtil e corpo numa prática artística, de Isabel Quaresma; FBAUP.
(Thesis) Arguer
 Isabel Quaresma (Master)
Faculdade de Belas Artes da Universidade do Porto, Portugal

Ad Hoc journal article review

Journal title (ISSN) Publisher
2023/02/18 - Current Portuguese Studies Review (ISSN 1057-1515) Baywolf Press
2021/06/01 - Current Nodo #31 (ISSN 1909-3888) Facultad de Artes de la Universidad Antonio Nariño de Colombia

Association member

Society Organization name Role
2011/03 - Current Chães-Associação de Pesquisa e Desenvolvimento em Cultura e Artes
2007/05/01 - Current CDAN-Centro de Arte y Naturaleza Fundación Buelas, Huesca Spain
2000/04 - Current Movimento para a Arte Contemporânea em Évora
1991/09 - Current International Association of Paper Manufacturers and Artists - IAPMA
2001/01 - 2006/09 European Public Art Observatory
1991/02 - 2006/04 Sociedade Nacional de Belas Artes - S.N.B.A
2000/09 - 2004/07 Rede e Centro Internacional de Artistas de Gravura
1991/01 - 2000/09 Cooperativa dos Gravadores Portugueses
1991/05 - 1998/09 Cooperativa de Actividades Artísticas

Committee member

Activity description
Role 		Institution / Organization
2019/05/02 - Current Artistic and scientific consultant at the Center for the Study of Culture, Arts and Heritage-CECHAP (Centro de Estudos de Cultura, Artes e Património).
Other
 CECHAP- Centro de Estudos de Cultura, Artes e Património, Portugal
2019/01/15 - Current Invited as a consultant for the Development Group in GD6R3 of the National Adult Literacy Plan with the Theme Literacy, networks and partners – With everyone's commitment. (Project SRSS/S2018/039). Port: Hotel Tuela - Sala Clérigos.
Advisor / Consultant
 APEFA - Associação Portuguesa de Educação e Formação, Apendências de Adultos, Portugal
2023/05/22 - 2023/05/27 2023 – 22 a 27 de Maio, Project: Arts and Crafts Aujourd'hui¿Reference: 2021-1-FR01-KA220-HED-000032240. Activity: C3. Matérialité des engagements/ Donner Corps à la Recherche. Partcipação como representante da FBAUP e como membro da area da escultura e da cerâmica.
Advisor / Consultant
 Université du Québec à Montréal Faculté des Arts, Canada
2022/05/09 - 2023/05/14 Project: Arts and Crafts Aujourd'hui¿Reference: 2021-1-FR01-KA220-HED-000032240. Activity: C2. Grand Atelier de Tétouan, Marrocos. Representative member of FBAUP and as a member of this School in the field of sculpture and ceramics.
Advisor / Consultant
 Institute National des Beaux Arts, Morocco
2022/01/31 - 2022/02/04 2022 – 31 de Janeiro a 4 de Fevereiro, Project: Arts and Crafts Aujourd'hui¿Reference: 2021-1-FR01-KA220-HED-000032240. Activity: C1. L'artisanat régional et son utilisation dans le design et l'art contemporain à Porto.
Advisor / Consultant
 Faculdade de Belas Artes da Universidade do Porto, Portugal

Conference scientific committee

Conference name Conference host
2021/03/08 - Current Seminário "Musas em Ação - Espessuras da [In]Visibilidade¿ Centro de Investigação e Inovação em Educação – InED (rec. FCT) da Escola Superior de Educação do Politécnico do Porto, numa parceria com a Casa Comum da Reitoria da Universidade do Porto e o Instituto de Literatura Comparada Margarida Losa da Faculdad
2003 - Current Public Art and Design: Interdiscsciplinary and Social Perspectives Public Art Observatory/MACBA Barcelona
2022/07/30 - 2023/06/30 ARCITE “(CRUZANDO) ARTES, CIÊNCIAS E TECNOLOGIAS: A comunicação e a ilustração científica na educação ESCOLA SUPERIOR DE EDUCAÇÃO DE LISBOA
2022/06/01 - 2023/01/06 Jcocep Jcocep FBAUP / i2ADS
2022/04 - 2022/06 jCOCEP Faculdade de Belas Artes da Universidade do Porto
2021/04/22 - 2021/10/31 Congresso Internacional PHIM 3, Mármores do Alentejo: Da História ao Património Universidade de Évora / CECHAP – Centro de Estudos de Cultura, História, Artes e Património
2020/03/22 - 2020/06/06 First International Seminar in Sculpture Research Faculdade de Belas Artes da Universidade de Lisboa / Museu de Cerâmica de Sacavém
2018/01/15 - 2018/04/24 Jornadas Internacionais de Arte Pública Palimpsestos Urbanos FBAUL ; ¿ ITAP/CIEBA, Transversal Fields of Research in Public Art
2017/09/01 - 2017/09/23 Void: Talhando a Paisagem e Itinerário de um não lugar Jornadas Europeias do Património 2017/ Chães - APECA/ CM Estremoz,
2002/05/02 - 2002/09/28 Inclusivoity: A Challeng for Public Urban Design and Public Art Faculdade de Belas Artes da Universidade de Lisboa/ Public Art Observatory-FBAUB
2001/10/04 - 2001/10/06 WATERFRONTS OF ART II INTERNACIONAL CONFERENCE: THE ARTS IN URBAN DEVELOPMENT Universitat de Barcelona . CER Polis

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2023/02/08 - Current Ceramics in Space, will be an optional UC that will allow the development of ceramics through projects proposed by students, choosing a given area or more specific areas of this work scope. At the end of this course, students should be able to: - Develop a project aimed at a specific intervention in the space and know how to choose the materials and processes suitable for its consummation; - Execute models and / or scale models on the project scale using the most appropriate means; Ceramis in Space (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2023/02/07 - Current Ceramics Practices: ¿ Know the ceramic process; ¿ Identify the characteristics of ceramic materials; ¿ Complement the work developed at the Ceramics UC and other curricular areas; ¿ Explore the expressive potentialities of ceramic techniques by stimulating critical reflection on current ceramics, thus enhancing individual creative pathways; ¿ Value the experimental methodologies associated with studio work. Ceramic Pratices (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2022/09/12 - Current Ceramics Practices: ¿ Know the ceramic process; ¿ Identify the characteristics of ceramic materials; ¿ Complement the work developed at the Ceramics UC and other curricular areas; ¿ Explore the expressive potentialities of ceramic techniques by stimulating critical reflection on current ceramics, thus enhancing individual creative pathways; ¿ Value the experimental methodologies associated with studio work. Ceramic Partices (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2023/03/28 - 2033/06/28 APROXIMAÇÕES CRIATIVAS AO SAL: AVENTURAS, EXPERIÊNCIAS E APRENDIZAGENS (Graduado) Universidad de Castilla-La-Mancha Facultad de Bellas Artes de Cuenca, Spain
2023/03/27 - 2033/03/27 Práticas Contemporâneas nos Significados da Escultura, da Paisagem E da Natureza: A Subliminar Imanência da Pintura Grado (Graduado) Universidad de Castilla-La-Mancha Facultad de Bellas Artes de Cuenca, Spain
2023/03/31 - 2023/03/31 Intervenções de Escultura na transformação dos espaços públicos em Portugal. O Caminho da Fonte, em Belver. (Graduado) Universidad de Castilla-La Mancha Facultad de Bellas Artes, Spain
2023/03/30 - 2023/03/30 Clara Menéres (1943-2018). Um percurso singular na escultura contemporânea portuguesa (Graduado) Universidad de Castilla-La-Mancha Facultad de Bellas Artes de Cuenca, Spain
2023/03/29 - 2023/03/29 Diálogos Contemporâneos com o Mármore: Do Território à Arte (Graduado) Universidad de Castilla-La-Mancha Facultad de Bellas Artes de Cuenca, Spain
2022/02/10 - 2022/06/30 Ceramics in Space, will be an optional UC that will allow the development of ceramics through projects proposed by students, choosing a given area or more specific areas of this work scope. At the end of this course, students should be able to: - Develop a project aimed at a specific intervention in the space and know how to choose the materials and processes suitable for its consummation; - Execute models and / or scale models on the project scale using the most appropriate means; (Licenciatura) Biblioteca da Faculdade de Belas Artes da Universidade do Porto, Portugal
2021/10/13 - 2022/01/31 Painting Seminars is a course that promotes the discipline as an artistic expression in its most varied manifestations. As an art practice, painting is much more than just a physical activity, it is a long-term critical commitment to ideas and sensibilities. This course will be committed to help students deepen their vision, it will support the wide diversity of formal and conceptual approaches, styles and interests. The course will also encourage critical dialogue, visits to exhibitions, artists studios and through the contribution of guest artists Master Fine Arts (Mestrado) Faculdade de Belas Artes da Universidade do Porto, Portugal
2021/09/23 - 2022/01/28 Ceramics Practices: • Know the ceramic process; • Identify the characteristics of ceramic materials; • Complement the work developed at the Ceramics UC and other curricular areas; • Explore the expressive potentialities of ceramic techniques by stimulating critical reflection on current ceramics, thus enhancing individual creative pathways; • Value the experimental methodologies associated with studio work. (Licenciatura) Faculdade de Belas Artes da Universidade do Porto, Portugal
2021/02/08 - 2021/07/16 Experience of the ceramic with raw material context allows to know the ceramic process and to identify the features of ceramic materials. Contact with ceramic equipment and laboratory practice promote the exploration of the expressive potential of ceramic techniques from the domain of the use of ovens and the performance of tests, exercises and records of pastes, fluxes and auxiliaries products. Studio work associated with means to know the ceramic processes, enhance the experimental methodologies and stimulate critical reflection on current cerami Ceramics (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2021/02/08 - 2021/07/16 The Course will be an optional UC that will allow the development of ceramics through projects proposed by students, choosing a given area or more specific areas of this work scope. At the end of this course, students should be able to: Develop a project aimed at a specific intervention in the space and know how to choose the materials and processes suitable for its consummation; Execute models and/or scale models on the project scale using the most appropriate means; Develop a descriptive report of the project and/or a poster (Licenciatura)
2020/09/15 - 2021/01/31 Ceramics: - Pottery in context: concepts and genres; - Raw materials: geological characterization; - Various processes of cooking sculptures, reliefs and other ceramic objects; - Laboratory practice - tests / exercises and records: pastes, different construction and modeling processes, painting and dyes, fluxes and auxiliary products; Ceramics Faculdade de Belas Artes da Universidade do Porto, Portugal
2020/09/14 - 2021/01/29 PPAA is a theoretical unit that highlights the debates involving contemporary art with a view to empowering individual artistic practices. It aims to generate new reflective possibilities about recent visual culture and specific artistic practice, with the aim of encouraging students to analyze in detail global critical concepts, such as modernism/postmodernism, among others. Sessions will be interspersed between expository and debate classes, visits to exhibitions, discussion of the theoretical works of the enrolled students Pensamento e Prática da Arte Atual (Mestrado)
2020/09/14 - 2021/01/28 Experience of the ceramic with raw material context allows to know the ceramic process and to identify the features of ceramic materials. Contact with ceramic equipment and laboratory practice promote the exploration of the expressive potential of ceramic techniques from the domain of the use of ovens and the performance of tests, exercises and records of pastes, fluxes and auxiliaries products. Studio work associated with means to know the ceramic processes, enhance the experimental methodologies and stimulate critical reflection on current cerami Ceramics (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2020/02/07 - 2020/07/24 Experience of the ceramic with raw material context allows to know the ceramic process and to identify the features of ceramic materials. Contact with ceramic equipment and laboratory practice promote the exploration of the expressive potential of ceramic techniques from the domain of the use of ovens and the performance of tests, exercises and records of pastes, fluxes and auxiliaries products. Studio work associated with means to know the ceramic processes, enhance the experimental methodologies and stimulate critical reflection on current cerami Ceramics (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2019/09/01 - 2020/01/30 Curriculum unit "Ceramics" - The experience and study of ceramics in a raw-material context allows to learn the different ceramic processes and to identify the charecteristics of its diverse materials. The contact with ceramic equipment in the workshop practice promote the discovery of expressive potentiality in ceramic techniques, such as mastering the ovens, producing tests, exercises and registers of clay, and of meltings or other aiding products. Ceramics (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2017/02/10 - 2018/07/16 Promote and consolidate in multidisciplinary environment the involvements of the students in projects of production and independent creation; Ensure that the mentioned projects are properly articulated with methodologies that promote the study of phenomena related to contemporary art practices; Promoting an eclectic approach susceptible to methodological framework in the area of artistic practice; Encourage the exercise of artistic practices preferably in terms of practical experience, in the sense that only one learns to draw by drawing (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2017/09/01 - 2018/01/31 Promote and consolidate in multidisciplinary environment the involvements of the students in projects of production and independent creation; Ensure that the mentioned projects are properly articulated with methodologies that promote the study of phenomena related to contemporary art practices; Promoting an eclectic approach susceptible to methodological framework in the area of artistic practice; Encourage the exercise of artistic practices preferably in terms of practical experience, in the sense that only one learns to draw by drawing (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2017/09/01 - 2018/01/28 Subject context Consolidate and focus on the knowledge acquired by the student in the previous years, in the sphere of sculpture, working specifically the volumes¿/volumetries¿ construction from space, as consequence of a project¿s practice. Promote the confrontation with space as art¿s essence, finding out the conceptual differences in the applying and developing of the project¿s processes as well as in the implied technical processes. Being acquainted with methodologies and sculpture processes as a project (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2017/02/08 - 2017/07/15 Promote and consolidate in multidisciplinary environment the involvements of the students in projects of production and independent creation; Ensure that the mentioned projects are properly articulated with methodologies that promote the study of phenomena related to contemporary art practices; Promoting an eclectic approach susceptible to methodological framework in the area of artistic practice; Encourage the exercise of artistic practices preferably in terms of practical experience, in the sense that only one learns to draw by drawing Sculptural Practices (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2016/09/01 - 2017/01/31 Subject context Consolidate and focus on the knowledge acquired by the student in the previous years, in the sphere of sculpture, working specifically the volumes¿/volumetries¿ construction from space, as consequence of a project¿s practice. Promote the confrontation with space as art¿s essence, finding out the conceptual differences in the applying and developing of the project¿s processes as well as in the implied technical processes. Being acquainted with methodologies and sculpture’s execution processes as a project’s Universidade do Porto Faculdade de Belas Artes, Portugal
2016/09/01 - 2017/01/31 The UC aims to contribute to the critical perspective and the consolidation of each student's individual projects; Valuing experimental methodologies associated with studio work; Complement the work developed in the Project UC and in other curricular areas; Confront and discuss different notions of authorship in the field of fine arts; Develop instruments of analysis, individuals and groups; Stimulate critical reflection on contemporary artistic practices. Establish bridges and contamination between the school and the outside reality (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2016/02/10 - 2016/07/16 Promoting and consolidating knowledge regarding the last century’s art, considering the artistic practices: installation, performance, site-specific and public art, emphasizing the master pieces and authors which greatly influenced the practice and thinking of the contemporary culture. Promoting also critical assessment skills directed to the most emblematic movements occurred during the first half of the twentieth century and following decades, in the United States of America. Movements and main protagonists, master pieces and Movements (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2016/02/01 - 2016/07/10 Promote and consolidate in multidisciplinary environment the involvements of the students in projects of production and independent creation; Ensure that the mentioned projects are properly articulated with methodologies that promote the study of phenomena related to contemporary art practices; Promoting an eclectic approach susceptible to methodological framework in the area of artistic practice; Encourage the exercise of artistic practices preferably in terms of practical experience, in the sense that only one learns to draw by drawing (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2015/09/01 - 2016/01/31 Subject context Consolidate and focus on the knowledge acquired by the student in the previous years, in the sphere of sculpture, working specifically the volumes¿/volumetries¿ construction from space, as consequence of a project¿s practice. Promote the confrontation with space as art¿s essence, finding out the conceptual differences in the applying and developing of the project¿s processes as well as in the implied technical processes. Being acquainted with methodologies and sculpture processes as a project Art and Space (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2015/09/01 - 2016/01/31 The UC aims to contribute to the critical perspective and the consolidation of each student's individual projects; Valuing experimental methodologies associated with studio work; Complement the work developed in the Project UC and in other curricular areas; Confront and discuss different notions of authorship in the field of fine arts; Develop instruments of analysis, individuals and groups; Stimulate critical reflection on contemporary artistic practices. Establish bridges and contamination between the school and the outside reality (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2015/02/16 - 2015/07/31 Promote and consolidate in multidisciplinary environment the involvements of the students in projects of production and independent creation; Ensure that the mentioned projects are properly articulated with methodologies that promote the study of phenomena related to contemporary art practices; Promoting an eclectic approach susceptible to methodological framework in the area of artistic practice; Encourage the exercise of artistic practices preferably in terms of practical experience, in the sense that only one learns to draw by drawing Sculptural Pratices (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2014/09/15 - 2015/02/13 To promote on a pluridisciplinar perspective the involvement of students in articulated production projects, following methodologies that favour the objective study of the phenomenon related to contemporary practices of multiples production, through knowledge able to be acquired by practical experience and theoretical formation (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2014/09/01 - 2015/01/31 Subject context Consolidate and focus on the knowledge acquired by the student in the previous years, in the sphere of sculpture, working specifically the volumes¿/volumetries¿ construction from space, as consequence of a project¿s practice. Promote the confrontation with space as art¿s essence, finding out the conceptual differences in the applying and developing of the project¿s processes as well as in the implied technical processes. Being acquainted with methodologies and sculpture processes as a project Art and Space (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2014/02/10 - 2014/07/11 To promote on a pluridisciplinar perspective the involvement of students in articulated production projects, following methodologies that favour the objective study of the phenomenon related to contemporary practices of multiples production, through knowledge able to be acquired by practical experience and theoretical formation. (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2013/09/09 - 2014/02/07 The Curricular Unit objectives are: to deepen knowledge about ductile materials and modelling processes associated; improve traditional moulding processes associated to the artistic field and applied in the reproduction of the modelled models; consolidate the application of general principles of composition in the organization of three-dimensional shapes and their relationship with the space; to foster research, reflection and critical analysis on the topics covered in the Curricular Unit; promote the autonomy of the students on creation. (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2013/09/01 - 2014/01/31 Subject context Consolidate and focus on the knowledge acquired by the student in the previous years, in the sphere of sculpture, working specifically the volumes¿/volumetries¿ construction from space, as consequence of a project¿s practice. Promote the confrontation with space as art¿s essence, finding out the conceptual differences in the applying and developing of the project¿s processes as well as in the implied technical processes. Being acquainted with methodologies and sculpture processes as a project Art and Space Universidade do Porto Faculdade de Belas Artes, Portugal
2013/02/15 - 2013/07/31 Sculpture's theory and history aims at the epistemologically and ontologically study of sculpture¿s sphere, from the last years of the 19th centurty to nowadays, promoting the student¿s aquisition of the works¿ of art analisis¿ grammar, and so privileging the approach to the means, to the operative processes, to the intervenings and the inherent languages. As final result, the subject encourages the developing of investigation methods, of organization and management of acquired knowledge (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2012/09/15 - 2013/02/10 The UC intends to approach sculpture epistemologically and ontologically from the 1960s to the presentIt. Is a fundamental objective of the SFC, to exercise a permanent confrontation with what is given to the student to know theoretically by the authors of the works themselves and by critical texts, and with what they see in strict relation sensitive with their cultural background. Promotes the research methods, organization and management of acquired knowledge. (Mestrado) Universidade do Porto Faculdade de Belas Artes, Portugal
2012/09/01 - 2013/01/31 Subject context Consolidate and focus on the knowledge acquired by the student in the previous years, in the sphere of sculpture, working specifically the volumes¿/volumetries¿ construction from space, as consequence of a project¿s practice. Promote the confrontation with space as art¿s essence, finding out the conceptual differences in the applying and developing of the project¿s processes as well as in the implied technical processes. Being acquainted with methodologies and sculpture processes as a project Art and Space Universidade do Porto Faculdade de Belas Artes, Portugal
2012/09/01 - 2013/01/31 To promote on a pluridisciplinar perspective the involvement of students in articulated production projects, following methodologies that favour the objective study of the phenomenon related to contemporary practices of multiples production, through knowledge able to be acquired by practical experience and theoretical formation. Modelling and Multiples (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2011/09/01 - 2012/02/10 Modelling and molding II aims at the consolidation, deepening and maturation of the knowledge and experience obtained in Modelling and molding I, namely: Improvement of visual acuity and of analitic/sintetic capacities; analíticas/sintéticas; Sensory understanding of the shapes in three dimensional space; General composition principles aplication in the organization of three dimensional shapes; Approached methods and techniques aplication, bearing in mind the evolutional; Reflection and critical analysis sense on the approached matters; (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2011/09/01 - 2012/02/06 Sculpture’s theory and history aims at the epistemologically and ontologically study of sculpture’s sphere, from the last years of the 19th centurty to nowadays, promoting the student’s aquisition of the works’ of art analisis’ grammar, and so privileging the approach to the means, to the operative processes, to the intervenings and the inherent languages. As final result, the subject encourages the developing of investigation methods, of organization and management of acquired knowledge (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2011/10/01 - 2012/01/31 Subject context Consolidate and focus on the knowledge acquired by the student in the previous years, in the sphere of sculpture, working specifically the volumes¿/volumetries¿ construction from space, as consequence of a project¿s practice. Promote the confrontation with space as art¿s essence, finding out the conceptual differences in the applying and developing of the project¿s processes as well as in the implied technical processes. Being acquainted with methodologies and sculpture processes as a project Art and Space Universidade do Porto Faculdade de Belas Artes, Portugal
2011/02/10 - 2011/07/31 Promote confrontation with the materials through sculptural practices of a Subtractive, Additive and Constructive nature, discovering the conceptual differences in the application of the various technical processes involved. Understand the relationship of a specific technical process of transformation of matter with the plastic and expressive language obtained with the final work. To know the technological changes and their consequent processes in the historical context, understanding their implications in the different results of the sculptural ob Universidade do Porto Faculdade de Belas Artes, Portugal
2010/10/01 - 2011/01/31 The subject of “Structures and Materials” seeks to provide the students with research and understanding territories in the sculptoric field, that develop their practical and theoretical knowledge’s, initiated in the 1st year of the Licenciatura em Artes Plásticas Structure and Material concepts, which control is essential to a consequence practice of tridimensionality will be apprehended in a broad way, taking into consideration that sculpture area offers the possibilities for the artistic procedures, allowing opening horizons of sculptoric vocation (Licenciatura) Universidade do Porto Faculdade de Belas Artes, Portugal
2010/10/01 - 2011/01/31 To promote on a pluridisciplinar perspective the involvement of students in articulated production projects, following methodologies that favour the objective study of the phenomenon related to contemporary practices of multiples production, through knowledge able to be acquired by practical experience and theoretical formation. Universidade do Porto Faculdade de Belas Artes, Portugal

Interview (newspaper / magazine)

Activity description Newspaper / Forum
2007/10/15 2007 - "Formas com Alma", conducted interview with Ana Sofia Rosado to the newspaper "O Primeiro de Janeiro", supplement "Artes das Letras", October 15, 2007, Porto (held at Galeria Artes / Solar de Sto. António, in October). O Primeiro de Janeiro
2006/10/15 "A arte pública é sempre política", newspaper interview for "O primeiro de Janeiro", supplement "Artes das Letras", 5th June 2006, Porto, cuducted by Ana Sofia Rosado in Palácio de Cristal gardens. Primeiro de Janeiro

Interview (tv / radio show)

Program Topic
2021/12/16 - Current Interview with Paula Pinto within the scope of the exhibition Da casa para um Mundo. Lisboa: SNBA.
2021/05/27 - Current Artists Statements program promoted by National Museum of Contemporary Art and its Director Emília Ferreira Artist Statement - Susana Piteira
2020/09/13 - Current Invited as a participating artist in a round table that closes the House for a World Exhibition, XXI Vila Nova de Cerveira Via streaming As participant artist of Exposição da Casa para um mundo, XXI Vila Nova de Cerveira
2020/09/13 - Current Invited to participate in the round table/interview at the closing of the exhibition Da casa para um mundo, XXI Vila Nova de Cerveira. Interview
2020/08/15 - Current Interviewed within the scope of the Casa para um mundo exhibition, via Zoom As participante artist Exposição da Casa para um mundo, XXI Vila Nova de Cerveira
2020/08/15 - Current Interviewed within the scope of the Da casa para um mundo exhibition. Da casa para um mundo exibithion
2020/05/07 - Current Commentary on his work at CIEC. Guarda: Centro Internacional de Escultura Contemporânea. About his work at CIEC. Guarda: Centro Internacional de Escultura Contemporânea.
2017/08/31 - Current Luxuriae exhibition finissage. 2nd International Art Symposium of Guarda. Launch of the exhibition catalog Luxuriae exhibition finissage
2017/06/12 - Current Artist's conversation during the Luxuriae exhibition at the Paço da Cultura Gallery, within the scope of the 2nd edition of Guarda's International Contemporary Art Symposium. Luxuriae exhibition
2014/04/11 - Current 11th April- Invitation to take part in radio show about Museu Soares dos Reis, resulting from the partnership of DGPC (Direcção-Geral do Património Cultural) with TSF, under which the program "Encontros com o Património" takes place. In this program several themes concerning cultural heritage are discussed, and feature, among others, the Museum Director Dr.ª Maria João Vasconcelos, Dr. Álvaro Sequeira Pinto, from Grupo de Amigos do Museu Soares dos Reis, and Dr. José Manuel Porfírio. “Encontros com o Património”
2014 - Current Documentary “Fábrica S. Bernardo: Alcobaça”, Realização Tiago Vitória, Produção DAE/ESMAI/Politécnico do Porto. Arte - Cerâmica contemporânea /Resudências Artisticas na Fábrica São Bernardo em Alcobaça
2012 - Current Participation in the documentary that portrays the program Tempos Cruzados / Oficinas Criativas (Programa Tempos Cruzados / Oficinas Criativas) Program Tempos Cruzados / Oficinas Criativas / Guimarães Capital Europeia da Cultura (Guimarães European Capital of Culture)
2005/08/01 - Current The Parallel Lines Project embodied a fictional journey between the past, the present and the future and occupies, sensitizes and uses the Évora - Vila Viçosa railway line for the 100th anniversary of its inauguration. The collection of archives and memories of the past everyday merges with images of the present and wishes for a better future. Landscape, railroad lines and decay in Alentejo, Portugal
1990/10/05 - Current About Contemporary Art Interview “About contemporary stone sculpture
2023/04/21 - 2023/04/21 Exposição: "quando os pássaros caem - o futuro é hoje" - Ecoteca de Mirandela LVTV Local TV
2017/03/03 - 2017/03/03 Documental series "Estou nas Tintas": The man in front of the work, in the group of sculpturs. Show produced by RTP2 that focuses on the life and work of about 80 significant national artists, in the course of 13 weeks. Written by António de Almeida Lopes, directed by Joaquim Feijão / Provetouch. Artes Plásticas

Journal scientific committee

Journal title (ISSN) Publisher
2015 - Current Member of the Editorial Board of REVISTA VISUALS (2447-1313) Magazine of the Graduate Program in Visual Arts at UNICAMP

Mentoring / Tutoring

Topic Student name
2023/07/28 - 2033/09/30 Residências Tecnológicas GroundLAB - III Bienal de Ardósia de Valongo Maria Palma (FBAUP)
2023/07/28 - 2033/09/30 Residências Tecnológicas GroundLAB - III Bienal de Ardósia de Valongo Vera Gomes

Other jury / evaluation

Activity description Institution / Organization
2011/10/27 - Current Invicted as rapporteur at the conference "O Artista a Memória e o Lugar" by Francisco Laranjo Tempos Cruzados Singulares / Guimarães Capital europeia da Cultura, Portugal
Distinctions

Award

2024 The Sovereign Portuguese Art Prize
Sovereign Art Funadtion, Hong Kong SAR China
2014 Menção Honrosa
Sociedade nacional de Belas Artes, Portugal
1990 Prémio Internacional de escultura
Parque Natural das Serras e Aire e Candeeiros / Câmara Municipal de Torres Novas, Portugal