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Gilberto Bernardes holds a Ph.D. in Digital Media (2014) by the Universidade do Porto under the auspices of the University of Texas at Austin and a Master of Music 'cum Lauda' (2008) by Amsterdamse Hogeschool voor de Kunsten. Bernardes is currently an Assistant Professor at the Universidade do Porto and a Senior Researcher at the INESC TEC where he leads the Sound and Music Computing Lab. He counts with more than 90 publications, of which 17 are articles in peer-reviewed journals with a high impact factor (mostly Q1 and Q2 in Scimago) and fourteen chapters in books. Bernardes interacted with 157 international collaborators in co-authoring scientific papers. Bernardes has been continuously contributing to the training of junior scientists, as he is currently supervising six Ph.D. thesis and concluded 50+ Master dissertations. He received nine awards, including the Fraunhofer Portugal Prize for the best Ph.D. thesis and several best paper awards at conferences (e.g., DCE and CMMR). He has participated in 12 R&D projects as a senior and junior researcher. In the past eight years, following his PhD defense, Bernardes was able to attract competitive funding to conduct a post-doctoral project funded by FCT (SFRH/BPD/109457/2015) and an exploratory grant for a market-based R&D prototype. Currently, he is leading the Portuguese team (Work Package leader) at INESC TEC on the Horizon Europe project EU-DIGIFOLK. His latest contribution focuses on cognitive-inspired tonal music representations, AI generative models explainability, sound synthesis and the intersection of music and well-being. In his artistic activities, Bernardes has performed in some distinguished music venues such as Bimhuis, Concertgebouw, Casa da Música, Berklee College of Music, New York University, and Seoul Computer Music Festival.
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Identification

Personal identification

Full name
Gilberto Bernardes de Almeida

Citation names

  • Gilberto Bernardes

Author identifiers

Ciência ID
D415-D4F7-09C9
ORCID iD
0000-0003-3884-2687
Google Scholar ID
Z14_BDEAAAAJ

Email addresses

  • gba@fe.up.pt (Professional)
  • gba@inesctec.pt (Professional)
  • bernardes7@gmail.com (Personal)

Telephones

Fax
  • (351) 222094050 (Professional)
Telephone
  • (351) 222094299 (Professional)

Websites

Knowledge fields

  • Humanities - Arts
  • Engineering and Technology

Languages

Language Speaking Reading Writing Listening Peer-review
Portuguese Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
English Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
French Intermediate (B1) Intermediate (B1) Intermediate (B1) Intermediate (B1)
Spanish; Castilian Intermediate (B1) Intermediate (B1) Intermediate (B1) Intermediate (B1)
Education
Degree Classification
2009 - 2014/07/02
Concluded
 Programa Doutoral em Media Digitais (Doutoramento)
Major in Criação Audiovisual e de Conteúdos Interactivos
Universidade do Porto, Portugal
"Composing Music by Selection: Content-Based Algorithmic-Assisted Audio Composition" (THESIS/DISSERTATION)
 Aprovado.
2006 - 2008/06/19
Concluded
 Master of Music (Master)
Major in Music Performance
Amsterdamse Hogeschool voor de Kunsten, Netherlands
"Mapping Musical Gestures: The Intersection Between Improvisation and Interactive Music Systems" (THESIS/DISSERTATION)
 9 (0-10) cum lauda
2003 - 2007/07/21
Concluded
 Licenciatura em Música (Licenciatura)
Major in Variante sopros — saxofone
Instituto Politécnico do Porto, Portugal
 17
2002 - 2003
Concluded
 Diplôme Supérieur de Musique (Outros)
Major in Music Performance
Conservatoire Niedermeyer d'Issy-les-Moulineaux, France
Affiliation

Science

Category
Host institution 		Employer
2014/07 - 2018/01 Postdoc (Research) Instituto de Engenharia de Sistemas e Computadores - Tecnologia e Ciência, Portugal
Instituto de Engenharia de Sistemas e Computadores - Tecnologia e Ciência, Portugal
2009/01 - 2014/06 Researcher (Research) Universidade do Porto, Portugal
Universidade do Porto Faculdade de Engenharia, Portugal

Teaching in Higher Education

Category
Host institution 		Employer
2019/09 - Current Assistant Professor (University Teacher) Universidade do Porto, Portugal
Universidade do Porto Faculdade de Engenharia, Portugal
2018/02 - 2019/08 Invited Assistant Professor (University Teacher) Universidade de Aveiro, Portugal
Universidade de Aveiro Departamento de Comunicação e Arte, Portugal
2019/02/01 - 2019/07 Invited Assistant Professor (University Teacher) Universidade do Porto, Portugal
Universidade do Porto Faculdade de Engenharia, Portugal
2014/09 - 2019/01 Adjunct Teacher (Polytechnic Teacher) Instituto Politécnico de Castelo Branco, Portugal
Instituto Politécnico de Castelo Branco Escola Superior de Artes Aplicadas, Portugal
2008/09 - 2014/08 Invited Assistant (Polytechnic Teacher) Instituto Politécnico do Porto, Portugal
Instituto Politécnico do Porto Escola Superior de Música e Artes do Espetáculo, Portugal
2014/02 - 2014/07 Assistant (University Teacher) Universidade do Minho, Portugal
Projects

Grant

Designation Funders
2023/01 - 2026/12 An European and Ibero-American approach for the digital collection, analysis and dissemination of folk music
101086338
 European Commission
2022/01 - 2024/12 OpenMinds: Synchronising creative minds for social cohesion and radical inclusion
2021-1-SE02-KA220-YOU-000029050
 Erasmus Plus
2016/01/01 - 2017/12/31 Computational Models for Automatic Music Mashup Creation
SFRH/BPD/109457/2015
Principal investigator
Instituto de Engenharia de Sistemas e Computadores Tecnologia e Ciência, Portugal

Instituto de Engenharia de Sistemas e Computadores - Tecnologia e Ciência, Portugal
Fundação para a Ciência e a Tecnologia

Fundação para a Ciência e Tecnologia
Concluded
2009 - 2014 Composing Music by Selection: Content-Based Algorithmic-Assisted Audio Composition
SFRH/BD/46205/2008
PhD Student Fellow
Universidade do Porto, Portugal
 Fundação para a Ciência e Tecnologia
Concluded

Contract

Designation Funders
2018 - 2021 Experimentation in music in Portuguese culture: History, contexts and practices in the 20th and 21st centuries
POCI-01-0145-FEDER-031380
PTDC/ART-PER/31380/2017
Researcher
Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal

Instituto de Engenharia de Sistemas e Computadores - Tecnologia e Ciência, Portugal

Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal

Universidade de Aveiro, Portugal

Universidade Nova de Lisboa, Portugal

Instituto de Engenharia de Sistemas e Computadores Tecnologia e Ciência, Portugal

Instituto de Engenharia de Sistemas e Computadores Tecnologia e Ciência, Portugal
Fundação para a Ciência e Tecnologia

Fundação para a Ciência e a Tecnologia
Ongoing
2017 - 2021 CompMash — Music Compatibility Models for Interactive Mashup Applications
IF/01566/2015
Researcher
Instituto de Engenharia de Sistemas e Computadores - Tecnologia e Ciência, Portugal
 Fundação para a Ciência e Tecnologia
Ongoing
2020/01/01 - 2020/12/31 CHIC - Cooperative Holistic view on Internet and Content-CHIC - Cooperative Holistic view on Internet and Content
POCI-01-0247-FEDER-024498.
Researcher
Universidade do Porto Faculdade de Engenharia, Portugal
Ongoing
2020/10/01 - 2020/11/01 Personalising Consumer Experience
n/a
Principal investigator
Universidade do Porto Faculdade de Engenharia, Portugal
 Instituto dos Vinhos do Douro e Porto
Concluded
2015 - 2018 TEC4Growth – RL3: FourEyes - Intelligence, Interaction, Immersion and Innovation for Media Industries
NORTE-01-0145-FEDER-000020
Researcher
Instituto de Engenharia de Sistemas e Computadores - Tecnologia e Ciência, Portugal

Universidade do Porto Faculdade de Ciências, Portugal

Universidade do Porto Faculdade de Economia, Portugal
Comissao de Coordenacao e Desenvolvimento Regional do Norte
2013 - 2015 Media Arts and Technology — MAT
NORTE-07-0124-FEDER-000061
Researcher
Instituto de Engenharia de Sistemas e Computadores - Tecnologia e Ciência, Portugal
 Fundação para a Ciência e Tecnologia
Concluded
2009/10/01 - 2013/09/30 COMPOSING MUSIC BY SELECTION CONTENT-BASED ALGORITHMIC -ASSISTED AUDIO COMPOSITION
SFRH/BD/46205/2008
Universidade do Porto Faculdade de Ciências, Portugal
 Fundação para a Ciência e a Tecnologia
Concluded
2011/03/14 - 2013/09/13 ShakeIt - Mechanisms of Musical Groove and applications
PTDC/EAT-MMU/112255/2009
Instituto de Engenharia de Sistemas e Computadores, Portugal
 Fundação para a Ciência e a Tecnologia
Concluded
2009/04/01 - 2011/12/31 Kinetic controller driven adaptive and dynamic music composition systems
UTAustin/CD/0052/2008
Researcher
Instituto de Engenharia de Sistemas e Computadores, Portugal

Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal

Instituto de Engenharia de Sistemas e Computadores - Tecnologia e Ciência, Portugal
Fundação para a Ciência e a Tecnologia

Fundação para a Ciência e Tecnologia
Concluded

Other

Designation Funders
2014 - 2015 a.bel: Bridging the Gap Between Performers and the Audience Using Networked Smartphones
No ref
Researcher
Instituto de Engenharia de Sistemas e Computadores - Tecnologia e Ciência, Portugal
 Instituto de Engenharia de Sistemas e Computadores - Tecnologia e Ciência
Concluded
Outputs

Publications

Book
  1. Navarro-Cáceres, M.; Caetano, M.; Bernardes, G.. Objective evaluation of tonal fitness for chord progressions using the tonal interval space. 2020.
    10.1007/978-3-030-43859-3_11
Book chapter
  1. Zijing Cao; Eduardo Magalhães; Gilberto Bernardes. "Sound Design Impacts User Experience and Attention in Serious Game". 2023.
    10.1007/978-3-031-44751-8_7
  2. Jorge Forero; Gilberto Bernardes; Mónica Mendes. "Desiring Machines and Affective Virtual Environments". 2023.
    10.1007/978-3-031-28993-4_28
  3. Christian Torresan; Gilberto Bernardes; Elsa Caetano; Teresa Restivo. "The Singing Bridge: Sonification of a Stress-Ribbon Footbridge". 2023.
    10.1007/978-3-031-28993-4_25
  4. Gilberto Bernardes; Carvalho, Nádia. "Computação Sonora e Musical". In Introdução à Programação Criativa em Python. Porto, Portugal: U.Porto Edições, 2022.
    In press
  5. Diogo Miguel Cocharro; Gilberto Bernardes; Gonçalo Bernardo; Cláudio Lemos. "Revisiting Rhythmic Representations and Similarity.". In Perspectives on music and musicology. Springer, 2021.
    In press
  6. Cocharro, D; Bernardes, G; Bernardo, G; Lemos, C. "A Review of Musical Rhythm Representation and (Dis)similarity in Symbolic and Audio Domains". 2021.
    10.1007/978-3-030-78451-5_10
  7. Paulo Teixeira; Gilberto Bernardes; Matthew E. P. Davies. "Fostering the database in Audio Production Environments by Affect Soundscape Retrieval". In Hidden archives, hidden practices: debates about music-making. Aveiro, Portugal: UA Editora, 2020.
    Published
  8. Corintha, Isabela; Outeiro, Luís; Dias, Rui; Bernardes, Gilberto. "AM-I-BLUES: An Interactive Digital Music Instrument for Guiding Novice Pianist in the Improvisation of Jazz Melodies". In Springer Series in Design and Innovation, 689-698. Springer International Publishing, 2020.
    Published • 10.1007/978-3-030-55700-3_48
  9. Bernardes, Gilberto; Cocharro, Diogo. "Dynamic Music Generation, Audio Analysis-Synthesis Methods". In Encyclopedia of Computer Graphics and Games, 1-4. Springer International Publishing, 2019.
    Published • 10.1007/978-3-319-08234-9_211-1
  10. Gilberto Bernardes. "Um novo virtuosismo no saxofone". In Musica Intrumentalis: Experimentação e Técnicas não convencionais nos séculos XX e XXI, edited by Ângelo Martingo. Portugal: Húmus, 2019.
    Published
  11. Cerqueira, Joana; Clemente, Miguel Pais; Bernardes, Gilberto; Van Twillert, Henk; Portela, Ana; Mendes, Joaquim Gabriel; Vasconcelos, Mário. "Thermographic Evaluation of the Saxophonists’ Embouchure". In VipIMAGE 2017 - Lecture Notes in Computational Vision and Biomechanics, 1069-1078. Cham, Portugal: Springer International Publishing, 2018.
    Published • 10.1007/978-3-319-68195-5_119
  12. Aly, Luis; Penha, Rui; Bernardes, Gilberto. "DIGIT: A Digital Foley System to Generate Footstep Sounds". In Lecture Notes in Computer Science, 429-441. Springer International Publishing, 2018.
    Published • 10.1007/978-3-030-01692-0_28
  13. Aly, Luís; Penha, Rui; Bernardes, Gilberto. "Biosensing in Interactive Art: A User-Centered Taxonomy". In Encyclopedia of Computer Graphics and Games, 1-7. Springer International Publishing, 2018.
    Published • 10.1007/978-3-319-08234-9_210-1
  14. Gilberto Bernardes; Matthew E. P. Davies. "Beyond music information retrieval: A Proposed Model for Automatic Generation of Dialogic Music". In Abordagens da Narrativa nos Media, 123-134. Braga, Portugal: Centro de Estudos de Comunicação e Sociedade, Universidade do Minho, 2014.
    Published
  15. Gilberto Bernardes; Guedes, C.; Pennycook, B.. "EarGram: An application for interactive exploration of concatenative sound synthesis in pure data". In Lecture Notes in Computer Science, 110-129. Berlin-Heidelberg, Germany, 2013.
    Published • 10.1007/978-3-642-41248-6_7
Conference abstract
  1. Pereira, Samuel; Gilberto Bernardes. "The Atonal Harmonic Syntax in Fourier's Space". Paper presented in X ENIM (Encontro Nacional de Investigação em Música) - Promoted by Sociedade Portuguesa de Investigação em Música [SPIM], Coimbra, 2021.
    Published
  2. Catarina Cruz; Eduardo Magalhães; Gilberto Bernardes. "AcouRe: Streamlining the generation of immersive soundscapes from monophonic sources". Paper presented in SIIDS 2020 – Sound, Image and Interaction Design Symposium, Funchal, 2020.
    Published
Conference paper
  1. Carvalho, Nádia; Gilberto Bernardes. "Fourier (Common-tone) Phase Spaces are in Tune with Variational Autoencoders’ Latent Space". Paper presented in Mathematics and Computation in Music, Coimbra, 2024.
    In press
  2. Gilberto Bernardes; Carvalho, Nádia. "Modal Pitch Space: A Computational Model of Melodic Pitch Attraction in Folk Music". Paper presented in Mathematics and Computation in Music, Porto, 2024.
    In press
  3. Nádia Carvalho; Daniel Diogo; Gilberto Bernardes. "Computational Similarity of Portuguese Folk Melodies Using Hierarchical Reduction". 2023.
    10.1145/3625135.3625152
  4. Jorge Forero; Mónica Mendes; Gilberto Bernardes. "En train d'oublier: toward affective virtual environments". 2023.
    10.1145/3623462.3623469
  5. Jorge Forero; Gilberto Bernardes; Mónica Mendes. "Are words enough? On the semantic conditioning of affective music generation". 2023.
    10.5281/ZENODO.8328584
  6. Nádia Carvalho; Gilberto Bernardes. "Exploring Latent Spaces of Tonal Music using Variational Autoencoders". 2023.
    10.5281/ZENODO.8345314
  7. Lopes, A; Barboza, JR; Bernardes, G. "Instrument position in Immersive Audio: An empirical review of award-winning practices". 2023.
    10.1109/i3da57090.2023.10289431
  8. Forero, J; Bernardes, G; Mendes, M. "Emotional Machines". 2022.
    10.1145/3503161.3549973
  9. Aly, L; Bota, P; Godinho, L; Bernardes, G; Silva, H. "Acting emotions: physiological correlates of emotional valence and arousal dynamics in theatre". 2022.
    10.1145/3505284.3532985
  10. Gilberto Bernardes. "Tumaracatu: An Ubiquitous Digital Musical Experience of Maracatu". 2021.
    10.5281/ZENODO.5564751
  11. Aisha Animashaun; Gilberto Bernardes. "Noise promotes disengagement in dementia patients during non-invasive neurorehabilitation treatment". 2021.
    10.24840/978-972-752-279-8_0009-0014
  12. Sousa, D; Coelho, A; Bernardes, G; Correia, N; Diana Quitéria Teixeira de Sousa; António Coelho; Gilberto Bernardes; Nuno Correia. "NINJA TURTLES RACE: A REACTION TIME TEST TO STUDY AND ASSESS THE FOCUS OF ATTENTION, MOTOR, AND COGNITIVE SKILLS IN CHILDREN'S LEARNING PROCESSES". Paper presented in International Technology, Education and Development Conference, Valencia, 2021.
    Published • 10.21125/inted.2021.0983
  13. Carvalho, N; Gonzalez-Gutierrez, S; Merchan Sanchez-Jara, J; Bernardes, G; Navarro-Cáceres, M. "Encoding, Analysing and Modeling I-Folk: A New Database of Iberian Folk Music". 2021.
    10.1145/3469013.3469023
  14. Bernardo, G; Bernardes, G. "Leveraging Compatibility and Diversity in Computational Music Mashup Creation". 2021.
    10.1145/3478384.3478424
  15. Lemos, C; Cocharro, D; Bernardes, G. "Understanding Cross-Genre Rhythmic Audio Compatibility: A Computational Approach". 2021.
    10.1145/3478384.3478418
  16. Carvalho, N; Bernardes, G; Nádia Carvalho; Gilberto Bernardes. "SyVMO: Synchronous Variable Markov Oracle for Modeling and Predicting Multi-part Musical Structures". Paper presented in 10th International Conference on Artificial Intelligence in Music, Sound, Art and Design, Seville, 2021.
    Published • 10.1007/978-3-030-72914-1_3
  17. Barboza, JR; Magalhaes, E; Bernardes, G. "Towards Best Practices in Spatial Audio Post Production: A Case Study of Brazilian Popular Music". 2021.
    10.1109/i3da48870.2021.9610908
  18. Samuel Pereira; Gilberto Bernardes. "The Fourier phase sphere: a method for computer-assisted atonal composition". Paper presented in V International Congress of Music and Mathematics (MusMat 2020), 2020.
    Published
  19. Pedro Ramoneda; Gilberto Bernardes; Ramoneda, P; Bernardes, G. "Revisiting Harmonic Change Detection". Paper presented in Audio Engineering Society Convention 149, New York, 2020.
    Published
  20. Gilberto Bernardes. "Interfacing Sounds: Hierarchical Audio-Content Morphologies for Creative Re-purposing in earGram". Paper presented in International Conference on New Interfaces for Musical Expression, Birmingham, 2020.
    Published
  21. Margarida Pessoa; Cláudio Parauta; Pedro Luís; Isabela Almeida; Gilberto Bernardes. "Examining Temporal Trends and Design Goals of Digital Music Instruments for Education in NIME: A Proposed Taxonomy". Paper presented in International Conference on New Interfaces for Musical Expression, Birmingham, 2020.
    Published
  22. Nádia Carvalho; Gilberto Bernardes. "Towards balanced tunes: A review of symbolic music representations and their hierarchical modeling". Paper presented in Eleventh International Conference on Computational Creativity (ICCC), Coimbra, 2020.
    Published
  23. Luís Arandas; Miguel Carvalhais; Mick Grierson; Gilberto Bernardes; Rui Penha. "Facing a Middle-Ground of Symbolic Importance in Artificial Co-Creative Systems". Paper presented in Workshop Future of Co-Creative Systems at the International Conference on Computational Creativity, Coimbra, 2020.
  24. Maria Navarro-Cáceres; Marcelo Freitas Caetano; Gilberto Bernardes. "Evaluation of Tonal Fitness for Chord Progressions Using the Tonal Interval Space". Paper presented in 9th International Conference on Artificial Intelligence in Music, Sound, Art and Design, Seville, 2020.
    Published
  25. Eduardo Magalhaes; João Tiago Jacob; Niels Christian Nilsson; Rolf Nordahl; Gilberto Bernardes; Magalhaes, E.; Jacob, J.; et al. "Physics-based Concatenative Sound Synthesis of Photogrammetric models for Aural and Haptic Feedback in Virtual Environments". Paper presented in IEEE Virtual Reality 2020 Workshop on Sonic Interactions in Virtual Environments (SIVE), Atlanta, 2020.
    Published • 10.1109/vrw50115.2020.0-195
  26. António Ramires; Gilberto Bernardes; Matthew E. P. Davies; Xavier Serra; Ramires, A; Bernardes, G; Davies, MEP; Serra, X. "TIV.LIB: An Open-Source Library for the Tonal Description of Musical Audio". Paper presented in 23rd International Conference on Digital Audio Effects (DAFx-2020), Vienna, 2020.
    Published
  27. Luís Aly; Rui Penha; Gilberto Bernardes. "Performative Sound Design: a bio-signal control metaphor for theatre sound design". Paper presented in Doctoral Congress in Engineering (DCE), 2019.
    Published
  28. Gilberto Bernardes; Luís Aly; Matthew E. P. Davies; Gilberto Bernardes; Luis Aly. "Seed: Resynthesizing environmental sounds from examples". Paper presented in Sound and Music Computing Conference, Hamburg, 2019.
    Published
  29. Magalhães, E.; Høeg, E.R.; Bernardes, G.; Bruun-Pedersen, J.R.; Serafin, S.; Nordahl, R.; Gilberto Bernardes; et al. "Combining texture-derived vibrotactile feedback, concatenative synthesis and photogrammetry for virtual reality rendering". Paper presented in Sound and Music Computing, 2019.
    Published
  30. Brásio, M.; Lopes, F.; Bernardes, G.; Penha, R.; Manuel Brásio; Filipe Lopes; Gilberto Bernardes; Rui Penha. "Qualia: A software for guided meta-improvisation performance". Paper presented in Sound and Music Computing Conference, Helsinki, 2019.
    Published
  31. Arandas, Luis; Gomes, José Alberto; Bernardes, Gilberto; Penha, Rui; Luís Arandas; José Alberto Gomes; Gilberto Bernardes; Rui Penha. "Never the less: a performance on networked art". Paper presented in xCoAx - Conference on Computation, Communication, Aesthetics & X, 2019.
    Published
  32. Catarina Maças; Ana Rodrigues; Gilberto Bernardes; Penousal Machado. "MixMash: A Visualisation System for Musical Mashup Creation". Paper presented in 2018 22nd International Conference Information Visualisation (IV), 2018.
    Published • 10.1109/iv.2018.00088
  33. João P. Caetano Pereira; Gilberto Bernardes; Rui Penha. "MusikVerb: A Harmonically Adaptive Audio Reverberation". Paper presented in International Conference on Digital Audio Effects (DAFx), Aveiro, 2018.
    Published
  34. Bernardes, Gilberto; Lopes, Filipe; Cardoso, Clara. "Spaces sing, are you listening?". Paper presented in RESONATE: Thinking Sound & Space, Lisbon, 2018.
    Published
  35. Gilberto Bernardes; Matthew E. P. Davies; Carlos Alberto Barbosa da Cunha Mendonça Guedes. "Automatic musical key estimation with adaptive mode bias". Paper presented in IEEE International Conference on Acoustics, Speech, & Signal Processing (ICASSP), New Orleans, 2017.
    Published • 10.1109/icassp.2017.7952169
  36. Gilberto Bernardes; Matthew E. P. Davies; Guedes, Carlos. "A Perceptually-Motivated Harmonic Compatibility Method for Music Mixing". Paper presented in International Symposium on Computer Music Multidisciplinary Research (CMMR), Matosinhos, 2017.
    Published
  37. Caetano, Gustavo; Gilberto Bernardes; Twillert, Henk; Clemente, Miguel; Gabriel, Joaquim. "A Sensor-Augmented Saxophone Mouthpiece for Unveiling the Mechanics of Saxophone Tone Formation". Paper presented in International Symposium on Computer Music Multidisciplinary Research (CMMR), Matosinhos, 2017.
    Published
  38. Aly, Luis; Rui Penha; Gilberto Bernardes. "DIGIT: An Assistive System for the Generation of Footstep Sounds in Audio Post Production". Paper presented in International Symposium on Computer Music Multidisciplinary Research (CMMR), Matosinhos, 2017.
    Published
  39. Pereira, João; Gilberto Bernardes; Rui Penha. "Musically-Informed Adaptive Audio Reverberation". Paper presented in 2nd Symposium on Electrical and Computers Engineering, Porto, 2017.
    Published
  40. Bernardes, G; Davies, MEP; Guedes, C. "A Hierarchical Harmonic Mixing Method". 2017.
    10.1007/978-3-030-01692-0_11
  41. Bernardes, Gilberto; Nuno Cabrita; Gilberto Bernardes. "Relational Interactive Art: A Framework for Interaction in a Social Context". Paper presented in Expressive 2016, Lisboa, 2016.
    Published • 10.2312/exp.20161264
  42. Rui Penha; Gilberto Bernardes; Gilberto Bernardes. "Beatings: A Web Application to Foster the Renaissance of the Art of Musical Temperaments". Paper presented in Sound and Music Computing Conference, Hamburg, 2016.
    Published
  43. Gilberto Bernardes; Matthew E. P. Davies. "Audio Key Finding in the Tonal Interval Space". Paper presented in International Society for Music Information Retrieval Conference, New York, 2016.
    Published
  44. Gilberto Bernardes Almeida; Diogo Miguel Cocharro; Carlos Guedes; Matthew Davies; Gilberto Bernardes; Diogo Cocharro; Guedes, C.; et al. "Conchord: An Application for Generating Musical Harmony by Navigating in the Tonal Interval Space". Paper presented in 11th International Symposium on Computer Music Modeling and Retrieval (CMMR), Plymouth, UK, Plymouth, 2016.
    Published • http://dx.doi.org/10.1007/978-3-319-46282-0_15
  45. Gilberto Bernardes. "The Emergence of Complex Behavior as an Organizational Paradigm for Concatenative Sound Synthesis". Paper presented in xCoAx: Conference on Computation, Communication, Aesthetics & X, Glasgow, 2015.
    Published
  46. Gilberto Bernardes; Matthew E. P. Davies; Guedes, Carlos. "A Pure Data Spectro-Morphological Toolkit for Sound-Based Composition". Paper presented in Electroacoustic Winds, Aveiro, 2015.
    Published
  47. Navarro,M; Marcelo Freitas Caetano; Gilberto Bernardes Almeida; de Castro,LN; Manuel Corchado,JM. "Automatic Generation of Chord Progressions with an Artificial Immune System". 2015.
    http://dx.doi.org/10.1007/978-3-319-16498-4_16
  48. Gilberto Bernardes Almeida; Matthew Davies; Carlos Alberto Barbosa da Cunha Mendonça Guedes; Bruce Pennycook. "Considering roughness to describe and generate vertical musical structure in content-based algorithmic-assisted audio composition". Paper presented in International Computer Music Conference, Athens, 2014.
    Published
  49. Gilberto Bernardes. "The Creative Process Behind Dialogismos I: Theoretical and Technical Considerations". Paper presented in ARTECH 2012 - 6th International Conference on Digital Arts, Faro, 2012.
    Published
  50. Gilberto Bernardes; Guedes, C.; Pennycook, B.. "EarGram: an Application for Interactive Exploration of Large Databases of Audio Snippets for Creative Purposes". Paper presented in 9th International Symposium on Computer Music Modeling and Retrieval (CMMR), London, 2012.
    Published
  51. Gilberto Bernardes; Carlos Guedes; Bruce Pennycook. "Style Emulation of Drum Patterns by Means of Evolutionary Methods and Statistical Analysis". Paper presented in 7th Sound and Music Computing Conference, Barcelona, 2010.
    Published
Journal article
  1. Luís Aly; Leonor Godinho; Patricia Bota; Gilberto Bernardes; Hugo Plácido da Silva. "Acting Emotions: a comprehensive dataset of elicited emotions". Scientific Data (2024): https://doi.org/10.1038/s41597-024-02957-2.
    10.1038/s41597-024-02957-2
  2. Miguel Pais Clemente; Joaquim Mendes; Gilberto Bernardes; Henk Van Twillert; Afonso Pinhão Ferreira; José Manuel Amarante. "Oral rehabilitation of a saxophone player with orofacial pain: a case report". Journal of International Medical Research (2023): https://doi.org/10.1177/03000605231161285.
    10.1177/03000605231161285
  3. Gonçalo Bernardo; Gilberto Bernardes. "Leveraging compatibility and diversity in computer-aided music mashup creation". Personal and Ubiquitous Computing (2022): https://doi.org/10.1007/s00779-022-01702-z.
    10.1007/s00779-022-01702-z
  4. Alexandre Clément; Gilberto Bernardes. "Assessing the Influence of Multimodal Feedback in Mobile-Based Musical Task Performance". Multimodal Technologies and Interaction (2022): https://doi.org/10.3390/mti6080068.
    10.3390/mti6080068
  5. Gilberto Bernardes; Nádia Carvalho; Samuel Pereira. "FluidHarmony: Defining an equal-tempered and hierarchical harmonic lexicon in the Fourier space". Journal of New Music Research (2022): https://doi.org/10.1080/09298215.2023.2202641.
    10.1080/09298215.2023.2202641
  6. Aly, L; Silva, H; Bernardes, G; Penha, R. "Appropriating Biosensors as Embodied Control Structures in Interactive Music Systems". Human Technology (2021):
    10.17011/ht/urn.202106223978
  7. Clement, A; Moreira, L; Rosa, M; Bernardes, G. "Musical Control Gestures in Mobile Handheld Devices: Design Guidelines Informed by Daily User Experience". MULTIMODAL TECHNOLOGIES AND INTERACTION (2021):
    10.3390/mti5070032
  8. Salselas, Inês; Penha, Rui; Bernardes, Gilberto. "Sound design inducing attention in the context of audiovisual immersive environments". Personal and Ubiquitous Computing (2020): http://dx.doi.org/10.1007/s00779-020-01386-3.
    10.1007/s00779-020-01386-3
  9. Cáceres, MN; Caetano, MF; Bernardes, G; Barba, MS; Sánchez Jara, JM; Navarro-Cáceres, M; Caetano, M; Sánchez-Barba, M; Merchán Sánchez-Jara, J. "A Computational Model of Tonal Tension Profile of Chord Progressions in the Tonal Interval Space". Entropy (2020):
    10.3390/e22111291
  10. Clemente, MP; Moreira, A; Carvalho, N; Bernardes, G; Ferreira, AP; Amarante, JM; Mendes, J. "Orofacial Trauma on the Anterior Zone of a Trumpet's Player Maxilla: Concept of the Oral Rehabilitation-A Case Report". INTERNATIONAL JOURNAL OF ENVIRONMENTAL RESEARCH AND PUBLIC HEALTH (2020):
    10.3390/ijerph17249423
  11. Clemente, Miguel; Mendes, Joaquim; Moreira, André; Bernardes, Gilberto; Van Twillert, Henk; Ferreira, Afonso; Amarante, José Manuel. "A new classification of wind instruments: Orofacial considerations". Journal of Oral Biology and Craniofacial Research 9 3 (2019): 268-276. http://dx.doi.org/10.1016/j.jobcr.2019.06.010.
    Published • 10.1016/j.jobcr.2019.06.010
  12. Maçãs, Catarina; Rodrigues, Ana; Bernardes, Gilberto; Machado, Penousal. "MixMash: An Assistive Tool for Music Mashup Creation from Large Music Collections". International Journal of Art, Culture and Design Technologies 8 2 (2019): 20-40. http://dx.doi.org/10.4018/ijacdt.2019070102.
    10.4018/ijacdt.2019070102
  13. Navarro-Cáceres, María; Caetano, Marcelo; Bernardes, Gilberto; de Castro, Leandro Nunes. "ChordAIS: An assistive system for the generation of chord progressions with an artificial immune system". Swarm and Evolutionary Computation (2019): http://dx.doi.org/10.1016/j.swevo.2019.05.012.
    Published • 10.1016/j.swevo.2019.05.012
  14. Gilberto Bernardes. "David Huron, Voice Leading: The Science Behind a Musical Art". Portuguese Journal of Musicology 4 1 (2017): 219-226. http://rpm-ns.pt/index.php/rpm/article/view/320/509.
    Published
  15. Bernardes, Gilberto; Cocharro, Diogo; Guedes, Carlos; Davies, Matthew E. P.. "Harmony Generation Driven by a Perceptually Motivated Tonal Interval Space". Computers in Entertainment 14 2 (2016): 1-21. http://dx.doi.org/10.1145/2991145.
    Published • 10.1145/2991145
  16. Bernardes, Gilberto; Cocharro, Diogo; Caetano, Marcelo; Guedes, Carlos; Davies, Matthew E.P.; Gilberto Bernardes Almeida; Diogo Miguel Cocharro; et al. "A multi-level tonal interval space for modelling pitch relatedness and musical consonance". Journal of New Music Research 45 4 (2016): 281-294. http://dx.doi.org/10.1080/09298215.2016.1182192.
    10.1080/09298215.2016.1182192
  17. Beyls, Peter; Bernardes, Gilberto; Caetano, Marcelo. "earGram Actors: an interactive audiovisual system based on social behavior". (2015): https://revistas.ucp.pt/index.php/jsta/article/view/7234.
    10.7559/citarj.v7i1.142
Magazine article
  1. Gilberto Bernardes. "A Identidade Artística ou A Manufactura dos Sonhos", Da Capo, 2015, http://www.dacapo.pt/ad-libitum-A-Identidade-Artistica-ou-A-Manufactura-dos-Sonhos.
  2. Gilberto Bernardes. "Quatro Extrapolações sobre a Linguagem ou Os Lugares de Fronteira", Boletim INESC TEC, 2015, http://bip.inesctec.pt/158/a-vos-a-razao.html.
  3. Gilberto Bernardes. "Duas Perspectivas, Uma Necessidade e Uma Revista", Da Capo, 2013, http://www.dacapo.pt/ad-libitum-Duas-Perspectivas,-Uma-Necessidade-e-Uma-Revista.
  4. Gilberto Bernardes. "Notas sobre um Festival ou M(a)us(ul)eum", Da Capo, 1913, http://www.dacapo.pt/ad-libitum-Notas-sobre-um-Festival-ou-M%28a%29us%28ul%29eum.
Thesis / Dissertation
  1. Gilberto Bernardes de Almeida; Gilberto Bernardes. "Composing Music by Selection: Content-based Algorithmic-Assisted Audio Composition". PhD, 2014. https://repositorio-aberto.up.pt/handle/10216/84901.
  2. Gilberto Bernardes. "Mapping Musical Gestures: The Intersection Between Improvisation and Interactive Music Systems". Master, Amsterdamse Hogeschool voor de Kunsten Academie voor Theater en Dans, 2008.

Artistic / Performance

Audio recording
  1. Gilberto Bernardes. 2012. "Traveler [Banda SInfónica Portuguesa] CD".
  2. Gilberto Bernardes. 2009. "A Portuguesa [Banda Sinfónica Portuguesa] CD".
Musical composition
  1. A lentidão dos afectos ou Da morfologia do tempo musical. Arte no Tempo, 2021.
  2. Gilberto Bernardes. Porto Actors [Installation] (Centre for Contemporary Arts, Glasgow, Scotland). 2015.
  3. Gilberto Bernardes; Rui Dias. Urban Sonic Impression Rui Dias and Gilberto Bernardes [Installation] (Future Places Festival, Porto, Portugal). 2013.
  4. Gilberto Bernardes; Nuno Peixoto de Pinho. A Passos de Naufrágio de Nuno Peixoto de Pinho & Gilberto Bernardes [Timbales and electronics] (electronic musical assistant). 2013.
  5. Gilberto Bernardes; Nuno Peixoto de Pinho. Dialogismos I by Nuno Peixoto de Pinho and Gilberto Bernardes [Saxophoone and electronics] (musical assistent). 2012.
  6. Gilberto Bernardes; Nuno Peixoto de Pinho. Your Feet by Nuno Peixoto de Pinho and Gilberto Bernardes [Voice, percussion and electronics] (Belem Cultural Center, Lisbon, Portugal and 10+ tournée concerts). 2012.
  7. Gilberto Bernardes; Rui Dias. Schizophonics by Rui Dias and Gilberto Bernardes. (Manobras Festival, Porto, Portugal). 2012.
  8. Gilberto Bernardes; Virgílio Melo. Mán by Virgílio Melo and Gilberto Bernardes [Percussion and Live Electronics] (Belém Cultural Center, Lisbon, Portugal). 2012.
  9. Gilberto Bernardes; Ricardo Ribeiro. In Limine by Ricardo Ribeiro and Gilberto Bernardes [Ensemble and live electronics] (Centro Cultural de Cascais, Lisbon, Portgual). 2011.
Musical performance
  1. Recital [Saxophone and electronics] (Teatro Aveirense, Aveiro, Portugal). 2019.
  2. Variações sobre espaço #6 (ICLI, Casa da Música, Porto, Portugal). 2018.
    Instrumentalist
  3. O Senhor Pina [Musical theater] (Carlos Alberto Theater, Porto, Portugal). 2018.
    Instrumentalist
  4. Do Ensaio e da Repetição [Recital] (Casa da Música, Porto, Portugal). 2018.
    Instrumentalist
  5. 1985.2 [Recital] (Seoul Computer Music Festival, Asia Cultural Center, Gwangju, Korea). 2017.
    Instrumentalist
  6. Comprovisação #8 [Recital] (Computer Music Multidisciplinary Research Symposium, CARA, Matosinhos, Portugal). 2017.
    Instrumentalist
  7. Art’s Brithday: Concerto para improvisadores e laptops [Laptop ensemble performance] (Eurorádio and O’culto da Ajuda, Lisboa, Portugal). 2017.
    Instrumentalist
  8. 1985.2 [Recital] (NoiseGate Festival, New York University, New York, United States). 2016.
    Instrumentalist
  9. No Man is an Island [Recital] (Musica Viva Festival, O'culto da Ajuda, Lisboa, Portugal and General Assembly of the International Confederation of Electroacoustic Music). 2015.
    Instrumentalist
  10. a.bel Concert [Recital] (Casa da Música, Porto, Portugal and Berklee College of Music, Boston, EUA). 2015.
    Instrumentalist
  11. Filipe Quaresma. Duplo Retrato: Ricardo Ribeiro & Isabel Soveral [Recital] (Cine-teatro Avenida, Castelo Branco, Portugal). 2014.
    Instrumentalist
  12. Dark Ethers/Bright Lights [Recital] (M4M initiative, UPTEC, Porto, Portugal). 2012.
    Instrumentalist
  13. The contemporary saxophone [Recital] (Palmela International Saxophone Festival, Palmela, Portugal). 2012.
    Instrumentalist
  14. Concert IV (OFF-ISMIR) [Recital] (Maus Hábitos, Porto, Portugal). 2012.
    Instrumentalist
  15. Hamlet [Musical Theatre Concert at the Palmela International Saxophone Festival]. 2011.
    Instrumentalist
  16. Sofia Lourenço; Nuno Aroso. Concerto Oficina Musical 2010/2011. 2011.
  17. One-Way Ticket [Recital] (Performas, Aveiro, Portugal). 2010.
    Instrumentalist
  18. We Are Star Stuff [Recital] (Visual Arts Center, Austin, United States). 2010.
    Instrumentalist
  19. Frozen Escapades [Recital] (Gaudeamus Festival, Muziekgebouw, Amsterdam, The Netherlands). 2009.
    Instrumentalist
  20. Solo Concert with A Coruña Municipal Band (Palacio de la Ópera de A Coruña, Spain). 2008.
    Instrumentalist
  21. Local Stop [Recital for Voice and Electronics, with Ken Ueno] (STEIM, Amsterdam, The Netherlands). 2007.
    Instrumentalist
  22. Recital for Saxophone and Eletronics (Casa da Música, Porto, Portugal). 2007.
    Instrumentalist
  23. Recital at the Amsterdam International Saxophone Week [Premiere of Boulez Dialogue de L'ombre Double] (Amsterdam, The Netherlands). 2006.
    Instrumentalist
  24. Concerto, Jacques Ibert. Solo performance with Gulbenkian Orchestra (Culturgest, Lisbon, Portugal). 2004.
    Instrumentalist
  25. 60+ Concerts with the Oporto Saxophone Quartet [2004-2014]. 2004.
    Instrumentalist
  26. 60+ Concerts with the Banda Sinfónica Portuguese (First Chair, Saxophone) [2004- ]. 2004.
    Instrumentalist

Other

Other output
  1. Conchord. Software. 2015. Gilberto Bernardes. https://sites.google.com/site/tonalintervalspace/conchord.
  2. D'accord. Software. 2015. Gilberto Bernardes. https://sites.google.com/site/tonalintervalspace/d-accord.
  3. earGram. Software. 2013. Gilberto Bernardes. https://sites.google.com/site/eargram/.
  4. Quarks. Software. 2010. Gilberto Bernardes. https://sites.google.com/site/bernardes7/software.
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2016 The Sostenante Pedal: A Novel Pedal for MIDI Keyboards
(Portugal)
2015 Composing by Listening, Learning & Remixing Forum ESART
Escola Superior de Artes Aplicadas (IPCB) (Castelo Branco, Portugal)
2014 EarGram: An Application for Interactive Exploration of Large Databases of Audio Snippets INForum: Simpósio de Informática
UP / ISEP / UE (Porto , Portugal)
2009 Sumbiosis: the Gesamtkunstwerk in the 21th Century Music and Media (MaM)
International Musicological Society Study Group (Amsterdam, The Netherlands , Netherlands)

Supervision

Thesis Title
Role 		Degree Subject (Type)
Institution / Organization
2021/02 - Current The Musical Work as a Mutable Interface: Towards a Co-Creative Electroacoustic Practice
Supervisor
 Digital Media (PhD)
Universidade do Porto Faculdade de Engenharia, Portugal
2021/02 - Current AVE Affective Virtual Environments for live performance
Co-supervisor
 Digital Media (PhD)
Universidade do Porto Faculdade de Engenharia, Portugal
2021/02 - Current Cartografias Harmónicas e a Conceptualização do Movimento Musical: Uma Sintaxe para a Música Atonal no Espaço de Fourier
Supervisor
 Digital Media (PhD)
Universidade do Porto Faculdade de Engenharia, Portugal
2017/08 - Current Performative Sound Design - bio - control metaphors for sound design in performance art
Supervisor
 Digital Media (PhD)
Universidade do Porto Faculdade de Engenharia, Portugal
2017/07/14 - Current Interaction Methods for Digital Musical Instruments: Application in Personal Devices
Supervisor
 Programa Doutoral em Media Digitais (PhD)
Universidade do Porto, Portugal
2016 - Current Content-Based (Re)Creation of Loops for Musica Performance
Supervisor
 Programa Doutoral em Média Digitais (PhD)
Universidade do Porto, Portugal
2015/07/07 - Current Fostering immersion and expressiveness in multimodal virtual environment using sonic interaction design
Supervisor
 Programa Doutoral em Media Digitais (PhD)
Universidade do Porto, Portugal
2020/09/01 - 2021/08/09 Aumentando a experiência sonora do Maracatu a partir da tecnologia ubíqua
Supervisor
 Mestrado em Multimédia (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2020/09/01 - 2021/08/09 Generative Soundscapes for Enhanced Engagement in Non-Invasive Neurorehabilitation Treatment
Supervisor
 Mestrado em Multimédia (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2020/09/01 - 2021/08/09 Prototipagem de um instrumento musical misto: a expressividade da interface
Co-supervisor
 Mestrado em Multimédia (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2020/09/01 - 2021/08/05 CoDi: Leveraging Compatibility and Diversity in Computational Mashup Creation from Large Loop Collections
Supervisor of Gonçalo Nuno Botelho Amaral Rolão Bernardo
 Mestrado Integrado em Engenharia Informática e Computação (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2020/09/01 - 2021/08/05 A Systematic Assessment of Musical Audio Rhythmic Compatibility
Supervisor of Cláudio Fischer Lemos
 Mestrado Integrado em Engenharia Informática e Computação (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2020 - 2021/01/28 O aquecimento corporal em alunos de saxofone do ensino básico para prevenção de lesões musculosqueléticas
Supervisor
 Mestrado em Ensino de Música (Master)
Instituto Politécnico do Porto Escola Superior de Música e Artes do Espetáculo, Portugal
2020 - 2020/07/24 Multi-channel approaches for musical audio content analysis
Supervisor
 Mestrado Integrado em Engenharia Electrotécnica e de Computadores (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2020 - 2020/07/23 Creative Support Musical Composition System: a study on Multiple Viewpoints Representations in Variable Markov Oracle
Supervisor
 Mestrado Integrado em Engenharia Informática e Computação (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2020 - 2020/07/23 Geração de ambientes sonoros imersivos e não-lineares a partir de exemplos monofónicos
Supervisor
 Mestrado em Multimédia (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2020 - 2020/07/20 A Sintaxe Harmónica Atonal no Espaço de Fourier: Para Uma Representação Esférica das Fases
Supervisor
 Mestrado em Multimédia (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2020 - 2020/07/20 Soundin'Place - Promovendo a criação de narrativas sonoras em contexto pedagógico
Supervisor
 Mestrado em Multimédia (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2020 - 2020/07/20 WebD'accord: Aplicação Web Interactiva para Aprendizagem Musical de Princípios Tonais
Supervisor
 Mestrado em Multimédia (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2019 - 2019 The never born daughter of Einstein: a interdisciplinaridade na comunicação do discurso artístico
Supervisor
 Música - Interpretação Artística (Master)
Instituto Politecnico do Porto Escola Superior de Música e das Artes do Espectáculo, Portugal
2019 - 2019 O trato vocal na prática pedagógica do saxofone
Supervisor
 Ensino de Música (Master)
Instituto Politecnico do Porto Escola Superior de Música e das Artes do Espectáculo, Portugal
2019 - 2019 Soundscape Generation Using Web Audio Archives
Supervisor
 Multimédia (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2017 - 2019 Estratégias de Aprendizagem na Iniciação do Estudo do Saxofone
Co-supervisor
 Mestrado em Ensino de Música (Master)
Universidade Católica Portuguesa, Portugal
2018 - 2018/07/19 Live Interface for Generative Rhythm Sequencing
Co-supervisor
 Mestrado em Multimédia (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2018 - 2018/07/17 Aural exploration of post-tonal music theory: an automatic musical variations generator in MAX
Co-supervisor
 Mestrado em Multimédia (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2018 - 2018/02/05 Computer Sound Transformations Guided by Perceptually Motivated Features
Co-supervisor
 Mestrado Integrado em Engenharia Electrotécnica e de Computadores
Universidade do Porto Faculdade de Engenharia, Portugal
2018 - 2018 A transcrição como ferramenta pedagógica: um contributo para ensemble de saxofones
Supervisor
 Ensino de Música (Master)
Instituto Politecnico do Porto Escola Superior de Música e das Artes do Espectáculo, Portugal
2018 - 2018 Numerofonía de Aschero na iniciação ao saxofone: um estudo de caso
Supervisor
 Ensino de Música (Master)
Instituto Politecnico do Porto Escola Superior de Música e das Artes do Espectáculo, Portugal
2018 - 2018 Aprendizagem Musical Através de Composição Assistida por Computador
Supervisor
 Multimédia (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2018 - 2018 Between saxophone worlds: interpreting the / improvising on the Bach cello suites
Supervisor
 Música - Interpretação Artística (Master)
Instituto Politecnico do Porto Escola Superior de Música e das Artes do Espectáculo, Portugal
2017 - 2017/07/11 Musically-Informed Adaptive Audio Reverberation
Co-supervisor
 Mestrado Integrado em Engenharia Electrotécnica e de Computadores (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2017 - 2017 A improvisação em prol da autonomia na interpretação e expressão musical
Supervisor
 Ensino de Música (Master)
Instituto Politecnico do Porto Escola Superior de Música e das Artes do Espectáculo, Portugal
2017 - 2017 Repertório para saxofone tenor solo em Portugal em início do século XXI: da criação à performance
Supervisor
 Música - Interpretação Artística (Master)
Instituto Politecnico do Porto Escola Superior de Música e das Artes do Espectáculo, Portugal
2016 - 2016 Closer/Farther: A Study on Relational Dynamics in Interactive Installations
Supervisor
 Mestrado Tecnologia e Arte Digital (Master)
Universidade do Minho, Portugal
2016 - 2016 Harmonic Textures: Rhythmic-driven Multi-layered Patterns for Baritone Saxophone
Co-supervisor
 Mestrado em Intepretação Artística (Master)
Instituto Politécnico do Porto, Portugal
2016 - 2016 Metamorfoses Musicais em Concerto
Supervisor
 Mestrado em Intepretação Artística (Master)
Instituto Politécnico do Porto, Portugal
2016 - 2016 Qualia - Aplicação Digital de Orientação para Meta-Improvisação
Co-supervisor
 Mestrado em Multimédia (Master)
Universidade do Porto, Portugal
2016 - 2016 Otimização Automática para o Controlo Intuitivo de Parâmetros de Síntese Sonora
Co-supervisor
 Mestrado em Multimédia (Master)
Universidade do Porto, Portugal
2016 - 2016 DIGIT - DIGItal sTeps
Supervisor
 Multimédia (Master)
Universidade do Porto Faculdade de Engenharia, Portugal
2016 - 2016 Metamorfoses musicais em concerto
Supervisor
 Música - Interpretação Artística (Master)
Instituto Politecnico do Porto Escola Superior de Música e das Artes do Espectáculo, Portugal
2013 - 2013 A Linguistic Approach to Music
Co-supervisor
 Mestrado em Música (Master)
Instituto Politécnico do Porto Escola Superior de Música e Artes do Espetáculo, Portugal

Event organisation

Event name
Type of event (Role) 		Institution / Organization
2020 - Current Music Tech Fest is a three-day arts festival and creative space where participants share and "develop new formats of musical performance and expression." It is billed as the 'festival of music ideas'. (2020 - 2020)
Festival (Member of the Organising Committee)
 MTF Labs AB, Sweden
2021 - 2021 Workshop on Ubiquitous Music gathering research on sonic and musical applications of information technology. (2021 - 2021)
Conference (President of the Organising Committee)
 Universidade do Porto Faculdade de Engenharia, Portugal

MTF Labs AB, Sweden
2017 - 2017 13th International Symposium on Computer Music Multidisciplinary Research (CMMR) (2017 - 2017)
Conference (Member of the Organising Committee)
 Instituto de Engenharia de Sistemas e Computadores Tecnologia e Ciência, Portugal
2017 - 2017 European Saxophone Congress - EurSax’17 (2017 - 2017)
Congress
 Associação Portuguesa do Saxofone, Portugal

Jury of academic degree

Topic
Role 		Candidate name (Type of degree)
Institution / Organization
2020 Homenaje by Manuel de Falla: influence and intertextuality in the development of the modern guitar repertoire
(Thesis) Arguer
 Frederico Tavares Herrmann (PhD)
Universidade de Aveiro, Portugal
2020 Música, Razão e/ou Emoção
(Thesis) Arguer
 Horácio António Barbosa Tomé Marques (PhD)
Universidade do Porto, Portugal
2019 Registo, composição e vinculação de instalação sonora para um espaço específico através da revisitação
(Thesis) Main arguer
 Elder dos Santos Oliveira Junior (PhD)
Universidade de Aveiro, Portugal
2018 A Música de Câmara no Desenvolvimento do Aluno de Saxofone: Investigação-Ação na Academia de Música de Costa Cabral. Mestrado em Ensino de Música
(Thesis) Main arguer
 Marcelo Soares Marques (Master)
Universidade de Aveiro, Portugal
2017 A Importância da Improvisação e da Composição no Ensino de Música
(Thesis) Main arguer
 Luís Emanuel Soares Batista Silva (Master)
Universidade de Aveiro, Portugal
2017 Formas Musicais Minimalistas como Material Temático na Criação de Estudos Técnicos para Saxofone
(Thesis) Main arguer
 Pedro Rafael Guedes Aguiar (Master)
2016 A Importância da Prática de Harmónicos Naturais na Aprendizagem Musical do Saxofone
(Thesis) Main arguer
 Lúcio de Jesus Monteiro (Master)
Instituto Politécnico do Porto Escola Superior de Música e Artes do Espetáculo, Portugal
2016 A Importância do Desenvolvimento da Autonomia e Motivação no Estudo Individual no Saxofone
(Thesis) Main arguer
 Sara Sofia Peixoto Martins (Master)
2015 Composing with Soundscapes: Capturing and Analysing Urban Audio for A Raw Musical Interpretation
(Thesis) Arguer
 José Alberto Sousa Gomes (PhD)
Universidade Católica Portuguesa, Portugal
2014 Interpretação em Tempo Real sobre Material Sonoro Pré-gravado
(Thesis) Main arguer
 João Pedro Martins Mealha dos Santos (Master)
Universidade do Porto, Portugal
2014 TRIBO: Musical Venues Recommendation System Based on the Social Web
(Thesis) Main arguer
 Henrique Rodrigues Granja da Cruz Lima (Master)
Universidade do Porto, Portugal
2014 Modelling the Live-electronics in Electroacoustic Music Using Particle Systems
(Thesis) Arguer
 André Venturoti Perrotta (PhD)
Universidade Católica Portuguesa, Portugal

Association member

Society Organization name Role
2019 - Current Association for Computational Machinery Member
2017 - Current Associação Portuguesa do Saxofone Treasurer
2011/02 - Current Oficina Musical
2005/01 - Current Banda Sinfónica Portuguesa
2000/03 - Current Quarteto de Saxofones do Porto

Conference scientific committee

Conference name Conference host
2021 - Current International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART)
2021 - Current International Conference on Music Perception and Cognition (ICMPC)
2020 - Current International Audio Mostly Conference
2020 - Current International Computer Music Conference
2020 - Current International Conference on New Interfaces for Musical Expression
2018 - Current International Conference on Advanced Cognitive Technologies and Applications (COGNITIVE)
2018 - Current International Conference on Live Interfaces (ICLI)
2018 - Current International Conference on Digital Audio Effects (DAFx)
2017 - Current International Symposium on Computer Music Multidisciplinary Research (CMMR)
2016 - Current EIMAD – Meeting of Research in Music, Arts and Design
2015 - Current International Society for Music Information Retrieval Conference
2015 - Current INForum - Informatics Symposium

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2015 - 2015 Festival ESMAE Aperfeiçoamento (Curso médio) Escola Superior de Música e Artes do Espectáculo, Portugal
2015 - 2015 Copy&Paste: geração e manipulação automática de músicas no earGram Extensão e divulgação científica (Curso médio) Porto Lazer — Câmara Municipal do Porto, Portugal
2014 - 2014 Aplicativos Alternativos para Sound Design Extensão e divulgação científica (Curso médio) Instituto Politécnico do Porto, Portugal
2012 - 2012 Masterclass de Saxofone Aperfeiçoamento (Curso médio) Instituto de Música do Clube LIterário do Porto, Portugal
2012 - 2012 Curso de Aperfeiçoamento de Saxofone Aperfeiçoamento (Curso médio) Academia de Música Fernandes Fão, Portugal
2012 - 2012 Masterclass de saxofone Aperfeiçoamento (Curso médio) Academia de Música de Costa Cabral, Portugal

Evaluation committee

Activity description
Role 		Institution / Organization Funding entity
2015 - Current Participação no júri da defesa da proposta de tese de doutoramento (saxofone jazz) Universidade de Aveiro, Portugal

Journal scientific committee

Journal title (ISSN) Publisher
2018/01/15 - Current Encyclopedia of Computer Graphics and Games
2018 - Current Journal of Science and Technology of the Arts
2017 - Current Journal of New Music Research (0929-8215)
2017 - Current Journal of Mathematics and Music (1745-9745)
2016 - Current IEEE Transactions on Audio, Speech and Language Processing
2016 - 2019 ACM Computers in Entertainment
Distinctions

Award

2021 Diploma of Academic Recognition
Universidade do Porto Faculdade de Engenharia, Portugal
2017 Best demo award
International Symposium on Computer Music Multidisciplinary Research (CMMR), Portugal
2017 Best oral communication award
2nd Symposium on Electrical and Computers Engineering, Portugal
2014 Best PhD thesis — Fraunhofer Portugal Challenge
Fraunhofer AICOS - Portugal, Portugal
2012 1st Prize in the Zon Multimedia — multimedia applications and content creation
ZON Multimedia, Portugal
2002 Prize "Fundação Eng. António de Almeida" (awarded annually to the student with the highest mark at the Escola Superior de Música e Artes do Espectáculo do Porto)
Fundação Eng. António de Almeida", Portugal
2002 1st Prize in "Prémio Jovens Músicos" — saxophone
RTP/Antena 2, Portugal
1999 3rd prize in the "Prémio Jovens Músicos" — chamber music
RTP/Antena 2, Portugal
1999 1st Prize in the "Concours Général de Musique et d’Arte Dramatique" — saxophone
Leopold-Bellan Foundation (France), Portugal