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Scott deLahunta. Published 4 articles in journals. Has 14 section(s) of books. Works in the area(s) of Humanities with emphasis on Arts with emphasis on Performing Arts Studies (Musicology, Theater Science, Dramaturgy). In his curriculum Ciência Vitae the most frequent terms in the context of scientific, technological and artistic-cultural output are: choreography, documentation, digitisation, interdisciplinary, dance-science, dance-tech; .
Identification

Personal identification

Full name
Scott deLahunta

Citation names

  • deLahunta, Scott

Author identifiers

Ciência ID
D417-CE95-C9B5
ORCID iD
0000-0003-4673-8599

Email addresses

  • aa9576@coventry.ac.uk (Professional)

Telephones

Mobile phone
  • (+49) 1741764665 (Personal)

Addresses

  • Schererstrasse, 11, 13347, Berlin, -na-, Germany (Personal)

Websites

Knowledge fields

  • Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)

Languages

Language Speaking Reading Writing Listening Peer-review
English (Mother tongue)
Education
Degree Classification
2010
Concluded
 Scott deLahunta (Doktori fokozat (PhD))
University of Plymouth, United Kingdom
Affiliation

Positions / Appointments

Category
Host institution 		Employer
2017/09/01 - Current Professor of Dance Coventry University, United Kingdom
Centre for Dance Research, FAH, Coventry University, United Kingdom
Outputs

Publications

Book chapter
  1. Scott deLahunta; P. Barnard. "Seeing the 'Choreographic Mind': three analytic lenses developed to probe and notate creative processes in dance". edited by Bettina Bl{\, 88-114. United Kingdom: Routledge, 2018.
  2. J. B. Vincent; C. Vincent; K. Vincs; Scott deLahunta; J. McCormick. "Artworks-spawning-artworks: trans-disciplinary approaches to artistic spin-offs and evolution in the dance and digital context". edited by Sarah Whatley; Cisneros, {Rosemary K., 283-299. United Kingdom: Palgrave Macmillan, 2018.
  3. Scott deLahunta. "Dance Becoming Data". In Version Two, edited by Simon Ellis; Hetty Blades; Charlotte Waelde, 333-357. United Kingdom: Coventry: C-DaRE at Coventry University, 2018.
  4. Scott deLahunta; Jordan Beth Vincent; Elizabeth Old; Garry Stewart; James Leach; Catherine Stevens. "Exploring Creative Thought in Choreography Together". In Process Documentation with the Australian Dance Theatre, edited by Hetty Blades; Emma Meehan, 369-414. United Kingdom: Intellect, 2018.
  5. P. Barnard; Scott deLahunta. "Intersecting shapes in music and in dance". edited by D. Leech-Wilkinson; H. Prior, 328-350. United Kingdom: Oxford University Press, 2017.
  6. Scott deLahunta; Florian Jenett; Franz Anton Cramer. "The Digital and back again". In A Conversation on Motion Bank, edited by Barbara B{\, 211-224. United Kingdom: House Georg Olms, 2017.
  7. Scott deLahunta. "Motion Bank: a Broad Context for Choreographic Research". edited by M. Bleeker, 128-137. United Kingdom: Taylor and Francis, 2016.
  8. Scott deLahunta; F. Jenett. "Making digital choreographic objects interrelate: a focus on coding practices". edited by Martina Leeker; Imanuel Schipper; Timon Beyes. United Kingdom: Transcript-Verlag, 2016.
  9. Scott deLahunta. "Motion Bank: un ambiente per la ricerca unico e interdisciplinare". edited by Monda, {Letizia Gioia. Italy: Dino Audino Editore, 2016.
  10. P. Barnard; Scott deLahunta. "Notating Creative Endeavors: a single case study of evolving representations of choreographic thinking". edited by B. Blaesing; M. Puttke; T. Schack. United Kingdom: Taylor and Francis, 2016.
  11. M. Bleeker; Scott deLahunta. "Movements Across Media: Twelve Tools for Transmission". edited by M. Bleeker, 3-15. United Kingdom: Taylor and Francis, 2016.
  12. Scott deLahunta. "The Choreographic Language Agent". edited by M. Bleeker, 108-117. United Kingdom: Taylor and Francis, 2016.
  13. Scott deLahunta. "Annotations: Drawing (out) ideas in movement". edited by J. Badura; S. Dubach; A. Haarmann; D. Mersch; A. Rey; C. Schenker; {Germ{\'a, 110-118. United Kingdom: Diaphanes, 2015.
  14. Scott deLahunta. "The Utility of Words (the poet's Technique)". edited by N. Haffner; H. Quast, 245-254. United Kingdom: Universit{\, 2015.
Journal article
  1. Scott deLahunta; Jordan Beth Vincent. "Through the lens of choreographic process". Arts and the Market 10 1 (2020): 53-64. https://doi.org/10.1108/AAM-07-2019-0024.
    10.1108/AAM-07-2019-0024
  2. Catherine J. Stevens; Kim Vincs; Scott deLahunta; Elizabeth Old. "Long-term memory for contemporary dance is distributed and collaborative". Acta Psychologica 194 (2019): 17-27. https://doi.org/10.1016/j.actpsy.2019.01.002.
    10.1016/j.actpsy.2019.01.002
  3. Philip Barnard; Scott deLahunta. "Mapping the audit traces of interdisciplinary collaboration: bridging and blending between choreography and cognitive science". Interdisciplinary Science Reviews 42 4 (2017): 359-380. https://doi.org/10.1080/03080188.2017.1381226.
    10.1080/03080188.2017.1381226
  4. J. Leach; Scott deLahunta. "Dance ‘Becoming’ Knowledge". Leonardo In press (2015): https://pureportal.coventry.ac.uk/en/publications/dance-becoming-knowledge(252701fc-e178-4349-a8e4-3001f9fa4877).html.
    10.1162/LEON_a_01074

Other

Other output
  1. Dance Becoming Data Part Two. Conversation Between Anton Koch and Scott DeLahunta. 2017. Scott deLahunta; Anton Koch. https://pureportal.coventry.ac.uk/en/publications/dance-becoming-data-part-two(2e01d123-f231-4586-8a78-01c1d52b5e1a).html.
  2. Dance Becoming Data Part One. Software for Dancers. 2017. Scott deLahunta; Anton Koch. https://pureportal.coventry.ac.uk/en/publications/dance-becoming-data-part-one(f08aa044-ad82-4800-b4d0-8fb890034509).html.