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Ana Rita Palma Mira Delgado Martins holds a BA in Philosophy-History of the Ideas (1994), a MA in Theatre Studies (2002) and completed her PhD in Theatre Studies by the Faculdade de Letras da Universidade de Lisboa with the thesis A fábrica do Teatro do Bairro Alto (1761-1775), supervised by José Camões and with a fellowship of the Foundation for Science and Technology. She published her dissertation thesis Raul Brandão - do texto à cena (INCM, 2007) and was responsible for editing Teatro Completo de D. João da Câmara (INCM, 2006). She was a teacher of Theatre History and Theatre Aesthetics in academic and art centers (Fórum Dança, Instituto Piaget, ESTAL), member of the Editorial Board of the journal Sinais de Cena (series I and II) theatre critic of the national newspaper Público (2004-2010) and President of the Portuguese Association of Theatre Critics (2018-2021). She is currently researcher at CET-Centro de Estudos de Teatro (FLUL - UL) and APCT member.
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Identification

Personal identification

Full name
Ana Rita Palma Mira Delgado Martins

Citation names

  • Martins, Rita

Author identifiers

Ciência ID
F314-EB11-3B9A
Researcher Id
0000-0001-5157-9962

Addresses

  • Centro de Estudos de Teatro, Faculdade de Letras da UL, sala 67, Alameda da Universidade , 1600-214, Lisboa, Lisboa, Portugal (Professional)

Websites

Knowledge fields

  • Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)

Languages

Language Speaking Reading Writing Listening Peer-review
English Intermediate (B1) Intermediate (B1) Elementary (A2) Intermediate (B1)
French Intermediate (B1) Intermediate (B1) Elementary (A2) Intermediate (B1)
Education
Degree Classification
2012/01/01 - 2017
Concluded
 Artistic Studies - Theatre Studies (Doutoramento)
Universidade de Lisboa Faculdade de Letras, Portugal
"A fábrica do Teatro do Bairro Alto (1761-1775)" (THESIS/DISSERTATION)
 Approved with praise and distinction by unanimity
1998 - 2002
Concluded
 Artistic Studies - Theatre Studies (Mestrado)
Universidade de Lisboa Faculdade de Letras, Portugal
"Raul Brandão: do texto à cena" (THESIS/DISSERTATION)
 Very Good
1994 - 1996
Concluded
 Postgraduate Teacher Training in Philosophy-History of Ideas (Pós-Graduação)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
 15
1989 - 1994
Concluded
 Philosophy-History of Ideas (Licenciatura)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
"O Pecado em Frei António das Chagas" (THESIS/DISSERTATION)
 14 valores
Affiliation

Science

Category
Host institution 		Employer
2011/05/11 - Current Researcher (Research) Universidade de Lisboa Centro de Estudos de Teatro, Portugal

Teaching in Higher Education

Category
Host institution 		Employer
2000/10/01 - 2010/12/31 Invited Adjunct Teacher (Polytechnic Teacher) Escola Superior de Educação Jean Piaget de Almada, Portugal
Escola Superior de Educação Jean Piaget de Almada, Portugal
2006/10/01 - 2008/12/31 Invited Adjunct Teacher (Polytechnic Teacher) Escola Superior de Artes e Tecnologia de Lisboa, Portugal
Escola Superior de Artes e Tecnologia de Lisboa, Portugal

Others

Category
Host institution 		Employer
2003/01/01 - 2010/02/28 Theater History teacher at the Management and Production of Performing Arts Course Forum Dança, Portugal
Forum Dança, Portugal
2000/09/01 - 2001/07/31 High School Teacher Escola Profissional de Música e Artes de Almada, Portugal
Escola Profissional de Música e Artes de Almada, Portugal
1997/09/01 - 1998/08/01 High School Teacher Ministério da Educação, Portugal
Escola Secundária dos Anjos, Portugal
Projects

Grant

Designation Funders
2012/01/01 - 2016/04/30 A fábrica do Teatro do Bairro Alto (1761-1775)
SFRH / BD / 78800 / 2011
PhD Student Fellow
Universidade de Lisboa Centro de Estudos de Teatro, Portugal
 Fundação para a Ciência e a Tecnologia
Concluded

Contract

Designation Funders
2022/01/14 - 2025/01/13 Archiving Theatre
PTDC/ART-PER/1651/2021
10.54499/PTDC/ART-PER/1651/2021
Universidade Nova de Lisboa, Portugal

Universidade de Lisboa Centro de Estudos de Teatro, Portugal

ISCTE-Instituto Universitário de Lisboa, Portugal

Universidade de Lisboa Faculdade de Letras, Portugal

ISCTE-Instituto Universitário de Lisboa Centro de Investigação e Estudos de Sociologia, Portugal

Instituto de História Contemporânea, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2018/07/01 - 2018/11/01 TECOP – Textos e Contextos do Orientalismo Português
PTDC/CPC-CMP/0398/2014
Researcher
Universidade de Lisboa Centro de Estudos Comparatistas, Portugal
 Fundação para a Ciência e a Tecnologia
Ongoing
2017/06/01 - 2017/11/30 CETdrama
IF/01260/2012/CP0190/CT0004
Research Fellow
Universidade de Lisboa Centro de Estudos de Teatro, Portugal
 Fundação para a Ciência e a Tecnologia
Concluded
2009/02/01 - 2011/02/01 Theatre History in Portugal online (HTP online)
PTDC/HAH/72397/2006
Research Fellow
Universidade de Lisboa Centro de Estudos de Teatro, Portugal
 Fundação para a Ciência e a Tecnologia
Concluded
Outputs

Publications

Book
  1. Martins, Rita. Raul Brandão: do Texto à Cena.. Lisbon, Portugal: Imprensa Nacional - Casa da Moeda. 2007.
    Published
Book chapter
  1. Martins, Rita; Ferreira, Licínia; Henriques, Bruno. "Os teatros públicos de Lisboa na segunda metade do século XVIII". In Cadernos de Queluz 3. Theater Spaces for Music in 18th Century Europe, edited by Iskrena Yordanova; Giusepinna Raggi; Maria Ida Biggi, 111-144. Vienna, Austria: Hollitzer, 2020.
    Published
  2. Martins, Rita(F314-EB11-3B9A). "Quem tem medo das marionetas? Crítica teatral". In Marionetas e Formas Animadas. Teorias e Práticas, edited by Catarina Firmo ; Miguel Falcão, 181-193. Lajes do Pico, Portugal: Companhia das Ilhas, 2018.
    Published
  3. Martins, Rita. "As poéticas do desassossego da mala voadora, Colectivo 84, Martim Pedroso & Nova Companhia e Miguel Loureiro (Colectivo 3/quartos)". In Teatro Português Contemporâneo: Experimentalismo, Política, Utopia [Título Provisório], edited by Coelho, Rui Pina, 117-134. Lisboa, Portugal: Teatro Nacional D. Maria II / Bicho-do-Mato., 2017.
    Published
  4. Martins, Rita. "The poetics of disquiet in mala voadora, Colectivo 84, Martim Pedroso & Nova Companhia and Miguel Loureiro (Coletivo 3/quartos)". In Contemporary Portuguese Theatre: Experimentalism, Politics and Utopia [working title], edited by Coelho, Rui Pina, 117-134. Lisboa, Portugal: Teatro Nacional D. Maria II / Bicho do Mato, 2017.
    Published
Book review
  1. Martins, Rita. "As metamorfoses da Quinta Musa". Review of A quinta musa: Imagens da história da dança 21 (2014): 116-118. http://hdl.handle.net/10451/29759.
    Published
Conference abstract
  1. Martins, Rita(F314-EB11-3B9A). "Almeida Garrett and the newspaper Entre-Acto (1837). The spectator’s testimony, the Inspector's criticism and the memory of theatre". Paper presented in II EASTAP Conference (European Association for the Study of Theatre and Performance). Shared Memory(ies): creation, research and politics in the European contemporary stage, Lisboa, 2019.
    Published
Edited book
  1. Martins, Rita(F314-EB11-3B9A). Teatro Completo de D. João da Câmara. Lisbon, Portugal: Imprensa Nacional-Casa da Moeda. 2006.
    Published • Editor
Encyclopedia entry
  1. Martins, Rita. "Teatro Meridional". In The Cambridge Encyclopedia of Stage Actors and Acting, edited by Simon Williams. Cambridge University Press, 2015.
    Published
Journal article
  1. Martins, Rita(F314-EB11-3B9A). "As armas da Imprensa em 1838: O Desenjoativo Teatral vs. Atalaia Nacional dos Teatros". Dramaturgias 12 12 (2019): 14-29. https://periodicos.unb.br/index.php/dramaturgias/article/view/28688/24454.
    Open access • Published
  2. Martins, Rita. "Festival Teatro a Corte: Experiências e gestos". Sinais de Cena 16 (2011): 85-88. http://hdl.handle.net/10451/29758.
  3. Martins, Rita. "Prémios e premiados em São Petersburgo". Sinais de Cena 15 (2011): 75-77. http://hdl.handle.net/10451/29756.
    Open access • Published
  4. Martins, Rita. "Mala Voadora: Projectos e afectos". Obscena, Revista de Artes Performativas 22 (2010):
    Published
  5. Coelho, Rui Pina; Martins, Rita. "Exercícios de coralidade: a APCT em Guimarães". Sinais de Cena 14 (2010): http://hdl.handle.net/10451/29755.
  6. Martins, Rita. "Festival ManiganSes: Com cabeça, tronco e trapos". Sinais de Cena 11 (2009): 82-84. http://hdl.handle.net/10451/29754.
    Open access • Published
  7. Martins, Rita. "Corpos em guerra". Sinais de Cena 10 (2008): 34-36. http://hdl.handle.net/10451/29745.
    Open access • Published
  8. Martins, Rita. "Festival Mundial de Marionetas: o dinamismo de uma arte milenar". Revista Sinais de Cena 6 (2006): 92-94.
    Open access • Published
Preface / Postscript
  1. Martins, Rita. "Introdução". Preface to Teatro Completo de D. João da Câmara, 7-42. Lisbon, Portugal: Imprensa Nacional-Casa da Moeda. 2006.
    Published
Thesis / Dissertation
  1. Martins, Ana Rita Palma Mira Delgado. "A fábrica do Teatro do Bairro Alto : 1761-1775". PhD, 2017. http://hdl.handle.net/10451/32021.

Other

Other output
  1. Madalena Victorino: La danse est un acte d'amour. Interview with the choreographer, pedagogue and cultural programmer Madalena Victorino.. 2014. Azevedo, Eunice Tudela de; Martins, Rita. http://hdl.handle.net/10451/29655.
  2. Desafios do Teatro Amador do Vale do Minho: Terceira edição dos Seminários para Novos Críticos da APCT. Sinais de Cena. 2013. Martins, Rita; Coelho, Rui Pina; Fadda, Sebastiana.
  3. Fernando Gomes: do «Pátio da Teatra» ao Teatro Nacional de São Carlos. Interview with the actor and director Fernando Gomes, who narrates his artistic journey from youth to the present day.. 2011. Martins, Rita; Faria, Teresa. http://hdl.handle.net/10451/31030.
  4. A consciência trágica em O Doido e a Morte. Publication of an essay about Raul Brandão's O doido e a morte. Textos d’Almada, n.º 39, Maio. 2009. Martins, Rita.
  5. Miguel Seabra: o que fazemos aqui. Interview with the actor and director Miguel Seabra, who talks about his artistic career and acting techniques.. 2008. Martins, Rita. http://hdl.handle.net/10451/31062.
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2017/07/01 Os teatros públicos de Lisboa na segunda metade do século XVIII [Lisbon public theatres in the second half of the 18th century] International conference Os espaços teatrais para a música na Europa do séc. XVIII [ [Theatre spaces for music in the 18th century Europe]]
Divino Sospiro - Centre of Portuguese Eighteenth Century Musical Studies (Queluz, Portugal)
2017/05/31 D. João da Câmara, vida e obra Textos do Trindade
Teatro da Trindade (Lisboa, Portugal)
2017/05/27 Duplos e figurações da dor no teatro de Raul Brandão Colóquio Primavera Eterna. Nos 150 anos do nascimento de Raul Brandão. No centenário da publicação de Húmus
IADE-Universidade Europeia (Sintra, Portugal)
2013/11/22 A Casa da Ópera do Bairro Alto: redes sociais na Lisboa Pombalina Theatre: Aesthetics and Power
Centro de Estudos de Teatro e Centro de Estudos Clássicos da Faculdade de Letras da Universidade de Lisboa (Lisboa, Portugal)
2013/07/26 Le Théâtre du Bairro Alto au XVIIIe siècle: une affaire politique, un projet commercial FIRT/IFTR Conference 2013: Re-routing Performance / Re-caminant l’escena
Institut del Teatre (Barcelona, Spain)
2013/05/14 João Gomes Varela: da botica à Casa da Ópera Teatro em Portugal no séc. XVIII: meandros, indústria, produtos
Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa (Lisbon, Portugal)
2010/03/26 Digressões sobre o gosto e o·mau gosto no teatro do século XVIII Conferência Internacional Documentos para a História do Teatro
Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa (Lisboa, Portugal)
2009/07/17 Travelling with Teatro Meridional FIRT/IFTR Conference 2009 : Silent Voices Forbidden Lives: Censorship and Performance
Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa (Lisboa, Portugal)
2008/07/12 Corps jetés dans la bataille Corps sur scène et pratiques scéniques
Festival de Almada (Almada, Portugal)

Event organisation

Event name
Type of event (Role) 		Institution / Organization
2019/03/28 - 2019/07/18 Critical Nights, seminars on Portuguese theatre critics. The seminars took place once a month at the cultural centre Fábrica Braço de Prata (Lisbon), between March and July 2019. Licínia Ferreira, Elisabeth Costa, Catarina Neves, Luís Soares and Joana d'Eça Leal presented the biography and journalistic production of important theatre critics whose work reflectes theatrical activity of different periods. The presentations were followed by discussions opened to the public. (2019/03/28 - 2019/07/18)
Seminar (Co-organisor)
 Associação Portuguesa de Críticos de Teatro, Portugal
2018/09/01 - 2018/10/22 Teatro Contemporâneo em Lisboa e no Porto: espaços, acervos, arquivos (October 8, 15 and 22). Round tables with members of theatre companies. Artists, directors and producers were invited to talk about each company theatre archives (conditions, organization). Activity within Teatro em Espólios. (2018/10/08 - 2018/10/22)
Round table (Co-organisor)
 Universidade de Lisboa Centro de Estudos de Teatro, Portugal

Universidade de Lisboa Bibliotecas, Portugal
2015/02/01 - 2015/05/29 Bibliographic exhibition of Portuguese print and manuscript dramas produced in the 18th century, belonging to the Collections of the Library of the University of Lisbon. (2015/05/18 - 2015/05/29)
Exhibition (Co-organisor)
 Universidade de Lisboa Centro de Estudos de Teatro, Portugal

Universidade de Lisboa - Biblioteca da Faculdade de Letras , Portugal
2015/02/01 - 2015/05/22 Recital Opera Nights. With Tania Valente (soprano), Diogo Oliveira (baritone), José Carlos Araújo (harpsichord). Opera arias by Portuguese composers of the 18th century: António Leal Moreira, António Teixeira, Carlos Seixas, Francisco António de Almeida, Jerónimo Francisco Lima, Marcos Portugal, Sousa Carvalho. (2015/05/22 - 2015/05/22)
Concert (Co-organisor)
 Universidade de Lisboa Centro de Estudos de Teatro, Portugal
2014/07/30 - 2015/05/22 International conference Touros, Tragédias, Bailes e Comédias: espectáculos e divertimentos em Portugal no século XVIII. (2015/05/21 - 2015/05/22)
Conference (Member of the Organising Committee)
 Universidade de Lisboa Centro de Estudos de Teatro, Portugal
2014/01/25 - 2014/03/06 Feminino no Teatro-Portuguese actresses. Images of Portuguese actresses (selection of images on OPSIS - Portuguese Theatre Iconographic Database). (2014/03/06 - 2014/03/06)
Exhibition (Co-organisor)
 Universidade de Lisboa Centro de Estudos de Teatro, Portugal
2014/01/01 - 2014/03/06 Conference O Feminino no Teatro. The feminine in theater was approached under different perspectives that allowed reviewing and questioning the place of women in Portuguese theatre history. The conference had the contributions of Isabel Drumond Braga, Maria Virgílio Lopes, José Camões, Sebastiana Fadda, Rita Azevedo, Cláudia Oliveira, Andreia Brito and Teresa Faria. (2014/03/06 - 2014/03/06)
Conference (Member of the Organising Committee)
 Universidade de Lisboa Centro de Estudos de Teatro, Portugal
2013/01/14 - 2013/05/14 Conference Teatro em Portugal no século XVIII: Meandros, indústria, produtos. Dedicated to 18th century theatre. With the contributions of Mário Vieira de Carvalho, Maria João Almeida, Carlos Rosa, Filipa Freitas, Marta Rosa, Pedro Januário, Mário Say Ming Kong e Maria João , José Camões, Licínia Ferreira e João Luís Lisboa. (2013/05/14 - 2013/05/14)
Conference (Member of the Organising Committee)

Event participation

Activity description
Type of event 		Event name
Institution / Organization
2020/01/09 - 2020/01/23 Workshop Coordinator: Dramaturgical analysis of O Torcicologologista, Excelência, by Gonçalo M. Tavares
Workshop
 Dramaturgical analysis of O Torcicologologista, Excelência, by Gonçalo M. Tavares
Escola de Teatro Arte Viva, Portugal
2020/01/07 - 2020/01/14 Workshop Coordinator: Dramaturgical analysis of Biodegradáveis, by Ana Vitorino and Carlos Costa
Workshop
 Dramaturgical analysis of Biodegradáveis, by Ana Vitorino and Carlos Costa
Escola de Teatro Arte Viva, Portugal
2019/07/15 - 2019/07/15 Meeting with Guilherme Gomes, Nídia Roque, Rita Cabaço (author, director and perfomers of que boa ideia, virmos para as montanhas), Almada Festival’s Conferences on the Esplanade
Meeting
 Almada Festival’s Conferences on the Esplanade. Meeting with Guilherme Gomes, Nídia Roque, Rita Cabaço
Associação Portuguesa de Críticos de Teatro, Portugal

Festival de Almada, Portugal
2018/09/01 - 2018/10/22 Companhias de Teatro na Lisboa dos Anos 80 – 90. Round table with Luís Castro (Karnart), Natália Luiza (Teatro Meridional), Paula Sá Nogueira e Mariana Sá Nogueira (Cão Solteiro), Maria João Vicente (Teatro da Garagem), Lígia Soares (Sensurround) , Miguel Moreira (Útero) e Filipe Crawford (Meia Preta). Activity within Teatro em Espólios - Round tables on Teatro contemporâneo em Lisboa e no Porto: espaços, acervos, arquivos.
Round table
 Companhias de Teatro na Lisboa dos Anos 80 – 90
Universidade de Lisboa Centro de Estudos de Teatro, Portugal

Universidade de Lisboa - Biblioteca da Faculdade de Letras , Portugal
2018/07/13 - 2018/07/13 Meeting with António Pires, Luís de Lima Barreto and Fátima Ferreira (director and translators of Jean Genet's Colónia Penal. Almada Festival’s Conferences on the Esplanade.
Meeting
 Almada Festival’s Conferences on the Esplanade. Meeting with António Pires, Luís de Lima Barreto and Fátima Ferreira
Associação Portuguesa de Críticos de Teatro, Portugal

Festival de Almada, Portugal
2015/09/19 - 2015/09/19 Seminar coordinator: 5th Edition of the APCT New Critics Seminars within ES CENA-Mostra de Teatro da Casa da América Latina.
Seminar
 5th Edition of the APCT New Critics Seminars
Associação Portuguesa de Críticos de Teatro, Portugal
2015/01/30 - 2015/02/06 Workshop Coordinator: Dramaturgical analysis of Bertolt Brecht’s Good Person of Szechwan.
Workshop
 Bertolt Brecht’s Good Person of Szechwan
Escola de Teatro Arte Viva, Portugal
2015/01/29 - 2015/02/04 Workshop Coordinator: Dramaturgical analysis of Molière’s The Imaginary Invalid.
Workshop
 The Imaginary Invalid (Le Malade Imaginaire)
Escola de Teatro Arte Viva, Portugal
2015/01/07 - 2015/01/14 Workshop Coordinator: Dramaturgical analysis of Eugene Ionesco’s Rhinoceros.
Workshop
 Eugene Ionesco’s Rhinoceros
Escola de Teatro Arte Viva, Portugal
2014/07/09 - 2014/07/09 Meeting with Miguel Seabra (director and actor of Eric-Emmanuel Schmitt's Sr. Ibrahim e as Flores do Corão). Almada Festival’s Conferences on the Esplanade.
Meeting
 Meeting with Miguel Seabra
Festival de Almada, Portugal

Associação Portuguesa de Críticos de Teatro, Portugal
2014/02/17 - 2014/02/24 Workshop Coordinator: Dramaturgical analysis of Garcia Lorca’s Blood Wedding.
Workshop
 Garcia Lorca’s Blood Wedding
Escola de Teatro Arte Viva, Portugal
2013/05/18 - 2013/05/26 Seminar coordinator: 3rd Edition of APCT's New Critics Seminars within Festival Itinerante de Teatro Amador do Vale do Minho (Comédias do Minho).
Seminar
 3rd Edition of APCT's New Critics Seminars
Associação Portuguesa de Críticos de Teatro, Portugal
2011/04/12 - 2011/04/17 Invitation to participate at the Conference and meeting with Teatro Meridional, winner of the Europe Prize Theatrical Realities. The XIV edition of Europe Theatre Prize / XII edition of the Europe Prize New Theatrical Realities took place in Saint Petersburg, Russia.
Meeting
 Conference and meeting with Teatro Meridional
2011/02/04 - 2011/02/10 Workshop coordinator introducing Forum Theatre (Boal's Theatre of the Oppressed)
Workshop
 Forum Theatre Techniques and the Theatre of the Oppressed
Escola de Teatro Arte Viva, Portugal
2010/06/10 - 2010/06/13 Seminar coordinator: 1st Edition of APCT's New Critics Seminars within Festivais Gil Vicente (Centro Cultural Vila Flor, Guimarães).
Seminar
 1st Edition of APCT's New Critics Seminars
Associação Portuguesa de Críticos de Teatro, Portugal

Association member

Society Organization name Role
2007 - Current Portuguese Association of Theatre Critics Member

Committee member

Activity description
Role 		Institution / Organization
2018/10/26 - Current APCT promotes the exercise of critical activity, cultural manifestations with other entities and awards artists, theatre troupes or artistic achievements.
President / Vice-president
 Associação Portuguesa de Críticos de Teatro, Portugal

Conference scientific committee

Conference name Conference host
2015/05/21 - 2015/05/22 Touros, Tragédias, Bailes e Comédias: espectáculos e divertimentos em Portugal no século XVIII Centre for Theatre Studies of the School of Arts and Humanities, University of Lisbon

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2003 - 2010 Theatre History at the Management and Production of Performing Arts Course (Diploma de especialização) Forum Dança, Portugal
2000 - 2010 Theatre Aesthetics Animação Sociocultural (Licenciatura) Escola Superior de Educação Jean Piaget de Almada, Portugal
2007/10/01 - 2008/12/30 Performance Analysis BA in Performing Arts Escola Superior de Artes e Tecnologia de Lisboa, Portugal
2007/09/15 - 2008/02/15 Analysis of Performance and Dramatic Text Licenciatura em Artes Performativas (Licenciatura) Escola Superior de Artes e Tecnologia de Lisboa, Portugal
2006/09/20 - 2007/02/15 Theatre History Theatre History (Licenciatura) Escola Superior de Artes e Tecnologia de Lisboa, Portugal
1997/09/15 - 1998/08/15 Philosophy Philosophy (Ensino secundário) Escola Secundária dos Anjos, Portugal

Other jury / evaluation

Activity description Institution / Organization
2013/04/30 - 2013/09/13 Jury Member of the 7th edition of António José da Silva Dramaturgy Ward. Fundação Nacional de Artes, Brazil

Camões Instituto da Cooperação e da Língua, Portugal
2012/05/05 - 2012/07/09 Jury Member of the 6th edition of António José da Silva Dramaturgy Ward (1st phase-selection of national plays). Camões Instituto da Cooperação e da Língua, Portugal

Fundação Nacional de Artes, Brazil
2009/02/01 - 2009/02 Jury Member of the Critics Award 2008 (Portuguese Association of Theater Critics). Associação Portuguesa de Críticos de Teatro, Portugal