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Jelena Novak is a principal researcher at CESEM (Center for Study of the Sociology and Aesthetics of Music), FCSH, Universidade NOVA de Lisboa. Her fields of interests are modern and contemporary music, recent opera and musical theatre, music and new media, capitalist realism, voice studies in the age of posthuman and feminine identities in music. Exploring those fields, she works as a researcher, lecturer, writer, dramaturge, music critic, editor and curator focused on bringing together critical theory and contemporary art. She has been a founding committee member of the Society for Minimalist Music and a founding member of the editorial collective TkH [Walking Theory]. In 2013 she won the Thurnau Award for Music-Theatre Studies from the University of Bayreuth, Germany. Her most recent books are Postopera: Reinventing the Voice-Body (Routledge, 2015), Operofilia (Orion Art, 2018) and Einstein on the Beach: Opera beyond Drama (co-edited with John Richardson, Routledge, 2019). She is currently co-editing (with Joao Pedro Cachopo) a special issue for The Opera Quarterly dedicated to operas based on films and preparing a new monograph "Opera in the Expanded Field". Novak studied musicology, art theory, theory of media and cultural analysis in Serbia (University of Arts, Belgrade), Norway (Norges musikkhøgskole, Oslo) and in the Netherlands (ASCA, University of Amsterdam and Koninklijk Conservatorium Den Haag). Her work appears in international peer-reviewed journals and collective volumes such as The Opera Quarterly; Studies in Musical Theatre; Sound, Stage, Screen; Music and Letters; Music, Sound and the Moving Image; Dramaturgias; Teatron; TkH Journal; International Journal of Music New Sound; Journal Muzikologija; Contemporary Opera in Flux (2024); The Sound of Žižek (2023); Das Wohnzimmer als Loge (2016); Ashgate Research Companion to Minimalist and Postminimalist Music (2013) etc. She presented her work in Europe, Asia, North and South America and her texts are published in English, French, German, Portuguese, Italian, Croatian, Serbian, Dutch and Swedish and were commissioned by BBC, UNESCO and De Nationale Opera&Ballet (Amsterdam) among others. Her latest achievement as a dramaturge is Deca (Children), an opera in 17 songs by Irena Popovic. In 2019 Novak collaborated on the opera LIMBO by Michal Grover Friedlander in Tel Aviv and that same year she co-curated (with K. Dittel) the exhibition Post-Opera at TENT, Rotterdam.
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Identificação

Identificação pessoal

Nome completo
Jelena Novak

Nomes de citação

  • Novak, Jelena

Identificadores de autor

Ciência ID
521C-421F-6384
ORCID iD
0000-0003-0778-3565
Google Scholar ID
https://scholar.google.com/citations?user=Vyh_DMQAAAAJ&hl=en

Endereços de correio eletrónico

  • jnovak@fcsh.unl.pt (Profissional)

Websites

Domínios de atuação

  • Humanidades - Artes - Estudo das Artes da Representação (música, teatro e dramaturgia)
  • Humanidades - Artes - Estudos de Cinema, Rádio e Televisão
  • Humanidades - Filosofia, Ética e Religião - Filosofia

Idiomas

Idioma Conversação Leitura Escrita Compreensão Peer-review
Inglês Utilizador proficiente (C2) Utilizador proficiente (C2) Utilizador proficiente (C2) Utilizador proficiente (C2)
Português Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C2)
Francês Utilizador independente (B1)
Sérvio (Idioma materno)
Croata (Idioma materno)
Bósnio (Idioma materno)
Latim Utilizador elementar (A2)
Formação
Grau Classificação
2012
Concluído
 Cultural Analysis, Musicology (Doctor of Philosophy)
Universiteit van Amsterdam, Países Baixos
"Singing Corporeality: Reinventing the Vocalic Body in Postopera" (TESE/DISSERTAÇÃO)
 n/a
2004
Concluído
 Art Theory and Theory of Media (Master)
Univerzitet umetnosti Beogradu, Sérvia
"Opera in the Age of Media" (TESE/DISSERTAÇÃO)
 9.6/10
2001
Concluído
 Musicology, History of Music (Bachelor (1.º ciclo de estudos))
Univerzitet umetnosti Beogradu, Sérvia
"Wild Analysis: Formalist, Structuralist and Poststructuralist Interpretation of Music" (TESE/DISSERTAÇÃO)
 8.68/10, graduate exam 10/10
Percurso profissional

Ciência

Categoria Profissional
Instituição de acolhimento 		Empregador
2022/09/01 - Atual Investigador principal (carreira) (Investigação) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2019/02/01 - 2022/09/01 Investigador Contratado (Investigação) Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2013/03/01 - 2019/01/31 Pós-doutorado (Investigação) Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2017/01 - 2017/06 Investigador visitante (Investigação) Nationale Opera and Ballet, Países Baixos
Nationale Opera and Ballet, Países Baixos
2006/09/01 - 2012/12/31 Investigador (Investigação) Universiteit van Amsterdam, Países Baixos
Universiteit van Amsterdam Amsterdam School for Cultural Analysis, Países Baixos
2010 - 2012 Investigador visitante (Investigação) Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Docência no Ensino Superior

Categoria Profissional
Instituição de acolhimento 		Empregador
2020 - Atual Professor Auxiliar (Docente Universitário) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2014 - 2019 Professor Auxiliar Convidado (Docente Universitário) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2001 - 2002 Professor Auxiliar (Docente Universitário) Univerzitet umetnosti Beogradu, Sérvia

Outros

Categoria Profissional
Instituição de acolhimento 		Empregador
2001/01/01 - 2009/07/17 Editor for classical and Contemporary Music Radio Beograd, Radio Television of Serbia, Sérvia
Radio Belgrade 3, Sérvia
Projetos

Bolsa

Designação Financiadores
2013 - 2019 OPERA BEYOND DRAMA
info:eu-repo/grantAgreement/FCT/SFRH/SFRH2%FBPD2%F902442%F2012/PT
SFRH / BPD / 90244 / 2012
Bolseiro de Pós-Doutoramento
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
 Fundação para a Ciência e a Tecnologia
Concluído
2006 - 2012 Singing Coreporeality: Reinveinting the Vocalic Body in Post-Opera
Huygens 2007
Bolseiro de Doutoramento
Amsterdam School for Cultural analysis (ASCA), University of Amsterdam, Países Baixos
 Nederlands organisatie voor internationale samenwerking in het hoger onderwijs
Concluído
2002 - 2004 Opera in the Age of Media
NF 2002
Huygens 2003
Bolseiro de Mestrado
Univerzitet umetnosti Beogradu, Sérvia

Norges musikkhøgskole, Noruega

Koninklijk Conservatorium, Países Baixos
Norges forskningsråd

Nederlands organisatie voor internationale samenwerking in het hoger onderwijs
Concluído

Projeto

Designação Financiadores
2022/09/01 - Atual HOMO CANTANS: Opera in the Expanded Field
CEECIND/03904/2021
Investigador responsável
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Em curso
2022 - Atual Applied Musicology and Ethnomusicology
APPMES RS-7750287
Bolseiro de Investigação
Muzikoloski institut Srpske akademije nauka i umetnosti, Sérvia
Em curso

Outro

Designação Financiadores
2019/03 - 2019/06 Exhibition "Post-Opera"
2019
Outra
TENT, Países Baixos

Operadagen Rotterdam festival, Países Baixos

Mondriaan Fonds, Países Baixos
Concluído
2010 - 2011 Women and Music in Serbia
Uneco Venice 2010
Investigador
UNESCO Venice office
Concluído
Produções

Publicações

Artigo em conferência
  1. Novak, Jelena. "Contextualizing Opera in Postdramatic Context: Differences and Repetitions". Trabalho apresentado em First International Conference on Music and Minimalism, Bangor, 2007.
    Publicado
Artigo em jornal
  1. Novak, Jelena. "Opersko poreklo sveta", Pescanik, 2022, https://pescanik.net/opersko-poreklo-sveta/.
  2. Novak, Jelena. "Biti vojnik bez materice, Intervju – Irena Popovic Dragovic", Vreme, 2022, https://www.vreme.com/kultura/4581202/.
  3. Novak, Jelena. "Humor, apsurd i melanholija”, Filmska opera – Upload", 2021, https://www.vreme.com/kultura/humor-apsurd-i-melanholija/.
  4. Novak, Jelena. "Umetnost je subverzivna za tirane, Ai Wei Wei u Lisabonu", Vreme, 2021, https://www.vreme.com/kultura/umetnost-je-subverzivna-za-tirane/.
  5. Novak, Jelena. "Seta i žar, s pevanjem i žongliranjem", Vreme, 2021, https://www.vreme.com/kultura/seta-i-zar-s-pevanjem-i-zongliranjem/.
  6. Novak, Jelena. "Politika nedostajanja, Lori Anderson – Pandemijska predavanja", Vreme, 2021, https://www.vreme.com/kultura/politika-nedostajanja/.
  7. Novak, Jelena. "Zašto i kako se (ne) odupiremo, Film – Pejzaži otpora", Vreme, 2021, https://www.vreme.com/kultura/zasto-i-kako-se-ne-odupiremo/.
  8. Novak, Jelena. "Moramo biti partizanke, Intervju – Marta Popivoda i Ana Vujanovic", Vreme, 2021, https://www.vreme.com/kultura/moramo-biti-partizanke/.
  9. Novak, Jelena. "Daleko od romanticnog simfonizma", Vreme, 2020, https://www.vreme.com/cms/view.php?id=1888795.
  10. Novak, Jelena. "Veoma neprijatna opera", Vreme, 2020, https://www.vreme.com/cms/view.php?id=1824073.
  11. Novak, Jelena. "Operski agregat uživo", Vreme, 2020, https://www.vreme.com/cms/view.php?id=1819592.
  12. Novak, Jelena. "Splav operske meduze", VREME, 2018, https://www.vreme.com/cms/view.php?id=1588865.
  13. Novak, Jelena. "Dvanaest minuta koji nisu promenili svet", VREME, 2017, http://www.vreme.rs/cms/view.php?id=1559751&print=yes.
  14. Novak, Jelena. "Politika glasa, Interview with artist Katarina Zdjelar", 2017, http://www.vreme.com/cms/view.php?id=1556565.
  15. Novak, Jelena. "Bez pompe i sljokica", VREME, 2017, http://www.vreme.com/cms/view.php?id=1546677.
  16. Novak, Jelena. "Opera Forward", VREME, 2017, http://www.vreme.com/account/login.php?url=%2Fcms%2Fview.php%3Fid%3D1490792.
  17. Novak, Jelena. "Antidiva", VREME, 2016, http://www.vreme.com/cms/view.php?id=1450825.
  18. Novak, Jelena. "Spajanje medija: Donald i Hilari kao operski junaci", VREME, 2016, http://www.vreme.com/cms/view.php?id=1445438.
  19. Novak, Jelena. "Hip-hop klasika", VREME, 2016, http://www.vreme.com/cms/view.php?id=1439974.
Artigo em revista
  1. Novak, Jelena. "Windphone, Operomania: Notes on Vulnerability, Longing and Love". Sound, Stage, Screen 3 2 (2024):
    Acesso aberto • No prelo
  2. Novak, Jelena. "Vreme raspevavanja". Vreme 1710 (2023): https://vreme.com/kultura/vreme-raspevavanja/.
    Acesso aberto • Publicado
  3. Novak, Jelena. "S is for Singing, Scene, Serbia: Tendencies in the world of 21st Century (Post)Opera". New Sound International Journal of Music 62 II (2023): 13-36. http://www.ojs.newsound.org.rs/index.php/NS/article/view/147/236.
    Acesso aberto • Publicado
  4. Novak, Jelena. "Persona Speaking, Persona Singing: Conversation with Composer Keeril Makan". The Opera Quarterly (2023):
    Acesso aberto • No prelo
  5. Novak, Jelena. "Identity, Loss, and Singing Transcendence after the End of the World". Sound Stage Screen 2 2 (2022): http://dx.doi.org/10.54103/sss19973.
    Acesso aberto • Publicado • 10.54103/sss19973
  6. Novak, Jelena. "The Curatorial Turn and Opera: On the Singing Deaths of Maria Callas. A Conversation with Marina Abramovic and Marko Nikodijevic". Sound Stage Screen 1 2 (2021): http://dx.doi.org/10.54103/sss16640.
    Acesso aberto • Publicado • 10.54103/sss16640
  7. Novak, Jelena. "Music as an aggregate of colours: A conversation with Marko Nikodijevic". New Sound 58-2 (2021): 1-17. http://dx.doi.org/10.5937/newso2157001n.
    Publicado • 10.5937/newso2157001n
  8. Novak, Jelena; Kris Dittel. "Exhibiting the Voice". Parse Journal 13 2 (2021): https://parsejournal.com/article/exhibiting-the-voice/.
    Acesso aberto • Publicado
  9. Novak, Jelena. "Sweet Land, a new opera by The Industry". Sound, Stage, Screen 1 1 (2021): https://riviste.unimi.it/index.php/sss/article/view/15390.
    Acesso aberto • Publicado
  10. Novak, Jelena. "Eight, aus Licht, and The Unbearable Lightness of Being Immersed in Opera". The Opera Quarterly (2020): http://dx.doi.org/10.1093/oq/kbaa003.
    10.1093/oq/kbaa003
  11. Jelena Novak. "Music beyond human: A conversation with Michel van der Aa". New Sound (2020): https://doi.org/10.5937/newso2055007N.
    10.5937/newso2055007N
  12. Novak, Jelena. "Singing beyond the TV Screen: Documentary, News and Interviews as Operatic Material". Dramaturgias 10 (2019): 91-109. http://dx.doi.org/10.26512/dramaturgias.v0i10.24905.
    10.26512/dramaturgias.v0i10.24905
  13. Novak, Jelena. "Music that Knows Where It Is Going, conversation with composer Tom Johnson". International Journal for Music New Sound 51 (2018): 1-16. https://www.newsound.org.rs/pdf/en/ns51/01_Novak.pdf.
    Publicado
  14. Novak, Jelena. "Singing, Dragons and Beyond: Opera Forward". Journal Muzikologija II 23 (2017): 325-330.
    Acesso aberto • Publicado
  15. "Andriessen and Opera: The Bell Rings Thirteen Times". Opera program book (2016):
  16. Novak, Jelena; Stevanovic, Ksenija. "The Velicon: Magnetic Attraction of Music and Serendipity, An interview with Jasna Velickovic". International Journal of Music New Sound II 46 (2015): 7-21. http://www.newsound.org.rs/pdf/en/ns46/01_Novak_Stevanovic.pdf.
    Acesso aberto • Publicado
  17. Novak, Jelena. "Vivier Reenacted: Singing Beyond Masculine". International Journal of Music New Sound, , I/ 2015, pp. 139-150. ISSN: 0354-818X (printed issue) ISSN: 1821-3782 (online issue) I 45 (2015): 139-150. https://www.newsound.org.rs/pdf/en/ns45/11Novak.pdf.
    Acesso aberto • Publicado
  18. Jelena Novak; Ksenija Stevanovic. "The velicon: Magnetic attraction of music and serendipity: An interview with Jasna Velickovic". New Sound (2015): https://doi.org/10.5937/newso1546007N.
    10.5937/newso1546007N
  19. Jelena Novak. "Vivier reenacted: Singing beyond masculine". New Sound (2015): https://doi.org/10.5937/newso1545139N.
    10.5937/newso1545139N
  20. Novak, Jelena. "Voices beyond corporeality: Towards the prosthetic body in opera". Studies in Musical Theatre 6 1 (2012): 73-88. http://dx.doi.org/10.1386/smt.6.1.73_1.
    10.1386/smt.6.1.73_1
  21. "Voices beyond corporeality: Towards the Prosthetic Body in Opera". Studies in Musical Theatre (2012): http://www.intellectbooks.co.uk/journals/view-Article,id=12654/.
  22. Novak, Jelena. "Pevajuci rod, performativnost glasa i vokalno prerušavanje u „Domovini" Lori Anderson, (Singing Gender, performativity of the Voice and Vocal drag in Homeland by Laurie Anderson)". Teatron spring-sum 158-159 (2012):
    Publicado
  23. Novak, Jelena. "Throwing the Voice, Catching the Body: Opera and ventriloquism in Philip Glass/ Jean Cocteau's 'La Belle et la Bête'". Music, Sound, and the Moving Image 5 2 (2011): 137-156. http://dx.doi.org/10.3828/msmi.2011.7.
    10.3828/msmi.2011.7
  24. Novak, Jelena. "Politics of sadness: Little flower, refrigerator lorry, death and symphonic tradition". New Sound 38-2 (2011): 65-75. http://dx.doi.org/10.5937/newso1102065n.
    10.5937/newso1102065n
  25. Novak, Jelena. "Monsterization of Singing: Politics of Vocal Existance". New Sound International Journal of Music II 36 (2010): 101-119. New Sound International Journal of Music.
    Acesso aberto • Publicado
  26. Novak, Jelena. "Undoing the real of music in works by Jasna Velickovic". New Sound International Journal of Music 33 (2009): 36-47.
    Acesso aberto • Publicado
  27. Novak, Jelena. "Digitality and Opera". Notations 1 (2009):
    Publicado
  28. Novak, Jelena. "Operacija Dante – spektakl nemoguce sinhronizacije". Teatron 143 (2008): 87-93.
    Publicado
  29. Novak, Jelena. "Philip Glass tvillingpar – opera och film". Nutida Musik 1 (2008):
    Publicado
  30. Novak, Jelena. "Sound Tide, Conversation with Miguel Azguime". New Sound International Journal of Music 30 (2007): 1-11.
    Acesso aberto • Publicado
  31. Novak, Jelena. "Queer protocol of homage Chambres de tenebres/tombeau de Claude Vivier by Marko Nikodijevic". New Sound International Journal of Music 29 (2007): 67-76.
    Acesso aberto
  32. Novak, Jelena. "Matrix in the Opera". TkH Journal for performing Arts Theory 10 (2006): 45-57.
    Publicado
  33. Novak, Jelena. "Synthesis Breakfast in Bathroom". New Sound International Journal of Music 26 (2005): 95-99.
    Acesso aberto
  34. Novak, Jelena. "The Last Serbian Opera, On Phantasms of Tradition, Gender Identities and Representation in Music Theatre". New Sound - International Journal of Music 25 (2005): 49-54.
    Acesso aberto • Publicado
  35. Novak, Jelena. "23. Musik-Biennale Zagreb und IGNM-Weltmusiktage 2005". MusikTexte 106 (2005):
    Publicado
  36. Novak, Jelena. "Music on Having Time to Disappear, Conversation with Danish Composer Ivar Frounberg". International Journal of Music New Sound 26 (2005): 53-60.
    Acesso aberto • Publicado
  37. Novak, Jelena. "Postkejdžijanska fascinacija operom, razgovor sa Piterom Grinavejem". Walking Theory Journal 8 (2005):
    Acesso aberto • Publicado
  38. Novak, Jelena. "Coloratura Reloaded". Maska XIX 1-2, 84-85 (2004): 21-25.
    Acesso aberto • Publicado
  39. Novak, Jelena. "N is for Neo, Nyman, Nostalgy". New Sound International Journal of Music 23 (2004): 55-60.
    Acesso aberto • Publicado
  40. Novak, Jelena. "Elektricne vavilonske orgulje: Ištar Luja Andrisena [Electric Babylon Organs: Inanna by Louis Andriessen]". Radio Belgrade 3 journal 119-120 (2004):
    Publicado
  41. Novak, Jelena. "Operske strategije prikazivanja [Operatic Strategies of Representation]". Radio Belgrade 3 Journal 121-122 (2004):
    Publicado
  42. Novak, Jelena. "Opera u doba elektronske/digitalne reprodukcije [Opera in the Age of its Electronic/Digital Reproduction]". Walking theory Journal for Theory of Performing Arts 7 (2004): 44-54.
    Acesso aberto • Publicado
  43. Novak, Jelena. "Ekonomija operske traume – operski rituali ‘male nacionalne kulture' [Economy of Operatic Trauma – Operatic Rituals of ‘Small National Culture']". Teatron 29 126-127 (2004): 47-54.
    Publicado
  44. Novak, Jelena. "Trainable Differences, Conversation with Steve Reich". New Sound International Journal of Music 22 (2003): 12-20. https://scindeks.ceon.rs/article.aspx?artid=0354-818X0322012N.
    Acesso aberto • Publicado
  45. Novak, Jelena. "Andrisenologija". Radio Belgrade 3 Journal 115-116 (2003):
    Publicado
  46. Novak, Jelena. "Dionizijsko pulsiranje apolonijskog sata". Radio Belgrade 3 Journal 115-116 (2003):
    Publicado
  47. Novak, Jelena. "Operacija Orfej: transplantacija operskih organa". TkH Journal 4 (2003):
    Publicado
  48. Novak, Jelena. "Opera kao masovna medijska umetnost". Teatron 28 124-125 (2003): 77-82.
    Publicado
  49. Novak, Jelena. "The Noize of Super... Machine". International Journal of Music New Sound 21 (2003):
  50. Novak, Jelena. "Music on Music, Conversation with Louis Andriessen". New Sound International Journal of Music 18 (2001): 5-19. https://scindeks.ceon.rs/article.aspx?artid=0354-818X0118005N.
    Acesso aberto • Publicado
  51. Novak, Jelena. "Everything is Available, Conversation with Philip Glass". New Sound International Journal of Music 14 (1999): 15-21. https://scindeks.ceon.rs/article.aspx?artid=0354-818X9914015N.
    Acesso aberto • Publicado
Capítulo de livro
  1. Novak, Jelena. "Posthuman Voice Beyond Opera: Songful Practice of Holograms, Robots, Machines, and Vocaloids". In Contemporary Opera in Flux, editado por Yayoi Everett Uno; Nicholas Stevens. Ann Arbor, Estados Unidos: University of Michigan Press, 2024.
    No prelo
  2. Novak, Jelena; Michal Grover Friedlander. "'Casta Diva' Reimagined: Staging Death in Marina Abramovic's 7 Deaths of Maria Callas". In Vincenzo Bellini on Stage and Screen (1935-2020), editado por Emilio Sala; Emanuele Senici; Graziela Seminara. Bloomsbury, 2024.
    No prelo
  3. Novak, Jelena. "Landscape Dramaturgy and (Post)opera: Singing after Perspective". In New Dramaturgies of Contemporary Opera: The Practitioners' Perspectives, editado por Jingyi Zhang. Routledge, 2024.
    No prelo
  4. Novak, Jelena; Dimitrije Kokanov. "Deca , opera u sedamnaest pesama: Tuzna sam, ali sipam pricu na pricu". In Savremena srpska muzicka scena: istracivacki izazovi, editado por Biljana Milanovic; Melita Milin. Sérvia: Muzikoloski institut SASA, 2024.
    No prelo
  5. Novak, Jelena. "Singing in the Age of Capitalist Realism. The Pervert's Guide to (Post)Opera". In The Sound of Žižek, 113-136. Alemanha: Peter Lang, 2023.
    Publicado
  6. Novak, Jelena. "Introduction". In Einstein on the Beach: Opera beyond Drama, xxv-xxxvi. London, Reino Unido: Routledge, 2019.
    Publicado
  7. Novak, Jelena. "Historia Einsteinalium: From the Beach to the Church, via Theatre and State Bank". In Einstein on the Beach: Opera beyond Drama (co-edited with John Richardson), 231-252. London, Reino Unido: Routledge, 2019.
    Publicado
  8. Novak, Jelena. "Stay Out of the Way of Bob Wilson when he Dances". In Einstein on the Beach: Opera beyond Drama, 141-148. London, Reino Unido: Routledge, 2019.
    Publicado
  9. Novak, Jelena. "Televisual Opera after TV". In Das Wohnzimmer als Loge. Von der Fernsehoper zum medialen Musiktheater, 177-193. Alemanha: Würzburg: Königshausen und Neumann, 2016.
    Publicado
  10. Novak, Jelena. "Postopera and A/synchronous Narrating: Singing Letters, Multiplied Bodies and Dissociated Voice in Andriessen/Greenaway's Writing to Vermer". In Opera Staging: Erzählweisen, 257-279. Wiena, Áustria, 2014.
    Publicado
  11. Novak, Jelena. "From Minimal Music to Postopera: Repetition, Representation and (Post) Modernity". In Ashgate Companion to Minimalist and Post-Minimal Music, 129-140. Ashgate, 2013.
    Publicado
  12. Novak, Jelena. "Subverzivni socijalisticki modernizmi u muzici: Figura kompozitorke". In .), Istorija umetnosti u Srbiji XX vek: Realizmi i modernizmi oko hladnog rata [History of Arts in Serbia - 20th century: Realisms and Modernisms around Cold War], 781-786. Sérvia: Orion Art, 2012.
    Publicado
  13. Novak, Jelena. "Mapping the Cultural History of Women as Composers in Serbia: Scream beyond Asymptote". In Women and Music in Serbia, 19-34. 2011.
  14. Novak, Jelena. "Acousmatic Voice and Singing Body". In MediArt: Pierre Schaeffer. Rijeka, Croácia: MMSU, 2011.
    Publicado
  15. Novak, Jelena. "Minimalizam u muzici i izlasci iz muzike [“Minimalism in Music and Exits from Music”]". In Istorija umetnosti u Srbiji XX vek: Radikalne umetnicke prakse, [History of Arts in Serbia, 20th Century: Radical Artistic Practices]. Belgrade, Sérvia: Orion Art, 2010.
    Publicado
  16. Novak, Jelena. "Opera i muzicki teatar na pocetku 21. Veka u Srbiji: Politika diskontinuiteta". In Istorija umetnosti u Srbiji XX vek: Radikalne umetnicke prakse, [History of Arts in Serbia, 20th Century: Radical Artistic Practices]. Belgrade, Sérvia: Orion Art, 2010.
    Publicado
  17. Novak, Jelena. "Muzika u postmoderni". In Istorija umetnosti u Srbiji XX vek: Radikalne umetnicke prakse [History of Arts in Serbia, 20th Century: Radical Artistic Practices]. 2010.
    Publicado
  18. Novak, Jelena. "Roland Barthes". In Figure u pokretu: Savremena zapadna estetika, filozofija i teorija umetnosti. Belgrade: Atoca, Vujicic kolekcija, 2009.
    Publicado
Catálogo de exposição
  1. Novak, Jelena. Post-Opera exhibition booklet, co-edited with Kris Dittel. TENT, Rotterdam, 2019.
Edição de livro
  1. Novak, Jelena. Einstein on the Beach: Opera beyond Drama. London, Reino Unido: Routledge. 2019.
    Publicado • Editor
  2. Novak, Jelena. Women and Music in Serbia. Rome, Itália: Fondazione Adkins Chiti. 2011.
    Publicado • Editor
  3. Novak, Jelena. Istorija umetnosti u Srbiji XX vek: Radikalne umetnicke prakse. Beograd, Sérvia: Orion Art. 2010.
    Publicado • Editor
  4. Novak, Jelena. Corporeal Remembrance: Singing Body of Opera, Musical Culture and Memory, the book of preoceedings of the 8th International Symposium of the Department of Musicology and Ethnomusicology. Belgrade, Sérvia: Faculty of Music. 2008.
    Publicado
Edição de número de revista
  1. Novak, Jelena; João Pedro Cachopo. "Operas based on Films". The Opera Quarterly journal (2023):
    No prelo • Co-editor
  2. Novak, Jelena. "Right to Theory". TkH journal 16 (2008): https://www.tkh-generator.net/portfolio/tkh-16-right-to-theory/.
    Co-editor
  3. Novak, Jelena. "Izvodenje izvedbe u izvodackim umetnostima [Performing Performance in Performing Arts]". TkH journal 4 (2004): https://www.tkh-generator.net/portfolio/tkh-6-performing-performance-in-performing-arts-2-queer/.
    Publicado • Co-editor
Entrada de enciclopédia
  1. Novak, Jelena. ""Einstein on the Beach" by P. Glass and R. Wilson, pp. 799-801; "Nixon in China" by John Adams and Peter Sellars, pp. 810-813; "Writing to Vermeer" by Louis Andriessen and Peter Greenaway, pp. 802-805; "Europeras" by John Cage, pp. 712-714; "Die Soldaten" by Bernd Alois Zimmermann, pp. 738-740,". In Opera Lexicon. University of Arts Belgrade, 2008.
    Publicado
  2. Novak, Jelena. "“Music and Avant-Garde”, “Moderate Modernism”, “Neoclasicissm and New Classicism”, “Electroacoustic Music”, “Out of Music”, “Repetitive Music”, “Music in Postmodern Age”, “Musical Theatre”". In Janson, History of Art (Serbian Edition), 2005.
    Publicado
Livro
  1. Novak, Jelena. Operofilia. Belgrade, Sérvia: Orion Art. 2018.
    Publicado
  2. Novak, Jelena. Postopera: Reinventing the Voice-Body. London, Reino Unido: Routledge. 2015.
    Publicado • 10.4324/9781315601717
  3. Novak, Jelena. Opera u doba medija. Novi Sad, Sremski Karlovci, Sérvia: Izdavacka knjizarnica Zorana Stojanovica. 2007.
    Publicado
  4. Novak, Jelena. Divlja analiza: formalisticka, strukturalisticka i poststrukturalisticka razmatranja muzike. Beograd, Sérvia: Studentski kulturni centar. 2004.
    Publicado
Manual
  1. Novak, Jelena. Nadglas sa medvedom na grudima”, interview with Irena Popovic, “Deca” – opera in 17 songs by Irena Popovic. National Theatre Belgarde. 2022.
    Publicado
  2. Novak, Jelena. Presidravanje. Sérvia. 2022.
    Publicado
  3. Novak, Jelena. REMEMBERING, A Limbo to Sing About, LIMBO an opera, program booklet, Vox Feminae Festival, Tel Aviv. 2019.
    Publicado
  4. Novak, Jelena. Beethoven beyond Itself, Trio Cremeloque plays Ludwig van Beethoven Klaviertrios Naxos CD booklet. Naxos. 2019.
  5. Novak, Jelena. “De Volharding”, “Zilver”, “Hout”, “A is for Art, Activism, Andriessen”, “Rosa’s Horses”, “La Commedia”, “De Stijl”, “Mysterien” in: “Total Immersion: Louis Andriessen” BBC Symphony Orchestra at Barbican, London, festival program booklet. Reino Unido. 2016.
    Publicado
  6. Novak, Jelena. Andriessen and Opera: The Bell rings 13 Times, in program booklet of “Theatre of the World” by Louis Andriessen. Dutch National Opera. 2016.
    Publicado
  7. Novak, Jelena. Busy People Music, Miroslav Misa Savic, Music Hologram Nikola Tesla, CD booklet. 2015.
  8. Novak, Jelena. Walking on the Classical Side, Trio Cremeloque CD booklet, Label: solo Musica, SM213. 2014.
  9. Novak, Jelena. Vox Box, for the program booklet of “Black Box” by Bojan Djordjev and Sinisa Ilic. 2011.
  10. Novak, Jelena. Politics of Creativity through Economy of Love and Death, in program booklet for the opera “Les Enfants Terribles” by Philip Glass. 2009.
  11. Novak, Jelena. Voice, the Impossible, DVD booklet of Salt Itinerary multimedia opera by Miguel Azguime. 2007.
  12. Novak, Jelena. On Postoperatic Certainty, program booklet for Operrra is a Female performance. 2005.
  13. Novak, Jelena. On the Plot Line, program booklet for the opera Il Signor Bruschino by G. Rossini. 2000.
  14. Novak, Jelena. Libretto for ballet Orpheus, program booklet, Belgrade, Chamber opera Madlenianum. 2000.
Recurso online
  1. Novak, Jelena. Metalingual Mouth of Music: Signifiers Vertigo After Poststructuralism. 2005. http://mic.pt/dispatcher?where=4&what=2&show=4&edicao_id=4498&lang=PT.
  2. Novak, Jelena. Percussive Silence of Words. 2005. http://5.206.228.8/dispatcher?where=3&what=2&show=0&edicao_id=3324&lang=EN.
  3. Novak, Jelena. Prosthetic Music, Michel van der Aa’s Case. 2004. https://www.vanderaa.net/prostheticmusic.
Revisão de livro
  1. Novak, Jelena. "The Stage Works of Philip Glass. Robert F. Waters". Revisão de The Stage Works of Philip Glass 105, 1 (2024): https://doi.org/10.1093/ml/gcae021.
    Publicado • https://doi.org/10.1093/ml/gcae021
  2. Novak, Jelena. "Eric Salzman & Thomas Desi, The New Music Theater: Seeing the Voice, Hearing the Body". Revisão de The New Music Theater: Seeing the Voice, Hearing the Body 3, 2 (2009):
    Publicado
  3. Novak, Jelena. "Maaike Bleeker: Anatomy live: Performance and the Operating Theatre". Revisão de Anatomy live: Performance and the Operating theatre 144-145, (2008):
    Publicado
  4. Novak, Jelena. "John Richardson, Singing Archeology, Philip Glass's Akhnaten". Revisão de Singing Archaeology 29, 126-127 (2004):
    Publicado
Tese / Dissertação
  1. Novak, Jelena. "Singing corporeality: reinventing the vocalic body in postopera". Doutoramento, Universiteit van Amsterdam, 2012. https://dare.uva.nl/search?identifier=53bea21b-f43b-40b7-999e-42fca17110c5.

Artística / Interpretação

Exposição de curadoria/museu
  1. 2019. "Post-Opera". In “Post-Opera”.
  2. 2006. "Composers in the First Person, festival". In Composers in the First Person, 2nd edition.
  3. Louis Andriessen, Gilius van Bergeijk, Bernhard Lang, Jasna Velickovic. 2004. "Composers in the First Person, festival". In Composers in the First Person, 1st edition.
Guião
  1. Novak, Jelena. Mozart, Luster, Lustik, opera by Irena Popovic Dragovic /co-author of libretto/. 2006.
  2. Novak, Jelena. Il Signor Bruschino, opera, music by Gioacchino Rossini (Chamber opera Madlenianum, Belgrade) /dramaturge/. 2000.
  3. Novak, Jelena. Orfej u podzemlju, dance, music by M.Kedrov, B.Eno, E.Morricone, J.Taverner, M.Oldfield, I.Stravinski (Chamber opera Madlenianum, Belgrade) /librettist/. 1999.
Interpretação artística
  1. 2001. DreamOpera, opera, theoretical performance, music by Jasna Velickovic /performer, musicology advice/. (Tartini Theatre Piran; National Theatre, Belgrade; MAMA, Zagreb).
Obra teatral
  1. Irena Popovic Dragovic. 2022. Deca (Children), an opera in 17 songs.
  2. Michal Grover Friedlander, Eli Friedlander. 2019. LIMBO an Opera.
  3. Bojan Djordjev, Sinisa Ilic, Marta Popivoda, Ana Vujanovic. 2009. Les Enfants Terribles, dance opera by Philip Glass (from Cocteau Trilogy) /dramaturge/.
  4. 2005. Operrra is a Female, music theatre, music by Jennifer Walshe, Anja Ðordevic, Goran Kapetanovic /performer, dramaturge, musicology advice/.
  5. 2003. The Dracula Project, theoretical spectacle, music by Jasna Velickovic /performer, musicology advice/.

Outros

Outra produção
  1. Um libreto para ficarem em casa seus anormais. Musical theatre, music by Vitor Rua, based on text by Rodrigo García, directed by Albano Jeronimo /musicology advice/ Teatro Dona Maria. 2017. Novak, Jelena.
  2. Not a Pillar Not a Pile (Tanz fur Dore Hoyer). Multichannel audio-video work by Katarina Zdjelar /musicology advice/ Kunsthale Rotterdam. 2017. Novak, Jelena.
  3. El Retablo de Maese Pedro, opera, music by M. de Falla (Rex Cultural Center, Belgrade) /producer/. 1998. Novak, Jelena.
  4. Bastien&Bastienne, opera, music by W.A. Mozart (Rex Cultural Center, Belgrade) /producer/. 1996. Novak, Jelena.
  5. Dido and Aeneas. opera, music by Henry Purcell (National Museum, Belgrade) /musicology advice/. 1995. Novak, Jelena.
Atividades

Apresentação oral de trabalho

Título da apresentação Nome do evento
Anfitrião (Local do evento)
2024/01/27 Opera in the Expanded Field: Beyond Human, beyond Operatic New Opera and Music Theatre and Other Problems
Waseda University (Tokyo, Japão)
2023/11/03 Ontology of Posthuman Voice and Reinvention of Singing Encontro Vozes da Voz nas Artes Vivas
Instituto Politécnico de Lisboa (Lisbon, Portugal)
2023/09/10 Opera beyond West: The Case of Bintou Wéré, a Sahel Opera African Operatic Voice": Opera and Music Theatre in Africa and the African Diaspora
University of Bern (Bern, Suiça)
2023/04/11 Landscape Dramaturgy and Postopera: Singing after perspective International conference Spaces of Musical Production / Production of Musical Spaces
Università degli Studi di Milano and Triennale Milano (Milan, Itália)
2023 What's Not There? Heiner Goebbels’ Aesthetics of Absence and Division Between Visual and Acoustic Stage in Recent Opera and Musical Theatre The Aesthetics of Absence in Music of the 21st Century
University of Oslo (Oslo, Noruega)
2022/10/14 Opera in the Expanded Field workshop Opera Past Present Perfect
Nieuw Geneco (Amsterdam, Países Baixos)
2022/06/25 From Sahel Opera to An Opera of the World: Notes on Opera beyond West Transnational opera conference TOSCA
University of Bayreuth (Bayreuth)
2022/04/07 SINGING UPLOADED: Vocaloids, Mixed Realities and Singing Machines Digital Performing Arts: Participatory Practices in Digital Age
University of Arts, Belgrade, Serbia and Birmingham City University, Birmingham, UK (Belgrade, Sérvia)
2022 Glocal Networks and Transmedia Flow of Opera and Multimedia Performances in the 21st Century, roundtable discussion moderated by Jingyi Zhang 21st Quinquennial IMS Congress (IMS2022)
School of Philosophy of the National and Kapodistrian University of Athens (Athens, Grécia)
2021/06/30 Song, Car and Screen: Notes on Musical Theatre and Automobility Song, Stage and Screen XV
Salzburg University (PLUS) and Anton Bruckner Private University (Linz) (Salzburg and Linz, Áustria)
2021/05/27 L is for Liquid, Loop, Laurie: Absent Voices of ‘Spending the War without You’ Watershed Festival Symposium
Watershed Festival (Ontario, Canadá)
2020/05 ”The Cultural History of Contemporary Opera: Serbia as Case Study” International conference Music and Art in the Shaping of European Cultural Identity, granted by Erasmus + program
University of Arts, Faculty of Music (Belgrade, Sérvia)
2020 Opera beyond Human: Vocaloids, Mixed Realities and Singing Machines Opera in Flux: Identity, Staging, Narrative
School of Theatre and Music, University of Illinois Chicago (online, Estados Unidos)
2020 LISTEN, WATCH AND INTERACT: Music as App in the Age of Posthuman Like, share and Subscribe: Youtube, Music and Share Culture before and after the New Decade
CESEM, FCSH, Universidade NOVA de Lisboa (online, Portugal)
2019/12/05 “Einstein on the Beach: Opera beyond Drama” guest lecture
University of Tel Aviv (Tel Aviv, Israel)
2019/11 “After Opera: Einstein on the Beach” invited lecture, MA is scenic arts courses
Universidade NOVA de Lisboa (Lisbon, Portugal)
2019/08/22 “Coloratura through Minimalist Grid: Institutional Theory of Art and Un’Opera Italiana by Tom Johnson” Minimalism Extended: The Seventh International Conference on Minimalist Music
Cardiff University (Cardiff, Reino Unido)
2019/07 “Opera beyond the City: Vocaloids, Mixed Realities and Singing Machines” International conference “Opera and the City: Technologies of Displacement and Dissemination”
National Theater of São Carlos; CESEM; Cinemateca (Lisbon, Portugal)
2019/06 “Dog, Voice, Opera” 8. Seminário Música, Teoria Crítica e Comunicação
CESEM (Lisbon, Portugal)
2019/05/18 "Installing the Operatic" Installing the Voice, International symposium
TENT Rotterdam, Operadagen festival, CESEM (Rotterdam, Países Baixos)
2019/04 “Post-Opera and Voice” Guest lecture (with Kris Dittel)
Piet Zwart Institute (Rotterdam, Países Baixos)
2019/03/01 “Odbranimo humanistiku” (Let’s Defend Humanities) Operofilia book launch
National Library (Belgrade, Sérvia)
2019 Invited pre-concert talk with Lucinda Childs related to the performance of “Einstein on the Beach” by Philip Glass and Robert Wilson at Operadagen Rotterdam Operadagen Rotterdam
Tobias Kokkelmans (Rotterdam, Países Baixos)
2018/12/31 “Constructing Canine Vocality” Human Voice, Animal Voice, International conference
University of Tel Aviv (Tel Aviv, Israel)
2018/12/03 “Loaded Singing: Opera, Realism and Politics / Perspectives from Latin America” Instrumental Theatre. Music and the Stage in Latin America (1954-2006), International Conference
Casa del Bicentenario, Centro de Arte Sonoro (CASo) (Buenos Aires, Argentina)
2018/05 "Cinematography with a Scent of Opera: Films and their Singing Derivatives" Opera through the eyes of Film, international conference
University of Chicago (Chicago, Estados Unidos)
2018/04 "Opera beyond Itself: Installing the Operatic" International conference Experiments in Opera Today
Heyman Center, Columbia University (New York, Estados Unidos)
2017/05/19 “Installing the Operatic” International conference “The Operatic”
Center for research of Music Theatre (CROMT), University of Sussex (Brighton, Reino Unido)
2017 “Instaliranje operskog” Musicological Forum
Serbian Academy of Arts and Sciences (Belgrade, Sérvia)
2017 “Beyond Einstein on the Beach” MA is scenic arts courses
Universidade NOVA de Lisboa (Lisbon, Portugal)
2016 “Shaggy–Dog Minimalism in Operas by Tom Johnson” International conference "Minimalism: Location Aspect Moment"
Winchester Guildhall and Winchester School of Art (Winchester, Reino Unido)
2015/09 “Opera on the Horizon of Postminimalism” Minimalism Unbounded, The Fifth International Conference on Music and Minimalism
University of Turku; Sibelius Academy, University of the Arts, Helsinki, Finland (Turku, Helsinki, Finlândia)
2015/05 “Singing, Ventriloquism and the Body: Performing the Voice in Postopera” 23rd ICTM Colloquium Between Speech and Song: Liminal Utterances
Paris West University Nanterre La Défense (Paris, França)
2015/02/14 “Documentary Singing: Performing the Voice in Music by Steve Reich” Steve Reich Study Day
Kings Place, Society for Minimalist Music (Lonson, Reino Unido)
2015 “Singing Gender as a Performance” Musical Trouble: After Butler, colloquium
NEGEM, CESEM (Lisbon, Portugal)
2015 Public talk about Koyaanisqatsi (1982) dir. Godfrey Reggio (music by Philip Glass), Bodysong (2003) dir. Simon Pummell (music by Jonny Greenwood), Decasia (2002) dir. Bill Morrison (music by Michael Gordon) “Atrás do Som e da Imagem”
O’culto da Ajuda (Lisbon, Portugal)
2014/12/11 “Minimalism and Postminimalism” Radio as a Pillar of Development of Serbian and Yugoslavian Art and Culture
Musicology Institute SANU (Belgrade, Sérvia)
2014/04/23 “In Transit: from Operndorf to Youtube Symphony” Musical Practices – Continuities and Transitions, XII. International Conference of the Department of Musicology
Department of Musicology, Faculty of Music, Belgrade University of Arts (Belgrade, Sérvia)
2014 “Postopera: Reinventing the Vocalic Body” Musicological Forum
Serbian Academy of Arts and Sciences (Belgrade, Sérvia)
2013/01/04 “Will it Get Some Wind for the Sailboat? The Life and Times of Postopera” International Symposium “Einstein on the Beach: Opera after Drama”
University of Amsterdam (Amsterdam)
2013 “From Einstein to Disney: Political Economy of Opera beyond Drama” Fourth International conference for Music and Minimalism
UCLA and the California State University, Long Beach (Los Angeles, Estados Unidos)
2013 “Classical music and Ventriloquist Dance: Le Sacre du Printemps Reinvested” Simpósio Cem Anos de Sagração da Primavera (1913-2013)
CESEM, Universidade NOVA de Lisboa (Lisbon, Portugal)
2012/11/09 “Operatizing the Film” International conference Opera and Cinema: The Politics of an Encounter
CESEM, Universidade NOVA de Lisboa (Lisbon, Portugal)
2012 “Politics of Turbo-folk” Seminário «Estética e Política entre as Artes»
Universidade NOVA de Lisboa (Lisbon, Portugal)
2012 “Postopera and Moving Image: Singing Body beyond the Screen” Conference: Das Wohnzimmer als Loge. Von der Fernsehoper zum medialen Musiktheater
Universitat Siegen (Siegen, Alemanha)
2012 “Reinventing the Vocalic Body in Postopera” Seminar “MÚSICA, TEORIA CRÍTICA E COMUNICAÇÃO”
CESEM, Universidade NOVA de Lisboa (Lisbon, Portugal)
2012 “Body and Voice, Divided: Singing Corporeality in the Age of Media” International conference Astonished and Terrified: Opera and the Transformation of the World by Technology
Centre for Research in Opera and Music Theatre, University of Sussex (Brighton, Reino Unido)
2011/10 “La Commedia, Vocal Travesty and Reinvention of Body-Voice – Gender Construct” The Third International Conference on Minimalist Music
Katholieke Universiteit Leuven (Leuven, Bélgica)
2011 "Writing to Vermeer: Singing Letters and Opera after Drama" International Symposium: Time, Realism and Convention in Recent Opera
University of Sussex (Brighton, Reino Unido)
2011 "From Minimal Music to Postopera: Repetition, Representation and (Post)Modernity" Second Colloquium of Society for Minimalism in Music
University of Wolverhampton (Birmingham, Reino Unido)
2010/03 “Prosthesis, Ventriloquism, Travesty: Reinventing Singing in the Age of Media” International Workshop Opera in Medial Transformation
European Institute (Florence, Itália)
2008 “Il Ruolo della musica contemporanea nella cultura europea” lecture/roundtable discussion
RisonanzExpo (Pescara, Itália)
2005 “Representation of Body in Music Theatre” lecture
Department of Musicology, Faculty of Music, University of Arts (Belgrade, Sérvia)
2005 “Opera in the Age of Media” guest lecture
Faculty of Arts (Ljubljana, Eslovénia)
2004 Opera as Mass-Media Art Lecture series at MIC
Music Information Center (Belgrade, Sérvia)
2002/04 “Music and Postmodernity in Yugoslavia” guest lecture
Norvegian Academy of Music (Oslo, Noruega)
2002 Opera in the Age of Media Lecture series at MIC
Music Information Center, Belgrade (Belgrade, Sérvia)

Orientação

Título / Tema
Papel desempenhado 		Curso (Tipo)
Instituição / Organização
2023 - Atual Voz, luto e resistência: a expressão vocal no trabalho do luto, a vocalização do luto no trabalho da criação
Orientador
 master (Mestrado)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2022 - 2024/01/05 O Som do Corpo
Coorientador
 Master in Performing Arts (Mestrado)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2021 - 2023/10/06 Effets Mer
Orientador de Rita da Cunha Monteiro Rebelo de Andrade
 Master in Performing Arts (Mestrado)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2020/09 - 2021/01 Opera "O Corvo Branco" by Philip Glass and Robert Wilson. Postdramatic perspectives.
Orientador
 post-doc (Outra)
Universidade Federal de Mato Grosso, Brasil
2018 - 2020 “Descrever (Com Chantal Akerman). Tanto tempo tinha passado. Eu estou aqui.”
Coorientador
Pontifícia Universidade Católica do Rio de Janeiro, Brasil

Organização de evento

Nome do evento
Tipo de evento (Tipo de participação) 		Instituição / Organização
2019/06/24 - 2019/06/25 Opera and the City: Technologies of Displacement and Dissemination, International Conference, co-host with Joao Pedro Cachopo (2019/06/24 - 2019/06/25)
Conferência (Coorganizador)
 Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Teatro Nacional de São Carlos, Portugal

Cinemateca Portuguesa Museu do Cinema, Portugal
2019/05/18 - 2019/05/18 International symposium "Installing the Voice" (2019)
Simpósio (Membro da Comissão Organizadora)
2013/01/05 - 2013/01/06 Einstein on the Beach: Opera after Drama, co-organizer with Sander van Maas (2013)
Simpósio (Coorganizador)
 Universiteit van Amsterdam, Países Baixos

Júri de grau académico

Tema
Tipo de participação 		Nome do candidato (Tipo de grau)
Instituição / Organização
2024/02/12 Extended Characters: Opera's Fascination with Reconfiguring the Character-Performer Relationship in the Twenty-First Century
Arguente
 Eva van Daele (Doutoramento)
Universiteit Gent Faculteit Letteren en Wijsbegeerte, Bélgica

Arbitragem científica em conferência

Nome da conferência Local da conferência
2019 - Atual International conference “Opera and the City: Technologies of Displacement and Dissemination” CESEM, Universidade NOVA de Lisboa, Teatro Nacional Sao Carlos
2011 - Atual Third International Conference on Music and Minimalism Katholieke Univ. Leuven, Belgium
2024/05/29 - 2024/05/31 Minimalism Intersections, The Ninth International Conference on Music and Minimalism Serbian Academy of Sciences and Arts
2023/07/06 - 2023/07/08 5th Transnational Opera Studies Conference (Tosca) FCSH, Universidade NOVA de Lisboa
2023/02/23 - 2023/02/25 Music and Transcendence in a Posthuman Age Pierre-Péladeau Centre (UQAM)
2020/09/24 - 2020/09/26 Shaping the Present by the Future: (Ethno)musicology in/and Contemporaneity, International conference Serbian Academy of Arts and Sciences
2019/05/18 - 2019/05/18 Installing the Voice, International symposium TENT Rotterdam, Operadagen festival, CESEM
2016 - 2016 ‘LOG IN, LIVE ON’ música e cibercultura na era da Internet of Things Organization: SociMus (CysMus)/CESEM, Universidade Nova de Lisboa
2013/01/05 - 2013/01/06 Einstein on the Beach: Opera after Drama, International symposium University of Amsterdam

Arbitragem científica em revista

Nome da revista (ISSN) Editora
2023 - Atual Sound, Stage, Screen University of Milan
2022 - Atual Revista Portuguesa da Musicologia SPIM, Sociedade Portuguesa de Investigação em Música, INET-md, Instituto de Etnomusicologia – Centro de Estudos em Música e Dança, e CESEM, Centro de Estudos de Sociologia e Estética Musical
2019 - Atual Journal of Contemporary Music, Art and Technology INSAM (Institute for Contemporary Artistic Music)

Consultoria / Parecer

Descrição da atividade Instituição / Organização
2020 - Atual peer reviewer Journal of the American Musicological Society, Estados Unidos
2019 - Atual Editorial board, INSAM Journal of Contemporary Music, Art and Technology
2018 - Atual peer reviewer Journal "Nuove Musiche", Itália
2018 - Atual peer reviewer Journal of Musicological Research, Estados Unidos
2017 - Atual peer reviewer Journal Muzikologija, Sérvia
2003 - Atual Editorial board, Muzicki Talas magazine
2005 - 2015 Corresponding editor, Nutida Musik
2002 - 2009 peer reviewer TkH journal, Sérvia
2001 - 2006 Editorial board Treci program journal Radio Belgrade 3, Sérvia
2001 - 2006 Editorial board, TkH Journal
2001 - 2005 Editorial board for music program Radio Belgrade 3, Sérvia

Curso / Disciplina lecionado

Disciplina Curso (Tipo) Instituição / Organização
2019 - Atual 'Music Theatre Spectacle' is a course that makes part of Master in Performing Arts at FCSH, Universidade NOVA de Lisboa. It gives insight into the mapping and history of contemporary opera and discusses the question of why and how is still possible to sing today. Master (Mestrado) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2015/01 - 2015/04 Module “Opera, New Media and Singing Body” MA in Scenic Arts Universidade Nova de Lisboa, Portugal
2014/01 - 2014/04 Module “Opera, New Media and Singing Body” (MA in Scenic Arts)
2009 - 2009 Module: “Music as Text: from Formalist to Semiotic Analysis” MA in Art Theory and Theory of Media, Interdisciplinary Postgraduate Studies Univerzitet umetnosti Beogradu, Sérvia
2001 - 2002 Course: Art Theory, MA in Art Theory and Theory of Media MA in Art Theory and Theory of Media Univerzitet umetnosti Beogradu, Sérvia
2001 - 2002 Performance Theory performance theory (Outros) CENPI, Center for New Theatre and Dance, Sérvia

Entrevista / Programa (rádio / tv)

Programa Tema
2020/03/09 - 2020/03/09 Music Matters, BBC Radio 3 Game Changers, interview about the book Einstein on the Beach: Opera beyond Drama
2015/02/19 - 2015/02/19 Radio Belgrade 2 and Radio Belgrade 3 Text for the Intermission of direct broadcast of Mozart’s opera “Don Giovanni” from Matropoliten Opera in New York

Membro de associação

Nome da associação Tipo de participação
2018 - Atual American Musicological Society
2012 - Atual SPIM – Portuguese Society of Music Research
2009 - Atual Union of Serbian Composers and Musical Writers
2007 - Atual Society for Minimalist Music
2000 - Atual Slovenian Musicology Society, Ljubljana, Slovenia
2018 - 2019 Special Interest Group for Voice Studies, The Society for Ethnomusicology Co-chair
2004 - 2011 CHINCH, Initiative for Research and Production of Contemporary Music, “Live” and Visual Arts director
2001 - 2010 TKH (Walking Theory), Center for Theory and Practice of Performing Arts (Belgrade)

Membro de comissão

Descrição da atividade
Tipo de participação 		Instituição / Organização
2019 - Atual Steering Committee, Society for minimalist Music
Membro
 Society for Minimalist Music, Reino Unido
2011 - 2015 Steering Committee, Society for minimalist Music
Membro
 Society for Minimalist Music, Reino Unido

Tutoria

Tópico Nome do aluno
2019/04 - 2019/04 Installing the Voice Piet Zwart Institute, Rotterdam, master students
Distinções

Prémio

2022 City of Belgrade Award for Music Theatre
Grad Beograd, Sérvia
2020 Pavle Stefanovic Award
Composers' Association of Serbia, Sérvia
2013 Thurnau Award
2010 Bozidar Valtrovic theatre award
Little Theatre Dusko Radovic, Sérvia

Outra distinção

2013 FCT Postdoc research grant
Foundation for Science and Technology (FCT), Portugal
2007 Hyugens grant
Nederlands organisatie voor internationale samenwerking in het hoger onderwijs, Países Baixos
2003 Huygens grant
Nederlands organisatie voor internationale samenwerking in het hoger onderwijs, Países Baixos
2003 British Council travel grant
2002 Research Council of Norway Grant
Norges forskningsråd, Noruega
2000 Pro Helvetia travel grant