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Identification

Personal identification

Full name
Elsa De Luca

Citation names

  • De Luca, Elsa

Author identifiers

Ciência ID
051E-2F38-CA4C
ORCID iD
0000-0001-8020-2697
Google Scholar ID
z4swOJQAAAAJ&hl
Scopus Author Id
56950314800

Websites

Knowledge fields

  • Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)

Languages

Language Speaking Reading Writing Listening Peer-review
Italian Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
English Intermediate (B1) Advanced (C1) Intermediate (B1) Intermediate (B1)
Portuguese Intermediate (B1) Advanced (C1) Intermediate (B1) Intermediate (B1)
French Intermediate (B1) Advanced (C1) Beginner (A1) Intermediate (B1)
Spanish; Castilian Beginner (A1) Advanced (C1) Beginner (A1)
Education
Degree Classification
2019
Concluded
Certificado de registo de formador acreditado pelo CCPF, A125 Educação Musical/Música (Curso de Especialização Tecnológica)
Conselho Científico-Pedagógico da Formação Contínua, Portugal
2007/09 - 2011/01
Concluded
Arti, Storia e Territorio dell'Italia nei rapporti con l'Europa e i Paesi del Mediterraneo (Dottorato di Ricerca)
Major in Musica Medievale
Università del Salento, Italy
"I manoscritti musicali dell’Archivio di San Nicola a Bari: elementi francesi nella musica e nella liturgia" (THESIS/DISSERTATION)
2000/09 - 2005/11
Concluded
Beni Culturali (Laurea)
Major in Beni Musicali
Università del Salento, Italy
"La tradizione musicale degli Exultet con notazione beneventana in campo aperto" (THESIS/DISSERTATION)
110 e lode
1993/11 - 2002/09
Concluded
Pianoforte (Laurea Magistrale)
Istituto Musicale Pareggiato ai Conservatori di Stato, Italy
9/10
Affiliation

Science

Category
Host institution
Employer
2019/02/01 - Current Contracted Researcher (Research) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2011/05 - 2013/04 Postdoc (Research) Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Others

Category
Host institution
Employer
2016/10/01 - 2019/01 Bolseira de pos-doutoramento a trabalhar no projeto "Portuguese Early Music database" Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2013/05/01 - 2016/08/01 Postdoc Research Assistant in Medieval Musicology University of Bristol, United Kingdom
Projects

Grant

Designation Funders
2023/04/01 - 2030/03/31 Digital Analysis of Chant Transmission - SSHRC Partnership Grant. Stage 2
Co-Investigator and Team Lead for 'MEI and DACT'
Dalhousie University, Canada
Social Sciences and Humanities Research Council of Canada
Ongoing
2023/03/01 - 2026/02/28 Echoes from the Past: Unveiling a Lost Soundscape with Digital Analysis
Principal investigator
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2022 - 2022 Digital Analysis of Chant Transmission - SSHRC Partnership Grant. Stage 1
Co-applicant
Dalhousie University, Canada
Social Sciences and Humanities Research Council of Canada
Concluded
2017/11/09 - 2017/11/12 American Musicological Society Keitel-Palisca / Membership and Professional Development Travel Grant to attend the AMS Annual Meeting, Rochester, NY (USA)
.
Applicant and only recipient of the grant
American Musicological Society Inc
Concluded
2016 - 2016 Interdisciplinary Workshop 'Palaeography of Old Hispanic Manuscripts: Music, Text and Beyond'
.
Applicant
Plainsong and Medieval Music Society
Concluded

Contract

Designation Funders
2021/01/01 - 2025/12/31 Laboratório Associado para a Investigação e Inovação em Património, Artes, Sustentabilidade e Território
LA/P/0132/2020
Universidade do Minho, Portugal

Universidade Nova de Lisboa Instituto de Historia da Arte, Portugal

Centro em Rede de Investigação em Antropologia, Portugal

Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Universidade do Minho Laboratório de Paisagens Património e Território, Portugal

ISCTE-Instituto Universitário de Lisboa, Portugal

Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal

Universidade de Coimbra, Portugal

Universidade de Évora, Portugal

Universidade NOVA de Lisboa, Portugal

Instituto de História Contemporânea, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2021/01/01 - 2023/12/31 Text and Voices Lost and Found. Recovering, Reconstituting and Recreating Musical Fragments (c. 1100-c. 1600)
PTDC-ART-PER-0902-2020
PTDC/ART-PER/0902/2020
Universidade NOVA de Lisboa, Portugal

Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2019/01/01 - 2019/12/31 Research Centre for the Sociology and Aesthetics of Music
UID/EAT/00693/2019
Universidade NOVA de Lisboa, Portugal
Fundação para a Ciência e a Tecnologia
Concluded
2010/01/01 - 2013/05/15 Intercâmbios Musicais, 1100-1650: A circulação de música antiga na Europa e além-mar nas fontes ibéricas e conexas
PTDC/EAT-MMU/105624/2008
Collaborator
Fundação para a Ciência e a Tecnologia
Concluded

Other

Designation Funders
2011 - Current The Portuguese Early Music Database
Researcher
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Ongoing
2022/01 - 2023/12 The Musical Manuscripts from the Monastery of Belém: the Exploration of an Unknown Hieronymite Tradition
EXPL/ART-PER/1031/2021
Researcher
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Fundação para a Ciência e a Tecnologia
Concluded
2019 - 2023/03 Digital Analysis of Chant Transmission. SSHRC Partnership Development grant
Collaborator
Social Sciences and Humanities Research Council of Canada, Canada
Social Sciences and Humanities Research Council of Canada
Concluded
2014 - 2020 Single Interface for Music Score Searching and Analysis
Other
Social Sciences and Humanities Research Council of Canada, Canada
Concluded
2014 - 2018 Cantus Ultimus: Building the Ideal Online Plainchant Research Environment
Other
McGill University Centre for Interdisciplinary Research in Music Media and Technology, Canada
Social Sciences and Humanities Research Council of Canada
Concluded
2013/02/01 - 2016/08 Shaping text, Shaping melody, Shaping experience in and through the Old Hispanic office
info:eu-repo/grantAgreement/EC/FP7/313133/EU
Post-doc
European Research Council
Concluded
2013 - 2016 Chant Editing and Analysis Program
Paleographical consultant
University of Bristol Department of Music, United Kingdom
European Research Council
2012 - 2013 Graduale Fulltext Database
SFRH /BPD/ 72683 /2010 /J552041XkBjn
Co-Founder
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Concluded
2011 - 2011 Musique et Musiciens dans les Saintes-Chapelles, XIIIe - XVIIIe siècle
.
Researcher
Centre d'Études Supérieures de la Renaissance, France
Concluded
2005 - 2007 RAPHAEL Project
Research Fellow
Università del Salento, Italy
Concluded
Outputs

Publications

Book
  1. Moody, Ivan. The Materiality of Sound in Chant Manuscripts in the East. Belgium. 2024.
    Accepted • Editor
  2. De Luca, Elsa. The Materiality of Sound in Chant Manuscripts in the West. Belgium: Brepols. 2023.
    Published • Editor
  3. Elsa De Luca; Julia Flanders. Music Encoding Conference Proceedings. Tufts University. 2020.
    Published • http://dx.doi.org/10.17613/mvxw-x477 • Editor
Book chapter
  1. De Luca, Elsa. "Local Liturgical Uses". In Handbook of Medieval Latin Liturgy, edited by DiCenso, Daniel; Irving, Andrew. Brill, 2025.
    Accepted
  2. De Luca, Elsa; Haines, John. "Medieval Musical Notes as Cryptography". In A Material History of Medieval and Early Modern Ciphers: Cryptography and the History of Literacy, edited by {Ellison, 30-47. New York and London, United States: Routledge, 2018.
    Published
  3. De Luca, Elsa. "L'aggiunta manoscritta all'"Editio Medicaea" di Trento : un "Ordinarium", un Credo e un "Lauda Sion"". In Cantus fractus italiano: un’antologia, 399-430. Italy: Georg Olms Verlag, 2012.
    Published
Book review
  1. De Luca, Elsa. "Maloy, R. Songs of Sacrifice: Chant, Identity, and Christian Formation in Early Medieval Iberia. Pp. 352. AMS Studies in Music. (Oxford University Press, New York and Oxford, 2020. ISBN 978-0-19-007153-0). Music & Letters". 102, 3 (2021): 599-560. https://doi.org/10.1093/ml/gcab064.
    Published • 10.109/ml/gcab
  2. De Luca, Elsa. "Juan Pablo Rubio Sadia, La transición al Rito romano en Aragón y Navarra: Fuentes, escenarios, tradiciones (Napoli, Editrice Domenicana Italiana, 2018), ISBN: 978-88-94876-27-7. Portuguese Journal of Musicology, new series". 6, 1 (2019): 237-242. https://novaresearch.unl.pt/en/publications/0b1bcb68-bb83-46ae-8c21-695cc955132e.
    Published
  3. De Luca, Elsa. "Nardini, L. Interlacing Traditions: NeoGregorian Chant Propers in Beneventan Manuscripts. Toronto: Pontifical Institute of Mediaeval Studies, 2016 (Monumenta Liturgica Beneventana 8. Studies and Texts 205). Music & Letters". 99, 2 (2018): 276-278. https://doi.org/10.1093/ml/gcy040.
    Published • https://doi.org/10.1093/ml/gcy040
  4. De Luca, Elsa. "Manuscripts and Medieval Song: Inscription, Performance, Context. Early Music Performer". 40, (2017): 31-33. https://novaresearch.unl.pt/en/publications/533bcc9b-ddaf-412f-aeed-bacbf8628d02.
    Published
  5. De Luca, Elsa. "Scarcez, Alicia. L'Antiphonaire 12 AB de Westmalle dans l'histoire du chant cistercien au XIIe siècle. Introduction historique, analyse, fac-similés, tableaux et index. Revue de Musicologie". 98, 1 (2012): 247-249.
    Published
  6. De Luca, Elsa. "Parmeggiani, C. ed. Canto e Colore. I corali di San Domenico di Perugia nella Biblioteca comunale di Augusta (XIII - XIV). Perugia: Volumnia Editrice, 2006. Rivista Italiana di Musicologia". 42, 1 (2007): 137-141.
  7. De Luca, Elsa. "Gabrielli, G. Il canto fratto nei manoscritti della Fondazione Biblioteca S. Bernardino di Trento. Provincia autonoma di Trento, 2005 (Patrimonio storico e artistico del Trentino, 28). Rivista Italiana di Musicologia". 41, 2 (2006): 339-342.
Conference abstract
  1. De Luca, Elsa; Alexandru, Maria; Fujinaga, Ichiro. Corresponding author: De Luca, Elsa. "Brainstorming on the Encoding of Eastern Neumes: Middle-Byzantine Notation as a Case-Study". Paper presented in Encoding Cultures – joint MEC and TEI Conference, Paderborn, 2023.
    Published
  2. De Luca, Elsa; Behrendt, Inga; Fujinaga, Ichiro; Helsen, Kate; Morent, Stefan. Corresponding author: De Luca, Elsa. "Visual or Symbolic? Best Practices for Encoding Neumes". Paper presented in Encoding Cultures – joint MEC and TEI Conference, Paderborn, 2023.
    Published
  3. De Luca, Elsa. "Music & Liturgy in Medieval Portugal: Plainchant Fragments in Braga and Guimarães". Paper presented in 49th Medieval and Renaissance Music Conference, Lisbon, 2021.
    Published
  4. De Luca, Elsa. "Aquitanian Notation in Iberia: Plainchant Fragments in Braga and Guimaraes". Paper presented in The image of piety in medieval manuscripts in Slovakia and in Europe, Bratislava, 2020.
    Published
  5. Seiça, Alberto Medina de; De Luca, Elsa; Boudeau, Océane. "Painel «Monodia sacra: fontes, tradições, diálogos»". Paper presented in 9º ENCONTRO DE INVESTIGAÇÃO EM MÚSICA / 9th CONFERENCE ON MUSICAL RESEARCH, Lisboa, 2019.
    Published
  6. De Luca, Elsa; Jennifer Bain; Inga Behrendt; Ichiro Fujinaga; Kate Helsen; Alessandra Ignesti; Debra Lacoste; Sarah Ann Long. Corresponding author: De Luca, Elsa. "Cantus Ultimus' MEI Neume Module and its Interoperability Across Chant Notations". Paper presented in Music Encoding Conference, Vienna, 2019.
    Published
  7. De Luca, Elsa. "The music scribes of the León Antiphoner: layers of interventions on the notation". Paper presented in IX Encontro Nacional de Investigação em Música, Lisbon, 2019.
    Published
  8. De Luca, Elsa. "Nuove prospettive di ricerca paleografica nelle notazioni neumatiche iberiche". Paper presented in XXVI Convegno annuale della Società Italiana di Musicologia, Matera, 2019.
    Published
  9. De Luca, Elsa. "The Neumes of the León Antiphoner: Written and Oral Transmission in Old Hispanic Chant". Paper presented in Annual Meeting of the American Musicological Society, Rochester, 2017.
    Published
  10. De Luca, Elsa. "The Portuguese Early Music Database". Paper presented in Interdisciplinary Conference on Iberian Manuscripts, Lisbon, 2017.
    Published
  11. De Luca, Elsa. "Changes in Old Hispanic Notation in the Tenth and Eleventh Century". Paper presented in International Musicological Society 20th Quinquennial Congress, Tokyo, 2017.
    Published
  12. De Luca, Elsa. "A Gradual from Sens in Lisbon". Paper presented in VI Encontro Nacional de Investigação em Música, Aveiro, 2016.
    Published
  13. De Luca, Elsa. "Musical Cryptography: an Elitist Code for Visigothic Scribes". Paper presented in Medieval and Renaissance Music Conference, Brussels, 2015.
    Published
  14. De Luca, Elsa. "Os fragmentos de canto chão da Biblioteca Pública de Braga". Paper presented in I Encontro Nacional De Investigação Em Música, 2011.
    Published
Conference paper
  1. De Luca, Elsa; Utidjian, Haig. "Challenging the MEI Neumes Module: Encoding Armenian Neumes". Paper presented in Music Encoding Conference, Halifax, 2022.
    Published
  2. De Luca, Elsa. "Il rito parigino Duecentesco nei manoscritti di San Nicola di Bari". Paper presented in Secondo Seminario Internazionale Celesti Sirene, San Severo (FG), 2015.
    Published
  3. De Luca, Elsa. "A Methodology for Studying Old Hispanic Notation: Some Preliminary Thoughts". Paper presented in Cantus Planus, Venice, 2014.
    Published
  4. De Luca, Elsa; Marangi, Valentina. "Rhythmic and Proportional Hidden or Actual Elements in Plainchant: Computerized Census and Integral Restoration of a Neglected Musical Repertoire [RAPHAEL project]". Paper presented in Il ‘nuovo’ in musica e in musicologia: estetiche tecnologie linguaggi, Trento, 2008.
    Published
Dictionary entry
  1. Elsa De Luca; Bianca Maria Antolini. "Giovanni, Gregorio de Gregori". In Dizionario degli editori musicali italiani, edited by Antolini, {Bianca Maria. Edizioni ETS, 2018. https://novaresearch.unl.pt/en/publications/cd65d5bb-e80d-4df9-b707-5eaa612d3abe.
  2. Elsa De Luca; Bianca Maria Antolini. "Paganini (famiglia)". In Dizionario degli editori musicali italiani, edited by Antolini, {Bianca Maria. Edizioni ETS, 2018. https://novaresearch.unl.pt/en/publications/e534b7dd-6e12-403e-82ab-ad10d721c185.
  3. Elsa De Luca; Bianca Maria Antolini. "Sessa (famiglia)". In Dizionario degli editori musicali italiani, edited by Antolini, {Bianca Maria. Edizioni ETS, 2018. https://novaresearch.unl.pt/en/publications/86ed6433-ed38-47e3-96d2-e5e403ac36ec.
  4. Elsa De Luca; Bianca Maria Antolini. "Emerich Johann (Giovanni da Spira)". In Dizionario degli editori musicali italiani, edited by Antolini, {Bianca Maria. Edizioni ETS, 2018. https://novaresearch.unl.pt/en/publications/266efe84-95fe-4b80-8e4f-b4805f8f3d9e.
  5. Elsa De Luca; Bianca Maria Antolini. "Giunta (famiglia)". In Dizionario degli editori musicali italiani, edited by Antolini, {Bianca Maria. Edizioni ETS, 2018. https://novaresearch.unl.pt/en/publications/08f1247b-f326-4919-bc0c-d4dea1fbe92a.
  6. Elsa De Luca; Bianca Maria Antolini. "Giorgio Arrivabene". In Dizionario degli editori musicali italiani, edited by Antolini, { Bianca Maria. Edizioni ETS, 2018. https://novaresearch.unl.pt/en/publications/e6e80706-89f5-4b5b-a5ad-209b037782bc.
  7. Elsa De Luca; Bianca Maria Antolini. "Torresani (famiglia)". In Dizionario degli editori musicali italiani, edited by Antolini, {Bianca Maria. Edizioni ETS, 2018. https://novaresearch.unl.pt/en/publications/7cea2993-783d-4d84-86e2-a168dc7945e4.
  8. Elsa De Luca; Bianca Maria Antolini. "Bernardino Stagnino". In Dizionario degli editori musicali italiani, edited by Antolini, {Bianca Maria. Edizioni ETS, 2018. https://novaresearch.unl.pt/en/publications/80f3e8d0-0dba-4b3f-882f-b4d29f2abcd2.
Exhibition catalog
  1. Ferreira, Manuel Pedro; De Luca, Elsa; Alte da Veiga, Diogo ; Carvalho, Ana Sá ; Crespo, Carla. Corresponding author: Ferreira, Manuel Pedro. Ferreira, M.P. ed., Harmonias do céu e da terra: a música nos manuscritos de Guimarães (séculos XII - XVII) / Harmonies of Heaven and Earth: the Music in the Manuscripts of Guimarães (12th - 17th centuries). Guimarães, Museu de Alberto Sampaio: Greca Artes Gráfica, 2012.
Journal article
  1. De Luca, Elsa; Castro Correa, Ainoa. "Written Practices na Maia: A Newly Discovered Source of Old Hispanic Notation from Portugal (Prácticas de escritura na Maia: una nueva fuente con notación hispánica antigua de Portugal)". Studia Historica. Historia Medieval 41 2 (2023): 59-83. https://doi.org/10.14201/shhme20234125983.
    Open access • Published
  2. De Luca, Elsa; Loic, Erika; Cavero, Alicia Miguélez. "Intermediality in medieval Iberian manuscript cultures: methodological reflections on ongoing and future research". Journal of Medieval Iberian Studies 14 1 (2022): 1-14. http://dx.doi.org/10.1080/17546559.2021.2021588.
    Published • 10.1080/17546559.2021.2021588
  3. De Luca, Elsa. "From Old Hispanic to Aquitanian Notation: Music Writing in Medieval Iberia". Anuario de Estudios Medievales 50 2 (2020): 827-864. https://doi.org/10.3989/aem.2020.50.2.07.
    Open access • Published • 10.3989/aem.2020.50.2.07
  4. De Luca, Elsa; Boudeau, Océane. "Erreur, variante et correction : l'exemple du plain-chant médiéval". Textus & Musica 1 (2020): https://textus-et-musica.edel.univ-poitiers.fr/index.php?id=214.
    Open access • Published
  5. Elsa De Luca. "Aquitanian Notation in Iberia: Plainchant Fragments in Braga and Guimarães. (11th - 15th century)". Revue de musicologie 106 2 (2020): 329-372. https://novaresearch.unl.pt/en/publications/08f6769c-ca53-4fc6-9aa3-20579d8bcf5c.
    Published
  6. De Luca, Elsa; Bain, Jennifer; Behrendt, Inga; Helsen, Kate; Fujinaga, Ichiro; Ignesti, Alessandra; Lacoste, Debra; Long, Sarah Ann. "Capturing Early Notations in MEI: The Case of Old Hispanic Neumes". Musiktheorie : Zeitschrift fur Musikwissenschaft 34 3 (2019): 229-249. https://novaresearch.unl.pt/en/publications/609f54e2-7f85-466e-87c8-6e3478907f39.
    Published
  7. De Luca, Elsa. "Royal misattribution: monograms in the León Antiphoner". Journal of Medieval Iberian Studies 9 1 (2017): 25-51. https://www.tandfonline.com/doi/full/10.1080/17546559.2015.1101521.
    Open access • Published • 10.1080/17546559.2015.1101521
  8. De Luca, Elsa. "Musical Cryptography and the Early History of the León Antiphoner". Early Music History 36 (2017): 105-158.
    Published • 10.1017/S0261127917000018
  9. De Luca, Elsa. "A Notated Graduale-Prosarium from Sens in Lisbon". Portuguese Journal of Musicology. New Series 4 2 (2017): 227-246. http://rpm-ns.pt/index.php/rpm/article/view/326.
    Open access • Published
  10. De Luca, Elsa. "Il canto dell Exultet nella liturgia beneventana". Rivista Internazionale di Musica Sacra 29 1 (2008): 63-104.
    Published
Journal issue
  1. De Luca, Elsa; Miguélez, Alicia; Loic, Erika. "Connecting the Dots: New Research Paradigms for Iberian Manuscripts as Material Objects". Journal of Medieval Iberian Studies 14 1 (2022): https://www.tandfonline.com/toc/ribs20/14/1.
    Published • Editor
Online resource
  1. De Luca, Elsa; Fujinaga, Ichiro; Vigliensoni, Gabriel. The Music Encoding Initiative Guidelines. Version 5.0 (chapter 6, Repertoire: Neume Notation). 2023. https://drive.google.com/file/d/1peVnwPbZfv7smzQq1J4QqLFFjgE-2tUp/view.
  2. De Luca, Elsa. The Portuguese Early Music Database: Instructions for collaborators. 2017. http://pemdatabase.eu/instructions.
  3. De Luca, Elsa; Swanson, Barbara; Bain, Jennifer; Behrendt, Inga; Lacoste, Debra; Kolácek, Jan. Guide to Indexing Graduals in Cantus Cantus Database. 2015. https://cantus.uwaterloo.ca/documents.
  4. De Luca, Elsa. Cantus Index - Input of 1670 chants. 2012. http://cantusindex.org/contributors.
  5. De Luca, Elsa. Portuguese Early Music Database. Input of 116 fragments and 1 full book. Besides, I am proofreader and Coordinator of Monophonic Sources.. 2011. http://pemdatabase.eu/contributors.
  6. De Luca, Elsa; Craig, Sapp. Exultet Database. My contribution: creation of all the musical and textual contents. 2008. http://kern.ccarh.org/cgi-bin/ksbrowse?l=exultet.
  7. De Luca, Elsa. Cantus Fractus Database. My contribution: cataloguing of all the melodies in the database. 2005. http://www.cantusfractus.org/raph_1/staff.htm.
Preface / Postscript
  1. De Luca, Elsa. "Foreword". Preface to The Materiality of Sound in Chant Manuscripts in the West, edited by De Luca, Elsa; Moody, Ivan; Goudesenne, Jean-François, 7-9. Belgium: Brepols. 2023.
    Published
Report
  1. De Luca, Elsa. 2024. Encoding Early Music: The Challenges and Beauty of Neumatic Notations. https://codamus.pubpub.org/.
  2. De Luca, Elsa. 2022. The Scale of the Old Hispanic Chant, in Journal of Mathematics and Music (2022). https://doi.org/10.1080/17459737.2022.2105411.
  3. De Luca, Elsa. 2009. Medioevo Musicale - Music in the Middle Ages.
  4. De Luca, Elsa. 2008. Medioevo Musicale - Music in the Middle Ages.
  5. De Luca, Elsa. 2008. Medioevo Latino - A Bibliographical Bulletin of European Culture from Boethius to Erasmus (VIth to XVth century).
  6. De Luca, Elsa. 2007. Medioevo Musicale - Music in the Middle Ages.
  7. De Luca, Elsa. 2007. Medioevo Latino - A Bibliographical Bulletin of European Culture from Boethius to Erasmus (VIth to XVth century).
Thesis / Dissertation
  1. Luca, Elsa De. "I manoscritti musicali dell Archivio di San Nicola a Bari: elementi francesi nella musica e nella liturgia". PhD, 2011. http://hdl.handle.net/10362/36279.

Other

Other output
  1. Old Hispanic Office Forum. I wrote several posts on the paleography of Old Hispanic notation. 2015. De Luca, Elsa. https://www.tapatalk.com/groups/old_hispanic_office/.
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2024/10 Escrita académica Workshop
Grupo Informal de Histórial Medieval, Universidade do Porto (Porto, Portugal)
2024/07 Round Table 'New questions, old manuscripts: current directions in Old Hispanic chant palaeography' XX Meeting of the IMS Study Group ‘Cantus Planus
(Gödöllo, Hungary)
2024/03/11 Portuguese Transregional Connections: Digital Analysis of the Braga Plainchant Transregional Connections: Medieval and Early Modern Age Culture and Education in Central Europe
Slovak National Gallery (Bratislava, Slovakia)
2024/01/10 Encoding Early Music: The Challenges and Beauty of Neumatic Notations Lecture series “CODAMUS: Computational and Digital Approaches to Music Scholarship”
Würzburg University (Würzburg , Germany)
2023/12/01 MEI for Neumes One-day Symposium as part of the ‘Centuries of Silence Exhibition’
Namur University (Namur, Belgium)
2023/09/08 Brainstorming on the Encoding of Eastern Neumes: Middle-Byzantine Notation as a Case-Study Encoding Cultures – joint MEC and TEI Conference
Music Encoding Initiative - Text Encoding Initiative (Paderborn, Germany)
2023/09/08 Visual or Symbolic? Best Practices for Encoding Neumes Encoding Cultures – joint MEC and TEI Conference
Music Encoding Initiative - Text Encoding Initiative (Paderborn, Germany)
2023/09 Novas ferramentas de análise musical digital: o cantochão de Braga como estudo de caso XII Encontro de Investigação em Música
Sociedade Portuguesa de Investigação em Música (Mafra, Portugal)
2023/07/22 A Newly Discovered Source of Old Hispanic Notation Lost & Found: Traces of Early Music
(Cascais, Portugal)
2023/03/06 Music Manuscripts Reborn Digital: The Portuguese Early Music Database as Case-study COST, Workshop ‘A new ecosystem of early music studies’
Working group ‘Sources’ of COST (Lisbon, Portugal)
2023/01/13 Armenian Notation and MEI Workshop 12, MEI and DACT (online)
DACT project (Halifax, Canada)
2023/01/13 Preliminary Thoughts on the Encoding of Byzantine Notation with MEI Workshop 12, MEI and DACT (online)
DACT project (Halifax, Canada)
2022/08 Early Music across Borders: Methodologies for Paleographical Research 21st Quinquennial International Musicological Studies Congress
School of Philosophy of the National and Kapodistrian University of Athens (Athens, Greece)
2022/05 Plainchant Across Traditions: Methodologies for Research 57th International Congress on Medieval Studies
(Kalamazoo - online, United States)
2022/05 Challenging the MEI Neumes Module: Encoding Armenian Neumes Music Encoding Conference
(Halifax, Canada)
2022/04/01 At the Roots of European Spirituality. Early Christian Music from East and West Research seminar series - New perspectives in the study of medieval manuscripts
Universidad de Salamanca (Salamanca, Spain)
2021/09/13 Notazioni neumatiche in Iberia: manoscritti e metodologie della ricerca tra passato e futuro Ciclo di Seminari di Ricerca Mezzogiorno in Musica
Conservatorio di Musica ‘Niccolò Piccinni’ - Dipartimento di Musica Antica (Bari, Italy)
2021/07 Music & Liturgy in Medieval Portugal: Plainchant Fragments in Braga and Guimarães 49th Medieval and Renaissance Music Conference
CESEM - FCSH, NOVA University of Lisbon (Lisbon, Portugal)
2021/06/05 The ABCs of Plainchant. Liturgical Books and Notation
(Escola Superior de Música e Artes do Espectáculo, Porto, Portugal)
2020/12/11 Silent Music, Secret Writing: An Overview of Old Hispanic Notation and Visigothic Cryptography Musicology Forum
Thornton School of Music, University of Southern California (Los Angeles - online, United States)
2020/10/09 Aquitanian Notation in Iberia: Semitone-marking in the Fragments in Braga and Guimarães The image of piety in medieval manuscripts in Slovakia and in Europe
(Bratislava, Slovakia)
2020/06/30 WORKSHOP: Hands-on MEI Encoding. Presentation of MEI encoding for chant and mensural notations from different areas of Western Europe. Followed by an open discussion of coding examples of the Jistebnický kancionál manuscript. Conference and Workshop Series: Digital Humanities in Early Music Research I
(Praga - online, Czech Republic)
2020/06/29 The Portuguese Early Music Database Conference and Workshop Series: Digital Humanities in Early Music Research I
Academy of Science (Praga - online, Czech Republic)
2020/06/24 WORKSHOP: Introduction to MEI. General introduction to MEI (Music Encoding Initiative) and the elements and attributes of the Neumes and Mensural modules. Conference and Workshop Series: Digital Humanities in Early Music Research I
(Praga - online, Czech Republic)
2019/11/14 The music scribes of the León Antiphoner: layers of interventions on the notation IX Encontro Nacional de Investigação em Música
(Lisbon, Portugal)
2019/10/18 Nuove prospettive di ricerca paleografica nelle notazioni neumatiche iberiche XXVI Convegno annuale della Società Italiana di Musicologia
Società Italiana di Musicologia (Matera)
2019/05/29 Cantus Ultimus' MEI Neume Module and its Interoperability Across Chant Notations Music Encoding Conference
Music Encoding Initiative (Vienna, Austria)
2019/05/09 Tackling Iberian Plainchant Fragments: the Dissemination of the Special Punctum in Braga and Guimarães 54th International Congress on Medieval Studies
(Kalamazoo, United States)
2018/12/03 Manuscritos litúrgico-musicais entre o Leste e o Oeste: Sticheraria e Antifonários
CESEM - Centro de Estudos de Sociologia e Estética Musical (Lisbon, Portugal)
2018/08 PANEL DISCUSSION: A neume by any other name: Considering Neumes described in MEI XIX Meeting of the IMS Study Group Cantus Planus
International Musicological Society Study Group Cantus Planus (Sweden)
2018/04 La notación del Antifonario de León: desafíos paleógraficos y nuevos descubrimientos Congreso Internacional Música y espacios sonoros en las instituciones civiles y eclesiásticas de la península ibérica hasta el siglo XVI
(Guadalupe, Spain)
2017/11 The Neumes of the León Antiphoner: Written and Oral Transmission in Old Hispanic Chant Annual Meeting of the American Musicological Society
American Musicological Society (Rochester, United States)
2017/10 The Portuguese Early Music Database Interdisciplinary Conference on Iberian Manuscripts
CESEM - IEM, Universidade NOVA de Lisboa (Lisbon, Portugal)
2017/09 PARTICIPATION IN WORKSHOP: Old Hispanic Neumes and the Music Encoding Initiative Workshop on SIMSSA XIII
The Single Interface for Music Score Searching and Analysis project (SIMSSA) (Halifax, Canada)
2017/05/04 Music Palaeography of Old Hispanic Manuscripts Workshop Palaeography of Old Hispanic Manuscripts: Music, Text and Beyond
CESEM, Universidade NOVA de Lisboa (Lisbon, Portugal)
2017/05 Correction, erreur et variante: l ' exemple du plain-chant médiéval 1st International French-Italian Symposium Philology and Musicology
(France)
2017/05 The Music of the León Antiphoner 52nd International Congress on Medieval Studies
(Kalamazoo, United States)
2017/03 Changes in Old Hispanic Notation in the Tenth and Eleventh Century International Musicological Society 20th Quinquennial Congress
International Musicological Society (Tokio, Japan)
2017/02/08 Having Fun with Plainchant in PEM
CESEM-FCSH/NOVA (Lisbon, Portugal)
2016/11 A Gradual from Sens in Lisbon VI Encontro Nacional de Investigação em Música
Sociedade Portuguesa de Investigação em Música (Aveiro, Portugal)
2016/08 Scribal Habits in the León Antiphoner XVIII Meeting of the IMS Study Group Cantus Planus
Cantus Planus (Dublin, Ireland)
2016/06 Italian and French Elements in the Plainchant of the Basilica of St. Nicolas in Bari The Poetics of Christian Performance: Prayer, Liturgy, and Their Environments in East and West
Hebrew University (Jerusalem, Israel)
2016/05 Encoding Old Hispanic Neumes Music Encoding Conference
Music Encoding Initiative (Montreal, Canada)
2016/05 The Early History of the León Antiphoner 51st International Congress on Medieval Studies
(Kalamazoo, United States)
2016/04/09 The Dating and Early History of the León Antiphoner Plainsong & Medieval Music Society's Annual Study Day
Plainsong & Medieval Music Society (Newcastle, United Kingdom)
2015/10/27 Undecipherable Music: Cracking the Code of Old Hispanic Notation
University of Bristol - Music Department (Bristol, United Kingdom)
2015/07 Musical Cryptography: an Elitist Code for Visigothic Scribes Medieval and Renaissance Music Conference
(Brussels, Belgium)
2015/05 Liturgical Manuscripts as Royal Insignia: Monograms in the León Antiphonary Senses of Liturgy Conference
Bristol University (Bristol, United Kingdom)
2014/10 Um caso de escrita criptográfica musical no Antifonário de León III Simpósio Internacional de Música Ibero-Americana
(Queluz-Oeiras-Lisboa, Portugal)
2014/08 A Taxonomy of León 8's Notation XVII Meeting of the International Musicological Society Study Group Cantus Planus
Cantus Planus (Venice, Italy)
2014/07 Towards a Taxonomy of the Old Hispanic Notations: The Chant Editing and Analysis Programme International Medieval Congress
(Leeds, United Kingdom)
2014/07 Reading Non-Pitch Readable Neumes: The Case of the León Antiphonary Medieval and Renaissance Music conference
(Birmingham, United Kingdom)
2014/03 Introducing the Palaeography of Old Hispanic Vertical Notation Plainsong and Medieval Music Society Annual Study Day
Plainsong and Medieval Music Society (London, British Library, United Kingdom)
2013/10 Le prose nei manoscritti francesi della Basilica di San Nicola Secondo Seminario Internazionale Celesti Sirene
(San Severo (FG), Italy)
2013/06 Liturgy at Sainte-Chapelle of Bari: the Prosas and Other Paleographical Insights LVIe Colloque international d’Études Humanistes Les Saintes-Chapelles du XIIIe au XVIIIe siècle
(Tours, France)
2012/11 O manuscrito Iluminado 84 da Biblioteca Nacional: música e liturgia francesas em Portugal II Encontro Nacional de Investigação em Música
Sociedade Portuguesa de Investigação em Música (Castelo Branco, Portugal)
2012/07 Italian and French Elements in the Plainchant of the Basilica of St. Nicolas in Bari Cantus Planus Day, 19th Congress of the International Musicological Society
International Musicological Society (Rome, Italy)
2012/06 The Portuguese Early Music Database International Colloquium Musical Exchanges 1100-1650: The Circulation of Early Music in Europe and Overseas in Iberian and Iberian-Related Sources
CESEM, Universidade NOVA de Lisboa (Lisbon, Portugal)
2012/06 A Gradual from Sens (c. 1400) at the Biblioteca Nacional in Lisbon International Colloquium Musical Exchanges 1100-1650: The Circulation of Early Music in Europe and Overseas in Iberian and Iberian-Related Sources
CESEM, Universidade NOVA de Lisboa (Lisbon, Portugal)
2012/05 The Graduale Fulltext Database: A New Online Tool for Studying Mass Sources 47th International Congress on Medieval Studies
(Kalamazoo, United States)
2012/02 Os fragmentos de canto gregoriano português na base de dados Portuguese Early Music I Encontro Ibero-Americano de Jovens Musicólogos
(Lisbon, Portugal)
2011/11 Os fragmentos de canto chão da Biblioteca Pública de Braga I Encontro Nacional De Investigação Em Música / First National Conference Of Music Research
Sociedade Portuguesa de Investigação em Música (Oporto, Portugal)
2010/06 La Sainte-Chapelle de Bari: Liturgie et Musique Séminaire de recherche en musicologie Section Saintes-Chapelles Centre d'études supérieures de la Renaissance
(Tours, France)
2008/10 Il canto dell'Exultet nella liturgia beneventana e gli sviluppi della tradizione Sesto Incontro di Studio di Analitica
(Rimini, Italy)
2008/10 Il canto dell'Exultet nell' antica liturgia beneventana XV Convegno annuale della Società Italiana di Musicologia
(Bergamo, Italy)
2007/10 Il sito web, i materiali e gli strumenti di consultazione del Progetto RAPHAEL - Rhythmic and Proportional Hidden or Actual Elements in Plainchant: Computerized Census and Integral Restoration of a Neglected Musical Repertoire [RAPHAEL project] XIV Convegno annuale della Società Italiana di Musicologia
(Pescara, Italy)
2006/10 Considerazioni su alcuni Kyriali della Biblioteca Feininger Il canto fratto in Italia
(Lecce, Italy)

Supervision

Thesis Title
Role
Degree Subject (Type)
Institution / Organization
2024/02 - Current French liturgical offices in Braga
Co-supervisor
PhD
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2022/09 - 2024/06 Os cantos de comunhão em Braga
Supervisor
MA (Master)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2022/09 - 2024/06 Os versiculos de ofertorio em Braga
Supervisor
MA (Master)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal

Event organisation

Event name
Type of event (Role)
Institution / Organization
2024/06/29 - 2024/06/29 Workshop 'Automatic analysis of early music notations' (2024/06/29 - 2024/06/29)
Workshop (President of the Organising Committee)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2024/06/27 - 2024/06/29 International conference 'Digital Technologies Applied to Music Research: Methodologies, Projects and Challenges' (2024/06/27 - 2024/06/29)
Conference (President of the Organising Committee)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2024/06/20 - 2024/06/29 Short Term Scientific Mission 'Musicologists and Their Sources: The Alchemy of Turning Parchment into Pixels' EarlyMuse COST Action (2024/06/20 - 2024/06/29)
Other
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2023/07/19 - 2023/07/20 Workshop 'IIIF Neume Workshop' with Craig Sapp (Stanford University/Packard Humanities Institute) (2023/07/19 - 2023/07/20)
Workshop (President of the Organising Committee)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2023/01/13 - 2023/01/13 Co-organization of the Workshop 12, MEI and DACT (online) (2023/01/13 - 2023/01/13)
Workshop (Co-organisor)
Dalhousie University, Canada
2022/12 - 2022/12 Luz e sombra. Representações da Idade Média no cinema. Cinemateca Portuguesa-Museu do Cinema, Lisboa (2022/12/02 - 2022/12/30)
Festival (Member of the Organising Committee)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2020/11/11 - 2020/11/11 Workshop 'Scriptor, Cantor & Notator'. This Workshop is organized around the preparation of the forthcoming book 'Scriptor, Cantor & Notator: The Materiality of Sound in Chant Manuscripts', to be published by Brepols in the series Musicalia Antiquitatis & Medii Aevi (MUSAM). The three editors (Elsa De Luca, Jean-François Goudesenne, Ivan Moody) invited all the contributors to a virtual round table in order to discuss the ideas, contents, methodologies and manuscripts studied in the book. (2020/11/11 - 2020/11/11)
Workshop (Member of the Organising Committee)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Institut de Recherche et d'Histoire des Textes, France
2020/10/19 - 2020/10/19 Online Workshop in Composition Early Music from the East and the West: Reusing the Past Today (co-organized with Carlos Caires) (2020)
Workshop (Co-organisor)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Instituto Politécnico de Lisboa Escola Superior de Música de Lisboa, Portugal
2020/05/24 - 2020/05/29 Music Encoding Conference (2020/05 - 2020/05)
Conference (Member of the Organising Committee)
Tufts University, United States
2019/05 - 2019/05 Co-organization (with Alicia Miguelez) of the two sessions Intermediality in Iberian Manuscripts: Materiality and Meaning in Context at the 54th International Congress on Medieval Studies, Kalamazoo, USA (2019/05)
Conference
2018 - 2019/01/25 MANUSCRITOS EM DIÁLOGO II Seminário de Investigação Interdisciplinar https://cesem.fcsh.unl.pt//wp-content/uploads/2018/07/II-Manuscritos-em-Dia%cc%81logo.pdf (2018/09/27 - 2019/01/25)
Seminar (Co-organisor)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2018/12/03 - 2018/12/05 International Conference Social Communication in Medieval Europe (2018)
Conference (Member of the Organising Committee)
Universidade Nova de Lisboa, Portugal
2018/07 - 2018/12/05 Social Communication in Medieval Europe. https://socialcommunication2018.weebly.com/ (2018/12/03 - 2018/12/05)
Conference (Member of the Organising Committee)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2018/01 - 2018/06 One-day workshop on IBERIAN MUSICAL FRAGMENTS https://cesem.fcsh.unl.pt/en/event/a-portuguese-early-music-database-apresenta-um-dia-de-workshop-sobre-fragmentos-ibericos-manuscritos/ (2018/06/01 - 2018/06/01)
Workshop (President of the Organising Committee)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2017/10 - 2018/06 MANUSCRITOS EM DIÁLOGO I Seminário de Investigação Interdisciplinar https://cesem.fcsh.unl.pt//wp-content/uploads/2018/01/Manuscritos-em-Dia%cc%81logo-Autosaved.pdf (2018/02/26 - 2018/06/07)
Seminar (Co-organisor)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2018/05/10 - 2018/05/13 Co-organization (with Alicia Miguelez) of the two sessions Medieval Iberian Cultural Identity: The Manuscript Record I and II at the 53rd International Congress on Medieval Studies, Kalamazoo, USA (2018)
Conference
2017/10/19 - 2017/10/21 Co-organization of the Interdisciplinary Conference on Iberian Manuscripts (with Alicia Miguelez) (2017)
Conference (Co-organisor)
Universidade Nova de Lisboa, Portugal
2017/01/01 - 2017/10/21 Interdisciplinary Conference on Iberian Manuscripts https://iberianmanuscriptsconference.wordpress.com/ (2017/10/19 - 2017/10/21)
Conference (Co-organisor)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2017/05 - 2017/05 Palaeography of Old Hispanic Manuscripts: Music, Text and Beyond https://cesem.fcsh.unl.pt/en/event/palaeography-of-old-hispanic-manuscripts-music-text-and-beyond/ (2017/05/04 - 2017/05/04)
Workshop (President of the Organising Committee)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2017/01/10 - 2017/02/08 Workshops 'Indexing Polyphony in PEM' (10 January 2017); 'Having Fun with Plainchant in PEM' (08 February 2017) (2017/01/10 - 2017/02/08)
Workshop (Member of the Organising Committee)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2016/03/04 - 2016/03/08 Old Hispanic Composition Competition http://www.bristol.ac.uk/arts/research/old-hispanic-liturgy/ (2016/03/04 - 2016/03/08)
Call (Member of the Organising Committee)
University of Bristol Department of Music, United Kingdom

Event participation

Activity description
Type of event
Event name
Institution / Organization
2016/06/11 - 2016/06/11 Participation in the one-day symposium Chorusing, exploring the relationship of voice to transcription of utterance and the written score
Symposium
Delfina Foundation, United Kingdom
2015/03/29 - 2015/03/29 Conversation on the palaeography of the Old Hispanic notation with the public of 5Hz an interactive exhibition that invites audiences to experience a new human language, by Artist Emma Smith
Exhibition
5Hz an interactive exhibition, Arnolfini, Bristol, UK
Bristol University, United States

Ad Hoc journal article review

Journal title (ISSN) Publisher
2024/02 - 2024/02 Journal of Medieval Iberian Studies Taylor & Francis
2022/07 - 2022/07 Studia Historica. Historia Medieval (0213-2060) Universidad de Salamanca
2022/02/01 - 2022/03/15 Revista Portuguesa de Musicologia (2183-8410) Sociedade Portuguesa de Investigação em Música
2021 - 2022 Book monography 'The Materiality of Sound in Chant Manuscripts in the West' Brepols
2021/07 - 2021/07 Book monography for the "Acta Universitatis Carolinae" Prague University
2021/01 - 2021/01 Journal of Music Research Online University of Adelaide
2017 - 2017 Speculum Medieval Academy of America

Committee member

Activity description
Role
Institution / Organization
2023/04 - Current Member of CESEM editorial committee https://cesem.fcsh.unl.pt/cesem/estrutura/
Member
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2021/11 - Current Team Lead for the sub-project 'MEI and DACT' within the international project the 'Digital Analysis of Chant Transmission' (DACT) Dalhousie University, Canada
2021/03 - Current Member of the scientific committee of the Centre d'Études de Paléographie Musicale (CEPM)
Member
Association Musicologie Médiévale , France
2011 - Current Member of the scientific council
Member
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2011 - Current Coordinator of Monodic Sources and Development Coordinator (management, proof-reading, and data input) for the Portuguese Early Music Database
Coordinator
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2023/04/01 - 2025/03/31 Member of CESEM Board of Directors Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2019 - 2021 Board member, 2019-2021 and Administrative Chair, 2020-2021 of the Music Encoding Initiative
Director
Music Encoding Initiative, Germany

Conference scientific committee

Conference name Conference host
2024/03 - 2024/06 11th International Conference on Digital Libraries for Musicology (in association with IAML 2024) University Konservatorium, Stellenbosch (South Africa)
2023 - 2023/11 10th International Conference on Digital Libraries for Musicology. Milan (Italia) Politecnico di Milano
2023/05 - 2023/06 XII Encontro de Investigação em Música (ENIM) Sociedade Portuguesa de Investigação em Música
2022/12/09 - 2022/12/11 Early Music Pedagogy Then and Now: From the Classical Antiquity to the Renaissance Centro Studi Opera Omnia Luigi Boccherini, Lucca
2021/07/05 - 2021/07/09 Medieval and Renaissance Music Conference CESEM, Universidade NOVA de Lisboa
2020/12/10 - 2020/12/12 Using the Past: The Middle Ages in the Spotlight Universidade Nova de Lisboa
2020/05/24 - 2020/05/29 Music Encoding Conference. https://music-encoding.org/conference/2020/ Tufts University, Boston
2019/07/24 - 2019/07/27 Fifth International Conference on Technologies for Music Notation and Representation (TENOR). https://www.monash.edu/tenor2019/committees Monash University, Melbourne (Australia)
2019/04/05 - 2019/04/06 International Conference Música y contextos en el mundo ibérico medieval y renacentista (MEDyREN). https://medyren.wixsite.com/medyren-sedem/ii-encuentro-borja-2019 Borja, (Spain)
2018/11/08 - 2018/11/10 VIII Encontro de Investigação em Música (ENIM). Sociedade Portuguesa de Investigação em Música (SPIM). http://www.spimusica.pt/enim-2018/ Oporto (Portugal)
2018/05/24 - 2018/05/26 Fourth International Conference on Technologies for Music Notation and Representation (TENOR) http://matralab.hexagram.ca/tenor2018/ Montréal (Canada)
2018/04/06 - 2018/04/07 International Conference Música y espacios sonoros en las instituciones civiles y eclesiásticas de la península ibérica hasta el siglo XVI (MEDyREN). https://medyren.wixsite.com/medyren-sedem/congreso-internacional-2018 Guadalupe (Spain)
2018/04/06 - 2018/04/07 International Conference Música y espacios sonoros en las instituciones civiles y eclesiásticas de la península ibérica hasta el siglo XVI (MEDyREN) Guadalupe (Spain)
2017/05/24 - 2017/05/26 Third International Conference on Technologies for Music Notation and Representation (TENOR). https://www.udc.es/grupos/ln/tenor2017/index.html A Coruña (Spain)

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2024/02 - 2024/05 História da Música da Antiguidade a 1300 (Licenciatura) Universidade NOVA de Lisboa, Portugal
2022 - 2023/01 Introduction to Western Music: History, Arts, and Society Introduction to Western Music (Licenciatura) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2022/02 - 2022/06 Introduction to Western Music: History, Arts, and Society (Licenciatura) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2021/09 - 2022/01 Unfolding Early Music History through Its Sources (Licenciatura) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2021/07/26 - 2021/07/30 Academic Writing: An Essential Skill to Survive in Academia. Advanced (Outros) Universidade NOVA de Lisboa - Escola de Verão, Portugal
2021/02 - 2021/05 Introduction to Western Music: History, Arts, and Sociology (Licenciatura) Universidade NOVA de Lisboa, Portugal
2020/11/05 - 2020/11/05 INVITED ONLINE CLASS: Encoding Early Music Chant & Digital Humanities (Master) The University of Texas at Austin College of Fine Arts, United States
2020/11/03 - 2020/11/03 INVITED ONLINE CLASS: Computational Approaches to Musicology: The Music Encoding Chant & Digital Humanities (Master) The University of Texas at Austin College of Fine Arts, United States
2020/08 - 2020/08 Academic Writing: An Essential Skill for Students and Researchers Curso de Verão (Outros) Universidade NOVA de Lisboa - Escola de Verão, Portugal
2019/07/08 - 2019/07/12 Notação musical e repertórios nos manuscritos Ibéricos (sec. X-XVI) Curso de verão (Outros) Universidade NOVA de Lisboa - Escola de Verão, Portugal
2016/10 - 2016/10 INVITED CLASS: Tematicas Aprofundadas Planear e desenvolvir uma investigação musicológica (Doutoramento) Universidade Nova de Lisboa, Portugal
2015/11 - 2015/11 INVITED CLASS: Opera Studies: Giuseppe Verdi (Master) University of Bristol Department of Music, United Kingdom
2015/10 - 2015/10 INVITED CLASS: Performance Studies in the Academy (Master) University of Bristol Department of Music, United Kingdom
2015/02 - 2015/05 Medieval Music Palaeography (Master) University of Bristol Department of Music, United Kingdom
2015/04 - 2015/04 INVITED CLASS: Word and Music in Early European Notations (Master) University of Bristol Department of Music, United Kingdom
2014/01 - 2014/02 Source Study, Palaeography and Editorial Practices (Master) University of Bristol Department of Music, United Kingdom
2012 - 2012 Paleografia Musical Idade Média (Mestrado) Universidade Nova de Lisboa, Portugal
2011/09 - 2011/12 Paleografia Musical Idade Média (Mestrado) Universidade Nova de Lisboa, Portugal

Evaluation committee

Activity description
Role
Institution / Organization Funding entity
2018 - Current Co-director of the Book series Musicalia Antiquitatis & Medii Aevi
Evaluator
Brepols Publishers NV, Belgium
2023/10 - 2023/11 Job tender for one Research Fellowship of the duration of 24 months (BI) for a doctoral student to collaborate with the project 'Echoes from the Past: Unveiling a Lost Soundscape with Digital Analysis'
President
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal Fundação para a Ciência e a Tecnologia
2023/09 - 2023/10 Job tender for one Research Initiation Scholarship of the duration of 12 months (BII) for an undergraduate student to collaborate with the project 'Echoes from the Past: Unveiling a Lost Soundscape with Digital Analysis'
President
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal Fundação para a Ciência e a Tecnologia
2023/03 - 2023/05 Job tender for one Research Grant for Post-Doctoral Fellow of the duration of 28 months (BIPD) to collaborate with the project 'Echoes from the Past: Unveiling a Lost Soundscape with Digital Analysis'
President
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal Fundação para a Ciência e a Tecnologia
2023/03 - 2023/04 Job tender for one Research Fellowship of the duration of 6 months (BI) for a doctoral student to collaborate with the project 'Echoes from the Past: Unveiling a Lost Soundscape with Digital Analysis'
President
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal Fundação para a Ciência e a Tecnologia
2023/03 - 2023/04 Job tender for one Research Initiation Scholarship of the duration of 3 months (BII) for an undergraduate student to collaborate with the project 'Echoes from the Past: Unveiling a Lost Soundscape with Digital Analysis'
President
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal Fundação para a Ciência e a Tecnologia
2021/07 - 2021/07 Project evaluation for the Union Académique Internationale

Journal scientific committee

Journal title (ISSN) Publisher
2022/11 - Current Review editor for the 'Portuguese Journal of Musicology new series' (Revista Portuguesa de Musicologia nova série) Sociedade Portuguesa de Investigação em Música
2020/12 - 2022/12 Book monography Scriptor & Cantor: The Materiality of Sound in Chant Manuscripts Brepols

Mentoring / Tutoring

Topic Student name
2023/11 - 2026/02 Music analysis & OMR Martha Thomae
2023/11 - 2024/10 Music analysis & OMR Hoang Tuan Phan
2023/08 - 2024/01 Cataloguing early music sources in PEM database Vicente Urones
2023/07 - 2023/09 Cataloguing early music sources in PEM database Adriana Simão
2022/06 - 2022/06 Old Hispanic notation Julieta González-Springer
2022/02 - 2022/06 Cataloguing early music sources in PEM database Joana Santos
2021/11 - 2021/11 Medieval Iberian notations Marta Chachulska
2016/02 - 2016/05 Editing early music Emily Wride
2016/02 - 2016/05 Editing early music Chloe Tang

Other jury / evaluation

Activity description Institution / Organization
2023/04/13 - Current Invitation to comment on the ongoing research project of a PhD candidate at the 'XV Workshop de Estudos Medievais', Faculdade de Letras. Universidade do Porto, 13-14/04/2023. https://sigarra.up.pt/flup/pt/noticias_geral.ver_noticia?p_nr=156485 Universidade do Porto Faculdade de Letras, Portugal
2023/03 - Current Member of the Evaluation Committee for new courses at the Summer School (Escola de Verão) FCSH Universidade Nova Lisboa Universidade NOVA de Lisboa - Escola de Verão, Portugal