Curriculum Vitae
Susana Maria Clemente dos Santos Piteira
Identificação
Identificação pessoal
- Nome completo
- Susana Maria Clemente dos Santos Piteira
Nomes de citação
- Piteira, Susana
- Susana Piteira
Identificadores de autor
- Ciência ID
- CE17-9666-6BB6
- ORCID iD
- 0000-0003-1870-2580
- Google Scholar ID
- https://scholar.google.com/citations?user=GoogleScholarID=en&authuser=1&user=qZ_p9pwAAAAJ
Moradas
- Universidade do Porto, Faculdade de Belas Artes, Subunidade orgânica de Artes Plásticas. R. Dr. Francisco Maria de Almeida Grandella, nº218, 2050-117, Aveiras de Cima, Alenquer, Portugal (Profissional)
Websites
- www.susanapiteira.com (Profissional)
- www.susanapiteira.com (Pessoal)
Domínios de atuação
- Humanidades - Artes - Artes
- Humanidades - Artes - Artes
- Humanidades - Artes - Artes
- Humanidades - Artes
Idiomas
| Idioma | Conversação | Leitura | Escrita | Compreensão | Peer-review |
|---|---|---|---|---|---|
| Espanhol; Castelhano | Utilizador independente (B1) | Utilizador proficiente (C1) | Utilizador proficiente (C1) | Utilizador proficiente (C1) | Utilizador proficiente (C1) |
| Inglês | Utilizador independente (B1) | Utilizador independente (B1) | Utilizador independente (B1) | Utilizador independente (B1) | Utilizador independente (B1) |
| Francês | Utilizador elementar (A1) | Utilizador independente (B1) | Utilizador elementar (A1) | Utilizador independente (B1) | Utilizador elementar (A2) |
Formação
| Grau | Classificação | |
|---|---|---|
|
2015/10/01 - 2018/12/14
Concluído
|
Curso de Doutoramento La realidad asediada: posicionamientos creativos (HD203): 100882 Art, natura i entorn (Doctor)
Especialização em Escultura
Facultat de Belles Arts da Universitat de Barcelona , Espanha
"Escultura e Território. Contradições, dialécticas, cumplicidades e interacções. Alguns apontamentos em Portugal." (TESE/DISSERTAÇÃO)
|
Excel·lent "Cum Laude" |
|
1998/10/01 - 2000/11
Concluído
|
Espacio Público Y Regeneración Urbana: Arte y Sociedad (DEA)
Especialização em Escultura
Facultat de Belles Arts da Universitat de Barcelona , Espanha
|
Suficiencia Investigadora |
|
1985 - 1990
Concluído
|
Artes Plásticas - Escultura (Licenciatura)
Universidade do Porto, Portugal
|
14 valores |
|
1983/10/01 - 1986/05
Concluído
|
Curso de Arquitectura de Interiores e Design de Móveis (Bacharelato)
Especialização em Arquitectura e Design
Escola - Museu da Fundação Ricardo do Espírito Santo Silva, Portugal
|
14 Valores |
|
1979/10/01 - 1983/07
Concluído
|
Curso - Técnico de Equipamento e Interiores (Curso de Especialização Tecnológica)
Especialização em Arquitectura de Interiores e Design de Móveis
Escola - Secundária António Arroio. Lisboa., Portugal
|
14 valores |
Percurso profissional
Docência no Ensino Superior
| Categoria Profissional Instituição de acolhimento |
Empregador | |
|---|---|---|
| 2019/09/01 - Atual | Professor Auxiliar Convidado (Docente Universitário) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| Universidade do Porto Faculdade de Belas Artes, Portugal | ||
| 2020/02/01 - 2020/06/15 | Professor Adjunto Convidado (Docente Ensino Superior Politécnico) | Instituto Politécnico de Lisboa, Portugal |
| Instituto Politécnico de Lisboa Escola Superior de Educação, Portugal | ||
| 2010/10 - 2018/08/31 | Assistente Convidado (Docente Universitário) | Universidade do Porto, Portugal |
| Universidade do Porto Faculdade de Belas Artes, Portugal | ||
| 2010/09 - 2011/09 | Assistente Convidado (Docente Universitário) | Universidade de Évora, Portugal |
| Universidade de Évora Departamento de Planeamento Biofísico e Paisagista, Portugal | ||
| 1995/11/02 - 2002/09/30 | Assistente Convidado (Docente Universitário) | Universidade de Lisboa, Portugal |
| Universidade de Lisboa Faculdade de Belas-Artes, Portugal | ||
| 1992/05 - 1995/10 | Assistente Estagiário (Docente Universitário) | Universidade de Évora, Portugal |
Outros
| Categoria Profissional Instituição de acolhimento |
Empregador | |
|---|---|---|
| 2023/07/25 - Atual | Integrate | Universidade de Lisboa Centro de Investigação e de Estudos em Belas-Artes, Portugal |
| Universidade de Lisboa Faculdade de Belas-Artes, Portugal | ||
| 2011/07/20 - Atual | Collaborator | Universidade do Porto Instituto de Investigação em Arte Design e Sociedade, Portugal |
| Universidade do Porto Instituto de Investigação em Arte Design e Sociedade, Portugal | ||
| 2019/09/03 - 2019/10/03 | scholarship | Fundação Oriente, Portugal |
| Jingdezhen Duimianshan Artist Residency program in China. Jingdezhen, Jiangxi Province: Culture Communication CO., LTD.; Sambao: Opposite Studio. Popular Republic ofChina., China | ||
| 2003/03/01 - 2006/10/31 | Colaborator | ACTAE – Centro Interdisciplinar de Ciências Políticas da Universidade de Évora, Portugal |
| 2002/10/01 - 2006/09/30 | Research scholarship for PhD | Fundação para a Ciência e a Tecnologia, Portugal |
| Facultat de Belles Arts da Universitat de Barcelona , Espanha | ||
| 1994/05/31 - 1994/06/30 | Scholarship to support the sculpture exhibition / Installation | Fundação Calouste Gulbenkian, Portugal |
| EPAL / Empresa Publica de Águas de Lisboa, Portugal | ||
| 1991/10/01 - 1993/09/30 | Scholarship from the Calouste Gulbenkian Foundation to develop an improvement project in the field of stone sculpture technology. | Fundação Calouste Gulbenkian, Portugal |
| Mármores de Portugal, Portugal |
Projetos
Projeto
| Designação | Financiadores | |
|---|---|---|
| 2024/09/21 - 2025/01/18 | Natura Natura / Natura Naturans
LVT +Cultura
Author, coordinator and participant
Chaes Associação de Pesquisa em Experimentação e Arte, Portugal
|
CCDR LVT
Concluído
|
| 2021/09/21 - 2024/09/20 | Arts and Crafts Aujourd'hui | Erasmus Plus
Em curso
|
Outro
| Designação | Financiadores | |
|---|---|---|
| 2021 - 2025 | Ground LAB
000 000 000
Universidade do Porto Instituto de Investigação em Arte Design e Sociedade, Portugal
|
Em curso
|
| 2021/05/30 - 2024/05/29 | Ground LAB Arqueologia e Recondução Tecnológica
Bolseiro de Integração na Investigação
Universidade do Porto Instituto de Investigação em Arte Design e Sociedade, Portugal
|
Em curso
|
| 2021/11/02 - 2021/11/02 | The Project Arts and Crafts Today
Bolseiro de Cientista Convidado
Biblioteca da Faculdade de Belas Artes da Universidade do Porto, Portugal
|
Erasmus+
Em curso
|
Produções
Publicações
| Artigo em conferência |
|
| Artigo em jornal |
|
| Artigo em revista |
|
| Artigo em revista (magazine) |
|
| Capítulo de livro |
|
| Catálogo de exposição |
|
| Livro |
|
| Poster em conferência |
|
| Prefácio / Posfácio |
|
| Resumo em conferência |
|
| Tese / Dissertação |
|
Artística / Interpretação
| Arte visual |
|
| Exposição artística |
|
Propriedade Intelectual
| Registo de direitos de autor |
|
Outros
| Outra produção |
|
Atividades
Apresentação oral de trabalho
| Título da apresentação | Nome do evento Anfitrião (Local do evento) |
|
|---|---|---|
| 2022/06/22 | Dialógicas Cerâmicas com a paisagem e com a Pintura. | ICCOCEP 3erd Edition
FBAUP / i2ADS (Porto)
|
| 2021/09/12 | Arte ao virar da esquina |
Stolen Books.
|
| 2021/07/01 | Entre o Monumento e o Museu: O Espaço Público |
: Centro de Investigação e Inovação em Educação – InED (rec. FCT) da Escola Superior de Educação do Politécnico do Porto
|
| 2021/06/18 | invited speaker in the Da casa para um mundo - Online Conversations | Da casa para um mundo - Online Conversations
Câmara Municipal de Matosinhos / Divisão de Cultura e Museus - Casa do Design.
|
| 2021/05/21 | Da pedreira à agulha ou vice-versa | 2ª edição do Seminário Musas em Ação – Espessuras da [In]Visibilidade
O InED - Centro de Investigação e Inovação em Educação da ESE – Politécnico do Porto/ com a Casa Comum/Reitoria da Universidade
do Porto/ ILCML da FLUP
|
| 2020/04/04 | Tectónica e poética. Formulações escultóricas a partir da obra de Carlos Nogueira | XI Congresso Internacional Criadores Sobre outras Obras Sociedade Nacional de Belas-Artes do CSO’2020
Faculdade de Belas Artes da Universidade de Lisboa /Socieadade Nacional de Belas Artes (Lisboa, Portugal)
|
| 2019/07/18 | Pode a arte sobreviver enquanto ferramenta para o desenvolvimento local e a descentralização cultural? | International Conference on Research in Education
Escola Superior de Educação do Porto /ISEP (Porto , Portugal)
|
| 2019/06/12 | O Impulso Utópico | II Congresso Internacional de Investigação e Criação na Arte Contemporânea
Museu Municipal da Guarda (Guarda, Portugal)
|
| 2019/05/31 | Diálogos Contemporâneos com o Mármore: Do território à arte | Os mármores do Alentejo. 2 000 anos de memória e património
CECHAP (Vila Viçosa, Portugal)
|
| 2019/05/31 | El papel de las artes en el siglo XXI. Estratégias pedagógicas com a comunicação “Para uma ética das politicas de inclusão: dimensão biográfica, criatividade e educação | XVI FORO INTERNACIONAL sobre EVALUACIÓN de la CALIDAD de la EDUCACIÓN SUPERIOR y de la INVESTIGACIÓN (FECIES).
Universidade de Santiago de Compostela (Santiago de Compostela, Espanha)
|
| 2019/04/09 | Genius Loci e ekphrasis na escultura, na pintura e nos jardins | 2nd International Congresso on Contemporary European Paiting
Faculdade de Belas Artes da Universidade do Porto (Porto, Portugal)
|
| 2019/03/26 | 26th March 2019 - Invitation to present PhD Thesis in the context of the program "Terças-feiras com arte - O lado oculto da investigação" commissioned by Maria de Fátima Lambert. Porto: Cooperativa Árvore. | Terças-feiras com arte - O lado oculto da investigação
Cooperativa Árvore (Porto, Portugal)
|
| 2019/02/13 | The Oblique Think Tank #1 | The Oblique Think Tank #1
. Organização Inês Moreira. Porto Ateneu Comercial. (Porto, Portugal)
|
| 2019/01/15 | Literacia, redes e parceiros – Com o compromisso de todos | Reunião de grupo de Desenvolvimento nº GD6R3 do Plano Nacional de Literacia de Adultos
Plano Nacional de Literacia de Adultos (Porto, Portugal)
|
| 2018/06/27 | Meeting with Artists for the exhibition WAH | WAH/ We Are Here
Centro de Arte Contemporânea da Fundação Eugénio de Almeida (Évora, Portugal)
|
| 2018/06/08 | Invitation to take part in round-table discussion for the Bienal da Ardósia de Valongo, with the theme "Globalização e Identidade Regional – Valongo e o Artesanato em ardósia” and “A educação pela pedra”. Ermesinde: Fórum Cultural de Ermesinde. | Bienal da Ardósia de Valongo
Câmara Municipal de Ermesinde/ Fórum Cultural de Ermesinde (Ermesinde, Portugal)
|
| 2017/11/04 | Natureza, território e paisagem: algumas expressões tridimensionais | #2 JORNADAS DE INVESTIGAÇÃO DO NAD
i2ADS/FBAUP (Porto, Portugal)
|
| 2017/09/22 | Void: talhando a paisagem | Jornadas Europeias do Património 2017
(Évora Monte)
|
| 2017/07/20 | Território, acontecimentos, corpos em acção | nternational Conference on Research in Education
Escola Superior de Educação do Porto /ISEP (Porto, Portugal)
|
| 2017/06/04 | O belo é o que vincula | 2º Simposio Internacional de Arte Contemporânea
Museu Municipal da Guarda (Guarda, Portugal)
|
| 2017/05/28 | Corpo, arte e personae. O Desterrado de António Soares dos Reis, no Painel O papel da Cultura e a Identidade das Cidades | IDENTICIDADES, VII CONGRESSO DA REDE TERRITORIAL PORTUGUESA DAS CIDADES EDUCADORAS
Teatro Municipal da Guarda (Guarda, Portugal)
|
| 2017/04/27 | Aproximações Criativas ao Sal: Aventuras, Experiências e Aprendizagens | Colóquio Arte Pública na Era da Criatividade Digital
(Porto, Portugal)
|
| 2017/04/10 | Da paisagem, do tempo e do logro, na pintura de Domingos Loureiro | Congresso Internacional Criadores Sobre outras Obras
Faculdade de Belas Artes da Universidade de Lisboa (Lisboa, Portugal)
|
| 2017/04/04 | Práticas contemporâneas nos significados da escultura, da paisagem e da natureza: A subliminar imanência da pintura | International Congress on Contemporary European Paiting
Faculdade de Belas Artes da Universidade do Porto (Porto)
|
| 2016/06/04 | Wind Scaps | Participation as iquirer in "Conversa com Artista" moderated by Fátima Lambert, with Pedro Cappeletti about his exhibition
"Windscapes
Quase Galeria / Espaço T (Porto, Portugal)
|
| 2016/05/25 | Arte Y aportaciones sociales | Jornadas Internacionales Arte+Social+ Textil
Facultad de Bellas Artes de la Universidad de Barcelona (Barcelona, Espanha)
|
| 2016/01/16 | Fortuna e Magnetismo: os locatários estéticos repousam nas salas | Fortuna e Magnetismo: os locatários estéticos repousam nas salas exibhition
Casa Museu Marta Ortigão Costa/Câmara Municipal do Porto (Porto, Portugal)
|
| 2014/12/14 | Pure Print. Elements: elements camp | Talk in brasilian-portuguese Seminar "Pure Print. Elements: elements camp
Faculdade de Belas Artes da Universidade do Porto (Porto, Portugal)
|
| 2014/11/27 | Prometheus Fecit: Terra, água, mão e fogo | Round-table discussion in Auditório do Museu Nacional Soares dos Reis with release of catalog Prometheus Fecit: Terra, água,
mão e fogo
Museu Nacional Soares dos Reis (Porto, Portugal)
|
| 2013 | TROMPE L’OEIL, LE COEUR ET LA RAISON | artist in "Talk with the Artist", in the context of her own exhibition TROMPE L’OEIL, LE COEUR ET LA RAISON, inquired by Laura
Castro and moderated by curator Fátima Lambert
Quase Galeria / Espaço T. (Porto, Portugal)
|
| 2012/02/23 | Arte no Espaço Público e a construção de Évora como cidade Educadora | Invitation for speaker and Curator in public debate "Arte no Espaço Público e a construção de Évora como cidade Educadora¿,
organized by CIDEHUS/UÉ and Departamento de Filosofia da Universidade de Évora. Évora
CIDEHUS/Universidade de Évora (Évora, Portugal)
|
| 2002/09/05 | Monumento e Anti-Monumento – A Simbologia da Escultura Pública | VII Congresso Luso-Afro-Brasileiro de Ciências Sociais
Universidade Cândido Mendes (Rio de Janeiro)
|
Participação em evento
| Descrição da atividade Tipo de evento |
Nome do evento Instituição / Organização |
|
|---|---|---|
| 2024/01/13 - 2034/01/13 | Conversa de Artista com Graça Pereira Coutinho e Beatriz Horta Correia, António Diogo Rosa, no âmbito da exposição Bright
as Silver Whit as Snow II. Tomar: Centro Cultural da Levada.
Exposição
|
Sitios do Barro III / Exposição Bright as Silver Whit as Snow II.
Grupo Convergências / Câmara Municipal de Tomar, Portugal
|
| 2023/10/27 - 2023/10/27 | Conversa de Artista com António Coelho e José Francisco Dias, no contexto da exposição “quando os pássaros caem - o futuro
é hoje”. Mirandela: Ecoteca.
Exposição
|
quando os pássaros caem - o futuro é hoje
Câmara Municipal de Mirandela, Portugal
|
Júri de grau académico
| Tema Tipo de participação |
Nome do candidato (Tipo de grau) Instituição / Organização |
|
|---|---|---|
| 2019 | Arte, política e migração: algumas manifestações artísticas do século XXI.
Tese de Mestrado no domínio da Escultura desenvolvido em torno do conceito de muro.
Arguente
|
David Miguel Cavaco Dançante (Mestrado)
Universidade de Évora / Escola das Artes, Portugal
|
| 2014/12/05 | Arguente como especialista da Tese de Mestrado em Desenho e Técnicas de Impressão, intitulada Intersecções entre desenho,
têxtil e corpo numa prática artística, de Isabel Quaresma; FBAUP.
Arguente
|
Isabel Quaresma (Mestrado)
Faculdade de Belas Artes da Universidade do Porto, Portugal
|
Arbitragem científica em conferência
| Nome da conferência | Local da conferência | |
|---|---|---|
| 2021/03/08 - Atual | Seminário "Musas em Ação - Espessuras da [In]Visibilidade¿ | Centro de Investigação e Inovação em Educação – InED (rec. FCT) da Escola Superior de Educação do Politécnico do Porto, numa parceria com a Casa Comum da Reitoria da Universidade do Porto e o Instituto de Literatura Comparada Margarida Losa da Faculdad |
| 2003 - Atual | Public Art and Design: Interdiscsciplinary and Social Perspectives | Public Art Observatory/MACBA Barcelona |
| 2024/11/06 - 2024/11/07 | El Hilo de la Navaja | I Congreso Internacional Materia, Investigación e criación sobre los Estados de la Matéria |
| 2022/07/30 - 2023/06/30 | ARCITE “(CRUZANDO) ARTES, CIÊNCIAS E TECNOLOGIAS: A comunicação e a ilustração científica na educação | ESCOLA SUPERIOR DE EDUCAÇÃO DE LISBOA |
| 2022/06/01 - 2023/01/06 | Jcocep | Jcocep FBAUP / i2ADS |
| 2022/04 - 2022/06 | jCOCEP | Faculdade de Belas Artes da Universidade do Porto |
| 2021/04/22 - 2021/10/31 | Congresso Internacional PHIM 3, Mármores do Alentejo: Da História ao Património | Universidade de Évora / CECHAP – Centro de Estudos de Cultura, História, Artes e Património |
| 2020/03/22 - 2020/06/06 | First International Seminar in Sculpture Research | Faculdade de Belas Artes da Universidade de Lisboa / Museu de Cerâmica de Sacavém |
| 2018/01/15 - 2018/04/24 | Jornadas Internacionais de Arte Pública Palimpsestos Urbanos | FBAUL ; ¿ ITAP/CIEBA, Transversal Fields of Research in Public Art |
| 2017/09/01 - 2017/09/23 | Void: Talhando a Paisagem e Itinerário de um não lugar | Jornadas Europeias do Património 2017/ Chães - APECA/ CM Estremoz, |
| 2002/05/02 - 2002/09/28 | Inclusivoity: A Challeng for Public Urban Design and Public Art | Faculdade de Belas Artes da Universidade de Lisboa/ Public Art Observatory-FBAUB |
| 2001/10/04 - 2001/10/06 | WATERFRONTS OF ART II INTERNACIONAL CONFERENCE: THE ARTS IN URBAN DEVELOPMENT | Universitat de Barcelona . CER Polis |
Arbitragem científica em revista
| Nome da revista (ISSN) | Editora | |
|---|---|---|
| 2015 - Atual | Member of the Editorial Board of REVISTA VISUALS (2447-1313) | Magazine of the Graduate Program in Visual Arts at UNICAMP |
Curso / Disciplina lecionado
| Disciplina | Curso (Tipo) | Instituição / Organização | |
|---|---|---|---|
| 2023/02/08 - Atual | Ceramics in Space, will be an optional UC that will allow the development of ceramics through projects proposed by students, choosing a given area or more specific areas of this work scope. At the end of this course, students should be able to: - Develop a project aimed at a specific intervention in the space and know how to choose the materials and processes suitable for its consummation; - Execute models and / or scale models on the project scale using the most appropriate means; | Ceramis in Space (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2023/02/07 - Atual | Ceramics Practices: ¿ Know the ceramic process; ¿ Identify the characteristics of ceramic materials; ¿ Complement the work developed at the Ceramics UC and other curricular areas; ¿ Explore the expressive potentialities of ceramic techniques by stimulating critical reflection on current ceramics, thus enhancing individual creative pathways; ¿ Value the experimental methodologies associated with studio work. | Ceramic Pratices (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2022/09/12 - Atual | Ceramics Practices: ¿ Know the ceramic process; ¿ Identify the characteristics of ceramic materials; ¿ Complement the work developed at the Ceramics UC and other curricular areas; ¿ Explore the expressive potentialities of ceramic techniques by stimulating critical reflection on current ceramics, thus enhancing individual creative pathways; ¿ Value the experimental methodologies associated with studio work. | Ceramic Partices (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2023/03/28 - 2033/06/28 | APROXIMAÇÕES CRIATIVAS AO SAL: AVENTURAS, EXPERIÊNCIAS E APRENDIZAGENS | (Graduado) | Universidad de Castilla-La-Mancha Facultad de Bellas Artes de Cuenca, Espanha |
| 2023/03/27 - 2033/03/27 | Práticas Contemporâneas nos Significados da Escultura, da Paisagem E da Natureza: A Subliminar Imanência da Pintura | Grado (Graduado) | Universidad de Castilla-La-Mancha Facultad de Bellas Artes de Cuenca, Espanha |
| 2024/11/18 - 2024/11/22 | 2024 - 18/22.11 was invited by the Institut National des Beaux-Arts de Tétouan to take part in the 16th Biennale des Ecoles d'Art en Méditerranée. | La Céramique dans l’espace (Postgraduate Certificate) | Institut National des Beaux-Arts de Tétouan, Marrocos |
| 2023/03/31 - 2023/03/31 | Intervenções de Escultura na transformação dos espaços públicos em Portugal. O Caminho da Fonte, em Belver. | (Graduado) | Universidad de Castilla-La Mancha Facultad de Bellas Artes, Espanha |
| 2023/03/30 - 2023/03/30 | Clara Menéres (1943-2018). Um percurso singular na escultura contemporânea portuguesa | (Graduado) | Universidad de Castilla-La-Mancha Facultad de Bellas Artes de Cuenca, Espanha |
| 2023/03/29 - 2023/03/29 | Diálogos Contemporâneos com o Mármore: Do Território à Arte | (Graduado) | Universidad de Castilla-La-Mancha Facultad de Bellas Artes de Cuenca, Espanha |
| 2022/02/10 - 2022/06/30 | Ceramics in Space, will be an optional UC that will allow the development of ceramics through projects proposed by students, choosing a given area or more specific areas of this work scope. At the end of this course, students should be able to: - Develop a project aimed at a specific intervention in the space and know how to choose the materials and processes suitable for its consummation; - Execute models and / or scale models on the project scale using the most appropriate means; | (Licenciatura) | Biblioteca da Faculdade de Belas Artes da Universidade do Porto, Portugal |
| 2021/10/13 - 2022/01/31 | Painting Seminars is a course that promotes the discipline as an artistic expression in its most varied manifestations. As an art practice, painting is much more than just a physical activity, it is a long-term critical commitment to ideas and sensibilities. This course will be committed to help students deepen their vision, it will support the wide diversity of formal and conceptual approaches, styles and interests. The course will also encourage critical dialogue, visits to exhibitions, artists studios and through the contribution of guest artists | Master Fine Arts (Mestrado) | Faculdade de Belas Artes da Universidade do Porto, Portugal |
| 2021/09/23 - 2022/01/28 | Ceramics Practices: • Know the ceramic process; • Identify the characteristics of ceramic materials; • Complement the work developed at the Ceramics UC and other curricular areas; • Explore the expressive potentialities of ceramic techniques by stimulating critical reflection on current ceramics, thus enhancing individual creative pathways; • Value the experimental methodologies associated with studio work. | (Licenciatura) | Faculdade de Belas Artes da Universidade do Porto, Portugal |
| 2021/02/08 - 2021/07/16 | Experience of the ceramic with raw material context allows to know the ceramic process and to identify the features of ceramic materials. Contact with ceramic equipment and laboratory practice promote the exploration of the expressive potential of ceramic techniques from the domain of the use of ovens and the performance of tests, exercises and records of pastes, fluxes and auxiliaries products. Studio work associated with means to know the ceramic processes, enhance the experimental methodologies and stimulate critical reflection on current cerami | Ceramics (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2021/02/08 - 2021/07/16 | The Course will be an optional UC that will allow the development of ceramics through projects proposed by students, choosing a given area or more specific areas of this work scope. At the end of this course, students should be able to: Develop a project aimed at a specific intervention in the space and know how to choose the materials and processes suitable for its consummation; Execute models and/or scale models on the project scale using the most appropriate means; Develop a descriptive report of the project and/or a poster | (Licenciatura) | |
| 2020/09/15 - 2021/01/31 | Ceramics: - Pottery in context: concepts and genres; - Raw materials: geological characterization; - Various processes of cooking sculptures, reliefs and other ceramic objects; - Laboratory practice - tests / exercises and records: pastes, different construction and modeling processes, painting and dyes, fluxes and auxiliary products; | Ceramics | Faculdade de Belas Artes da Universidade do Porto, Portugal |
| 2020/09/14 - 2021/01/29 | PPAA is a theoretical unit that highlights the debates involving contemporary art with a view to empowering individual artistic practices. It aims to generate new reflective possibilities about recent visual culture and specific artistic practice, with the aim of encouraging students to analyze in detail global critical concepts, such as modernism/postmodernism, among others. Sessions will be interspersed between expository and debate classes, visits to exhibitions, discussion of the theoretical works of the enrolled students | Pensamento e Prática da Arte Atual (Mestrado) | |
| 2020/09/14 - 2021/01/28 | Experience of the ceramic with raw material context allows to know the ceramic process and to identify the features of ceramic materials. Contact with ceramic equipment and laboratory practice promote the exploration of the expressive potential of ceramic techniques from the domain of the use of ovens and the performance of tests, exercises and records of pastes, fluxes and auxiliaries products. Studio work associated with means to know the ceramic processes, enhance the experimental methodologies and stimulate critical reflection on current cerami | Ceramics (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2020/02/07 - 2020/07/24 | Experience of the ceramic with raw material context allows to know the ceramic process and to identify the features of ceramic materials. Contact with ceramic equipment and laboratory practice promote the exploration of the expressive potential of ceramic techniques from the domain of the use of ovens and the performance of tests, exercises and records of pastes, fluxes and auxiliaries products. Studio work associated with means to know the ceramic processes, enhance the experimental methodologies and stimulate critical reflection on current cerami | Ceramics (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2019/09/01 - 2020/01/30 | Curriculum unit "Ceramics" - The experience and study of ceramics in a raw-material context allows to learn the different ceramic processes and to identify the charecteristics of its diverse materials. The contact with ceramic equipment in the workshop practice promote the discovery of expressive potentiality in ceramic techniques, such as mastering the ovens, producing tests, exercises and registers of clay, and of meltings or other aiding products. | Ceramics (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2017/02/10 - 2018/07/16 | Promote and consolidate in multidisciplinary environment the involvements of the students in projects of production and independent creation; Ensure that the mentioned projects are properly articulated with methodologies that promote the study of phenomena related to contemporary art practices; Promoting an eclectic approach susceptible to methodological framework in the area of artistic practice; Encourage the exercise of artistic practices preferably in terms of practical experience, in the sense that only one learns to draw by drawing | (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2017/09/01 - 2018/01/31 | Promote and consolidate in multidisciplinary environment the involvements of the students in projects of production and independent creation; Ensure that the mentioned projects are properly articulated with methodologies that promote the study of phenomena related to contemporary art practices; Promoting an eclectic approach susceptible to methodological framework in the area of artistic practice; Encourage the exercise of artistic practices preferably in terms of practical experience, in the sense that only one learns to draw by drawing | (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2017/09/01 - 2018/01/28 | Subject context Consolidate and focus on the knowledge acquired by the student in the previous years, in the sphere of sculpture, working specifically the volumes¿/volumetries¿ construction from space, as consequence of a project¿s practice. Promote the confrontation with space as art¿s essence, finding out the conceptual differences in the applying and developing of the project¿s processes as well as in the implied technical processes. Being acquainted with methodologies and sculpture processes as a project | (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2017/02/08 - 2017/07/15 | Promote and consolidate in multidisciplinary environment the involvements of the students in projects of production and independent creation; Ensure that the mentioned projects are properly articulated with methodologies that promote the study of phenomena related to contemporary art practices; Promoting an eclectic approach susceptible to methodological framework in the area of artistic practice; Encourage the exercise of artistic practices preferably in terms of practical experience, in the sense that only one learns to draw by drawing | Sculptural Practices (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2016/09/01 - 2017/01/31 | Subject context Consolidate and focus on the knowledge acquired by the student in the previous years, in the sphere of sculpture, working specifically the volumes¿/volumetries¿ construction from space, as consequence of a project¿s practice. Promote the confrontation with space as art¿s essence, finding out the conceptual differences in the applying and developing of the project¿s processes as well as in the implied technical processes. Being acquainted with methodologies and sculpture’s execution processes as a project’s | Universidade do Porto Faculdade de Belas Artes, Portugal | |
| 2016/09/01 - 2017/01/31 | The UC aims to contribute to the critical perspective and the consolidation of each student's individual projects; Valuing experimental methodologies associated with studio work; Complement the work developed in the Project UC and in other curricular areas; Confront and discuss different notions of authorship in the field of fine arts; Develop instruments of analysis, individuals and groups; Stimulate critical reflection on contemporary artistic practices. Establish bridges and contamination between the school and the outside reality | (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2016/02/10 - 2016/07/16 | Promoting and consolidating knowledge regarding the last century’s art, considering the artistic practices: installation, performance, site-specific and public art, emphasizing the master pieces and authors which greatly influenced the practice and thinking of the contemporary culture. Promoting also critical assessment skills directed to the most emblematic movements occurred during the first half of the twentieth century and following decades, in the United States of America. Movements and main protagonists, master pieces and Movements | (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2016/02/01 - 2016/07/10 | Promote and consolidate in multidisciplinary environment the involvements of the students in projects of production and independent creation; Ensure that the mentioned projects are properly articulated with methodologies that promote the study of phenomena related to contemporary art practices; Promoting an eclectic approach susceptible to methodological framework in the area of artistic practice; Encourage the exercise of artistic practices preferably in terms of practical experience, in the sense that only one learns to draw by drawing | (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2015/09/01 - 2016/01/31 | Subject context Consolidate and focus on the knowledge acquired by the student in the previous years, in the sphere of sculpture, working specifically the volumes¿/volumetries¿ construction from space, as consequence of a project¿s practice. Promote the confrontation with space as art¿s essence, finding out the conceptual differences in the applying and developing of the project¿s processes as well as in the implied technical processes. Being acquainted with methodologies and sculpture processes as a project | Art and Space (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2015/09/01 - 2016/01/31 | The UC aims to contribute to the critical perspective and the consolidation of each student's individual projects; Valuing experimental methodologies associated with studio work; Complement the work developed in the Project UC and in other curricular areas; Confront and discuss different notions of authorship in the field of fine arts; Develop instruments of analysis, individuals and groups; Stimulate critical reflection on contemporary artistic practices. Establish bridges and contamination between the school and the outside reality | (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2015/02/16 - 2015/07/31 | Promote and consolidate in multidisciplinary environment the involvements of the students in projects of production and independent creation; Ensure that the mentioned projects are properly articulated with methodologies that promote the study of phenomena related to contemporary art practices; Promoting an eclectic approach susceptible to methodological framework in the area of artistic practice; Encourage the exercise of artistic practices preferably in terms of practical experience, in the sense that only one learns to draw by drawing | Sculptural Pratices (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2014/09/15 - 2015/02/13 | To promote on a pluridisciplinar perspective the involvement of students in articulated production projects, following methodologies that favour the objective study of the phenomenon related to contemporary practices of multiples production, through knowledge able to be acquired by practical experience and theoretical formation | (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2014/09/01 - 2015/01/31 | Subject context Consolidate and focus on the knowledge acquired by the student in the previous years, in the sphere of sculpture, working specifically the volumes¿/volumetries¿ construction from space, as consequence of a project¿s practice. Promote the confrontation with space as art¿s essence, finding out the conceptual differences in the applying and developing of the project¿s processes as well as in the implied technical processes. Being acquainted with methodologies and sculpture processes as a project | Art and Space (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2014/02/10 - 2014/07/11 | To promote on a pluridisciplinar perspective the involvement of students in articulated production projects, following methodologies that favour the objective study of the phenomenon related to contemporary practices of multiples production, through knowledge able to be acquired by practical experience and theoretical formation. | (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2013/09/09 - 2014/02/07 | The Curricular Unit objectives are: to deepen knowledge about ductile materials and modelling processes associated; improve traditional moulding processes associated to the artistic field and applied in the reproduction of the modelled models; consolidate the application of general principles of composition in the organization of three-dimensional shapes and their relationship with the space; to foster research, reflection and critical analysis on the topics covered in the Curricular Unit; promote the autonomy of the students on creation. | (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2013/09/01 - 2014/01/31 | Subject context Consolidate and focus on the knowledge acquired by the student in the previous years, in the sphere of sculpture, working specifically the volumes¿/volumetries¿ construction from space, as consequence of a project¿s practice. Promote the confrontation with space as art¿s essence, finding out the conceptual differences in the applying and developing of the project¿s processes as well as in the implied technical processes. Being acquainted with methodologies and sculpture processes as a project | Art and Space | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2013/02/15 - 2013/07/31 | Sculpture's theory and history aims at the epistemologically and ontologically study of sculpture¿s sphere, from the last years of the 19th centurty to nowadays, promoting the student¿s aquisition of the works¿ of art analisis¿ grammar, and so privileging the approach to the means, to the operative processes, to the intervenings and the inherent languages. As final result, the subject encourages the developing of investigation methods, of organization and management of acquired knowledge | (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2012/09/15 - 2013/02/10 | The UC intends to approach sculpture epistemologically and ontologically from the 1960s to the presentIt. Is a fundamental objective of the SFC, to exercise a permanent confrontation with what is given to the student to know theoretically by the authors of the works themselves and by critical texts, and with what they see in strict relation sensitive with their cultural background. Promotes the research methods, organization and management of acquired knowledge. | (Mestrado) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2012/09/01 - 2013/01/31 | Subject context Consolidate and focus on the knowledge acquired by the student in the previous years, in the sphere of sculpture, working specifically the volumes¿/volumetries¿ construction from space, as consequence of a project¿s practice. Promote the confrontation with space as art¿s essence, finding out the conceptual differences in the applying and developing of the project¿s processes as well as in the implied technical processes. Being acquainted with methodologies and sculpture processes as a project | Art and Space | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2012/09/01 - 2013/01/31 | To promote on a pluridisciplinar perspective the involvement of students in articulated production projects, following methodologies that favour the objective study of the phenomenon related to contemporary practices of multiples production, through knowledge able to be acquired by practical experience and theoretical formation. | Modelling and Multiples (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2011/09/01 - 2012/02/10 | Modelling and molding II aims at the consolidation, deepening and maturation of the knowledge and experience obtained in Modelling and molding I, namely: Improvement of visual acuity and of analitic/sintetic capacities; analíticas/sintéticas; Sensory understanding of the shapes in three dimensional space; General composition principles aplication in the organization of three dimensional shapes; Approached methods and techniques aplication, bearing in mind the evolutional; Reflection and critical analysis sense on the approached matters; | (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2011/09/01 - 2012/02/06 | Sculpture’s theory and history aims at the epistemologically and ontologically study of sculpture’s sphere, from the last years of the 19th centurty to nowadays, promoting the student’s aquisition of the works’ of art analisis’ grammar, and so privileging the approach to the means, to the operative processes, to the intervenings and the inherent languages. As final result, the subject encourages the developing of investigation methods, of organization and management of acquired knowledge | (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2011/10/01 - 2012/01/31 | Subject context Consolidate and focus on the knowledge acquired by the student in the previous years, in the sphere of sculpture, working specifically the volumes¿/volumetries¿ construction from space, as consequence of a project¿s practice. Promote the confrontation with space as art¿s essence, finding out the conceptual differences in the applying and developing of the project¿s processes as well as in the implied technical processes. Being acquainted with methodologies and sculpture processes as a project | Art and Space | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2011/02/10 - 2011/07/31 | Promote confrontation with the materials through sculptural practices of a Subtractive, Additive and Constructive nature, discovering the conceptual differences in the application of the various technical processes involved. Understand the relationship of a specific technical process of transformation of matter with the plastic and expressive language obtained with the final work. To know the technological changes and their consequent processes in the historical context, understanding their implications in the different results of the sculptural ob | Universidade do Porto Faculdade de Belas Artes, Portugal | |
| 2010/10/01 - 2011/01/31 | The subject of “Structures and Materials” seeks to provide the students with research and understanding territories in the sculptoric field, that develop their practical and theoretical knowledge’s, initiated in the 1st year of the Licenciatura em Artes Plásticas Structure and Material concepts, which control is essential to a consequence practice of tridimensionality will be apprehended in a broad way, taking into consideration that sculpture area offers the possibilities for the artistic procedures, allowing opening horizons of sculptoric vocation | (Licenciatura) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2010/10/01 - 2011/01/31 | To promote on a pluridisciplinar perspective the involvement of students in articulated production projects, following methodologies that favour the objective study of the phenomenon related to contemporary practices of multiples production, through knowledge able to be acquired by practical experience and theoretical formation. | Universidade do Porto Faculdade de Belas Artes, Portugal |
Entrevista (jornal / revista)
| Descrição da atividade | Jornal / Forum | |
|---|---|---|
| 2007/10/15 | 2007 - "Formas com Alma", conducted interview with Ana Sofia Rosado to the newspaper "O Primeiro de Janeiro", supplement "Artes das Letras", October 15, 2007, Porto (held at Galeria Artes / Solar de Sto. António, in October). | O Primeiro de Janeiro |
| 2006/10/15 | "A arte pública é sempre política", newspaper interview for "O primeiro de Janeiro", supplement "Artes das Letras", 5th June 2006, Porto, cuducted by Ana Sofia Rosado in Palácio de Cristal gardens. | Primeiro de Janeiro |
Entrevista / Programa (rádio / tv)
| Programa | Tema | |
|---|---|---|
| 2021/12/16 - Atual | Interview with Paula Pinto within the scope of the exhibition Da casa para um Mundo. Lisboa: SNBA. | |
| 2021/05/27 - Atual | Artists Statements program promoted by National Museum of Contemporary Art and its Director Emília Ferreira | Artist Statement - Susana Piteira |
| 2020/09/13 - Atual | Invited as a participating artist in a round table that closes the House for a World Exhibition, XXI Vila Nova de Cerveira Via streaming | As participant artist of Exposição da Casa para um mundo, XXI Vila Nova de Cerveira |
| 2020/09/13 - Atual | Invited to participate in the round table/interview at the closing of the exhibition Da casa para um mundo, XXI Vila Nova de Cerveira. | Interview |
| 2020/08/15 - Atual | Interviewed within the scope of the Casa para um mundo exhibition, via Zoom | As participante artist Exposição da Casa para um mundo, XXI Vila Nova de Cerveira |
| 2020/08/15 - Atual | Interviewed within the scope of the Da casa para um mundo exhibition. | Da casa para um mundo exibithion |
| 2020/05/07 - Atual | Commentary on his work at CIEC. Guarda: Centro Internacional de Escultura Contemporânea. | About his work at CIEC. Guarda: Centro Internacional de Escultura Contemporânea. |
| 2017/08/31 - Atual | Luxuriae exhibition finissage. 2nd International Art Symposium of Guarda. Launch of the exhibition catalog | Luxuriae exhibition finissage |
| 2017/06/12 - Atual | Artist's conversation during the Luxuriae exhibition at the Paço da Cultura Gallery, within the scope of the 2nd edition of Guarda's International Contemporary Art Symposium. | Luxuriae exhibition |
| 2014/04/11 - Atual | 11th April- Invitation to take part in radio show about Museu Soares dos Reis, resulting from the partnership of DGPC (Direcção-Geral do Património Cultural) with TSF, under which the program "Encontros com o Património" takes place. In this program several themes concerning cultural heritage are discussed, and feature, among others, the Museum Director Dr.ª Maria João Vasconcelos, Dr. Álvaro Sequeira Pinto, from Grupo de Amigos do Museu Soares dos Reis, and Dr. José Manuel Porfírio. | “Encontros com o Património” |
| 2014 - Atual | Documentary “Fábrica S. Bernardo: Alcobaça”, Realização Tiago Vitória, Produção DAE/ESMAI/Politécnico do Porto. | Arte - Cerâmica contemporânea /Resudências Artisticas na Fábrica São Bernardo em Alcobaça |
| 2012 - Atual | Participation in the documentary that portrays the program Tempos Cruzados / Oficinas Criativas (Programa Tempos Cruzados / Oficinas Criativas) | Program Tempos Cruzados / Oficinas Criativas / Guimarães Capital Europeia da Cultura (Guimarães European Capital of Culture) |
| 2005/08/01 - Atual | The Parallel Lines Project embodied a fictional journey between the past, the present and the future and occupies, sensitizes and uses the Évora - Vila Viçosa railway line for the 100th anniversary of its inauguration. The collection of archives and memories of the past everyday merges with images of the present and wishes for a better future. | Landscape, railroad lines and decay in Alentejo, Portugal |
| 1990/10/05 - Atual | About Contemporary Art | Interview “About contemporary stone sculpture |
| 2023/04/21 - 2023/04/21 | Exposição: "quando os pássaros caem - o futuro é hoje" - Ecoteca de Mirandela | LVTV Local TV |
| 2017/03/03 - 2017/03/03 | Documental series "Estou nas Tintas": The man in front of the work, in the group of sculpturs. Show produced by RTP2 that focuses on the life and work of about 80 significant national artists, in the course of 13 weeks. Written by António de Almeida Lopes, directed by Joaquim Feijão / Provetouch. | Artes Plásticas |
Membro de associação
| Nome da associação | Tipo de participação | |
|---|---|---|
| 2011/03 - Atual | Chães-Associação de Pesquisa e Desenvolvimento em Cultura e Artes | |
| 2007/05/01 - Atual | CDAN-Centro de Arte y Naturaleza Fundación Buelas, Huesca Spain | |
| 2000/04 - Atual | Movimento para a Arte Contemporânea em Évora | |
| 1991/09 - Atual | International Association of Paper Manufacturers and Artists - IAPMA | |
| 2001/01 - 2006/09 | European Public Art Observatory | |
| 1991/02 - 2006/04 | Sociedade Nacional de Belas Artes - S.N.B.A | |
| 2000/09 - 2004/07 | Rede e Centro Internacional de Artistas de Gravura | |
| 1991/01 - 2000/09 | Cooperativa dos Gravadores Portugueses | |
| 1991/05 - 1998/09 | Cooperativa de Actividades Artísticas |
Membro de comissão
| Descrição da atividade Tipo de participação |
Instituição / Organização | |
|---|---|---|
| 2019/05/02 - Atual | Artistic and scientific consultant at the Center for the Study of Culture, Arts and Heritage-CECHAP (Centro de Estudos de
Cultura, Artes e Património).
Outro
|
CECHAP- Centro de Estudos de Cultura, Artes e Património, Portugal |
| 2019/01/15 - Atual | Invited as a consultant for the Development Group in GD6R3 of the National Adult Literacy Plan with the
Theme Literacy, networks and partners – With everyone's commitment. (Project SRSS/S2018/039). Port: Hotel Tuela - Sala Clérigos.
Consultor
|
APEFA - Associação Portuguesa de Educação e Formação, Apendências de Adultos, Portugal |
| 2023/05/22 - 2023/05/27 | 2023 – 22 a 27 de Maio, Project: Arts and Crafts Aujourd'hui¿Reference: 2021-1-FR01-KA220-HED-000032240.
Activity: C3. Matérialité des engagements/ Donner Corps à la Recherche. Partcipação como representante da FBAUP e como membro
da area da escultura e da cerâmica.
Consultor
|
Université du Québec à Montréal Faculté des Arts, Canadá |
| 2022/05/09 - 2023/05/14 | Project: Arts and Crafts Aujourd'hui¿Reference: 2021-1-FR01-KA220-HED-000032240.
Activity: C2. Grand Atelier de Tétouan, Marrocos.
Representative member of FBAUP and as a member of this School in the field of sculpture and ceramics.
Consultor
|
Institute National des Beaux Arts, Marrocos |
| 2022/01/31 - 2022/02/04 | 2022 – 31 de Janeiro a 4 de Fevereiro, Project: Arts and Crafts Aujourd'hui¿Reference: 2021-1-FR01-KA220-HED-000032240.
Activity: C1. L'artisanat régional et son utilisation dans le design et l'art contemporain à Porto.
Consultor
|
Faculdade de Belas Artes da Universidade do Porto, Portugal |
Outro júri / avaliação
| Descrição da atividade | Instituição / Organização | |
|---|---|---|
| 2011/10/27 - Atual | Invicted as rapporteur at the conference "O Artista a Memória e o Lugar" by Francisco Laranjo | Tempos Cruzados Singulares / Guimarães Capital europeia da Cultura, Portugal |
Revisão ad hoc de artigos em revista
| Nome da revista (ISSN) | Editora | |
|---|---|---|
| 2023/02/18 - Atual | Portuguese Studies Review (ISSN 1057-1515) | Baywolf Press |
| 2021/06/01 - Atual | Nodo #31 (ISSN 1909-3888) | Facultad de Artes de la Universidad Antonio Nariño de Colombia |
Tutoria
| Tópico | Nome do aluno | |
|---|---|---|
| 2023/07/28 - 2033/09/30 | Residências Tecnológicas GroundLAB - III Bienal de Ardósia de Valongo | Maria Palma (FBAUP) |
| 2023/07/28 - 2033/09/30 | Residências Tecnológicas GroundLAB - III Bienal de Ardósia de Valongo | Vera Gomes |
Distinções
Prémio
| 2024 | The Sovereign Portuguese Art Prize
Sovereign Art Funadtion, Hong Kong
|
| 2014 | Menção Honrosa
Sociedade nacional de Belas Artes, Portugal
|
| 1990 | Prémio Internacional de escultura
Parque Natural das Serras e Aire e Candeeiros / Câmara Municipal de Torres Novas, Portugal
|