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Luís Neiva is a Portuguese singer and researcher in the field of Historical Musicology. In 2023 he completed a Master's Degree in Advanced Vocal Ensemble Studies at the renowned Schola Cantorum Basiliensis (Switzerland), after having completed a Master's Degree in Early Music Performance (Renaissance Romantic) at the same institution in 2022. He is currently a PhD student in Musical Sciences at NOVA FCSH, a scholarship holder from the Foundation for Science and Technology (Portugal) and a researcher at CESEM (Centro de Estudos de Sociologia e Estética Musical). He was scientific co-coordinator of the project "AD TENEBRAS: Lamentações e Responsórios para os Ofícios das Trevas no Mosteiro de Santa Cruz de Coimbra 1550 1630" organised by the ensemble Capella Sanctae Crucis and funded by DGArtes and the Caixa Cultura initiative in 2023. Luís regularly performs with ensembles from the field of Historically Informed Practices , such as Arte Mínima, Capella Sanctae NikanOmpa, Concert de la Reine, thélème, Accademia Barroca Lucernensis, among others. As a researcher, his main focus of interest is on the relationship between Historical Musicology and the fields of Philosophy, Psychoanalysis and Radical Theology.
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Identification

Personal identification

Full name
Luís Neiva

Citation names

  • Neiva, Luís

Author identifiers

Ciência ID
3E1F-7924-8047
ORCID iD
0000-0003-0779-0335

Email addresses

  • luisandreneiva@gmail.com (Professional)

Telephones

Mobile phone
  • (+351) 965665370 (Professional)

Addresses

  • Rua Padre Avelino Alves, 105, 4740-016, Antas, Esposende, Portugal (Personal)

Knowledge fields

  • Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)

Languages

Language Speaking Reading Writing Listening Peer-review
Portuguese (Mother tongue)
English Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2)
Spanish; Castilian Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
French Upper intermediate (B2) Upper intermediate (B2) Upper intermediate (B2) Upper intermediate (B2)
German Intermediate (B1) Intermediate (B1) Intermediate (B1) Intermediate (B1)
Education
Degree Classification
2023/10/01 - 2027/10/01
Ongoing
 Ciências Musicais (Doutoramento)
Major in Musicologia Histórica
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
"Polifonia Ibérica Renascentista - Corrupção e Transcendência do Sagrado" (THESIS/DISSERTATION)
2022/01/23 - 2023/04/21
Concluded
 Master in Advanced Studies - Advanced Vocal Ensemble Studies (Master)
Fachhochschule Nordwestschweiz Schola Cantorum Basiliensis, Switzerland
"Catharsis - Trauma and aesthetic experience in Polyphony" (THESIS/DISSERTATION)
2019/09/01 - 2022/08/31
Concluded
 Master of Arts in Musical Performance - Singing (Master)
Major in Early Music (Renaissance - Romantic)
Fachhochschule Nordwestschweiz Schola Cantorum Basiliensis, Switzerland
"Lamentatio - Portuguese Music for the Holy Week in the XVI century" (THESIS/DISSERTATION)
 18
2018/09/01 - 2019/07/01
Concluded
 Estudos Avançados em Polifonia (Pós-Graduação)
Instituto Politécnico do Porto Escola Superior de Música e Artes do Espetáculo, Portugal
 17
2011/09/01 - 2015/07/01
Concluded
 Música (Licenciatura)
Major in Canto
Instituto Politécnico do Porto Escola Superior de Música e Artes do Espetáculo, Portugal
 16
Affiliation

Other Careers

Category
Host institution 		Employer
2015/01/01 - 2018/08/01 Professor do ensino básico e secundário (Professor do ensino básico e secundário) Escola de Música Amadeus, Portugal
Escola de Música Amadeus, Portugal
2016/09/01 - 2017/07/01 Professor do ensino básico e secundário (Professor do ensino básico e secundário) Academia de Música de Viatodos, Portugal
Academia de Música de Viatodos, Portugal
2016/01/01 - 2017/06/01 Professor do ensino básico e secundário (Professor do ensino básico e secundário) Academia de Música da Fortaleza de Valença, Portugal
Academia de Música da Fortaleza de Valença, Portugal
Projects

Grant

Designation Funders
2023/10/01 - Current Polifonia Ibérica Renascentista - Corrupção e transcendência do sagrado
2023.05264.BD
PhD Student Fellow
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
 Fundação para a Ciência e a Tecnologia
Ongoing
2022/09/01 - 2022/09/30 Projecto Lost & Found - CESEM
PTDC/ART-PER/0902/2020.
Scientific Initiation Fellow
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
 Fundação para a Ciência e a Tecnologia
Concluded

Contract

Designation Funders
2022/10/01 - 2023/07/30 AD TENEBRAS: Lamentações e Responsórios para os Ofícios das Trevas no Mosteiro de Santa Cruz de Coimbra 1550-1630
Ad Tenebras
Co-Coordenador Científico
Universidade de Coimbra Instituto de Estudos Clássicos, Portugal
 Republica Portuguesa Direção-Geral das Artes

Caixa Geral de Depositos
Ongoing
Outputs

Artistic / Performance

Audio recording
  1. Neiva, Luís; Thèleme (Producer). 2021. "Nymphes des Bois - Josquin Desprez". In Baisiez moy, Aparté.
  2. Neiva, Luís. 2019. "Berlioz: La Damnation de Faust (Coro Gulbenkian)". In Berlioz: La Damnation de Faust (Coro Gulbenkian), Erato.
  3. Neiva, Luís. 2015. "Portuguese Vocal Masterpieces of the XVI and XVII centuries, vol. 1 (Capella Duriensis)". In Portuguese Vocal Masterpieces of the XVI and XVII centuries, vol. 1 (Capella Duriensis), Naxos.
  4. Neiva, Luís; Capella Duriensis (Producer). 2013. "Música Sacra de Portugal, vol. 1 (Capella Duriensis)". In Música Sacra de Portugal, vol. 1 (Capella Duriensis), Capella Duriensis.
  5. Neiva, Luís; Capella Duriensis (Producer). 2013. "Western Medieval Carols & Songs of the Eastern Orthodox Church (Capella Duriensis)". In Western Medieval Carols & Songs of the Eastern Orthodox Church (Capella Duriensis), Capella Duriensis.
Musical performance
  1. J.S. Bach - BWV 4 e BWV 37 (Misericordiae Ensemble). 2023.
    Bass
  2. Ad Tenebras - Lamentações e Responsórios para a Semana Santa do Mosteiro de Santa Cruz de Coimbra, 1530 - 1630 (Capella Sanctae Crucis). 2023.
    Bass
  3. Nikolaus Matthes: Markuspassion. 2023.
    Bass
  4. "Si mi voz muriera en tierra" (Ensemble Nikanompa). 2023.
    Bass
  5. Del Desiderio e della speranze - Le amorose danze di Jehan de Lescurel (Puy de Saint Cyr). 2022.
    Baritone 
  6. A música secreta de Vicente Lusitano (ensemble Arte Mínima). 2022.
    Bass
  7. J.S. Bach: Messe h-Moll, BWV 232 (Accademia Barroca Lucernensis). 2022.
    Bass
  8. J. S. Bach: Oratória de Natal (Coro e Orquestra XXI). 2021.
    Bass
  9. Gubaidulina: Lux (Verba Vocalis). 2021.
    Bass
  10. Gezeiten (Schweizer Vokalkonsort). 2021.
    Bass
  11. Ad Tenebrae - Feria Quinta in Cena Domini (Capella Sanctae Crucis). 2021.
    Bass
  12. 200 anos do “Don Giovanni” no Brasil (Divino Sospiro e Americantiga ensemble). 2021.
    Bass
  13. H. Biber: Missa Salisburgensis (Kantorei Enge). 2021.
    Bass
  14. Aufbruch?! (Voce Ensemble). 2021.
    Bass
  15. Charpentier: Te Deum (Le Parlement de Musique). 2021.
    Bass
  16. Sonderkonzert (ensemble thélème). 2020.
    Bass
  17. "Magnificat anima mea Dominum" (Accademia Barroca Lucernensis). 2020.
    Bass
  18. Magnificat 1597. 2020.
    Bass
  19. Le Banquet (ensemble thélème). 2020.
    Bass
  20. Resonating Spaces (ensemble Lunovis). 2020.
    Bass
  21. Die Spinne von Zofingen (Soland Chorkunst). 2019.
    Bass
  22. Salve Regina (Absolute Vocem Ensemble). 2019.
    Bass
  23. Requiem de Mozart (Coro Gulbenkian). 2019.
    Bass
  24. Concerto Mariano (ensemble Moços do Coro). 2019.
    Bass
  25. Petite Messe Solennelle (ensemble MIVS). 2019.
    Bass
  26. Concerto a 6 orgãos e Coro (ensemble Voces Caelestes). 2019.
    Bass
  27. Cantata Criolla (Coro Gulbenkian). 2019.
    Bass
  28. La Damnation de Faust (Coro Gulbenkian). 2019.
    Bass
  29. Requiem Duarte Lobo (ensemble Moços do Coro). 2019.
    Bass
  30. Romeu & Julieta (Coro Gulbenkian). 2019.
    Bass
  31. Triunfo de Existir (Coro Gulbenkian). 2019.
    Bass
  32. O Evangelho da Infância (ensemble Moços do Coro). 2019.
    Bass
  33. Ode Marítima (Coro Gulbenkian). 2018.
    Bass
  34. Requiem de Verdi (Coro Gulbenkian). 2018.
    Bass
  35. Viotti dirige Mahler (Coro Gulbenkian). 2018.
    Bass
  36. Nuper Rosarum Flores (Absolute Vocem Ensemble). 2018.
    Bass
  37. Da herança à criação (ensemble Moços do Coro). 2018.
    Bass
  38. Celebrações da Semana Santa (Coro da Sé de Évora). 2018.
    Bass
  39. Magnificat de Vivaldi (Ensemble Vocal Cantarte). 2017.
    Bass
  40. Zion Spricht: da cruz ao íntimo do barroco alemão (Absolute Vocem Ensemble). 2017.
    Bass
  41. Sons da Espiritualidade Cristã (Absolute Vocem Ensemble). 2017.
    Bass
  42. Peregrinação (Bando de Surunyo). 2017.
    Bass
  43. Vespro della Beata Vergine (Coro de Câmara e Solistas da ESMAE). 2017.
    Bass
  44. Canções Bíblicas (Atlantic Coast Orchestra). 2015.
    Bass
  45. Festival Terras Sem Sombra (ensemble Capella Duriensis). 2014.
    Bass
  46. Portuguese Polyphony (ensemble Capella Duriensis). 2014.
    Bass
  47. O Rito Bracarense (ensemble Capella Duriensis). 2014.
    Bass
  48. Polifonia de Portugal (ensemble Capella Duriensis). 2013.
    Bass
  49. Música Sacra e Profana em Portugal nos séc. XVI e XVII (ensemble Capella Duriensis). 2013.
    Bass
  50. Música Sacra e Profana em Portugal nos séc. XVI e XVII (ensemble Capella Duriensis). 2013.
    Bass