Identification
Personal identification
- Full name
- Fabio Tononi
Citation names
- Tononi, Fabio
Author identifiers
- Ciência ID
- F81D-DD26-382B
- ORCID iD
- 0000-0002-2113-0694
- Google Scholar ID
- https://scholar.google.com/citations?user=QJm7aMEAAAAJ&hl=it
- Scopus Author Id
- 57218914734
Email addresses
- fabiotononi@fcsh.unl.pt (Professional)
Knowledge fields
- Humanities - Philosophy, Ethics and Religion - Philosophy
Languages
Language | Speaking | Reading | Writing | Listening | Peer-review |
---|---|---|---|---|---|
Italian (Mother tongue) | |||||
English | Proficiency (C2) | Proficiency (C2) | Proficiency (C2) | Proficiency (C2) | Proficiency (C2) |
Education
Degree | Classification | |
---|---|---|
2016/10/01 - 2021/02/28
Concluded
|
PhD (Doutoramento)
School of Advanced Study The Warburg Institute, United Kingdom
|
Affiliation
Positions / Appointments
Category Host institution |
Employer | |
---|---|---|
2022/09/01 - Current | Researcher | CHAM Centro de Humanidades, Portugal |
CHAM Centro de Humanidades, Portugal |
Projects
Grant
Designation | Funders | |
---|---|---|
2023/09/01 - Current | IMCS – Imagination and Memory at the Intersection of Culture and Science
Principal investigator
CHAM Centro de Humanidades, Portugal
|
CHAM Centro de Humanidades
Ongoing
|
Outputs
Publications
Book chapter |
|
Book review |
|
Edited book |
|
Journal article |
|
Online resource |
|
Activities
Oral presentation
Presentation title | Event name Host (Event location) |
|
---|---|---|
2024/08/01 | Encounters between the Humanities and the Cognitive Neurosciences: The Role of Emotion, Imagination and Memory in Visual Imagery |
Sapienza University of Rome (Rome, Italy)
|
2024/04/22 | Sophocles’ Antigone: Philosophy, Politics and Psychoanalysis |
Department of Languages and Cultures, University of Aveiro (Aveiro, Portugal)
|
2023/12/14 | Ernst Gombrich and the Concept of ‘Ill-Defined Area’: Perception and Filling-In |
School of Social Sciences and Humanities, Faculty of Social and Human Sciences (FCSH), NOVA University of Lisbon (Lisbon, Portugal)
|
2023/11/02 | Worringer, Dewey, Goodman, and the Biology of Aesthetic Experience |
Department of Psychology, University of Turin, Italy (Turin, Italy)
|
2023/10/24 | Reading Sophocles' Antigone: Death, Burial, and Kinship |
https://different-level.com/ (Online, United Kingdom)
|
2023/07/12 | Byung-Chul Han's Notion of Hyperculture: Culture and Globalisation |
Centre for the Humanities (CHAM), Faculty of Social and Human Sciences (FCSH), NOVA University of Lisbon (Lisbon, Portugal)
|
2023/04/25 | Farewell to Postmodernism? |
https://different-level.com/ (Online, United Kingdom)
|
2023/04/19 | Gombrich and the Concept of ‘Ill-Defined Area’: Perception and Filling-In |
Institute of Art History, Czech Academy of Sciences, Academic Conference Center, Prague, Czech Republic (Prague, Czech Republic)
|
2023/04/03 | Gotthold Ephraim Lessing on Laocoön: Empathy, Mental Completion, and Predictive Perception |
School of Arts and Humanities, University of Lisbon (Lisbon, Portugal)
|
2023/03/15 | Gotthold Ephraim Lessing on Laocoön: Empathy, Mental Completion, and Predictive Perception |
https://different-level.com/ (Online, United Kingdom)
|
2023/02/23 | Biology of Images: Empathy, Collective Memory, and Neurophysiology |
https://different-level.com/ (Online, United Kingdom)
|
2023/01/19 | Success and Failure in the Representation of the Self in the Age of Social Media |
https://different-level.com/ (Online , United Kingdom)
|
2023/01/11 | Aby Warburg and Edgar Wind on the Biology of Images: Empathy, Collective Memory, and the Engram |
Centre for the Humanities (CHAM), Faculty of Social and Human Sciences (FCSH), NOVA University of Lisbon (Lisbon, Portugal)
|
2022/08/17 | Philosophy and Science: An Ontological Approach |
University of Tartu (Tartu, Estonia)
|
2022/07/08 | Heidegger on the Difference between Philosophy and Science |
University of St Andrews (St Andrews, United Kingdom)
|
2022/06/20 | Philosophy and Science: An Ontological Approach |
University of California (Irvine, United States)
|
2022/04/21 | Philosophy and Science: An Ontological Approach |
Inter-University Center (Dubrovnik, Croatia)
|
2022/04/08 | Quantum Physics, Artificial Intelligence, and the Metaphysics of Morality |
Department of Philosophy, Siena Heights University (Adrian, United States)
|
2022/02/24 | Quantum Mechanics, Cognitive Neuroscience, and the Metaphysics of Morality |
The Association for Practical and Professional Ethics (APPE) (Cincinnati, United States)
|
2022/01/18 | The Transformation of Images in the Age of Modernism, Postmodernism, and Digital Reproducibility |
Faculty of Fine-Arts, University of Lisbon (Lisbon, Portugal)
|
2021/12/10 | Quantum Physics, Artificial Intelligence, and the Metaphysics of Morality |
Institute of Philosophy, Maria Curie-Sklodowska University in Lublin (Lublin, Poland)
|
2021/11/18 | Quantum Mechanics, Cognitive Neuroscience, and the Metaphysics of Morality |
Saint-Petersburg University (Saint-Petersburg, Russia)
|
2021/10/28 | Warburg, Wind, and the Concept of Kulturwissenschaft: A Remark on Imagery, Symbols, and Expression |
Italian Cultural Institute of London (London, United Kingdom)
|
2021/10/20 | The Transformation of Images in the Age of Modernism, Postmodernism, and Digital Reproducibility |
University of Warsaw (Warsaw, Poland)
|
2021/09/22 | Aesthetic Response to the Unfinished: Immersion, Imagination and Imitation Learning |
University of Messina (Messina, Italy)
|
2021/09/09 | Multisensory Perception and Multimodal Mental Imagery |
University of Salzburg (Salzburg, Austria)
|
2021/09/01 | Heidegger on the Difference between Philosophy and Science | Sixth Annual Conference of the Society for the Metaphysics of Science
Society for the Metaphysics of Science (Birmingham, United Kingdom)
|
2021/06/07 | Aesthetics, Technique and Emotion |
Università degli Studi di Milano (Milan, Italy)
|
2021/05/22 | The Iconography of Mourners: Lament, Corpse, and the Question of Empathy |
Humanities Research Centre, University of Warwick (Warwick, United Kingdom)
|
2021/04/12 | The Aesthetics of Freud: Movement, Embodied Simulation and Motor Imagery |
Jagiellonian University, Kraków (Kraków, Poland)
|
2019/11/28 | A Contribution to the Study of Aesthetic Responses to the Unfinished in Renaissance Works of Art: Empathy, Imagination and Imitation Learning |
School of Advanced Study, University of London (London, United Kingdom)
|
2019/11/21 | The Unfinished: Terminological Problems and Aesthetic Implications |
Institute of Historical Research, School of Advanced Study, University of London (London, United Kingdom)
|
2019/05/30 | Andrea Mantegna and the Iconography of Mourners: Aby Warburg's Notion of Pathosformeln and the Theory of Aesthetic Response |
Center for Iconographic Studies, University of Rijeka (Rijeka, Croatia)
|
2019/04/12 | Intermediality and Immersion in Gaudenzio Ferrari's Adoration of the Magi in Chapel V of the Sacred Mountain of Varallo |
Royal Holloway, University of London (London, United Kingdom)
|
2019/03/29 | The Future of Art History: From Aby Warburg to Cognitive Neurosciences |
University of London (London, United Kingdom)
|
2019/02/13 | Aesthetic Response to the Unfinished: Empathy, Imagination and Observational Learning |
The Warburg Institute, School of Advanced Study, University of London (London, United Kingdom)
|
2018/09/06 | A Living Sculpture in the New Sacristy: A Neuroscientific Perspective on Animism |
Trinity Hall, University of Cambridge (London, United Kingdom)
|
2018/06/06 | The ‘Unfinished’ in the Visual Arts: Definition, Categories and Neurological Response |
The Warburg Institute (London, United Kingdom)
|
2018/04/11 | Beyond Vision: The Relationship between the Phenomenon of the Unfinished in the Visual Arts and the Theory of Ideas |
Royal Holloway, University of London (London, United Kingdom)
|
2016/03/08 | Humanism and the Making of Identity in the Fresco Cycle of the Room of the Months at Palazzo Schifanoia |
The Warburg Institute (London, United Kingdom)
|
Event organisation
Event name Type of event (Role) |
Institution / Organization | |
---|---|---|
2023/07/12 - 2023/07/15 | VI CHAM Conference: Heritage for a Common Future / Futures for a Common Heritage (2023/07/12 - 2023/07/15)
Conference (Co-organisor)
|
Universidade NOVA de Lisboa, Portugal |
2018/11/15 - 2018/11/15 | III Postgraduate Symposium of the Warburg Institute: “Mnemonic Waves” (2018 - 2018)
Conference (Co-organisor)
|
University of London, School of Advanced Study, The Warburg Institute, United Kingdom |
Event participation
Activity description Type of event |
Event name Institution / Organization |
|
---|---|---|
2024/10/21 - 2024/10/21 | Gombrich before and after Gombrich
Conference
|
Technische Universität Wien Institut für Kunst und Gestaltung, Austria
|
2024/08/06 - 2024/08/06 | Chair, “Aesthetics and Philosophies of Art”, XXV World Congress of Philosophy: Philosophy across Boundaries, Sapienza University of Rome, Italy, 6 August 2024. |
Università degli Studi di Roma La Sapienza, Italy
|
2024/04/16 - 2024/04/16 | “Edgar Wind in Oxford”. Launch of the book: Edgar Wind: Art and Embodiment, ed. by Jaynie Anderson, Bernardino Branca and Fabio Tononi, Oxford, Berlin, Bruxelles, Chennai, Lausanne, New York: Peter Lang, 2024. Launchers: Professor Peter Burke and Professor Oswyn Murray. Trinity College, Garden Room and de Jager Auditorium, University of Oxford, United Kingdom, 16 April 2024. |
University of Oxford Trinity College, United Kingdom
|
2023/04/20 - 2023/04/20 | Chair of a panel
Conference
|
The Influence of the Vienna School of Art History III: Origins, Modifications and Influences of Its Theoretical Concepts
Czech Academy of Sciences, Institute of Art History, Czech Republic
|
Ad Hoc journal article review
Journal title (ISSN) | Publisher | |
---|---|---|
2024 - Current | ARBOR: Ciencia, Pensamiento y Cultura | Consejo Superior de Investigaciones Científicas |
2022 - Current | ITINERA: Rivista di filosofia e teoria delle arti | |
2021 - Current | Aesthetic Investigations | |
2021 - Current | Journal of Comparative Literature and Aesthetics | |
2021 - Current | The Journal for the Philosophy of Language, Mind and the Arts | |
2021 - Current | The Journal of Aesthetics and Art Criticism | |
2021 - Current | Reti, saperi, linguaggi: Italian Journal of Cognitive Sciences | Il Mulino |
2021 - Current | Noûs | Wiley |
2021 - Current | Erkenntnis: An International Journal of Scientific Philosophy | Springer |
2021 - Current | Journal of Art Historiography | |
2020 - Current | Philosophy and the Mind Sciences | |
2020 - Current | The Philosophical Review | Duke University Press |
2020 - Current | Mind | Oxford University Press |
2020 - Current | Philosophical Psychology | |
2020 - Current | Philosophy | Cambridge University Press |
2020 - Current | British Journal of Aesthetics | Oxford University Press |
2020 - Current | Leonardo | MIT Press |
2020 - Current | Estetika: The Central European Journal of Aesthetics | |
2020 - Current | Aisthesis: Pratiche, linguaggi e saperi dell’estetico | |
2020 - Current | International Journal for Digital Art History | |
2020 - Current | Art History: Journal of the Association for Art History | |
2020 - 2020 | Museological Review |
Committee member
Activity description Role |
Institution / Organization | |
---|---|---|
2019/01 - 2024/10 | Centre for the Study of Cultural Memory (CCM), Institute of Modern Languages Research (IMLR), School of Advanced Study (SAS),
University of London
Member
|
School of Advanced Study Institute of Languages Cultures and Societies, United Kingdom |
Course / Discipline taught
Academic session | Degree Subject (Type) | Institution / Organization | |
---|---|---|---|
2024/09 - 2025/05 | Aesthetics and Art Theory | Universidade NOVA de Lisboa, Portugal | |
2024/09 - 2025/05 | Philosophy of Culture: Modernism, Postmodernism and Hypermodernism | Universidade NOVA de Lisboa, Portugal | |
2024/08 - 2024/09 | The Philosophy of Heidegger: Being, Reason and Truth | Universidade NOVA de Lisboa, Portugal | |
2024/07 - 2024/08 | Sophocles’ Three Theban Plays: Philosophy, Politics and Psychoanalysis | Universidade NOVA de Lisboa, Portugal | |
2023/09 - 2024/05 | Introduction to Metaphysics | (Pós-Graduação) | Universidade NOVA de Lisboa, Portugal |
2023/09 - 2024/05 | Introduction to Aesthetics | (Pós-Graduação) | Universidade NOVA de Lisboa, Portugal |
2023/08 - 2023/09 | The Aesthetics of Aby Warburg | (Pós-Graduação) | Universidade NOVA de Lisboa, Portugal |
2023/07 - 2023/08 | Aesthetics and Experimental Aesthetics | (Pós-Graduação) | Universidade NOVA de Lisboa, Portugal |
2023/01 - 2023/03 | Postmodernism | (Pós-Graduação) | Universidade NOVA de Lisboa, Portugal |
2023/01 - 2023/03 | Philosophy, Science and the Question of Reality | (Pós-Graduação) | Universidade NOVA de Lisboa, Portugal |
Evaluation committee
Activity description Role |
Institution / Organization | Funding entity | |
---|---|---|---|
2024/10 - 2024/10 | 34th Annual APPE International Conference
Evaluator
|
||
2024 - 2024 | Jury President, Jury for the selection of a predoctoral research fellowship (for IMCS – Imagination and Memory at the Intersection
of Culture and Science), Centre for the Humanities (CHAM), Faculty of Social and Human Sciences (FCSH), NOVA University of
Lisbon, 2024.
President
|
Universidade NOVA de Lisboa, Portugal | |
2023 - 2023 | VI CHAM Conference
Evaluator
|
||
2023 - 2023 | 33rd Annual APPE International Conference
Evaluator
|
||
2018 - 2018 | III Postgraduate Symposium of the Warburg Institute
Evaluator
|
School of Advanced Study The Warburg Institute, United Kingdom |
Journal scientific committee
Journal title (ISSN) | Publisher | |
---|---|---|
2024 - Current | Himalayan Society Journal: A Journal of Social Sciences | Himalayan Research Institute |
2021 - Current | The Edgar Wind Journal |
Mentoring / Tutoring
Topic | Student name | |
---|---|---|
2024/04/01 - 2024/07/01 | Pre-doctoral Researcher: Franziska Maria Urban, three months (2024). | Franziska Maria Urban |
Other jury / evaluation
Activity description | Institution / Organization | |
---|---|---|
2020 - 2020 | Premio Strega |
Scientific expedition
Activity description | Institution / Organization | |
---|---|---|
2024/10/20 - 2024/10/23 | Vienna, Austria. For the study titled: “Max Dvorák, Aby Warburg and Walter Benjamin: Geistesgeschichte or Kulturgeschichte?”, 20–23 October 2024. | |
2024/06/01 - 2024/06/05 | Orvieto and Arezzo, Italy (with pre-doctoral research fellow Franziska Maria Urban). In the ambit of the Exploratory Project: IMCS – Imagination and Memory at the Intersection of Culture and Science. For the study titled: “The Expression of Motions and Emotions in Luca Signorelli’s Fresco Cycle of San Brizio Chapel in Orvieto (1499–1504): Memory, Imagination and Einfühlung”, 1–5 June 2024. |