Curriculum Vitae
Fabio Tononi
Identificação
Identificação pessoal
- Nome completo
- Fabio Tononi
Nomes de citação
- Tononi, Fabio
Identificadores de autor
- Ciência ID
- F81D-DD26-382B
- ORCID iD
- 0000-0002-2113-0694
- Google Scholar ID
- https://scholar.google.com/citations?user=QJm7aMEAAAAJ&hl=it
- Scopus Author Id
- 57218914734
Endereços de correio eletrónico
- fabiotononi@fcsh.unl.pt (Profissional)
Domínios de atuação
- Humanidades - Filosofia, Ética e Religião - Filosofia
Idiomas
| Idioma | Conversação | Leitura | Escrita | Compreensão | Peer-review |
|---|---|---|---|---|---|
| Italiano (Idioma materno) | |||||
| Inglês | Utilizador proficiente (C2) | Utilizador proficiente (C2) | Utilizador proficiente (C2) | Utilizador proficiente (C2) | Utilizador proficiente (C2) |
Formação
| Grau | Classificação | |
|---|---|---|
|
2016/10/01 - 2021/02/28
Concluído
|
PhD (Doutoramento)
School of Advanced Study The Warburg Institute, Reino Unido
|
Percurso profissional
Cargos e Funções
| Categoria Profissional Instituição de acolhimento |
Empregador | |
|---|---|---|
| 2022/09/01 - Atual | Researcher | CHAM Centro de Humanidades, Portugal |
| CHAM Centro de Humanidades, Portugal |
Projetos
Bolsa
| Designação | Financiadores | |
|---|---|---|
| 2023/09/01 - Atual | IMCS – Imagination and Memory at the Intersection of Culture and Science
Investigador responsável
CHAM Centro de Humanidades, Portugal
|
CHAM Centro de Humanidades
Em curso
|
Produções
Publicações
| Artigo em revista |
|
| Capítulo de livro |
|
| Edição de livro |
|
| Recurso online |
|
| Revisão de livro |
|
Atividades
Apresentação oral de trabalho
| Título da apresentação | Nome do evento Anfitrião (Local do evento) |
|
|---|---|---|
| 2024/08/01 | Encounters between the Humanities and the Cognitive Neurosciences: The Role of Emotion, Imagination and Memory in Visual Imagery |
Sapienza University of Rome (Rome, Itália)
|
| 2024/04/22 | Sophocles’ Antigone: Philosophy, Politics and Psychoanalysis |
Department of Languages and Cultures, University of Aveiro (Aveiro, Portugal)
|
| 2023/12/14 | Ernst Gombrich and the Concept of ‘Ill-Defined Area’: Perception and Filling-In |
School of Social Sciences and Humanities, Faculty of Social and Human Sciences (FCSH), NOVA University of Lisbon (Lisbon, Portugal)
|
| 2023/11/02 | Worringer, Dewey, Goodman, and the Biology of Aesthetic Experience |
Department of Psychology, University of Turin, Italy (Turin, Itália)
|
| 2023/10/24 | Reading Sophocles' Antigone: Death, Burial, and Kinship |
https://different-level.com/ (Online, Reino Unido)
|
| 2023/07/12 | Byung-Chul Han's Notion of Hyperculture: Culture and Globalisation |
Centre for the Humanities (CHAM), Faculty of Social and Human Sciences (FCSH), NOVA University of Lisbon (Lisbon, Portugal)
|
| 2023/04/25 | Farewell to Postmodernism? |
https://different-level.com/ (Online, Reino Unido)
|
| 2023/04/19 | Gombrich and the Concept of ‘Ill-Defined Area’: Perception and Filling-In |
Institute of Art History, Czech Academy of Sciences, Academic Conference Center, Prague, Czech Republic (Prague, República Checa)
|
| 2023/04/03 | Gotthold Ephraim Lessing on Laocoön: Empathy, Mental Completion, and Predictive Perception |
School of Arts and Humanities, University of Lisbon (Lisbon, Portugal)
|
| 2023/03/15 | Gotthold Ephraim Lessing on Laocoön: Empathy, Mental Completion, and Predictive Perception |
https://different-level.com/ (Online, Reino Unido)
|
| 2023/02/23 | Biology of Images: Empathy, Collective Memory, and Neurophysiology |
https://different-level.com/ (Online, Reino Unido)
|
| 2023/01/19 | Success and Failure in the Representation of the Self in the Age of Social Media |
https://different-level.com/ (Online , Reino Unido)
|
| 2023/01/11 | Aby Warburg and Edgar Wind on the Biology of Images: Empathy, Collective Memory, and the Engram |
Centre for the Humanities (CHAM), Faculty of Social and Human Sciences (FCSH), NOVA University of Lisbon (Lisbon, Portugal)
|
| 2022/08/17 | Philosophy and Science: An Ontological Approach |
University of Tartu (Tartu, Estónia)
|
| 2022/07/08 | Heidegger on the Difference between Philosophy and Science |
University of St Andrews (St Andrews, Reino Unido)
|
| 2022/06/20 | Philosophy and Science: An Ontological Approach |
University of California (Irvine, Estados Unidos)
|
| 2022/04/21 | Philosophy and Science: An Ontological Approach |
Inter-University Center (Dubrovnik, Croácia)
|
| 2022/04/08 | Quantum Physics, Artificial Intelligence, and the Metaphysics of Morality |
Department of Philosophy, Siena Heights University (Adrian, Estados Unidos)
|
| 2022/02/24 | Quantum Mechanics, Cognitive Neuroscience, and the Metaphysics of Morality |
The Association for Practical and Professional Ethics (APPE) (Cincinnati, Estados Unidos)
|
| 2022/01/18 | The Transformation of Images in the Age of Modernism, Postmodernism, and Digital Reproducibility |
Faculty of Fine-Arts, University of Lisbon (Lisbon, Portugal)
|
| 2021/12/10 | Quantum Physics, Artificial Intelligence, and the Metaphysics of Morality |
Institute of Philosophy, Maria Curie-Sklodowska University in Lublin (Lublin, Polónia)
|
| 2021/11/18 | Quantum Mechanics, Cognitive Neuroscience, and the Metaphysics of Morality |
Saint-Petersburg University (Saint-Petersburg, Rússia)
|
| 2021/10/28 | Warburg, Wind, and the Concept of Kulturwissenschaft: A Remark on Imagery, Symbols, and Expression |
Italian Cultural Institute of London (London, Reino Unido)
|
| 2021/10/20 | The Transformation of Images in the Age of Modernism, Postmodernism, and Digital Reproducibility |
University of Warsaw (Warsaw, Polónia)
|
| 2021/09/22 | Aesthetic Response to the Unfinished: Immersion, Imagination and Imitation Learning |
University of Messina (Messina, Itália)
|
| 2021/09/09 | Multisensory Perception and Multimodal Mental Imagery |
University of Salzburg (Salzburg, Áustria)
|
| 2021/09/01 | Heidegger on the Difference between Philosophy and Science | Sixth Annual Conference of the Society for the Metaphysics of Science
Society for the Metaphysics of Science (Birmingham, Reino Unido)
|
| 2021/06/07 | Aesthetics, Technique and Emotion |
Università degli Studi di Milano (Milan, Itália)
|
| 2021/05/22 | The Iconography of Mourners: Lament, Corpse, and the Question of Empathy |
Humanities Research Centre, University of Warwick (Warwick, Reino Unido)
|
| 2021/04/12 | The Aesthetics of Freud: Movement, Embodied Simulation and Motor Imagery |
Jagiellonian University, Kraków (Kraków, Polónia)
|
| 2019/11/28 | A Contribution to the Study of Aesthetic Responses to the Unfinished in Renaissance Works of Art: Empathy, Imagination and Imitation Learning |
School of Advanced Study, University of London (London, Reino Unido)
|
| 2019/11/21 | The Unfinished: Terminological Problems and Aesthetic Implications |
Institute of Historical Research, School of Advanced Study, University of London (London, Reino Unido)
|
| 2019/05/30 | Andrea Mantegna and the Iconography of Mourners: Aby Warburg's Notion of Pathosformeln and the Theory of Aesthetic Response |
Center for Iconographic Studies, University of Rijeka (Rijeka, Croácia)
|
| 2019/04/12 | Intermediality and Immersion in Gaudenzio Ferrari's Adoration of the Magi in Chapel V of the Sacred Mountain of Varallo |
Royal Holloway, University of London (London, Reino Unido)
|
| 2019/03/29 | The Future of Art History: From Aby Warburg to Cognitive Neurosciences |
University of London (London, Reino Unido)
|
| 2019/02/13 | Aesthetic Response to the Unfinished: Empathy, Imagination and Observational Learning |
The Warburg Institute, School of Advanced Study, University of London (London, Reino Unido)
|
| 2018/09/06 | A Living Sculpture in the New Sacristy: A Neuroscientific Perspective on Animism |
Trinity Hall, University of Cambridge (London, Reino Unido)
|
| 2018/06/06 | The ‘Unfinished’ in the Visual Arts: Definition, Categories and Neurological Response |
The Warburg Institute (London, Reino Unido)
|
| 2018/04/11 | Beyond Vision: The Relationship between the Phenomenon of the Unfinished in the Visual Arts and the Theory of Ideas |
Royal Holloway, University of London (London, Reino Unido)
|
| 2016/03/08 | Humanism and the Making of Identity in the Fresco Cycle of the Room of the Months at Palazzo Schifanoia |
The Warburg Institute (London, Reino Unido)
|
Organização de evento
| Nome do evento Tipo de evento (Tipo de participação) |
Instituição / Organização | |
|---|---|---|
| 2023/07/12 - 2023/07/15 | VI CHAM Conference: Heritage for a Common Future / Futures for a Common Heritage (2023/07/12 - 2023/07/15)
Conferência (Coorganizador)
|
Universidade NOVA de Lisboa, Portugal |
| 2018/11/15 - 2018/11/15 | III Postgraduate Symposium of the Warburg Institute: “Mnemonic Waves” (2018 - 2018)
Conferência (Coorganizador)
|
University of London, School of Advanced Study, The Warburg Institute, Reino Unido |
Participação em evento
| Descrição da atividade Tipo de evento |
Nome do evento Instituição / Organização |
|
|---|---|---|
| 2024/10/21 - 2024/10/21 | Gombrich before and after Gombrich
Conferência
|
Technische Universität Wien Institut für Kunst und Gestaltung, Áustria
|
| 2024/08/06 - 2024/08/06 | Chair, “Aesthetics and Philosophies of Art”, XXV World Congress of Philosophy: Philosophy across Boundaries, Sapienza University of Rome, Italy, 6 August 2024. |
Università degli Studi di Roma La Sapienza, Itália
|
| 2024/04/16 - 2024/04/16 | “Edgar Wind in Oxford”. Launch of the book: Edgar Wind: Art and Embodiment, ed. by Jaynie Anderson, Bernardino Branca and Fabio Tononi, Oxford, Berlin, Bruxelles, Chennai, Lausanne, New York: Peter Lang, 2024. Launchers: Professor Peter Burke and Professor Oswyn Murray. Trinity College, Garden Room and de Jager Auditorium, University of Oxford, United Kingdom, 16 April 2024. |
University of Oxford Trinity College, Reino Unido
|
| 2023/04/20 - 2023/04/20 | Chair of a panel
Conferência
|
The Influence of the Vienna School of Art History III: Origins, Modifications and Influences of Its Theoretical Concepts
Czech Academy of Sciences, Institute of Art History, República Checa
|
Arbitragem científica em revista
| Nome da revista (ISSN) | Editora | |
|---|---|---|
| 2024 - Atual | Himalayan Society Journal: A Journal of Social Sciences | Himalayan Research Institute |
| 2021 - Atual | The Edgar Wind Journal |
Comissão de avaliação
| Descrição da atividade Tipo de assessoria |
Instituição / Organização | Entidade financiadora | |
|---|---|---|---|
| 2024/10 - 2024/10 | 34th Annual APPE International Conference
Avaliador
|
||
| 2024 - 2024 | Jury President, Jury for the selection of a predoctoral research fellowship (for IMCS – Imagination and Memory at the Intersection
of Culture and Science), Centre for the Humanities (CHAM), Faculty of Social and Human Sciences (FCSH), NOVA University of
Lisbon, 2024.
Presidente
|
Universidade NOVA de Lisboa, Portugal | |
| 2023 - 2023 | VI CHAM Conference
Avaliador
|
||
| 2023 - 2023 | 33rd Annual APPE International Conference
Avaliador
|
||
| 2018 - 2018 | III Postgraduate Symposium of the Warburg Institute
Avaliador
|
School of Advanced Study The Warburg Institute, Reino Unido |
Curso / Disciplina lecionado
| Disciplina | Curso (Tipo) | Instituição / Organização | |
|---|---|---|---|
| 2024/09 - 2025/05 | Aesthetics and Art Theory | Universidade NOVA de Lisboa, Portugal | |
| 2024/09 - 2025/05 | Philosophy of Culture: Modernism, Postmodernism and Hypermodernism | Universidade NOVA de Lisboa, Portugal | |
| 2024/08 - 2024/09 | The Philosophy of Heidegger: Being, Reason and Truth | Universidade NOVA de Lisboa, Portugal | |
| 2024/07 - 2024/08 | Sophocles’ Three Theban Plays: Philosophy, Politics and Psychoanalysis | Universidade NOVA de Lisboa, Portugal | |
| 2023/09 - 2024/05 | Introduction to Metaphysics | (Pós-Graduação) | Universidade NOVA de Lisboa, Portugal |
| 2023/09 - 2024/05 | Introduction to Aesthetics | (Pós-Graduação) | Universidade NOVA de Lisboa, Portugal |
| 2023/08 - 2023/09 | The Aesthetics of Aby Warburg | (Pós-Graduação) | Universidade NOVA de Lisboa, Portugal |
| 2023/07 - 2023/08 | Aesthetics and Experimental Aesthetics | (Pós-Graduação) | Universidade NOVA de Lisboa, Portugal |
| 2023/01 - 2023/03 | Postmodernism | (Pós-Graduação) | Universidade NOVA de Lisboa, Portugal |
| 2023/01 - 2023/03 | Philosophy, Science and the Question of Reality | (Pós-Graduação) | Universidade NOVA de Lisboa, Portugal |
Expedição científica
| Descrição da atividade | Instituição / Organização | |
|---|---|---|
| 2024/10/20 - 2024/10/23 | Vienna, Austria. For the study titled: “Max Dvorák, Aby Warburg and Walter Benjamin: Geistesgeschichte or Kulturgeschichte?”, 20–23 October 2024. | |
| 2024/06/01 - 2024/06/05 | Orvieto and Arezzo, Italy (with pre-doctoral research fellow Franziska Maria Urban). In the ambit of the Exploratory Project: IMCS – Imagination and Memory at the Intersection of Culture and Science. For the study titled: “The Expression of Motions and Emotions in Luca Signorelli’s Fresco Cycle of San Brizio Chapel in Orvieto (1499–1504): Memory, Imagination and Einfühlung”, 1–5 June 2024. |
Membro de comissão
| Descrição da atividade Tipo de participação |
Instituição / Organização | |
|---|---|---|
| 2019/01 - 2024/10 | Centre for the Study of Cultural Memory (CCM), Institute of Modern Languages Research (IMLR), School of Advanced Study (SAS),
University of London
Membro
|
School of Advanced Study Institute of Languages Cultures and Societies, Reino Unido |
Outro júri / avaliação
| Descrição da atividade | Instituição / Organização | |
|---|---|---|
| 2020 - 2020 | Premio Strega |
Revisão ad hoc de artigos em revista
| Nome da revista (ISSN) | Editora | |
|---|---|---|
| 2024 - Atual | ARBOR: Ciencia, Pensamiento y Cultura | Consejo Superior de Investigaciones Científicas |
| 2022 - Atual | ITINERA: Rivista di filosofia e teoria delle arti | |
| 2021 - Atual | Aesthetic Investigations | |
| 2021 - Atual | Journal of Comparative Literature and Aesthetics | |
| 2021 - Atual | The Journal for the Philosophy of Language, Mind and the Arts | |
| 2021 - Atual | The Journal of Aesthetics and Art Criticism | |
| 2021 - Atual | Reti, saperi, linguaggi: Italian Journal of Cognitive Sciences | Il Mulino |
| 2021 - Atual | Noûs | Wiley |
| 2021 - Atual | Erkenntnis: An International Journal of Scientific Philosophy | Springer |
| 2021 - Atual | Journal of Art Historiography | |
| 2020 - Atual | Philosophy and the Mind Sciences | |
| 2020 - Atual | The Philosophical Review | Duke University Press |
| 2020 - Atual | Mind | Oxford University Press |
| 2020 - Atual | Philosophical Psychology | |
| 2020 - Atual | Philosophy | Cambridge University Press |
| 2020 - Atual | British Journal of Aesthetics | Oxford University Press |
| 2020 - Atual | Leonardo | MIT Press |
| 2020 - Atual | Estetika: The Central European Journal of Aesthetics | |
| 2020 - Atual | Aisthesis: Pratiche, linguaggi e saperi dell’estetico | |
| 2020 - Atual | International Journal for Digital Art History | |
| 2020 - Atual | Art History: Journal of the Association for Art History | |
| 2020 - 2020 | Museological Review |
Tutoria
| Tópico | Nome do aluno | |
|---|---|---|
| 2024/04/01 - 2024/07/01 | Pre-doctoral Researcher: Franziska Maria Urban, three months (2024). | Franziska Maria Urban |